約 6,498,004 件
https://w.atwiki.jp/stones/pages/230.html
Louisiana State University, Baton Rouge, Louisiana, June 1, 1975 (1st show) ■Baton Rouge 75 (2CD) Idol Mind Productions IMP-CD 018-19 (source 1) LP Cajun Queen s Afternoon Delight ■First Night Stand (4CD/disc 1, 2) VGP-375 (source 2) ■Baton Rouge 1975 (2CDR) Sound of Satisfaction SOS-750601 ■Cajun Queen s Afternoon Delight (2CD) no credit (source 1) ■Somewhere Over the Rainbow (2CD) DAC-085 Louisiana State University, Baton Rouge, Louisiana, June 1, 1975 (2nd show) ■Whores in the Night (2CD) VGP-234 ■First Night Stand (4CD/disc 3, 4) VGP-375 Arrowhead Stadium, Kansas City, Missouri, June 6, 1975 ■Sure the One You Need (2CD) VGP-123 County Stadium, Milwaukee, Wisconsin, June 8, 1975 ■Sure the One You Need (2CD) Hard Road HR-RO5070/71 ■Sure Need Luxury (2CD) no credit Boston Garden, Boston, Massachusetts, June 11, 1975 ■Luxury in Boston (2CD) VGP-190 (source 1) ■A Fanfare for the Common Man (4CD/disc 1, 2) Screamer-05032-035 (source 2) ■Boston Tea Party 1975 (6CD/disc 1, 2) VGP-334 (source 2) Boston Garden, Boston, Massachusetts, June 12, 1975 ■Tour of the Americas 75 / Boston June 12, 75 (8CD/disc 1, 2) RS 01-02 ■A Fanfare for the Common Man (4CD/disc 3, 4) Screamer-05032-035 ■Boston Tea Party 1975 (6CD/disc 3, 4) VGP-334 ■Tour of the Americas 1975 (2CD) The Godfather Records G.R.244/245 Municipal Stadium, Cleveland, Ohio, June 14, 1975 ■Boston Tea Party 1975 (6CD/disc 5, 6) VGP-334 Memorial Auditorium, Buffalo, New York, June 15, 1975 (Soundboard Recording) ■Hot as Hell (1CD/10 tracks) 75-HH-90581 ■Buffalo 1975 (1CD) no credit ■Hearbreakers in Buffalo 1975 (1CD/13 tracks) VGP-028 ■Hottest in Hell (1CD) Shaved Disc TSD 013 Maple Leaf Gardens, Toronto, Ontario, Canada, June 17, 1975 ■Luxury in Toronto (2CD) King Snake Records KS-005-2CD (vinyl) A copy of LP Luxury Toronto ■Toronto (2CD) Outsider Bird Records OBR 93 CD 001 ■Luxury in Toronto (2CD) VGP-267 Madison Square Garden, New York City, New York, June 22, 1975 ■Tour of the Americas 75 / New York M.S.G. June 22, 75 (8CD/disc 3, 4) RS 03-04 (source 1) ■M.S.G. 75 with Eric Clapton (1CD/11 Tracks) VGP-029 ■Devil (2CD) Mid Valley 057/058 (source 1) ■Eric Clapton His Rolling Stones (2CD) VGP-315 (source 1) ■Sympathy for Slowhand (2CD) DAC-075 (source 2) Madison Square Garden, New York City, New York, June 23, 1975 ■Cherry Oh Baby (2CD) VGP-310 ■Cherry Oh Baby (2CDR) Coast To Coast C2C 23 Madison Square Garden, New York City, New York, June 24, 1975 ■I Can Sing Lady Jane (2CD) VGP-305 Madison Square Garden, New York City, New York, June 25, 1975 ■Tour of the Americas 75 / New York M.S.G. June 25, 75 (8CD/disc 5, 6) RS 05-06 ■Wizards from New York (2CD) DAC-061 Madison Square Garden, New York City, New York, June 26, 1975 ■Welcome Back to New York (1CD/9 tracks) VGP-039 Madison Square Garden, New York City, New York, June 27, 1975 ■Preserve For Future (1CD) Nothern Rec.1501 (VGP-013) (source 2) ■Discover New York (1CD) Nothern Rec.1502 (VGP-014) (source 2) ■Welcome Back to New York 1975 (1CD) Golden Stars LACD 1036 (source 2) ■6 Nights in the Garden (1CD) Sugarcane Records SC 52008 ■Hold On Tight (2CD) HOT-1/2 (source 2) ■Hold On Tight (3CD) VGP-255 (source 2) ■Tour of the Americas 75 (3CDR) Sister Morphine Records MORPH 51 ■The Original Hold On Tight (2CD) no credit (source 1)■Hold On Tight (3CD) DAC-083 (source 1) Inglewood Forum, Los Angeles, California, July 9, 1975 ■L.A. Opening Night 1975 (2CD) Totonka CD PRO 17/18 ■Live at L.A. Forum July 9, 1975 (2CD) Screamer-04008/009 ■Whorses, Cocaine a Bottle of Jack (8CD/Set 1/disc 1, 2) Empress Valley EVSD 43-50 ■L.A. Fog (2CD) VGP-277 ■Love You Live Los Angeles (2CD) DAC-049 ■Welcome to Chinese Restrant (2CD) SODD 023/24 Inglewood Forum, Los Angeles, California, July 10, 1975 ■The Complete LA Friday Tapes (4CD/disc 1, 2) Dandelion DL 036/37/38/39 ■1975 Nervous Breakdown (2CD) VGP-302 Inglewood Forum, Los Angeles, California, July 11, 1975 ■American Tour 1975 (2CD) Idol Mind Productions IMP RSLA-0075-01/02 ■The Romantic Part of the Rolling Stones (2CD) Fan 4 Fan ■Whorses, Cocaine a Bottle of Jack (8CD/Set 1/disc 3, 4) Empress Valley EVSD 43-50 ■Lost Millard Masters (6CD/disc 1, 2) VGP-340 remastered gold CD limited edition Inglewood Forum, Los Angeles, California, July 11, 1975 (Soundboard Recording) ■Live at L.A. Forum 1975 (2CD) Dr.Gig DGCD-001-2 ■Rockin at the Forum (2CD) Big Music BIG 044/045■L.A. Connection (2CD) VGP-085 1st-issue ■L.A. Connection (2CD) VGP-085 2nd-issue Inglewood Forum, Los Angeles, California, July 12, 1975 ■Whorses, Cocaine a Bottle of Jack (8CD/Set 2/disc 1) Empress Valley EVSD 43-50 ■Lost Millard Masters (6CD/disc 3, 4) VGP-340 remastered gold CD limited edition Inglewood Forum, Los Angeles, California, July 13, 1975 ■1975 Tour of the Americas Part 1 (1CD) Dragoman DCD-003 ■1975 Tour of the Americas Part 2 (1CD) Dragoman DCD-007 ■Starfuckers (1CD) Flashback World Productions Flashback 04.90.0119 ■1975 Tour of the Americas (2CD) VGP-284 ■I Never Talked to Chuck Berry (Part 1) (1CD) Silver Rarities SIRA-CD 10 ■I Never Talked to Chuck Berry (Part 2) (1CD) Silver Rarities SIRA-CD 11 ■L.A. Forum 75 (2CD) Idol Mind Productions IMP-CD 026-27 ■Who Went to Church this Sunday (2CD) VGP-082 1st-issue remastered gold CD limited edition ■The Complete LA Friday Tapes (4CD/disc 3, 4) Dandelion DL 036/37/38/39 ■Fanfare for the Bootleg Man (3CD) Tarantura TCDRS-4-1,2,3 ■If You Can t Rock Me (2CD) Stones of Fire SOF 9005 ■L.A. Sunday 75 (2CDR) Sister Morphine Records MORPH 44 ■Whorses, Cocaine a Bottle of Jack (8CD/Set 2/disc 2, 3, 4) Empress Valley EVSD 43-50 ■Lost Millard Masters (6CD/disc 5, 6) VGP-340 remastered gold CD limited edition ■Who Went to Church this Sunday (2CD) VGP-082 remastered gold CD limited edition Cow Palace, San Francisco, California, July 15, 1975 ■The Complete Cow Palace Tape 1975 (4CD/disc 1, 2) Idol Mind Productions IMP-CD 045-48 ■The Rock n Roll Show (2CD) Stones of Fire SOF 8003 ■It s Only Rock n Roll Part-One (1CD) TOTA-1975-1 (VGP-036) 1st-issue ■It s Only Rock n Roll Part-Two (1CD) TOTA-1975-2 (VGP-037) 1st-issue ■It s Only Rock n Roll (2CD) VGP-036/37 remastered Cow Palace, San Francisco, California, July 16, 1975 ■Tour of the Americas 75 (2CD) Digger Production DP 9301/9302 ■The Complete Cow Palace Tape 1975 (4CD/disc 3, 4) Idol Mind Productions IMP-CD 045-48 ■Never End (2CD) Stones of Fire SOF 8004 Center Coliseum, Seattle, Washington, July 18, 1975 ■Tour of the Americas 75 / Seattle Coliseum, July 18, 75 (8CD/disc 7, 8) RS 07-08 ■Seattle 1975 (2CD) Risk Disc 011 ■Rockin the Coliseum (2CD) Exile Original Masters EXM-003AB ■A Live in Seattle (2CD) DAC-062 ■Seattle Coliseum 75 (2CD) SODD 030/31 Hughes Stadium, Fort Collins, Colorado, July 19, 1975 ■I m Working So Hard (2CD) Black Light BL 2002/2003 ■More Rock from Elton (2CD) VGP-275 ■Cut the Crap... (2CDR) Coast 2 Coast C2C 19 Chicago Stadium, Chicago, Illinois, July 23, 1975 ■American Compendium (1CD/9 tracks) VGP-126 Chicago Stadium, Chicago, Illinois, July 24, 1975 ■Sad Songs is All I Know (2CD) VGP-262 ■Too Busy Working (2CDR) Coast 2 Coast C2C 16 Cobo Hall, Detroit, Michigan, July 28, 1975 (Soundboard Recording)■Rock n Roll Goes on the Road Again (2CD) Hot Lips Records HLR-RS 006/07 ■Can t Forget the Motor City (2CDR) 8226 2136 1246 ■Detroit Rock City 1975 (2CD) Stone Crazy SC 003 ■Hear the Whistle Blowin (2CD) VGP-268 ■A Stone in My Shoe (2CD) VGP-368 Gator Bowl, Jacksonville, Florida, August 2, 1975 ■A Tour de Forth (2CD) VGP-137 Freedom Hall, Louisville, Kentucky, August 4, 1975 ■Freedom Hall Coliseum 1975 (2CDR) One Handred Club OHC-013 Hampton Coliseum, Hampton Roads, Virginia, August 6, 1975 ■One Before the Last (2CD) Exile EXCD-005/6 Rich Stadium, Buffalo, New York, August 8, 1975 ■Sad Songs is All I Know (2CD) Morganfield MG-005-1-2 ■Goodnight America (2CD) VGP-239 Compilation ■We Hope Ya Like Dis One (1CD) VGP-235 (SBD) June 17, July 2, 1975 ■Any Port in a Storm Revisited (2CD) VGP-308, June 1, August 2, 4, 1975 ■100% Odd Lods or The Best of the Rest (1CD) VGP-026, May 1, 1975 ■The Missing Jewels (4CD) Rattle Snake RS 025/26/27/28 BACK / NEXT
https://w.atwiki.jp/d4linux/pages/14.html
カーネル・カーネルモジュールのリビルド カーネル・カーネルモジュールのリビルド より小さいカーネルを 最新 ALSA ソースのマージ カーネルの再構築(ws016sh フレーバー)必要なパッケージを導入する カーネルソースを取得 フレーバーの作成 ビルド カーネルモジュールの再構築(ws016sh フレーバー)必要なパッケージを導入する カーネルモジュールのソースを取得 フレーバーの作成 debian/config/i386 ファイルを修正する。 ビルド カーネルの再構築(generic フレーバーのカスタマイズ)必要なパッケージを導入する カーネルソースを取得 ソースの修正 ビルド カーネルモジュールの再構築(generic フレーバーのカスタマイズ)必要なパッケージを導入する カーネルモジュールのソースを取得 debian/config/i386 ファイルを修正する。 ビルド メモ参考サイト 作業記録 現状の Ubuntu Hardy では、D4 の動作に必要な、psb,drm カーネルドライバと、無線用の SD8686 のドライバが組み込まれていない。これは、カーネルドライバの再構築で作れる。手順は以下の通り。 より小さいカーネルを 参考サイト http //andreas.goelzer.de/kernel-config-based-on-lsmod-output http //wiki.linuxquestions.org/wiki/Configuring_linux_kernel 最新 ALSA ソースのマージ http //d.hatena.ne.jp/kakurasan/20070629/p1 ここを参考にして、カーネルソースに ALSA ソースをマージしていく。（やり直したら成功したので前回の記事は消去）。 cd linux-2.6.24-custom/ mkdir ../alsa-driver-1.0.19/tmp mv Documentation/sound/alsa/ Documentation/sound/alsa.old mv include/sound/ include/sound.old mv sound/ sound.old mv ../alsa-driver-1.0.19/alsa-kernel/Documentation/ Documentation/sound/alsa mv ../alsa-driver-1.0.19/alsa-kernel/include/ include/sound mv ../alsa-driver-1.0.19/alsa-kernel/oss/ ../alsa-driver-1.0.19/alsa-kernel/scripts/ ../alsa-driver-1.0.19/tmp/ mv ../alsa-driver-1.0.19/alsa-kernel/ sound mv sound.old/oss/ sound 一応マージ完了。あとは、カーネルソースの include/sound/version.h を以下のように修正 $ cat include/sound/version.h /* include/version.h */ #define CONFIG_SND_VERSION "1.0.19" #define CONFIG_SND_DATE "(Mon Jun 19 20 22 00 2009 UTC)" 続いて、いよいよビルド。 debian/rules updateconfigs 全部、デフォルト値（Enter）で切り抜ける。 fakeroot debian/rules binary-ws016sh でけたー。でもしかし、これでブートするだけではダメらしい。dmesg に色々エラーが記録されていて、デバイスの初期化に失敗しているような・・・。実績のある 1.0.18a あたりで試すべきだったか。大量の Unknown symbol のエラーと、snd disagrees about version of symbol sound_class だそうな。(カーネルモジュールとカーネルとのバージョンの整合が取れていないらしい(http //blog.mnsoft.net/murmur/archives/2007/03/disagrees_about.html http //lists.atmark-techno.com/pipermail/armadillo/2007-November/002370.html)。現状では、マージしたALSA のコードはモジュールとしては生成されていなくて、LUM 側のモジュールの読み込み時にエラーが出ているよう。何のバージョンと何のバージョンとが不整合なのだろう？ カーネルの再構築(ws016sh フレーバー) カーネルソースを修正して、既存のパッケージとは異なるパッケージでカーネルパッケージを作る。 必要なパッケージを導入する sudo aptitude install dpkg-dev fakeroot debhelper sudo aptitude install linux-kernel-devel devscripts libncurses5-dev ccache カーネルソースを取得 apt-get source linux-image-2.6.24-22-generic フレーバーの作成 以下のページに新たなフレーバーを追加する方法がかかれているのでそれにしたがって ws016sh フレーバーを追加した。 http //blog.avirtualhome.com/2008/10/28/how-to-compile-a-custom-kernel-for-ubuntu-intrepid-using-git/ ※debian/control debian/control.stub ファイル内のヘッダパッケージの定義で同バージョンのカーネルヘッダへの依存関係があったのを削除（→しちゃだめ） ビルド fakeroot debian/rules binary-ws016sh カーネルモジュールの再構築(ws016sh フレーバー) あらかじめ上で作成した ws016sh フレーバーのカーネルヘッダをインストールしておく。 dpkg -i linux-headers-2.6.24-22-ws016sh_2.6.24-22.45_i386.deb 必要なパッケージを導入する sudo aptitude install dpkg-dev fakeroot debhelper カーネルモジュールのソースを取得 apt-get source linux-ubuntu-modules-2.6.24-22-generic フレーバーの作成 http //blog.avirtualhome.com/2008/10/28/how-to-compile-a-custom-kernel-for-ubuntu-intrepid-using-git/ の記載に習って、以下のファイルを修正した。 debian/rules.d/i386.mk debian/control debian/control.stub debian/config/i386 ファイルを修正する。 CONFIG_DRM_PSB=m CONFIG_MMC_SD8686=m CONFIG_MMC_SD8688=m の２行を追加 ビルド fakeroot debian/rules binary-modules-ws016sh ※これでライブＣＤを作ろうとしたら、カーネルヘッダパッケージが依存関係の問題でインストールできなかった。 カーネルの再構築(generic フレーバーのカスタマイズ) 必要なパッケージを導入する sudo aptitude install dpkg-dev fakeroot debhelper sudo aptitude install linux-kernel-devel devscripts libncurses5-dev ccache カーネルソースを取得 apt-get source linux-image-2.6.24-19-generic ソースの修正 driver/usb/serial/pl2303.h driver/usb/serial/pl2303.c を修正した。 ビルド fakeroot debian/rules binary-generic カーネルモジュールの再構築(generic フレーバーのカスタマイズ) 必要なパッケージを導入する sudo aptitude install dpkg-dev fakeroot debhelper カーネルモジュールのソースを取得 apt-get source linux-ubuntu-modules-2.6.24-19-generic debian/config/i386 ファイルを修正する。 CONFIG_DRM_PSB=m CONFIG_MMC_SD8686=m CONFIG_MMC_SD8688=m の２行を追加 ビルド fakeroot debian/rules binary-modules-generic メモ 参考サイト http //https..wiki.ubuntu.com/KernelMaintenance#head-ef6ca858b4b97c1ad30639e34d92abb11ef37cf8 http //jody.sci.hokudai.ac.jp/~ike/blog/2007/06/kernelubuntu.html http //https..help.ubuntu.com/community/Kernel/Compile http //blog.avirtualhome.com/2008/10/28/how-to-compile-a-custom-kernel-for-ubuntu-intrepid-using-git/ http //blog.avirtualhome.com/2008/10/31/compiling-a-new-release-of-the-ubuntu-intrepid-kernel-using-git/ 作業記録 カーネルモジュールの構築ログ 14 sudo aptitude install dpkg-dev fakeroot debhelper 15 apt-get source linux-ubuntu-modules-2.6.24-19-generic 17 cd linux-ubuntu-modules-2.6.24-2.6.24/ 18 vi debian/config/i386 19 fakeroot debian/urles binary-modules-generic カーネルの構築 36 apt-get source linux-image-2.6.24-19-generic 38 cd linux-2.6.24/ 42 sudo aptitude install linux-kernel-devel devscripts libncurses5-dev ccache 46 fakeroot debian/rules binary-generic
https://w.atwiki.jp/warband/pages/688.html
ip_morale|Morale ip_morale_text|Morale represents the ability and willingness of the troops in a party to summon up the endurance, bravery, and discipline they need to face the stresses of battle and the march. It is not the same thing as the troops' happiness. Elite troops may grumble and whine about the hardships of campaigning -- but then stand together as one when the arrows start to fly. On the other hand, a commander who gives his men everything they want may find that they grow soft, and waiver before the enemy's charge.^^Morale's greatest impact is on a party's behaviour in battle, determining how aggressively troops engage the enemy, and how likely they are to break and run if they perceive the tide of battle turning against them. Morale also affects a party's march speed, as a less motivated party will move more slowly, as the men are not pushing themselves to their physical limit, and pause more frequently, as it waits for stragglers to catch up. Finally, a party with very low morale will start to suffer desertions.^^Some factors that affect morale are intuitive. For example, a charismatic commander with a reputation for winning battles can infuse his or her men with a sense of confidence. Leaders who give their men well ample and varied supplies of food, and pay them on time, demonstrate that they care about their troops' welfare, and are less likely to lead them into disaster.^^Other factors are less intuitive -- particularly those related to a party's sense of group cohesion. In a small tight-knit party, for example, men will often fight hard against daunting odds to avoid showing cowardice before their comrades-in-arms. A large party on the other hand may see its cohesion strained, as the commander has less time to supervise the men, listen to their grievances, and resolve their disputes. Frequent battles will strengthen the bonds between men, while long periods without combat will see the troops become bored and quarrelsome.^^The morale report, accessibly by hitting the 'reports' button will give the player a sense of the factors affecting his or her men's morale. ip_economy|Economy ip_economy_text|Towns and villages in Westeros and Essos need a wide variety of goods for their populations to remain healthy and productive. First in importance is food. Grain is the staple crop of Westeros and Essos, but people also need fat and protein in the form of meat, fish, or cheese. It takes almost as much work to preserve meat as to produce it in the first place, so salt is also in high demand. After food comes clothing heavy wool, lighter linens, or luxurious velvet. Finally, people need the tools of their trade ironware, pottery, leather-ware, and, of course, arms, armour, and horses for war.^^Most agricultural products are produced in the villages, while artisans in the towns specialize in manufactured or artisan goods like fabrics or ironware. Also, different resources can be found in different parts of the country. Consequently, the key to prosperity in Westeros and Essos is trade -- both between the villages and the towns, and between the major towns themselves.^^When trade flows, goods will be available and affordable, the population of a centre will be healthy and energetic, and migrants will flock from the nearby regions. The centre will produce more, consume more, and be able to contribute more in taxes to their lords. When trade dries up, towns and villages will see their workers flee to seek work elsewhere, and economic activity will drift to a stand-still. Thus, it is in the interests of rulers to protect trade routes from the hazards of war and banditry. A smart merchant, however, may want to seek out towns which have become isolated from the rest of the land, as he or she may be able to turn a tidy profit from the resulting price imbalances.^^Because villagers usually plan to take their goods to market in towns, village markets will be rather quiet places, and villagers will buy cheap and sell dear. Serious merchants will stick to the towns to make a profit, although some parties may decide to make a quick stop in a village to acquire supplies.^^A player who wants to know about the factors affecting a region's prosperity can speak to the guildmaster of the local town. Other information can be gleaned from passers-by, although they might not know very much outside of their own particular trade. ip_courtship|Courtship ip_courtship_text|You may wish to marry into one of Westeros and Essos' noble families. Marriage is not necessary for someone to rise in power and stature, but it does provide them with an opportunity to improve their relation with lords and establish a claim to the throne.^^Marriage requirements will be different for males and females. A male character will usually need to pursue a traditional path of courtship. He should establish a reputation in aristocratic society, get on good terms with his bride's parents or guardians, and then woo the lady according to local custom. If a player grows impatient, he may attempt to take a short cut -- but there will be consequences in his relations with other lords.^^A male character should keep in mind that other lords will be competing with him for the affections of the kingdom's ladies. Also, a lady's tastes are unpredictable, and a player may also find that the object of his love does not love him in return. Romance, in Westeros and Essos as elsewhere, does not always prosper. Of course, a player may resort to other, less gentlemanly means of winning a lady's heart, but again, that will have a serious impact on his reputation.^^To get started on the path of courtship, a male player should try to get involved in the social life of aristocracy, attending feasts and tournaments. Also, wandering troubadours and poets can serve as a useful repository of information on courtship, and keep the player up to date about the latest gossip.^^Female characters can also marry -- but they should keep in mind that Westerosi society is very traditional, and, as adventurers, they have chosen a very unconventional path for a woman. A female character may have to look for a while to find a lord who is open-minded enough to marry her.^^On the bright side, a female character does not have to go through the elaborate rituals of courtship, and she also may gain more from a marriage than her male counterpart. For a woman adventurer, marriage can be a quick path to power -- and an unscrupulous character may be able to use her husband as a tool of her political ambitions. ip_politics|Politics ip_politics_text|The continents of Westeros and Essos, although they represent different cultures, all adhere to the same basic political system feudalism. Feudalism is based on the relationships between individuals the oaths of loyalty given by a vassal to his or her liege. In exchange for this oath, the vassal will usually receive a fief, a parcel of land whose income will be used by the vassal to raise troops to support the liege in time of war. A liege also has an obligation to protect his vassals, and to treat them justly.^^This is how it works in theory, anyway. In practice, vassals will not always work in their factions' interests, particular as they are often quarrelling with one another. Nobles have different personalities, and sometimes those personalities clash. Or, perhaps two nobles were once friends, but fell out over in the aftermath of a setback or a defeat -- or because they both were wooing the same lady. Jealousies will also surface as they vie for the favour of the king -- perhaps over newly conquered lands, or over who will be given the coveted office of marshal, the lord in charge of organizing large-scale campaigns.^^When one realm in Westeros and Essos makes war on another, the political unity of the each kingdom is as important as the quality or number of its soldiers in determining the outcome. In a cohesive kingdom, nobles will join together in a large force to sweep their opponents before them. In a kingdom divided by petty quarrels, lords will fail to respond to the marshal's summons, or drift away to attend to their own business if a campaign is not going well. A faction's political cohesion will also impact warfare when campaigns are not in progress. In a divided faction, lords will be less likely to join together on raids and patrols, and come to each other's defence.^^If it seems self-defeating for nobles to bicker and quarrel when the enemy is just over the horizon, keep this in mind -- ultimately, a nobles loyalty goes not to a particular faction or culture, but to himself and to his family. If a noble fears that his faction is collapsing, or if he is being neglected by his liege, he can usually find a reason to withdraw his oath of allegiance, and change sides. Players should keep this in mind, as they may find that there are opportunities to turn discontented former enemies into allies. ip_character_backgrounds|Character Backgrounds ip_character_backgrounds_text|A player character in Westeros and Essos may choose to come from a variety of social backgrounds. This choice will affect not just his or her starting skills and equipment, but also the course of his or her career as an adventurer.^^War and politics in Westeros and Essos are traditionally dominated by male aristocrats. A nobleman player character may find that he is invited into this 'old boys' club' fairly quickly, but women and commoners may face a few extra hurdles on the way. If you choose to start the game as a male nobleman, you can think of it as the 'easy' setting. Starting as a noblewoman or a male commoner is somewhat more difficult, and starting as a female commoner is probably the most challenging way to begin a game.^^However, women have some starting advantages. Simply by taking up arms, a female warrior will draw attention to herself, and she may find that she can build up her reputation faster than a male. Also, it is traditionally easier for a woman to marry up the social ladder than it is for a man, and a woman may find she can gain more from a strategic marital alliance than her male counterpart.^^Finally, keep in mind that the game does not place any limits on the upward mobility of characters based on their background. Noble or common, male or female, married or unmarried -- anyone can rise to become ruler of all Westeros and Essos, if they are sufficiently brave, lucky, or resourceful. ip_military_campaigns|Military Campaigns ip_military_campaigns_text|When kingdoms in Westeros and Essos go to war, their armies have two basic offensive options. They can try to attack villages and lay waste to the countryside, damaging their enemy's prestige and economy. Or, they can try to seize and hold castles or towns, taking territory This second option can involve long, bloody sieges, but will yield more decisive results.^^It is important to note that the realms of Westeros and most of Essos do not field standing armies, which remain in the field as long as the ruler desires. Rather, these realms are protected by feudal levies comprised of the major nobles and their individual retinues. Sometimes, these nobles launch their own private attacks into enemy territory, but the most decisive events will usually take place when the great hosts are assembled. The kingdom's marshal, a noble appointed by the king, will summon the host before the campaign and lead them out to battle. However, he should be careful not to keep them in the field too long. Otherwise, the host will begin to disintegrate, as the vassals drift off to pursue their own business, and the army will be vulnerable to a counter-attack.^^For this reason, the rhythm of wars in Westeros and Essos often resemble the rhythm of a duel between two individual combatants. One side will gather its strength and seek to land a blow against the enemy's territory. If the marshal spends too little time gathering the vassals, he may not be able to do any real damage. If he spends too much time, then the campaign may end before it has even begun. A large realm will have an advantage over a smaller one, just as a brawny combatant has an edge over a smaller foe, but a realm's political cohesion can also be a factor, just as a fighter with great stamina can outlast her opponent. Sometimes, the armies of two realms will meet head on, resulting in a major battle in which both numbers and morale will decide the outcome.^^Kingdoms will have imperfect intelligence about their enemies. Attacking lords will need to frequently scout enemy territory to determine which fortresses may be vulnerable. An army defending its homeland will benefit from the alarms raised by castles and towns, which broadcast intelligence about enemy movements in the area. Such intelligence will be imprecise, however, particularly when it comes to numbers. A defending force which sets out to raise a siege or rescue a village may be able to overwhelm an unprepared attacker -- or it may miscalculate, and find that it is the one to be overwhelmed. Attackers, in turn, must be careful how far they advance into enemy territory, with aggressive marshals venturing further than cautious ones.^^Players will be expected to join in their faction's military campaign, either by joining the host, or by scouting ahead into enemy territory. Some players may find that their realm's marshal is too cautious, or too aggressive, for their tastes. In this case, they can intrigue with other lords to try to replace the marshal, or build support to become the marshal themselves.^^Most wars are of limited duration. A king who goes to war will, for the sake of honour, feel obligated to pursue the conflict for a short while. However, unless he is soundly beating his enemy. he may soon start looking for a way out of the conflict, lest he leave himself vulnerable to an attack by a third party. Westeros and Essos rulers are keenly aware that today's ally may be tomorrow's enemy, and vice versa. ip_prisioner_system|Prisoner System ip_prisioner_system_text|The skill 'prisoner management' has been removed from A World of Ice and Fire, as it seems unrealistic to manage the number of prisoners in terms of a skill. In A World of Ice and Fire the number of prisoners that the player can have depends on the size of his/her army. That is, the more troops able to keep guard, the more prisoners it can carry. ip_ambush|Ambush ip_ambush_text|The ambushing skill allows you to set up ambushes.^ From the camp game menu, choose to set up an ambush. You will be told the current nature of your ambush, and if you are attacked, you will have the choice to launch the ambush.^ Ambushes can have devastating positive or negative effects. ip_sneaking|Sneaking ip_sneaking_text|The sneaking skill allows you to sneak. From the camp game menu, choose to sneak. Sneaking will reduce your speed.^^However, if you are the attacker, you might have, according to you sneaking check, some combat bonus (but not as great as you would have for an ambush). ip_entrenchment|Camp Entrenchment ip_entrenchment_text|When your army sets up camp for the night, you are given the option to entrench your camp site. An entrenched camp site is a temporarily fortified position using terrain and pickets as a defensive barrier. Armies composed mostly of cavalry units will get little benefit from entrenching. Armies comprised mostly of foot soldiers will find that entrenchment will give them a significant advantage over cavalry units. Soldiers very much dislike digging holes and planting pickets, so you will suffer a small morale penalty when choosing this option.^^If you choose not to entrench your camp site, you will be at a disadvantage if attacked while camping. Your camp may be over run and plundered. Items in your inventory may be looted or destroyed in the battle. An entrenchment that has not been over run receives the benefit of multiple ammunition reloads for the troops. A normal camp site gets no such benefit.^^In order to entrench your position you will need tools, time, and skill. Tools can be purchased at many of the towns within the Known World, and one set must be in your inventory in order to entrench. The time required to entrench is based upon the number of soldiers in your army and your parties skill in engineering. A small band of warriors with no skill in engineering will take days to entrench a camp site. An army of 30 or more with a few points in engineering can accomplish this in just a few hours.^^When you complete the entrenchment, a circle of pickets will surround your camp. This entrenchment will remain in place for approximately three days after leaving the entrenchment. You can leave and return to the entrenchment during this time without having to do any more digging or planting of pickets, thus avoiding any morale penalty. This makes an entrenched site an excellent base of operations for sieges or incursions into enemy territory. ip_siege_warfare|Siege Warfare ip_siege_warfare_text| One of the things missed in Warband was completely realistic siege warfare. A World of Ice and Fire exploits this to the fullest. Now when the player besieges a settlement two paths can be taken to subjugate the place by debilitation (hunger, diseases ...) and by assault.^^In the first case, the player's mission is to encircle the settlement (you need 200 or more men) and prevent it from receiving supplies or reinforcements. At the same time various actions can be performed to undermine morale, spread disease or destroy food reserves of the settlement. This type of action will take longer, but also prevent a large number of casualties.^^In the second case direct action is taken, provided assault equipment is available (ladders, battering ram, ramps, mantlets ...) or offensive actions (wearing down the defenders, burning their houses and walls ...). This is when the player feels ready to launch a full-scale assault to conquer the settlement. This type of action has the advantage that the place can be vanquished in a short amount of time, but usually at a very high cost of lives.^^In addition to the above, a new system of assault involving both types of siege tactics is also available. When the settlement has a port, the player may equip a fleet and block the port. The player can then choose to continue the siege until the surrender by debilitation, or lead an assault by sea.^^The complexity and characteristics of the new siege system is long, and the best thing is to discover and develop strategies for yourself. Welcome to Realistic Siege Warfare. ip_sea_travel|Sea Travel ip_sea_travel_text|Ferries at various harbours on the world map transport your party between two stations. While this is cheap when your party is small, it becomes more expensive with party size.^^To travel longer distances on the sea, one may travel from one port town to another. This can be initiated from the town menu or by talking to the shipwright in the port part of the town scene. Similar to ferries, this service becomes more expensive with party size.^^Once you have your own ship, you may embark from the port it is in by clicking on 'Sail from port' in the town menu. You will return to the map, but this time at sea on your ship. Sea travel then works much like land travel.^^There are two different ways to get back on land. You can either click on a port or use a landing point. To find a landing point, travel closely along the coast or right click on your party and select 'find closest landing point.' As with ports, click on the landing point to disembark. In either case, your ships will remain at the position where you landed.^^If your party's size is greater than the capacity of your ships, you won't be able to embark. In this case, you can establish troop quarters (Camp menu) at your current position and another troop quarters at your target position, then transport your army step by step between both quarters.^^When travelling by sea on the campaign map, you can always check the current weather. After clicking on the 'Camp' button, current conditions are shown on the left side. If the weather conditions change, you will be notified by a message in the lower left corner of the screen.^^On the one hand, windy weather is good for the speed of your ships on the campaign map and in sea battles. On the other hand, the chance that it will damage your ships also increases. Damage worsens the condition of a ship, slowing it or even destroying when the condition reaches 'Dangerous.' You may check the conditions of your ships by clicking on 'Camp' and then on 'Fleet.'^^Finally, the weather also determines the behaviour of ships in battle. This can always be checked beforehand by clicking 'Camp' and then on 'Check location.'^^Sea travel is dangerous and can lower the morale of your troops. When this happens, you will be notified by a message. Troops especially dislike spending the night on the water. Therefore, consider plotting your route to make landfall by night. If morale on the sea gets too low, troops may mutiny. This ca be somewhat reversed if the player chooses Ironborn as his culture when he created his character.^^Some troops like Sailors and certain Ironborn troops are experienced seamen and will increase the travel speed of your ships on the campaign map. You can check the effect on the left side of the camp menu.^^If there is more than one ship in your fleet, the speed of the fleet is determined by its slowest ship. However, as soon as you have more than one ship in your fleet, you can split the fleet. To do so, travel close to a shore. Then click on 'Camp', 'Fleet' and finally on 'Leave ship at shore' to leave the slower ship(s) there. To bring ships together again, one needs to bring them all to a port. To get a overview of all your ships at their location, click on 'Character' and then on 'Ships.' ip_sea_battle|Sea Battle ip_sea_battle_text|At some point after starting to travel on the sea, you will participate in a naval battle.^^First of all, you need to know how to control your ship. You can give the command to row forward, fast forward, backwards, or stay. The up and down arrow keys switch between these commands. You can also give the command to go straight, starboard, hard starboard, port or hard port. The left and right arrow keys switch between these commands.^^Current commands are represented by arrows around the representation of your ship in the upper right corner. Press Enter to set the sail and Backspace to get a tactical view of the scene. Try these commands to get a feeling for steering a ship and the effect of the wind.^^As soon as you get close enough to an enemy ship, boarding will commence. The ships are lashed together and the fight starts.^If you are lucky, you may capture the enemy flagship after winning the fight.^^In a sea battle where you have several ships, you can give a 'stand ground' or 'charge' command to your ships, which are assigned to the ninth 'division.' The first troops in your army list will be together with you on the flagship. The other troops will be in the remaining ships. One can change one's flagship in a port or while camping on the sea.^^With a reasonably large fleet, one may attack towns from their sea sides. To do so, simply click on the enemy port town and you will have option to attack it once you reach it without first disembarking. ip_ship_info|Ships ip_ship_info_text|Sooner or later, you'll want to invest in a ship. There are several reasons to do this. Over the long term, it is the cheapest form of sea travel. It gives you complete freedom in movement on the sea. It opens new opportunities for trading and raiding.^^On the other hand, there are downsides. First of all, a ship is expensive, and you will have to save up some money to afford one. Furthermore, a ship can carry only a limited amount of troops.^^Another important consideration is speed. With a faster ship, you will more successfully catch or flee from other ships. The speed of a ship is determined by its type and condition.^^Finally the wood used for ship construction affects its durability. While ships made of oak wood are very durable, ships made of Ash wood need to be repaired more often.^^When you feel ready to buy a ship, click on 'See the ships' in the town menu of a port town or talk to the shipwright. Port towns can have up to three ships for sale, but sometimes none are available. The type and amount of ships offered changes over time. To see your ship, you can click on 'See the ships' in the town menu or walk to its pier.^^In a port, one may customize the sail of a ship or paint any ship made of oak. There is one special sail which is reserved for the ships of the player. It can be changed with a dedicated graphic editor. For further information, see the 'Your Custom Sails' folder among the files of this mod.^^Once you have a ship, the shipwright will interact with you in a different way and won't hesitate to offer advice. Shipwrights also offer to custom build ships. Better ships may require special materials that you will need to obtain and bring with you. Better ships also require more time for their construction and the more talented shipwrights in Ironborn ports. The first seven ships you have built can be named freely in the ship customization menu.^ ip_wounds|Wounds ip_wounds_text|The player may receive specific, debilitating wounds in battle. Maesters in larger towns will treat these wounds for a price, after which they will heal within a few days. Any negative effects will then be removed.^^If a wound is not treated after some time, it will change to a scar, and the negative effects will then become permanent. ip_skills|Skills and Attributes ip_skills_text|When creating or developing a character in A World of Ice and Fire, one has to pay attention to the many skills and attributes. Skills like persuasion and leadership are essential for trading, wages, lord and lady interaction, and forced conversion. Attributes such as intelligence and charisma are also essential in these activities, but will also affect your ability to marry or lead people.^^There are three important skills for the sea 'Sailing Master,' 'Navigation' and 'Looting.'^^One's Sailing Master level determines the amount of ships one can command. Level one allows up to two ships. Seven ships are the maximum at the Sailing Master level of four.^^The Navigation skill allows one to travel faster on the sea. It is the naval equivalent of the Pathfinding skill on land (which, by the way, will not help on the sea).^^A higher Looting skill results in a higher chance of capturing enemy ships.^ ip_division_placement|Division Placement ip_division_placement_text|When ONE division is selected, the centre of its front rank is placed at the spot indicated.^^When MANY divisions are selected, they are separated and spread out as if the player were standing at the spot indicated.^^One may memorize the placement of selected divisions relative to the player by pressing F2, F7. Default is infantry to the left, cavalry right, and ranged forward. Placement is overridden for any division the player chooses to personally head through the Formations Options menu.^^If the camp menu game option is set, divisions will rotate to face the enemy. Otherwise, they will maintain the facing that the player had when they were placed. ip_awoiaf_formations|Battle Keys and Orders ip_awoiaf_formations_text|Advanced Formations active with F4 in Battle, then ^F4 - Form ranks - with best troops up front,^F7 - Form square - no particular order,^F5 - Form shield wall - ranks with shields in front and longer weapons in back,^F6 - Form wedge - with best troops up front,^F8 - Break any current formation,^^- NO FORMATION^^Even in the last case, the player can make formations up to four lines by ordering Stand Closer enough times.^Memorize Division Placement and Formation active with F2 in Battle, then ^F7 - Memorize relative position to player and formation,^F8 - Revert to default relative position to player and formation,^^Orders active with F5 in Battle, then ^F5 or Key Z - Order 'use onehand weapons',^F6 or Key T - Order 'use twohands and polearms weapons',^F7 or Key N - Order 'use ranged weapons',^F8 or Key O - Order 'don't use shields',^^Hold-F1 on an enemy division - and the divisions you have selected will attack it,^^Others ^key U - Battlecry (encourage your wounded troop's) - You need to have the 'Natural Leader' trait,^key B - Warcry (scare away enemies surrounding you) - You need to have the 'Warrior' trait,^key T - Use Fire arrows (your troops will light their arrows. Used for sieges and ship battles only),^Key H - Use to call your horse in battle,^key F6 - Skirmish order (your troops avoid the enemy, moving away as the enemy approaches),^key F9 - Order beginning or ending volley fire for archers,^Right Click + Left Click - Shield Bash. ip_wolf_companion|Wolf/Dog Companion ip_wolf_companion_text|On the battlefield, your wolf/dog is placed in division 9. The skills and abilities of your wolf/dog companion can be improved by giving him good food. ip_quarters|Quarters ip_quarters_text|Quarters allow you leave some of your troops at a particular location on the map. You can have up to two quarters.^^There are several scenarios which make quarters useful ^- If you need to travel on a boat, but you can't afford to pay passage for all your troops^- If the capacity of your fleet isn't big enough to transport all your troops at the same time^- If you want to sneak into a town^- If you want to travel faster over the world map ip_special_troops|Special Troops ip_special_troops_text|There are various special troops in A World of Ice and Fire that allow you to reap extra stats depending on the amount you have in your party.^^Below you can see the number needed ^^Hornmen^1+ = + 1 tactics^10+ = + 2 tactics^30+ = + 3 tactics^^Standard Bearers^1+ = + 1 leadership^10+ = + 2 leadership^30+ = + 3 leadership^^Religious Troops^1+ = + 1 surgery^10+ = + 2 surgery^30+ = + 3 surgery^^Vet Ironborn Reaver^5+ = + 1 looting^10+ = + 2 looting^40+ = + 3 looting^^Shepherd^1+ = + 1 foraging^10+ = + 2 foraging^30+ = + 3 foraging^^Unsullied^10+ = + 1 tactics^30+ = + 2 tactics^100+ = + 3 tactics^^Spy^5+ = + 1 spotting^10+ = + 2 spotting ip_wiki_and_forums|A World of Ice and Fire Wiki and Forums ip_wiki_and_forums_text|Don't forget to visit our wiki and forums for further information on this mod^- Forums https //www.aworldoficeandfire.co.uk/forum^- Wiki https //aworldoficeandfire.co.uk/wiki^- Patreon Page https //www.patreon.com/awoiaf^- Twitter @therealproduno^- YouTube https //www.youtube.com/user/produno^- ModDB Page https //www.moddb.com/mods/a-world-of-ice-and-fire ip_credits|Credits ip_credits_text|Please visit https //aworldoficeandfire.co.uk/wiki/index.php/Credits to see a full list of credits.
https://w.atwiki.jp/legendofnorrath/pages/64.html
Legends of Norrath Release Date News - 8/31/07 Article - 8/31/2007 4 30 PDT Article - 8/31/2007 4 30 PDT Legends of Norrath™ Oathbound is releasing live in EverQuest® and EverQuest II® on September 5th, 2007! Legends of Norrath is an online-only trading card game, based on the richly-detailed sword-and-sorcery world of Norrath from the massively multiplayer online role-playing games EverQuest and EverQuest II. Playable from within the two MMOs, Oathbound, the first set for Legends of Norrath features over 375 digital cards and is available in both a 55-card digital starter deck and 15-card digital booster packs. Play as one of many Oathbound avatars and decide your own fate as you choose between the paths of good or evil. Features Include EverQuest® and EverQuest®II Interactivity Legends of Norrath works both with and within your existing EQ and EQ®II games. Launching directly from your in-game menu, players can challenge others from either game. Also included are randomly inserted reward cards from potions to mounts that will enhance your EQ and EQII MMO game. Complimentary Starter Packs EQ and EQII players will be awarded a complimentary random Oathbound digital starter deck. Single-Player Campaigns or PVP Test your skills against a sophisticated, re-playable AI system and earn special reward cards by completing campaigns... or challenge players all over the world in online game lobbies where you can play both casual games and high-level tournaments. Sophisticated Online Play Legends of Norrath provides you with all the tools needed for the complete online TCG experience. Featuring tools perfected through five previous collectable trading games, utilize the Deck Builder, Collection Manager, Trade Lobby, Tournament Lobby and numerous Casual Games Lobbies where you can find opponents any time of the day or night. Multiple Ways to Win Win by completing a series of four quests or reduce the health of your opponent s avatar to zero. Be the best ultimate strategic mastermind as you choose your path towards victory. Original Fantasy Artwork Featuring original interpretations by experienced fantasy artists, players of EverQuest and EverQuest II will find themselves reacquainted with legendary EverQuest and EverQuest II characters, creatures, locations, and items. In addition, witness new avatars and minions introduced for the very first time. Get great rewards in EverQuest® and EverQuest II® With each booster pack of Legends of Norrath cards, you will have the chance of receiving special cards that grant you actual in-game items that can be claimed by one of your characters. If you would like to find out more about the EverQuest in-game items please visit this link. Also, if you would like more information on the EverQuest II in game items feel free to visit this link. Who Is Good at What? Article - 8/29/2007 3 10 PDT Article - 8/29/2007 3 10 PDT Who Is Good at What? by Chuck Kallenbach, Game Designer When we came up with the plan to provide four archetypes for Legends of Norrath, the next step was to divide up the various actions and effects between them. What does each archetype do well? What does each archetype do poorly? Who is second-best at each? There are lots of fours in the game. Four archetypes, and four icons on the left side of your avatar card. Perhaps the simplest division was to assign each of those icons to an archetype. Fighters provide defense. Mages have lots of attack. Priests specialize in health. Scouts like damage bonuses. Of course, these assignments fit well with the MMO concepts of Fighters as tanks, Mages as casters, Priests as healers, and Scouts as melee support. Another set of four was found in card types. Excluding your avatar and your quests, there are four card types that you use to make your deck. You ll find a correlation between Fighters and items, Mages and units (pets), Priests and abilities, and Scouts and tactics. Each archetype has more cards available in the card type it s associated with. Some concepts are too universal to be limited to one archetype. We decided that Scouts and Fighters would be best at beginning combat with the opponent s avatar, but later we found this to be too important to limit to those two archetypes. You ll find cards that allow avatar attacks in every archetype, although those two are still the best at it. What about the more undefined concepts like drawing cards and gaining power? We decided that drawing cards represented intellect, so Priests and Mages were best at that. We also gave those classes the most power-gaining effects, to illustrate Priestly prayer and the Mage s mastery of elemental forces. If you look carefully, you ll see cards that represent haste, pickpocketing, levitation, disarming, mind control, and raising the dead. All of these effects are designed to represent the vast array of spells and skills from the MMOs. Discuss this article in the forums. Legends of Norrath Preview Eluviel the Priest Starter Deck Article - 8/23/2007 3 30 PDT Article - 8/23/2007 3 30 PDT Legends of Norrath Preview Eluviel the Priest Starter Deck by Chuck Kallenbach, Game Designer Our Priest archetype includes several kinds of healer classes. Priests are most concerned with healing and readying units. Their revitalizing effects allow you to use and reuse abilities and keep your units healthy for another raid next turn. The key characteristic of Priests is health. (While health isn t really an attribute since you don t have to exert to use it, it s obviously an important stat for all avatars and units.) Eluviel s deck includes many light cards, illustrating a deck build that is more Templar than Inquisitor (to use examples from EverQuest II). As with the other archetypes, Oathbound includes both light and shadow Priest cards for you to explore both factions when building your own deck. Priests have great abilities, and often their decks are good for questing. You ll find three copies of the excellent Forge Ahead in this deck, which has three levels and is great for completing quests. One of the best defensive abilities in the game is the Priest s Holy Armor. For a cost of only 1 power, you can exert this ability for its defense of 1 and then, in the same combat, use its game text to destroy it for 2 more defense. That s 3 defense in one combat for only 1 power, a great bargain. When you play this ability, you may take a unit card from your discard pile, play it to a quest for no cost, and exert that unit. One of the signature Priest abilities, especially for light deck builds, is the card Resurrection. Playing a unit from your discard pile at no cost is a terrific way to hold on for a quest win or reinforce for another raid. Combo this with the many ways to ready a unit in this deck, such as Restoration or Rod of Faith, and you ve got a unit to use right away for free! When you play the fifteen single-player scenarios, you ll find a couple of burly Barbarians as key figures in our unique Oathbound storyline. Barbarian units are well-represented in your Priest starter deck, with no less than 5 different kinds. The Barbarian Warrior and Wild Barbarian have the Frenzy keyword. Whenever you play another card, your unit that has Frenzy gets +1 attack until the end of the turn. It s important to take an extra second to plan your turn to make best use of Frenzy. If you re going to play an item, an ability, and a Frenzy unit, make sure you play the unit first; that way, he ll get +2 attack from the other two cards you played afterward. The fattie unit in your Priest starter deck is the Howling Frost Giant. This guy reduces the defense of all opposing units, avatars, and abilities on the turn you play him. He s also got Frenzy, so include him in your plans along with the frenzied Barbarians in your deck. We haven t even mentioned the items and tactics in this starter, but let s just say they help reinforce the themes of readying cards and provide some cool surprises for your opponents. The Eluviel Priest Starter Deck is a solid quester backed up by quality units you can use for defense or frenzy em up for an awesome attack. Discuss this article in the forums. Legends of Norrath Preview Cyndra the Scout Starter Deck Article - 8/22/2007 4 00 PDT Article - 8/22/2007 4 00 PDT Legends of Norrath Preview Cyndra the Scout Starter Deck by Chuck Kallenbach, Game Designer The Scout archetype provides lots of surprises. Clever tactics and comes-into-play effects on abilities simulate stealth. Scouts are all about damage bonuses and mixing it up mano-a-mano. (That s Spanish for attacking your opponent s avatar. Sort of.) Ruthless, deadly, lovely Cyndra is the avatar in your Scout starter deck. She does lots of nasty things to your opponent. To play this deck well, you ll have to master some main phase combos and combat tricks. When you play this ability, you may destroy a damaged unit. Agonizing Wound is a great ability, destroying an enemy unit with any amount of health if you play it at the right time. Your job is to leave a wake of damaged units behind you -- wounded with your tactics, items, and abilities -- and then finish them off. Dirty Tricks makes your opponent damage one of his own units, so the coolest combo is following that with Agonizing Wound, playing both abilities on the same turn. Your opponent s Howling Frost Giant got you down? Poke it with your Darkwood Shortbow or Pick Off and then Agonizing Wound lets the gangrene take effect. Even your units can damage the enemy, with the activated actions on Gnoll Archer and Gnoll Shaman. Keep in mind that when you re playing this deck, you can quickly turn a damaged unit into a dead unit. A simple weapon made powerful by the Hidden keyword, you can play Steel Dagger as a surprise during combat. Let s say your avatar is exerted and you have no abilities. You re rolling into a pile of units in your Quest Phase that have 1 defense. When the combat begins, play the dagger, exert it for 2 attack, and then play Vicious Flurry to ready your avatar. That s a combat win with two damage, and all from surprises you played during combat. When you play this ability, choose an opponent. He destroys one of his own abilities. You ll get most of your wins with this deck by cleaning out units and killing your opponent s avatar. Thief s Vengeance slows down your opponent s questing, but its main virtue is to get rid of abilities that provide defense. If you re the kind of player that enjoys beatdown decks, designed to mix it up with your opponent, then Cyndra s deck is the deck for you. Abilities that allow avatar combat and cards providing damage bonuses mean that this Scout deck can defeat your opponent s avatar before she can complete four quests. Discuss this article in the forums. Four Archetypes, Two Alignments Article - 8/21/2007 1 45 PDT Article - 8/21/2007 1 45 PDT Four Archetypes, Two Alignments by Chuck Kallenbach, Game Designer As game designers, it s great for us to get the chance to develop a game for properties like EverQuest and EverQuest II. Of course, our card game can t have all the variety you can find in these two long-standing MMOs. For Oathbound, our first set, we couldn t include all the classes from both games. It s over forty at my last count! We decided to use umbrella categories called archetypes, as found in EverQuest II, that include groups of classes within them. As development continued, we found ways to provide cards that allow you to customize your deck to fit your character concept. The most obvious way is to choose either Light or Shadow to build your deck, which provides a way to further customize your character. For example, if your main is a Shadowknight, play Fighter cards like Sap Strength and Drain of Blood. If you play a Paladin, stock your Fighter deck with Lay on Hands and Holy Aura. Other ways to create a personality for your deck include specializing in fire or cold for Mages, and stealth (Rogues) or archery (Rangers) for Scouts. Evil Priests (Inquisitors) can use cards like Wave of Fear, and good Priests (Templars) will make use of cards like Celestial Strike. We re also excited about the ability to mix and match in the same deck. You can blend classes that exist under the same archetype to create a new kind of character who walks the line between Light and Shadow. Those of you arriving here from the MMOs may notice missing classes. Where are the open-hand Fighters like Monks and Bruisers? Looking for shape-shifting Priests like Druids and Furies? How about Necromancers and Magicians, the evil Mages? Or Troubadours and Bards, the singing Scouts? During the early brainstorming days of development, we wrote cards for these classes. Later, we decided to focus on a more limited set, to create the critical mass of cards needed to play an archetype correctly. Those of you familiar with trading card games will realize that we ll be adding cards for these classes in future expansions. That way we can give each of the new classes enough cards to make them viable for deck building. In addition, we re planning to add new races for avatar creation with upcoming sets. Norrath is a vast landscape filled with limitless possibilities for our game, and we re anxious to start including more with each expansion set! Discuss this article in the forums. Legends of Norrath Preview Karlemayn the Mage Starter Deck Article - 8/20/2007 4 45 PDT Article - 8/20/2007 4 45 PDT Legends of Norrath Preview Karlemayn the Mage Starter Deck by Chuck Kallenbach, Game Designer The Mage archetype s key attribute is attack. Mage cards have many ways to enhance the attack attributes of their avatar and units. Mages are somewhat lacking in defense, but this is the classic glass cannon analogy; pouring out tons of damage before the opponent can overcome their weak defenses. Pets are another keystone for the Mage archetype. They are the only units that have an archetype in the first set. Mages have ways to heal their pets and fetch them from their decks, and your starter provides many pet units. The Karlemayn the Mage Starter Deck features Karlemayn as your avatar. The action in her game text exerts a unit, and that s an example of one of the effects of cold magic in the game. There are a couple of fire abilities in this deck as well, and you ll find that fire magic usually does direct damage to units and avatars. There s a little of both kinds of magic in this starter deck to give you samples of what kinds of decks you can build when you add cards. Along with elemental-based spells, you find an assortment of manipulative abilities to thwart and confuse your opponent. Let s take a closer look at some of the cards in your deck. As always, if you don t have a level 2 ability to play on your first turn, redraw your hand. For this deck, that means Column of Ice, Renew Servant, or Decoy. Sure, they all have great effects to use later in the game, but you want to complete a level 2 quest right away. Whenever you have a choice as to which of two abilities to apply with this deck, try to leave a cold ability in play. For example, when you re questing and have Decoy and Column of Ice to apply, choose Decoy. You have a tactic called Aqueous Stalkers that gets better for every cold ability you have, and it s free! Using Assault and extra attack provided by cards like Roaring Flames and Brittle Bone Wand, you should be able win with an avatar kill. Even though your abilities have low levels, you have Aery Stalkers to boost the levels of abilities you apply. Keep them alive and win by questing. This deck has ten Pet units, and Renew Servant heals each of them, so spread the damage around. The advantage of playing a Mage deck is using your extra attack to win combats. You don t have much defense, so use it sparingly. Make your opponent exert an extra card for attack to save yourself from suffering an ugly damage bonus. This deck is built with lots of cold effects that exert your opponent s cards. Use this judo-like capability to win combats and prevent extra damage against you. Of course, the big bomb in this deck is Lava Storm, one of the best cards in the game for mass unit damage. Karlemayn s deck is fun, flexible, and a great introduction to the many types of Mage cards available to customize your deck and fit any style of play. Discuss this article in the forums. Legends of Norrath Preview Gnoll Courier Article - 8/17/2007 3 30 PDT Article - 8/17/2007 3 30 PDT Legends of Norrath Preview Gnoll Courier Why does anybody but a Gnoll care what the Gnoll Courier has to say? It s a mystery, but light units seem very interested. In fact, when you use the Courier s activated action, a light unit at the same quest becomes exerted. That s what I call interest; taking the turn off just to hear what he has to say. Even if it is just Bark! Bark! Bark! This action can be used offensively, to exert your opponent s light units. Of course, this depends upon your opponent actually playing a light unit, which she may not have in her deck. You can add light units to your deck, and that way you re sure to have one available to exert when you need to draw a card. Discuss this card in the forums. Legends of Norrath Preview Cloudsong MaidenArticle - 8/16/2007 2 00 PDT Article - 8/16/2007 2 00 PDT Legends of Norrath Preview Cloudsong Maiden The Maidens of Everfrost Peak are one of several groups of light units found in Oathbound. Each Maiden features a different interaction with shadow cards. They are examples of opposite faction interaction, which is to say they are light units that have game effects based on combat against shadow units. The Cloudsong Maiden seems to be much hated by all shadow units. When she dies, each shadow unit at the same quest heals itself. That s a strong incentive for your opponent to attack her quest with shadow units. It s also possible to mix her with shadow units of your own, and then when she dies, all your shadow units will heal. The interactions of light and shadow are designed to provide many possibilities for deck building. Discuss this card in the forums. Legends of Norrath Preview Light and Shadow Article - 8/15/2007 7 30 PDT Article - 8/15/2007 7 30 PDT Legends of Norrath Preview Light and Shadow by Chuck Kallenbach, Game Designer I ve designed cards for over a dozen paper TCGs, but I m fascinated by the possibilities that online games offer. Mechanics in the tabletop world are often simplified to keep the burden of rules manageable by the players. For an online TCG, we can provide more depth by using the computer to do the bookkeeping. A good example is the tracking of faction in Legends of Norrath. The Oathbound story concept describes the player as an agent of Order, working for The Tribunal on the Plane of Justice. You fight against the forces of Chaos, represented in our ongoing scenarios by Chaos Lord enemies. Good and evil, however, are tools for you to use as you see fit. As long as you persevere against the Chaos Lords, you are free to use helpful, healing ways as well as life-draining and poison. You can even use some of both! Light and shadow are factions in the game, as explained in the tutorials. Some cards have the light or shadow trait, and when you play enough of them, your avatar gains that trait as well. Light cards have a predominately white background, while shadow cards are mostly black. Each time you play a card that has the light or shadow trait, your faction meter changes. The amount of change is equal to the cost of the card. A three-cost shadow card moves you three points toward shadow, for example. When you reach 10 points of either light or shadow, your avatar gains the appropriate trait. When your avatar becomes light or shadow, you can use bonus game text on your cards. In the simplest implementation, there are light cards that give other light cards bonuses, and the same is true for shadow cards. For example your Gnoll Scout, a shadow unit, gets +2 health when your avatar becomes shadow. This unit gets -1 damage bonus. This unit gets -1 health. Cards that have neither the light trait nor the shadow trait are called neutral. Neutral is not a faction, it is actually the absence of faction. Cards like the Giant Field Rat are happy to exist without either faction, and actually get rather surly when your avatar gains one. All light units get +1 defense. All shadow units get +1 attack. Some cards, however, give bonuses to both light and shadow, which is to say it s a drawback to be neutral. Balance is a card that allows players to mix light and shadow units together and provide a bonus for both. This unit gets +1 attack for each light unit at the same quest. There are also cards that receive a bonus when with cards of the opposite faction. Many of these are based on your opponent s cards and beyond your control, but the Thought Defiler can get her bonus from your other light units as well. Each time you build a deck, you ll have to take into consideration the number of light and shadow cards in it. Most decks will choose to include either light or shadow cards, and not both. The starter decks are all constructed with this in mind. When you become more experienced with deck building, you can include cards from both factions. However, once your avatar becomes light or shadow, you ll take 2 damage for each card of the opposite faction you play. Decks that have both light and shadow cards have to watch out for this penalty. A balance is the symbol most often seen for The Tribunal, since shadows can t exist without light. Too much of either and the symmetry of the universe suffers. Examine the benefits and penalties for light and shadow cards and you ll become an expert deck builder for Legends of Norrath! Discuss this article in the forums. Legends of Norrath Beta Test General - 8/14/2007 2 30 PDT General - 8/14/2007 2 30 PDT Welcome to the Legends of Norrath Beta Test! Legends of Norrath is a brand new strategy game based on the richly-detailed world of Norrath from the massively multiplayer online role-playing games EverQuest and EverQuest II. The game is mostly done now, but Sony Online Entertainment is offering select players an advanced look at the game via a private beta test. There are still things to be done, and we would love your input in making this the best game possible. Everyone that attended Fan Faire 2007 has been selected to participate in the Legends of Norrath beta and soft launch roll-out. Starting next week, when you patch your EverQuest or EverQuest II client (We ll announce when this patch will happen.) it will automatically have the game program downloaded and ready to go. This will give you access to the game and allow you to start learning and playing against other players. Your beta account will automatically be credited with some cards for you to open and start building decks, but the first thing you are going to want to do is play through the tutorials – which can be launched from within the MMO by clicking the Legends of Norrath icon. Each person that participates in the Legends of Norrath beta will instantly be given one of two random starter decks, and two booster packs when you log into Legends of Norrath for the first time. Then, each week, for the duration of the beta test, you will be given two additional booster packs to open and include in your decks. All you need to do is go to your collection and open the packs to see what you get and start constructing decks. After you feel that you have a firm grasp of the rules, head over to the casual games lobby to play against other players, or test your mettle against the computer in skirmish mode or the scenarios. Eventually there will be other features we ll include, like trade and beta sealed deck and constructed tournaments! To challenge other players you can either launch the game within EverQuest or EverQuest II and head over to the Casual Game lobbies, or you can challenge other players within the MMO by clicking on the challenge button which will automatically launch the game application should they accept your challenge (be sure to have their server and character name handy). If you find any problems along the way, or have any suggestions for things you would like to see included, please visit our Beta Forumsto post about all things Legends of Norrath beta. At the end of the beta, each player that has helped us test will get to keep all cards or versions of cards that we carry forward to the live game– including any of the highly sought after loot cards they might get in their packs! SOE doesn t design cards with the intent of removing or changing them and our intention is to move all cards forward, but occasionally cards need to be balanced in order to preserve fair game play. These final versions will be automatically transferred to your live account. Legends of Norrath Preview Loot Card Overview Article - 8/14/2007 2 30 PDT Article - 8/14/2007 2 30 PDT Legends of Norrath Preview Loot Card Overview Legends of Norrath ties the fantastical worlds of EverQuest and EverQuest II together with ground-breaking features! One of these features is a completely integrated loot card system. Randomly distributed in booster packs of Legends of Norrath are special loot cards that allow a player to gain new in-game items for EverQuest or EverQuest II. Players can choose whether they want EverQuest or EverQuest II loot to drop from packs, and can change this at any time in the Collection Manager or in Account Preferences. Collection Manager Preferences Loot cards can be found in Legends of Norrath booster packs in approximately one in every eight or nine packs and have multiple rarities. Some items, like health and experience potions, can be easier to find, but extremely powerful or special items like mounts are much harder to get your hands on. Additionally, some loot cards will be given as rewards to players that compete in certain tournaments. And of course, the first ever Legends of Norrath loot cards will be given away today to Fan Faire 2007 attendees -- Lamp of the Djinn and Noble Dojom s Lamp. Any loot card you receive can be redeemed right away, or can be traded for other loot cards, regular cards, packs and decks, or event passes within the Legends of Norrath client. There are 28 loot cards each for EverQuest and EverQuest II available to be discovered in Oathbound, the first set of Legends of Norrath. To redeem a loot card, simply right-click on it in the Collection Manager. That will bring up the redemption window. From there, just follow the directions in the redemption window, and you ll have redeemed your loot card. Any loot cards you redeem in the Legends of Norrath client will create a redeemed version of that loot card that you can view within your Collection Manager for reference. This redeemed card is just a placeholder in your collection to let you keep track of the Legends of Norrath cards you ve redeemed. The next and last step is to log into your EverQuest or EverQuest II account (or simply minimize Legends of Norrath, if you re already logged in!) and claim the loot item on the character of your choice (associated with the same Station account). The EverQuest, EverQuest II and Legends of Norrath teams have come up with some exciting loot cards. We can t wait to see you running around in-game on your new mounts or wrecking other players disguised as an inconspicuous crate! Discuss this article in the forums. Forum Maintenance for August 14, 2007 @ 4 00 AM PDT General - 8/13/07 4 30 PDT General - 8/13/07 4 30 PDT Forum Maintenance for August 14, 2007 @ 4 00 AM PDT All forums and Players sites will be down on August 14th, 2007 starting at 7am PDT. The downtime will be approximately 7 hours. The forums and players sites should be up again at 11am PDT. Thank you for your patience and understanding. Legends of Norrath Preview Item Card Type Article - 8/13/2007 3 30 PDT Article - 8/13/2007 3 30 PDT Legends of Norrath Preview Item Card Type by Paul Dennen, Sr. Game Designer Today is the last day of Card Type Week -- yeah, I know it s weird ending a week on Monday but the first article of the series was on Tuesday! -- and to celebrate the conclusion, today is a double-shot day to finish off the card types. We finish up with the simplest two of all card types. There are not many new rules to show off here but, at the same time, both of these card types are very important to the game and to competitive decks. Items First up, we have items. Like abilities, items are played onto your avatar and provide support in a variety of ways; they can provide extra defense or attack, or grant miscellaneous non-combat effects to bolster a particular strategy. Unlike most abilities, items are not applied to quests. Thus, items are generally permanent and remain in play until destroyed by a card effect. Items represent all sorts of things armor, weapons, magical baubles, tomes, you name it. Today, we take a look at a scout item. It s technically armor because it has the armor trait, but it doesn t provide protection for your scout avatar. No, these boots were made for walking, stalking, and generally causing a large pain in your opponent s butt. Take a look Take a look at that game text. To players like me who like to play with tricky tactics and strategies as opposed to brute force, that game text is pure gold and I hope you re excited by it. Just like the other cards, this card has a card type icon in the top left on which is printed the card s cost. The archetype icon in the top right is, in this case, a scout icon. Underneath the name we have a trait armor, which as we ve said before carries no intrinsic value but it is something that other cards can refer to. On that same line, on the right side, is something new. Feet is a term that we call a restriction. EQ and EQII players are quite familiar with item slots, and this is basically the same concept you can only have one item in play for each restriction. You are allowed to upgrade your items for a particular restriction, however. For example, if you draw Boots of the Slickfinger early in the game but later in the game you draw Journeyman s Boots, another item with the Feet restriction, you are allowed to play the Journeyman s Boots. When you do so, two things happen Your old item is destroyed (sent to your discard pile from play). You draw a card. This bonus card draw is a counterbalance to the fact that you had to lose your old card to play the new card. These rules mean you can stock multiple copies of your favorite item without feeling that you are going to be stuck with useless extra copies in your hand. And that s really the only new mechanic related to items. Tactics Tactics are even easier to understand. These are simply cards that you stock in your deck to affect key combats during the game. You can only play them during combat. When you do play a tactic, you simply execute its game text and then discard it. Let s take a look at a tactic card. So the mage players won t feel left out, it s time to show a mage card There are two interesting things to note about this card. First of all, note that it has no printed cost on the tactic icon in the top left corner. That means it s free, no power needed to play! You will find that it is a good idea to stock your deck with some of these no-cost cards because the power resource is a premium commodity you probably won t be able to generate enough power to play all your cards if they all cost power. The second thing to point out about this card is the sword icon at the beginning of the game text area. That icon simply means that you can only play this in combat while you are on the attack. This makes sense when you read the rest of the card, because the card is only useful when you are on the attack -- if you could play it while you are defending, it would do you no good anyway. Swarm of Bats is a solid card for a mage avatar who doesn t want to be afraid of a large group of opposing units during the quest phase. The more defenders there are, the more useful your bats become! Every Ending is a New Beginning That wraps up Card Type Week! If you ve read along since last Tuesday, you now know just about all there is to know about the cards in the game. We will continue to spoil preview cards as the beta test proceeds, and we do have some interesting twists to reveal, so stick around if you are interested in even more details about Legends of Norrath. Discuss this article in the forums. Legends of Norrath Preview Unit Card Type Article - 8/10/2007 1 45 PDT Article - 8/10/2007 1 45 PDT Legends of Norrath Preview Unit Card Type by Paul Dennen, Sr. Game Designer The last two preview articles described quests, the cards that form the landscape of the game, and then abilities that are used to complete quests. Today, we cover the type of card that essentially lives at quests a unit card. Let s take a look at a unit If you ve been following along with Card Type Week, you already know what the numbers on Savage Dire Wolf mean. As a quick recap, the 2 on the unit icon in the upper-left corner is the cost, the 2 on the sword icon is its attack attribute, the 2 on the shield icon is its defense attribute, and the 2 on the heart icon represents its health. Wow, for some reason Savage Dire Wolves like the number 2! Unlike all the other cards that you ll play from your deck, you have a placement decision to make when you play a unit. You can place your unit at the left quest or the right quest. Wolf Trap One thing that units can do is make questing difficult for your opponent. By placing a unit at a quest that your opponent wants to complete, your opponent must face a dangerous situation every time he approaches that quest. Make your opponent pay health points for his foolish questing habit! Savage Dire Wolf is not the best unit for this tactic, but with a 2 defense he s no slouch either. Hounding the Enemy Setting up defensive ambushes for your opponent s quest phase isn t the only use for units. During your main phase, you can attack with your units - once per quest per turn. When you do initiate this attack, which in technical game terms is called a raid, you check if your opponent has units at the same quest. If he does, your units fight those units. If there are no opposing units at the same quest, then your units fight against your opponent s avatar. It is in these fights that Savage Dire Wolf s ability shines, as it gets +1 attack for each ability on the defending avatar. Of Mice and Dragons Units come from all over the world of Norrath. Low-cost units can be simple creatures such as a lowly Giant Field Rat, while high-cost units are powerful bosses with game text that can strike fear into mere mortals. And then there are also personalities (which is really why the card type is called unit as opposed to something like monster or creature ) such as Firiona Vie and Lucan D Lere. We ll certainly be taking a look at some more powerful units in the weeks to come, but today is a simple wolf s day to shine. We ll finish up Card Type Week on Monday. Have a great weekend! Discuss this article in the forums. Legends of Norrath Preview Ability Card Type Article - 8/09/2007 10 30 PDT Article - 8/09/2007 10 30 PDT Legends of Norrath Preview Ability Card Type by Paul Dennen, Sr. Game Designer Yesterday we talked about quests and how they are the heart of what the game is about. Today we ll take a look at ability cards, which are used to complete quests. Yesterday s article mentioned that each player brings four quests to the game, of various levels 2, 4, 5, and 6. Those level numbers are critical, as they determine just how hard it is to complete the quest. The higher the number, the harder the quest will be to complete. Ability cards also have levels. You will use these levels to place level tokens on quests. When you have placed a number of level tokens on a quest equal to or exceeding that quest s level, you complete it. So, for example, a level-2 ability is enough, by itself, to complete a level-2 quest. But that same ability will only get you halfway toward completing a level-4 quest. Let s take a look at today s preview card, an ability called Firiona s Blessing When you apply this ability at a quest, heal 1 damage on your avatar. Let s walk through the elements of this card, step by step The 4 in the upper-left corner of the card represents the cost to play the card, measured in power. As we discovered yesterday, each player receives at least 3 power at the beginning of his or her turn. As such, 4 power is a relatively-expensive ability; most abilities will cost 2 or 3 power. As was covered in the fighter preview article, the sword icon in the top-right corner represents that this card falls under the umbrella of the fighter archetype. We also learned about the shield icon which represents the defense attribute. In the same way that an avatar can exert itself for defense, it can also exert one of its own abilities for defense. (Although note that not all abilities have a defense attribute.) Firiona s Blessing has a 3 for defense, which is really good. Apparently, when Firiona blesses you, she doesn t mess around. The third number on the card, the 2 represents the level of the ability. It is the same icon that is used on quests. The game text area, as always, indicates the special rules that the card introduces. In this case, Firiona s Blessing heals 1 damage on your avatar when you do decide to apply it to a quest. Pretty nice stuff. Thanks, Firiona! Toward the bottom-left of the card is an icon that looks like a rolled up scroll. This is a lore button that you can click to swap back and forth between game text and lore. This button didn t exist on Seek the Adventurer s Stone preview because the game text and lore were short enough to fit together. But Firiona just had too much to say for this card, and rather than suffer the wrath of a misquoted high elf, we decided to include her full statement There are a couple final things to mention about the elements of this card. First of all, the F in the collector information represents that this is a fixed card. That means you won t find it in a booster pack. You will earn this card by defeating one of the 15 single-player scenarios. To Quest or not to Quest Back to game mechanics! The ability card type, like no other card type in the game, best exemplifies what I meant in the introduction article when I said that LoN is a game of tradeoffs. This is because of how the core questing mechanics work. Let s go over them You have one quest phase at the beginning of your turn. It comes before your ready phase which is when all your exerted cards become ready to use again. You can only quest if you have at least one ready ability with at least one level. You must quest if you can. (Legendary heroes don t make their names by staying at home.) When you do quest, you must choose one of your ready abilities to apply to a quest. When you apply an ability at a quest, you create level tokens at that quest and discard that ability. One of the most critical ramifications of these rules is that, during a round of play, you can only use an ability for its defense or for its levels. What this means is that you must often make a decision of whether to protect yourself or push forward. If the game was merely about eliminating avatars in combat, the decision would be a trivial one protect myself. But since the game has two main victory conditions, the decision becomes interesting. You can trade health for quest advancement, or, conversely, trade quest advancement for health. This decision is further complicated by the following rules Both players can attempt the same quest! When a quest is completed, all opposing level tokens on it are destroyed for no effect. In other words, just because you put Seek the Adventurer s Stone into your quest pile, doesn t mean you re going to be the player who finishes it. Quests simply provide the landscape for the game; they are not working for either player. I left out these details in yesterday s article about quests because the full ramifications only become clear when you understand how abilities work. Now, you can start to see that the race to finish four quests can be a challenging one, as you and your opponent can apply abilities to the same quest. And just because you are the first player to put level tokens on quest does not mean you ll be the first to finish it! Join us tomorrow when Card Type Week continues. Discuss this article in the forums. Legends of Norrath in the Press General - 8/9/07 10 30 PDT General - 8/9/07 10 30 PDT Legends of Norrath in the Press Legends of Norrath is featured in the September 2007 issue of InQuest Gamer magazine! Check out the preview article on page 48 of issue #149. SOE Gen Con Celebration General - 8/9/07 10 30 PDT General - 8/9/07 10 30 PDT Are you ready for one of the best gaming convention around? If you enjoy playing games—tabletop or desktop—we invite you to join us at Gen Con this year in Indianapolis, IN for the time of your life! As part of the festivities for Gen Con in Indianapolis, Sony Online Entertainment will be hosting a Meet and Greet for those of you in the area. Join us at Jillian s on August 17th from 7 00 PM to 10 00 PM. Food and drinks will be provided, along with entertainment and fun. Address 141 S. Meridian St., Indianapolis, IN 46225 Phone 317-822-9300 E-mail ecindianapolis@jilliansbilliards.com Web Site Jillian s Distance from Monument Circle 0.27 miles We look forward to seeing you there! If you are going to make it, let us know in the Forums Legends of Norrath Preview Quest Card Type Article - 8/08/2007 9 45 PDT Article - 8/08/2007 9 45 PDT Legends of Norrath Preview Quest Card Type by Paul Dennen, Sr. Game Designer Questing is at the core of Legends of Norrath. The first player to complete four quests wins the game immediately, so completing quests and thwarting your opponent s quest attempts should be high priority for virtually all LON decks. Quests are represented by a special card type. Here s an example When a player completes this quest, he draws two cards. Like the avatar card type and all other card types for that matter, quests have a title at the top and underneath that a traits line. In this case, the only trait is Reward. A quick note about traits traits are simply labels on a card; they have no inherent meaning. But they can be referred to by the game text on other cards. The lack of an archetype icon, and the fact that this card s template is gray, indicates that this is a generic card that can be put into any play deck. The icon on the left of the card is the level symbol, indicating that this card is a level-5 quest. I ll explain fully what that means tomorrow but, as you might expect, the higher a quest s level is, the harder it is to complete. Finally, each quest has a unique piece of game text that distinguishes it from other quests. In this case, Seek the Adventurer s Stone has a piece of game text that is fairly self-explanatory When a player completes this quest, he draws two cards. Drawing additional cards is a good bonus effect in LON, so the player who does complete this quest will have a leg up on his opponent. Quest Piles A player s quests, unlike his or her other card types, are placed into a special quest pile at the beginning of the game. When building your play deck, you must include four quests in your quest pile, and they must be of four different levels. The quest levels are 2, 4, 5, and 6. At the beginning of the game, players reveal their level-2 quests and put them into play. The other three quests remain in the quest piles until quests are completed. This will mean that there are always two quests in play. Each time you complete a quest, you take your next quest from your quest pile and put it into play. You always put the lowest-level quest you have into play. So, when you solve one quest, you put your level-4 quest into play. When you solve a second quest, you put your level-5 quest into play. When you solve a third quest, you put your level-6 quest into play. When you solve a fourth quest, your quest pile is empty but you ve won the game! Keeping Score Quests perform two critical components of gameplay. The first is that they are one of two methods of keeping score during the game. If you ve completed three quests to your opponent s one, then you re ahead in that category. However, the other important score-keeping category is damage on avatars. You might be ahead on questing, but if your avatar card sustains damage equal to its health, your questing was for naught. Remember, you can win the game by completing four quests or defeating your opponent s avatar. Power Escalation The other critical component of gameplay that quests influence is the escalation of power. In yesterday s article we talked about Eluviel s special action and how it requires 3 power to activate. Power is the resource system in the game. Unlike many other trading card games, you do not need to include resource cards in your deck. Instead, you start with 3 power at the beginning of the game. And at the beginning of your turn, your power refills, so even if you spend 3 power on your first turn, you ll get a full new tank of power to work with on your second turn. Furthermore, this power tank goes up as the game goes on. Specifically, each time a quest is completed -- by any player -- each player s power allotment goes up by one. I emphasized that part about any player because it s important. Even if your opponent is winning the quest race, your power still goes up. This ensures that players will get a chance to play their high-powered cards even if they are struggling to complete quests early in the game, and it prevents a rich-get-richer breakdown from occurring. Card Type Week continues tomorrow when as we reveal the card type that is used to complete quests. Discuss this article in the forums. Legends of Norrath Preview Avatar Card Type Article - 8/06/2007 4 00 PDT Article - 8/06/2007 4 00 PDT Legends of Norrath Preview Avatar Card Type by Paul Dennen, Sr. Game Designer Welcome to Card Type Week! Each day this week, we ll take a look at one of the card types in Legends of Norrath. By the end of the week, you ll know everything about how the game is played. Today s card is an avatar card. You re not going to see many of these because your play deck needs only one avatar. Unlike the other card types, your avatar card automatically begins the game in play. Let s take a look at an avatar Exert this avatar and pay 3 power Choose an opponent. He discards a card at random. There s a lot going on here, so let s take things one by one. First of all, the yellow template and the archetype symbol in the top right indicate that this avatar is a priest. This piece of information will be used when you are deck-building. Your other cards must either have that same priest symbol (and yellow border), or they must have no archetype symbol at all. The avatar s name is at the top of the card. This avatar s name is Eluviel. To the left of the name, in the top-left corner, is the card type symbol. This particular symbol is found on all avatar cards. Right underneath the name is a traits section. The only trait that Eluviel has is Dark Elf. You probably knew that from looking at his picture. Combat Attributes On the left side of the card are Eluviel s combat attributes. Starting from the top, these are This is the attack attribute. It can be used when it is your turn and Eluviel is attacking his enemies. This is the defense attribute. It can be used when it is your opponent s turn and Eluviel is under attack. This is the damage bonus attribute. It can be used at the end of a combat to deal additional damage to Eluviel s foes, but only if Eluviel wins. This is the health attribute. Unlike the other attributes, this is a passive attribute, you never explicitly choose to use health. Instead it defines the amount of damage Eluviel can take before he is eliminated. Finally, like all avatars, Eluviel has a special action, written in the game text area at the bottom of the card. Let s come back to that and first talk about exertion. Exertion One of the important game concepts to understand about Legends of Norrath is that you generally have multiple ways to use a card, and that it s up to you to decide when to go ahead and use one. The decision aspect is important, because typically you can only use a card once per round - where a round is defined as each player taking one turn. For example, if you decide to use Eluviel s attack attribute to win a fight, you won t be able to use his damage bonus in that same fight. When you do decide to use one of Eluviel s active combat attributes, he becomes exerted which means he cannot be exerted for another attribute until you reach the ready phase during your turn. (We ll cover the entire turn sequence in an article next week.) Special Action With exertion explained, I think we can go back and tackle Eluviel s special action. It says Exert this avatar and pay 3 power Choose an opponent. He discards a card at random. There s a couple things to learn here. First of all, this is an activated action, meaning it is something you must choose to do, rather than a passive action which is happening all the time. You will find out that some avatars have passive actions, but most have activated actions. The arrow symbol in the middle of the sentence is a cost-to-effect icon, meaning that the text to the left is the cost and the text to the right is the effect. In other words, in order to trigger Eluviel s special effect, you must pay its cost. The cost in this case is twofold you must exert Eluvial and pay 3 power. Power is a resource that you will use during the game to both play cards and trigger actions on your cards in play. We ll talk more about power in tomorrow s article. The final thing to point out about Eluviel s special action is just what that symbol means at the beginning. All activated actions are preceded by a timing symbol. In this case, that symbol represents the main phase, meaning that you can only use Eluviel s special power during the main phase on your own turn. Eluviel s special action is not something you would use at the beginning of the game, for two reasons. First of all, 3 power is a lot to pay at the beginning of the game, as we ll explain tomorrow. Secondly, from what you ve learned about the exertion rules, once you exert Eluviel for any purpose, you can t exert him for another reason until your next ready phase. Early in the game, before he s fully equipped and has mustered a sufficient army to his side, you ll be very tempted to use Eluviel for one of his combat attributes. How Do You Get Avatars? The last piece of the card to talk about is that information in the lower-left corner. This is called collector information, and is shown in set-rarity-card number form. Eluviel s collector information is 1-F-5 which indicates the following 1 This simply means that Eluviel is part of set 1 (called Oathbound) of Legends of Norrath. This number will increment as game expansions are released. F Indicates that Eluviel is a fixed-rarity card which means it is not found randomly in booster packs. Eluviel is found in the Oathbound Priest Starter Deck. 5 This indicates that Eluviel is the fifth fixed card in the Oathbound set. There is one last final thing to talk about concerning avatars, and I ve saved the best for last. Legends of Norrath avatars are not considered part of the Oathbound card set, and they re never found in booster packs. Instead, as a player, you will have access to an avatar creation tool, which lets you create your own custom avatar cards! Revealing all the details of this process is beyond the scope of this article, but I thought you should know. Eluviel is one of the four story avatar cards that come packaged in starter decks, so you don t have to use the avatar creation tool if you don t want to. But I have a feeling that avatar creation will be something that many players will gravitate toward, so that you can create your own Legend of Norrath -- perhaps named after your favorite EQ or EQII character! Discuss this article in the forums. Introduction and Fighter Starter Strategy Overview Article - 8/03/2007 6 00 PDT Article - 8/03/2007 6 00 PDT Legends of Norrath Preview Introduction and Fighter Starter Strategy Overview by Paul Dennen, Sr. Game Designer Greetings,fellow gamers. My name is Paul Dennen, and I m lead designer for Legends of Norrath. It is my privilege to be able to introduce the game with this article. I ll briefly describe the overall game, and then I ll talk a little about the Terin the Fighter Starter Deck, one of four starter decks in Legends of Norrath s first set, which is called Oathbound . What Is Legends of Norrath? There is a What Is It? section on this website, but I ll give you my take on what it is and a little bit of insight into how it was designed. Legends of Norrath (or LoN for short) is a trading card game designed especially for Everquest and Everquest II players. It was designed specifically to make sense as a game that residents of Norrath would play. It s even possible for your EQ or EQII character to find LON cards while adventuring. The material on these cards will make sense from that perspective. For example, you might find a card called Dain Frostreaver based on the legendary Lord of Icewell Keep. Conversely, you would not find cards named from out-of-character perspectives such as Train to Zone . It is also very easy for your character to challenge an opponent on your server to a quick duel. The same LON server is accessible from any EQ or EQII server, and thus it is possible to play with other gamers who aren t even on the same server. We designed the game to play quickly, so that it can serve as a distraction during downtimes. But it s not just a minigame that you ll play a few times and get bored with -- it is a full-fledged trading card game with over 350 cards. This translates into many strategies and styles of play, so that you and your friends can explore the game for a long time. We also plan on introducing expansions from time to time to mix things up. One of the best things about a trading card game is the ability to customize your deck to your own liking. However, your first experience should really be with a starter deck. A starter deck is a deck that is preconfigured specifically for new players. These may not be the most powerful decks in the world, but they are balanced for play against each other and they don t contain any cards that are difficult to understand. And best of all? If you are an EQ or EQII player, you will receive a free random starter deck when LON launches! Terin the Fighter Starter Deck Overview Every deck starts with an avatar card. In this case, that avatar card is Terin, as you would suspect from the name of the deck. That s a picture of him on the deck itself, and as one of the featured characters of the Oathbound storyline, he makes an appearance on some of the cards in the game. LON is a game about powerful heroes doing legendary things, and we decided to break up these heroes into four archetypes, encompassing the various flavors of fantasy heroes but in a way that gives players a lot of freedom while building their own decks. In other words, you ll find some cards in the fighter archetype that have paladin-like effects, others that feel have effects you d expect from a berserker, etc. We re giving you a lot of freedom in customizing a fighter to your liking. Look for an article called Four Archetypes, Two Alignments in a couple weeks which will fully explain what I m getting at. How Do You Win? Before talking about what the Terin starter deck is good at, it s worth taking a peek at how you win a game of Legends of Norrath. There are actually two main paths to winning questing and elimination. To win by questing, you must be the first player to complete four quests. To win by elimination, you must defeat your opponent s avatar in combat. LON is a game of tradeoffs, and these two victory conditions are at the heart of many of the tradeoff decisions you will make while playing. The most common tradeoff decision is whether you want to put your avatar in harm s way to complete a quest. You ll be trading health for quests. On the other hand, you may decide to give up on a quest in order to protect your avatar. Each game is dynamic, and a good player will learn to be flexible and be willing to win using either method, depending on the game circumstance. The Fighter s Advantages As a fighter, Terin has access to cards with particular advantages. First and foremost, fighters have access to heavier armor than the other archetypes. This gives Terin a clear and powerful advantage as his opponents will find it difficult to inflict damage on him. This defensive strength is accented by powerful defensive abilities. Secondly, fighters have access to powerful weaponry and the Terin deck has two copies of a particular weapon that will put fear into your opponent when it hits the table. The third advantage that fighters get is leadership-based effects. Leadership is not a game term, but rather a category of cards that we ve assigned to fighters. These cards give bonus effects to cards that you ll muster into your avatar s army. The Terin deck actually has very little leadership cards, but the ones it does have can easily win games when played at the right moment. The Terin deck can sometimes start slowly - you may have to fall behind on questing to give Terin some time to equip his powerful items. But once Terin is equipped, you should be able to create board advantage by clearing out your opponent s cards. This board advantage should translate into your opponent having a difficult time with finishing his final quests, as he ll be flailing to stay alive against your army s attacks as well as Terin s own relentless onslaughts. Here s a sneak peek at a few of the cards in Terin s deck When you play this ability, choose an opponent. That player s avatar gets -1 damage bonus. Your avatar gets +1 damage bonus. Deal 1 damage to a defending combatant. Next week is Card Type Week here at the LON website. Each day, we ll explain one card type, including what those numbers and icons mean. By the end of the week, you ll understand how all the card types work. This is going to be an exciting few weeks of previews leading up to the game s release. Discuss this article in the forums. Legends of Norrath Beta Test General - 8/03/2007 6 00 PDT General - 8/03/2007 6 00 PDT Welcome to the Legends of Norrath Beta Test! Legends of Norrath is a brand new strategy game based on the richly-detailed world of Norrath from the massively multiplayer online role-playing games EverQuest and EverQuest II. The game is mostly done now, but Sony Online Entertainment is offering select players an advanced look at the game via a private beta test. There are still things to be done, and we would love your input in making this the best game possible. Everyone that attended Fan Faire 2007 has been selected to participate in the Legends of Norrath beta and soft launch roll-out. Starting next week, when you patch your EverQuest or EverQuest II client (We ll announce when this patch will happen.) it will automatically have the game program downloaded and ready to go. This will give you access to the game and allow you to start learning and playing against other players. Your beta account will automatically be credited with some cards for you to open and start building decks, but the first thing you are going to want to do is play through the tutorials – which can be launched from within the MMO by clicking the Legends of Norrath icon. Each person that participates in the Legends of Norrath beta will instantly be given one of two random starter decks, and two booster packs when you log into Legends of Norrath for the first time. Then, each week, for the duration of the beta test, you will be given two additional booster packs to open and include in your decks. All you need to do is go to your collection and open the packs to see what you get and start constructing decks. After you feel that you have a firm grasp of the rules, head over to the casual games lobby to play against other players, or test your mettle against the computer in skirmish mode or the scenarios. Eventually there will be other features we ll include, like trade and beta sealed deck and constructed tournaments! To challenge other players you can either launch the game within EverQuest or EverQuest II and head over to the Casual Game lobbies, or you can challenge other players within the MMO by clicking on the challenge button which will automatically launch the game application should they accept your challenge (be sure to have their server and character name handy). If you find any problems along the way, or have any suggestions for things you would like to see included, please visit our Beta Forumsto post about all things Legends of Norrath beta. At the end of the beta, each player that has helped us test will get to keep all cards or versions of cards that we carry forward to the live game– including any of the highly sought after loot cards they might get in their packs! SOE doesn t design cards with the intent of removing or changing them and our intention is to move all cards forward, but occasionally cards need to be balanced in order to preserve fair game play. These final versions will be automatically transferred to your live account.
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I INTRODUCTION I イントロダクション The best things in an artist s work are so much a matter of intuition, that there is much to be said for the point of view that would altogether discourage intellectual inquiry into artistic phenomena on the part of the artist. Intuitions are shy things and apt to disappear if looked into too closely. And there is undoubtedly a danger that too much knowledge and training may supplant the natural intuitive feeling of a student, leaving only a cold knowledge of the means of expression in its place. For the artist, if he has the right stuff in him, has a consciousness, in doing his best work, of something, as Ruskin has said, not in him but through him. He has been, as it were, but the agent through which it has found expression. 芸術家の作品の中でもっとも良いものは直観に満ちているので、芸術家の要素をなす芸術的才能なるものについての知的な探究を完全に思いとどまらせようとする立場にとってはかなり有利である。直観は引っ込み思案で、近づいて見ようとすれば消えてしまいやすいものである。そして過剰な知識とトレーニングには、学生の自然で直観的な感性を、表現の意味についての冷めた知識に置き換えてしまうおそれがたしかにある。芸術家としては、彼が正しい資質を備えており、傑作を描く中でラスキンの言う「彼の中にはないが彼の中を通る」何ものかについての自覚を持つならば、彼はいわばそれを通して表現を発見する代理人であるだろう。 Talent can be described as that which we have, and Genius as that which has us. Now, although we may have little control over this power that has us, and although it may be as well to abandon oneself unreservedly to its influence, there can be little doubt as to its being the business of the artist to see to it that his talent be so developed, that he may prove a fit instrument for the expression of whatever it may be given him to express; while it must be left to his individual temperament to decide how far it is advisable to pursue any intellectual analysis of the elusive things that are the true matter of art. 才能は「われわれが持っているもの」、天才は「われわれをとらえるもの」と言える。さて、われわれはこの「われわれをとらえる」力をほとんどコントロールできないし、そのうえわれわれはその影響力にいやおうなく溺れてしまうが、どんな表現であれそれに適切な道具を示せるほどに才能を伸ばすようにするのが、芸術家の仕事であるということには、ほとんど疑いがないだろう。他方、芸術の本質というつかみどころのないものを知的に分析することを続けるのがどれだけ賢明であるかどうかは、彼個人の気質によって判断されるはずである。 Provided the student realises this, and that art training can only deal with the perfecting of a means of expression and that the real matter of art lies above this and is beyond the scope of teaching, he cannot have too much of it. For although he must ever be a child before the influence that moves him, if it is not with the knowledge of the grown man that he takes off his coat and approaches the craft of painting or drawing, he will be poorly equipped to make them a means of conveying to others in adequate form the things he may wish to express. Great things are only done in art when the creative instinct of the artist has a well-organised executive faculty at its disposal. このことや、芸術のトレーニングはある表現手段の徹底を扱うにすぎないこと、また本当の芸術というものはその上に存在し、教育の範疇を超えているということを理解している生徒は、いすぎて困るということはない。なぜなら彼は彼を動かす影響力の前では子ども同然でさえあるが、もし彼にコートを脱ぎペインティングやドローイングの技術に近づくだけの成長した人間の知性がなければ、彼は自分が表現したいことを十分な形式で他人に伝える手段にすることができないだろう。偉大なものは、芸術家の創造的直観が、彼が自由に使えるよく組織されたな実践的な能力を持つときに、芸術においてのみなされる。 ＊ ＊ ＊ ＊ ＊ * * * * * Of the two divisions into which the technical study of painting can be divided, namely Form and Colour, we are concerned in this book with Form alone. But before proceeding to our immediate subject something should be said as to the nature of art generally, not with the ambition of arriving at any final result in a short chapter, but merely in order to give an idea of the point of view from which the following pages are written, so that misunderstandings may be avoided. 絵画の技術的な学習は、フォルムと色という、2つの領域に分けられるが、われわれは本書においてフォルムのみを扱う。しかし本論に進む前に、芸術一般の本質についていくらか言及しておくべきだろう。これはいきなり最終的な結論に達しようというのではなく、以降の論述が立脚する視点の考え方を示し、誤解を避けるためのものにすぎない。 The variety of definitions that exist justifies some inquiry. The following are a few that come to mind Art is nature expressed through a personality. But what of architecture? Or music? Then there is Morris s Art is the expression of pleasure in work. But this does not apply to music and poetry. Andrew Lang s Everything which we distinguish from nature seems too broad to catch hold of, while Tolstoy s An action by means of which one man, having experienced a feeling, intentionally transmits it to others is nearer the truth, and covers all the arts, but seems, from its omitting any mention ofrhythm, very inadequate. 存在する数多くの定義がいくつかの探究を正当化している。以下に思いつくものを若干挙げてみよう。 「芸術とは個性を通して表現される本質である」 しかし建築はどうだろう？ あるいは音楽は？ それならウィリアム・モリスによるものがある。 「芸術とは仕事における喜びの表現である」 しかしこれは音楽と詩には当てはまらない。アンドリュー・ラングによる、 「われわれが自然から区別するすべてのもの」 という定義は広すぎて捉えられない。一方、トルストイの 「ある感情を経験した人間が、それを他者に伝えようとして用いられる行為」 という定義はより真実に近く、すべての芸術をカバーしているが、しかし“リズム”について言及していない点で、あまり適当ではないように思われる。 ＊ ＊ ＊ ＊ ＊ * * * * * Now the facts of life are conveyed by our senses to the consciousness within us, and stimulate the world of thought and feeling that constitutes our real life. Thought and feeling are very intimately connected, few of our mental perceptions, particularly when they first dawn upon us, being unaccompanied by some feeling. But there is this general division to be made, on one extreme of which is what we call pure intellect, and on the other pure feeling or emotion. The arts, I take it, are a means of giving expression to the emotional side of this mental activity, intimately related as it often is to the more purely intellectual side. The more sensual side of this feeling is perhaps its lowest, while the feelings associated with the intelligence, the little sensitivenesses of perception that escape pure intellect, are possibly its noblest experiences. さて、現実は知覚によってわれわれの意識に伝えられ、われわれの真の生活を構成する思考と感覚の世界を刺激する。思考と感覚はひじょうに密接に繋がっており、精神的認識は、とくにはじめてそれがもたらされる場合、ほとんど何らかの感覚を伴う。しかしここに一般的な区分を設けて、一方の極を純粋な知性、他方を純粋な感覚や感情と呼ぶことにしよう。私の言う芸術とは、この精神的活動の感覚的側面に表現を与える手段のことであり、それはじっさいはより純粋な知的側面としばしば密接に結びつく。この感覚の官能的な部分が多いものは、おそらく最低だろう。一方、知性に結びついた感覚、つまり純然たる知性を逃れるだけのごくわずかな感受性は、もっとも崇高な体験であるだろう。 Pure intellect seeks to construct from the facts brought to our consciousness by the senses, an accurately measured world of phenomena, uncoloured by the human equation in each of us. It seeks to create a point of view outside the human standpoint, one more stable and accurate, unaffected by the ever-changing current of human life. It therefore invents mechanical instruments to do the measuring of our sense perceptions, as their records are more accurate than human observation unaided. 純粋な知性は、知覚によってわれわれの意識にもたらされた事実から、正確に計測され、誰にとっても等しいありのままの現象界を組み立てようとする。それは人間の外に立ち、たとえ現在の人間の生活が変わったとしても影響をを受けないような、より確実かつ正確な視点を作ろうとする。それゆえ、知性はわれわれの知覚を計測するのに機械的な道具を発明する。それらの記録は、機械の補助のない人間が行う観察よりも正確なのだ。 But while in science observation is made much more effective by the use of mechanical instruments in registering facts, the facts with which art deals, being those of feeling, can only be recorded by the feeling instrument--man, and are entirely missed by any mechanically devised substitutes. しかし、科学的観測では事実の記載に機械的道具を使うことがより有効だとしても、芸術が扱う事実は、感覚的道具――人間によってしか記録できず、機械的に発明された物体によってはまったく理解できない。 The artistic intelligence is not interested in things from this standpoint of mechanical accuracy, but in the effect of observation on the living consciousness--the sentient individual in each of us. The same fact accurately portrayed by a number of artistic intelligences should be different in each case, whereas the same fact accurately expressed by a number of scientific intelligences should be the same. 芸術的な知性は、この機械的正確さの観点から見たものではなく、生きた認識――感覚を持ったわれわれ個人――についての観察結果に関心を持つ。科学者たちが同じ事実を正確に表現すればどれも同一になるが、芸術家たちが正確に描いた同じ事実は、それぞれ異なったものになるにちがいない。 But besides the feelings connected with a wide range of experience, each art has certain emotions belonging to the particular sense perceptions connected with it. That is to say, there are some that only music can convey those connected with sound; others that only painting, sculpture, or architecture can convey those connected with the form and colour that they severally deal with. しかし幅広い経験と結びついた感覚のほかに、それぞれの芸術には、それと関係する特別な知覚を伴った、ある感情が存在する。すなわち、音と関係するものは、音楽だけが伝えることができ、フォルムと色に関係するものは、それらを各々扱う絵画、彫刻、建築だけが伝えることができる。 In abstract form and colour--that is, form and colour unconnected with natural appearances--there is an emotional power, such as there is in music, the sounds of which have no direct connection with anything in nature, but only with that mysterious sense we have, the sense of Harmony, Beauty, or Rhythm (all three but different aspects of the same thing). 抽象的なフォルムと色、つまり自然にはないフォルムと色には、感情的なパワーがある。それはまるで音楽――そこでは音が自然とは直接には結びつかず、われわれが持つその不思議な感覚、すなわち、調和、美、リズム（これら3つは同じものの異なる側面を表す）だけに結びついている――にあるようなパワーである。 This inner sense is a very remarkable fact, and will be found to some extent in all, certainly all civilised, races. And when the art of a remote people like the Chinese and Japanese is understood, our senses of harmony are found to be wonderfully in agreement. Despite the fact that their art has developed on lines widely different from our own, none the less, when the surprise at its newness has worn off and we begin to understand it, we find it conforms to very much the same sense of harmony. この内的な感覚は非常に重要な事実であり、すべての（たしかにすべての文明的な）人種に広範に見出されるはずである。そして中国や日本のような遠く離れた人々の芸術が理解されるとき、われわれの調和の感覚が驚くほど同じであることがわかる。彼らの芸術がわれわれのものとは大きく異なる系譜の中で発展してきたという事実にもかかわらず、それでもなお、その目新しさへの驚きが薄れてそれを理解しはじめたときには、われわれはそれがわれわれの調和の感覚とひじょうによく一致していることを知るのである。 But apart from the feelings connected directly with the means of expression, there appears to be much in common between all the arts in their most profound expression; there seems to be a common centre in our inner life that they all appeal to. Possibly at this centre are the great primitive emotions common to all men. The religious group, the deep awe and reverence men feel when contemplating the great mystery of the Universe and their own littleness in the face of its vastness--the desire to correspond and develop relationship with the something outside themselves that is felt to be behind and through all things. Then there are those connected with the joy of life, the throbbing of the great life spirit, the gladness of being, the desire of the sexes; and also those connected with the sadness and mystery of death and decay, c. しかし表現方法と直接関係する感覚のほかにも、全ての芸術に共通するものは、彼らの最も深い表現の中に多く見られる。われわれの内的生活には、彼ら全てがそれに訴える共通の核心があるように思われる。おそらく、この核心にあるものは、全ての人間に共通する偉大で原始的な感情だろう。宗教家たちは、大いなる宇宙の神秘とその広大に対する己の卑小さについて人間が熟考したときに感じる深い畏怖と尊敬の念――彼らの外部にあり、あらゆるものを通してその存在を感じられるあの何ものかと通じて関係を深めたいという欲求――を集合させる。そしてこれらを、生の楽しみ、偉大な魂の鼓動、生きることの喜び、性への欲望、また死や衰えの悲しみと神秘といったことと結びつける。 The technical side of an art is, however, not concerned with these deeper motives but with the things of sense through which they find expression; in the case of painting, the visible universe. しかし、芸術の技術的な側面は、これら深遠なモチーフとではなく、彼らが表現を見つける感覚についてのことがらと関係がある。絵画の場合、それは視覚の宇宙である。 The artist is capable of being stimulated to artistic expression by all things seen, no matter what; to him nothing comes amiss. Great pictures have been made of beautiful people in beautiful clothes and of squalid people in ugly clothes, of beautiful architectural buildings and the ugly hovels of the poor. And the same painter who painted the Alps painted the Great Western Railway. 芸術家は見たものすべてから芸術表現への刺激を受けることができる。たとえどんなものでも、彼にとって不都合なものはない。偉大な絵画は、美しい服装の美しい人々と、醜い服を着た汚い人々、そして美しい建築と、貧民の掘っ立て小屋から作られる。そしてアルプスを描いたその同じ画家が、グレート・ウェスタン鉄道を描くのである。［訳者注：ターナーおじさんのこと］ The visible world is to the artist, as it were, a wonderful garment, at times revealing to him the Beyond, the Inner Truth there is in all things. He has a consciousness of some correspondence with something the other side of visible things and dimly felt through them, a still, small voice which he is impelled to interpret to man. It is the expression of this all-pervading inner significance that I think we recognise as beauty, and that prompted Keats to say Beauty is truth, truth beauty. 目に見える世界は芸術家のものであり、いわばすばらしい衣服である。それはときどき彼に、すべてに内在する内なる真実の向こうを見せてくれる。彼は視角の向こう側にあるものと通じているという意識を持ち、誰かに説明したくなるような「静かで、小さな声」を通してそれをかすかに感じる。このすべてに広がる内的な意味の表現こそが、われわれが美として認識し、ジョン・キーツにかのように言わしめたものである。 「美は真であり、真は美である」 And hence it is that the love of truth and the love of beauty can exist together in the work of the artist. The search for this inner truth is the search for beauty. People whose vision does not penetrate beyond the narrow limits of the commonplace, and to whom a cabbage is but a vulgar vegetable, are surprised if they see a beautiful picture painted of one, and say that the artist has idealised it, meaning that he has consciously altered its appearance on some idealistic formula; whereas he has probably only honestly given expression to a truer, deeper vision than they had been aware of. The commonplace is not the true, but only the shallow, view of things. それゆえ真と美への愛は芸術家の作品の中でともに存在できることになる。この内的な真理の探究が美の探究である。凡庸さの狭い限界を超えた認識をする視点を持たない人々（彼らにとってキャベツは庶民の野菜でしかないのだが）は、芸術家の描いた美しい絵を見て驚き、そしてこう言うのである。この芸術家はそれを理想化した、つまり彼はその外観をある理想的な様式に意識的に変化させたのだと。しかし彼はおそらく、彼らがすでに気づいていたある真なる深遠なビジョンに対して誠実に表現を与えただけだろう。平凡さは真実ではなく、単にものの見方の浅薄さにすぎない。 [Illustration Plate II. DRAWING BY LEONARDO DA VINCI FROM THE ROYAL COLLECTION AT WINDSOR _Copyright photo, Braun Co._] Fromentin s Art is the expression of the invisible by means of the visible expresses the same idea, and it is this that gives to art its high place among the works of man. Beautiful things seem to put us in correspondence with a world the harmonies of which are more perfect, and bring a deeper peace than this imperfect life seems capable of yielding of itself. Our moments of peace are, I think, always associated with some form of beauty, of this spark of harmony within corresponding with some infinite source without. Like a mariner s compass, we are restless until we find repose in this one direction. In moments of beauty (for beauty is, strictly speaking, a state of mind rather than an attribute of certain objects, although certain things have the power of inducing it more than others) we seem to get a glimpse of this deeper truth behind the things of sense. And who can say but that this sense, dull enough in most of us, is not an echo of a greater harmony existing somewhere the other side of things, that we dimly feel through them, evasive though it is. But we must tread lightly in these rarefied regions and get on to more practical concerns. By finding and emphasising in his work those elements in visual appearances that express these profounder things, the painter is enabled to stimulate the perception of them in others. In the representation of a fine mountain, for instance, there are, besides all its rhythmic beauty of form and colour, associations touching deeper chords in our natures--associations connected with its size, age, and permanence, c.; at any rate we have more feelings than form and colour of themselves are capable of arousing. And these things must be felt by the painter, and his picture painted under the influence of these feelings, if he is instinctively to select those elements of form and colour that convey them. Such deeper feelings are far too intimately associated even with the finer beauties of mere form and colour for the painter to be able to neglect them; no amount of technical knowledge will take the place of feeling, or direct the painter so surely in his selection of what is fine. There are those who would say, This is all very well, but the painter s concern is with form and colour and paint, and nothing else. If he paints the mountain faithfully from that point of view, it will suggest all these other associations to those who want them. And others who would say that the form and colour of appearances are only to be used as a language to give expression to the feelings common to all men. Art for art s sake and Art for subject s sake. There are these two extreme positions to consider, and it will depend on the individual on which side his work lies. His interest will be more on the aesthetic side, in the feelings directly concerned with form and colour; or on the side of the mental associations connected with appearances, according to his temperament. But neither position can neglect the other without fatal loss. The picture of form and colour will never be able to escape the associations connected with visual things, neither will the picture all for subject be able to get away from its form and colour. And it is wrong to say If he paints the mountain faithfully from the form and colour point of view it will suggest all those other associations to those who want them, unless, as is possible with a simple-minded painter, he be unconsciously moved by deeper feelings, and impelled to select the significant things while only conscious of his paint. But the chances are that his picture will convey the things he was thinking about, and, in consequence, instead of impressing us with the grandeur of the mountain, will say something very like See what a clever painter I am! Unless the artist has painted his picture under the influence of the deeper feelings the scene was capable of producing, it is not likely anybody will be so impressed when they look at his work. And the painter deeply moved with high ideals as to subject matter, who neglects the form and colour through which he is expressing them, will find that his work has failed to be convincing. The immaterial can only be expressed through the material in art, and the painted symbols of the picture must be very perfect if subtle and elusive meanings are to be conveyed. If he cannot paint the commonplace aspect of our mountain, how can he expect to paint any expression of the deeper things in it? The fact is, both positions are incomplete. In all good art the matter expressed and the manner of its expression are so intimate as to have become one. The deeper associations connected with the mountain are only matters for art in so far as they affect its appearance and take shape as form and colour in the mind of the artist, informing the whole process of the painting, even to the brush strokes. As in a good poem, it is impossible to consider the poetic idea apart from the words that express it they are fired together at its creation. Now an expression by means of one of our different sense perceptions does not constitute art, or the boy shouting at the top of his voice, giving expression to his delight in life but making a horrible noise, would be an artist. If his expression is to be adequate to convey his feeling to others, there must be some arrangement. The expression must be ordered, rhythmic, or whatever word most fitly conveys the idea of those powers, conscious or unconscious, that select and arrange the sensuous material of art, so as to make the most telling impression, by bringing it into relation with our innate sense of harmony. If we can find a rough definition that will include all the arts, it will help us to see in what direction lie those things in painting that make it an art. The not uncommon idea, that painting is the production by means of colours of more or less perfect representations of natural objects will not do. And it is devoutly to be hoped that science will perfect a method of colour photography finally to dispel this illusion. What, then, will serve as a working definition? There must be something about feeling, the expression of that individuality the secret of which everyone carries in himself; the expression of that ego that perceives and is moved by the phenomena of life around us. And, on the other hand, something about the ordering of its expression. But who knows of words that can convey a just idea of such subtle matter? If one says Art is the rhythmic expression of Life, or emotional consciousness, or feeling, all are inadequate. Perhaps the rhythmic expression of life would be the more perfect definition. But the word life is so much more associated with eating and drinking in the popular mind, than with the spirit or force or whatever you care to call it, that exists behind consciousness and is the animating factor of our whole being, that it will hardly serve a useful purpose. So that, perhaps, for a rough, practical definition that will at least point away from the mechanical performances that so often pass for art, #the Rhythmic expression of Feeling# will do for by Rhythm is meant that ordering of the materials of art (form and colour, in the case of painting) so as to bring them into relationship with our innate sense of harmony which gives them their expressive power. Without this relationship we have no direct means of making the sensuous material of art awaken an answering echo in others. The boy shouting at the top of his voice, making a horrible noise, was not an artist because his expression was inadequate--was not related to the underlying sense of harmony that would have given it expressive power. [Illustration Plate III. STUDY FOR APRIL In red chalk on toned paper.] Let us test this definition with some simple cases. Here is a savage, shouting and flinging his arms and legs about in wild delight; he is not an artist, although he may be moved by life and feeling. But let this shouting be done on some ordered plan, to a rhythm expressive of joy and delight, and his leg and arm movements governed by it also, and he has become an artist, and singing and dancing (possibly the oldest of the arts) will result. Or take the case of one who has been deeply moved by something he has seen, say a man killed by a wild beast, which he wishes to tell his friends. If he just explains the facts as he saw them, making no effort to order his words so as to make the most telling impression upon his hearers and convey to them something of the feelings that are stirring in him, if he merely does this, he is not an artist, although the recital of such a terrible incident may be moving. But the moment he arranges his words so as to convey in a telling manner not only the plain facts, but the horrible feelings he experienced at the sight, he has become an artist. And if he further orders his words to a rhythmic beat, a beat in sympathy with his subject, he has become still more artistic, and a primitive form of poetry will result. Or in building a hut, so long as a man is interested solely in the utilitarian side of the matter, as are so many builders to-day, and just puts up walls as he needs protection from wild beasts, and a roof to keep out the rain, he is not yet an artist. But the moment he begins to consider his work with some feeling, and arranges the relative sizes of his walls and roof so that they answer to some sense he has for beautiful proportion, he has become an artist, and his hut has some architectural pretensions. Now if his hut is of wood, and he paints it to protect it from the elements, nothing necessarily artistic has been done. But if he selects colours that give him pleasure in their arrangement, and if the forms his colour masses assume are designed with some personal feeling, he has invented a primitive form of decoration. And likewise the savage who, wishing to illustrate his description of a strange animal he has seen, takes a piece of burnt wood and draws on the wall his idea of what it looked like, a sort of catalogue of its appearance in its details, he is not necessarily an artist. It is only when he draws under the influence of some feeling, of some pleasure he felt in the appearance of the animal, that he becomes an artist. Of course in each case it is assumed that the men have the power to be moved by these things, and whether they are good or poor artists will depend on the quality of their feeling and the fitness of its expression. [Illustration Plate IV. STUDY ON TISSUE-PAPER IN RED CHALK FOR FIGURE OF BOREAS] The purest form of this rhythmic expression of feeling is music. And as Walter Pater shows us in his essay on The School of Giorgione, music is the type of art. The others are more artistic as they approach its conditions. Poetry, the most musical form of literature, is its most artistic form. And in the greatest pictures form, colour, and idea are united to thrill us with harmonies analogous to music. The painter expresses his feelings through the representation of the visible world of Nature, and through the representation of those combinations of form and colour inspired in his imagination, that were all originally derived from visible nature. If he fails from lack of skill to make his representation convincing to reasonable people, no matter how sublime has been his artistic intention, he will probably have landed in the ridiculous. And yet, #so great is the power of direction exercised by the emotions on the artist that it is seldom his work fails to convey something, when genuine feeling has been the motive#. On the other hand, the painter with no artistic impulse who makes a laboriously commonplace picture of some ordinary or pretentious subject, has equally failed as an artist, however much the skilfulness of his representations may gain him reputation with the unthinking. The study, therefore, of the #representation of visible nature# and of #the powers of expression possessed by form and colour# is the object of the painter s training. And a command over this power of representation and expression is absolutely necessary if he is to be capable of doing anything worthy of his art. This is all in art that one can attempt to teach. The emotional side is beyond the scope of teaching. You cannot teach people how to feel. All you can do is to surround them with the conditions calculated to stimulate any natural feeling they may possess. And this is done by familiarising students with the best works of art and nature. * * * * * It is surprising how few art students have any idea of what it is that constitutes art. They are impelled, it is to be assumed, by a natural desire to express themselves by painting, and, if their intuitive ability is strong enough, it perhaps matters little whether they know or not. But to the larger number who are not so violently impelled, it is highly essential that they have some better idea of art than that it consists in setting down your canvas before nature and copying it. 芸術を構成するものについて理解している美術学生の少なさは、おどろくべきことである。彼らはおそらく、絵画によって彼ら自身を表現したいという自然な欲求によって駆り立てられている。もし彼らの直観的な能力が十分に強いのであれば、彼らが知っているどうかはたいした問題ではないだろう。しかしそこまで暴力的に駆り立てられない多くの学生にとって、芸術についてよりよく理解することは、自然の前にキャンバスを据えてそれを模写することよりも、ひじょうに重要で不可欠なことである。 Inadequate as this imperfect treatment of a profoundly interesting subject is, it may serve to give some idea of the point of view from which the following pages are written, and if it also serves to disturb the copying theory in the minds of any students and encourages them to make further inquiry, it will have served a useful purpose. 大いに興味深い主題についてこのような不完全な論じ方をするのは不適当であるが、以降の論述がもとづく視点の考え方を示すことにはなるだろう。そしてまた、学生の心に浮かぶ「模写説」を防ぎ、彼らをさらなる探究へ促すことにもなったのならば、役立つ目的は果たしたことになる。
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Individual Defense Individual DefenseSummary Advance preparationPreparation of each individual Federation members to work together. Enemy forces Summary When you start, you are attacked by NPCs, and you earn points for each defense. Wave 25 is available, and it ends when the defense fails three times. While defending, you will not be attacked by other players. (You cannot be attacked either). Better to do this before the unit is damaged by KE. By cooperating with other members of the federation by coordinating the date and time of the event, you can aim for high points. Advance preparation Preparation of each individual If a main unit or hero is dispatched to a resource site, it should be collected. If you do not want to damage the Thunder God unit, retreat to a resource area. Federation members to work together. Move the fortress to a larger location. Relocate base to surround support skill holders. Build strengthening and weakening facilities according to Wave. (after start) Enemy forces Wave Type EnemyLv Soldiers Interval Elapsedtime TimeRemaining Skils 1 Army 77 9 - - 34 00 2 Navy 78 15 1 05 1 05 32 55 3 Air Force 79 21 1 05 2 10 31 50 4 Army 80 27 1 05 3 15 30 45 5 Navy 81 33 1 05 4 20 29 40 Units+10 6 Air Force 82 42 1 05 5 25 28 35 7 Army 83 51 1 05 6 30 27 30 8 Navy 84 60 1 05 7 35 26 25 9 Air Force 85 69 1 05 8 40 25 20 Facility 10 Army 86 78 1 05 9 45 24 15 11 Navy 87 90 1 05 10 50 23 10 12 Air Force 88 102 1 05 11 55 22 05 13 Army 89 114 1 05 13 00 21 00 14 Navy 90 126 1 05 14 05 19 55 15 Air Force 91 138 1 45 15 50 18 10 16 Army 92 153 1 45 17 35 16 25 17 Navy 93 168 1 45 19 20 14 40 18 Air Force 94 183 1 45 21 05 12 55 Energymatrix 19 Army 95 198 1 45 22 50 11 10 20 Navy 96 213 1 45 24 35 9 25 21 Air Force 98 238 1 45 26 20 7 40 Poseidon 22 Army 100 263 1 45 28 05 5 55 23 Navy 102 290 1 45 29 50 4 10 速攻転移 24 Air Force 104 320 2 05 31 55 2 05 25 Army 106 500 2 05 34 00 0 00 DMG+30%
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Materials and Development of Plastics Packaging for the Consumer Market (Sheffield Packaging Technology) Sheffield Academic Press? Geoff A. Giles? David R. Bain? SheffieldAcademicPress? GeoffA.Giles? DavidR.Bain? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-64? Subjects-Engineering-Chemical-PolymerChemistry? Subjects-Professional&Technical-Engineering-Chemical-PolymerChemistry? Technology of Plastics Packaging for the Consumer Market (Sheffield Packaging Technology) Sheffield Academic Press? Geoff A. Giles? David R. Bain? SheffieldAcademicPress? GeoffA.Giles? DavidR.Bain? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-37? Subjects-Engineering-Chemical-PolymerChemistry? Subjects-Professional&Technical-Engineering-Chemical-PolymerChemistry? The Future of Surface Artefact Survey in Europe (Sheffield Archaeological Monographs) Sheffield Academic Pr? John Bintliff? Martin Kuna? Natalie Venclova? SheffieldAcademicPr? JohnBintliff? MartinKuna? 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Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-Pediatrics-Perinatology&Neonatology? Subjects-Professional&Technical-Medical-Medicine-Surgery-Obstetrics&Gynecology? Subjects-Science-Medicine-Specialties-Obstetrics&Gynecology? Subjects-Science-Medicine-Specialties-Pediatrics-Perinatology&Neonatology? Subjects-Science-Medicine-InternalMedicine-InfectiousDisease-Epidemiology? The World of Tractors An Illustrated History of the Ultimate Farm Machine Lorenz Books? John Carroll? LorenzBooks? JohnCarroll? ユーズドブック(洋書)-Engineering Subjects-Business&Investing-General? Subjects-Engineering-Automotive? Subjects-Nonfiction-Transportation-General? Subjects-Nonfiction-Automotive-General? Subjects-Professional&Technical-Engineering-Automotive? Tractors An A-Z of Farm Machinery Southwater Pub? John Carroll? SouthwaterPub? JohnCarroll? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-37? Subjects-Engineering-Automotive? 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