約 3,223,089 件
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■Contains the complete show from 2-14-90 Tokyo recorded in average audience quality on CDR. Opening show of the Steel Wheels 1990 Japan tour. This was the first time they ever played in Japan. (untitled 2CDR) ■2-16-90 Tokyo show. (untitled 2CDR transferred from audio tape) ■2-17-90 Tokyo show. (untitled 2CDR transferred from audio tape) ■2-19-90 Tokyo show. (untitled 2CDR transferred from audio tape) ■Contains the complete show from 2-20-90 Tokyo recorded in average audience quality on CDR. (untitled 2CDR) ■Tokyo, Feb. 21, 1990 (no credit), 2-21-90 Tokyo show. (2CDR) ■Contains the complete show from 2-23-90 Tokyo recorded in average audience quality on CDR. (untitled 2CDR) ■2-24-90 Tokyo show. ■Complete 2-27-90 Tokyo show in very nice audience quality on CDR. This was the final show of the Rolling Stones Steel Wheels 1990 Japan tour. (untitled 2CDR) ■Three Nights at Feyenoord Stadium Rotterdam May 18, 1990, 5-18-90 Netherlands show. (2CDR) ■Urban Jungle First Night, 5-18-90 Netherlands show. (2CDR) (no artwork) ■5-19-90 Netherlands show. (untitled 2CDR transferred from audio tape) ■Three Night at Feyenoord Stadium May 19, 1990, 5-19-90 Netherlands show. (2CDR) ■5-21-90 Netherlands show. (untitled 2CDR transferred from audio tape) ■5-23-90 Hannover show. (untitled 2CDR transferred from audio tape) ■First Night in Hannover 90, 5-23-90 Hannover show. (2CDR) ■5-24-90 Hannover show. (untitled 2CDR transferred from audio tape) ■I m Living with These Memories, 5-24-90 Hannover show. (2CDR) ■5-26-90 Frankfurt show. (untitled 2CDR transferred from audio tape) ■Frankfurt 1990 art One, 5-26-90 Frankfurt show. (2CDR) ■Frankfult 27,5, 90, 5-27-90 Frankfurt show. (2CDR) ■5-31-90 Cologne show. (untitled 2CDR transferred from audio tape) ■Cologne 1990 Part Two, 5-31-90 Cologne show. (2CDR) ■Munchen 1990, 6-2-90 Munich show. (2CDR) ■Almost Hear You Sigh in Munich, 6-3-90 Munich show. (2CDR) ■Berlin 1990-June 6, 6-6-90 Berlin show. (2CDR) ■6-13-90 Barcelona show. ■6-14-90 Barcelona show. (untitled 2CDR transferred from audio tape) ■Perfecto Madrid, 6-16-90 Madrid show. (2CDR) ■Complete show from 6-17-90 Madrid recorded in below average audience quality on CDR. (untitled 2CDR) ■Marseille June 20, 1990, 6-20-90 Marseille show. (2CDR) ■Paris 1990, 6-22-90 Paris show. (2CDR) ■Rainy Day Over Paris, 6-23-90 Paris show. (2CDR) ■6-25-90 Paris show. ■Complete show from Basel 6-27-90 recorded in very nice audience quality on CDR. Excellent performance. (untitled 2CDR) ■The Boss is Back, 7-4-90 London show. (2CDR) ■Sixth of July London 1990, 7-6/-90 London show. (2CDR) ■7-7-90 London show. (untitled 2CDR transferred from audio tape) (audience+sbd) ■A Little Bit More Energy in Glasgow, 7-9-90 Glasgow show. (2CDR) ■Who Gives a Fuck, 7-9-90 Glasgow show. (2CDR) ■7-16-90 Cardiff show. (untitled 2CDR transferred from audio tape) ■7-18-90 Newcastle upon Tyne show. (untitled 2CDR transferred from audio tape) ■New Castle July 18, 1990, 7-18-90 Newcastle upon Tyne show. (2CDR) ■Exiles on Maine Road, 7-20-90 Manchester show. (2CDR) ■7-21-90 Manchester show. (untitled 2CDR transferred from audio tape) ■7-25-90 Rome show. (untitled 2CDR transferred from audio tape) ■7-25-90 Rome show. (untitled 2CDR transferred from audio tape) ■Nearly complete show from Rome 7-26-90 recorded in very nice audience quality on CDR. Sympathy for the Devil is faded out early. (untitled 2CDR) ■7-28-90 Turin show. (untitled 2CDR transferred from audio tape) ■Ciao Torino 1990, 7-28-90 Turin show. (2CDR) ■7-31-90 Vienna show. (untitled 2CDR transferred from audio tape) ■Hot Vienna Night, 7-31-90 Vienna show. (2CDR) ■8-3-90 Gothenburg show. (untitled 2CDR transferred from audio tape) ■8-4-90 Gothenburg show. (untitled 2CDR transferred from audio tape) ■Symply The Best Vol. 2, 8-4-90 Gothenburg show. (2CDR) ■8-6-90 Oslo show. (untitled 2CDR transferred from audio tape) ■Oslo August 6, 1990, 8-6-90 Oslo show. (2CDR) ■8-7-90 Oslo show. (untitled 2CDR transferred from audio tape) ■Copenhagen 9.8.1990, 8-9-90 Copenhagen show. (2CDR) ■Berlin 1990-August 14, 8-14-90 Berlin show. (2CDR) ■8-16-90 Gelsenkirchen show. ■Prague 1990, 8-18-90 Prague show. (2CDR) ■London 1990 Part Four, 8-24-90 London show. (2CDR) ■8-25-90 London show. ■Compilation BACK / NEXT
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■6-10-78 Lakeland show. Newly circulating and considered by many to be a substantial upgrade. (untitled 1CDR transferred from 2nd GEN tape) ■Lakeland 1978 First Night, 6-10-78 Lakeland show. (2CDR) ■6-12-78 Atlanta show. (untitled 1CDR transferred from audio tape) ■Complete show from the 6-14-78 Passaic concert recorded in excellent soundboard quality. Street Fighting Man is faded out early. Same great quality. (untitled 2CDR transferred from audio tape) ■Complete show from Washington 6-15-78 recorded in below average audience quality from audio tape. Said to be a nice audience recording --but it sounds just terrible. (untitled 1CDR transferred from audio tape) ■This CDR version of 6-17-78 Philadelphia show (1st source) was digitally remastered with professional equipment--a significant improvement to the original sound quality. (untitled 2CDR)■Alternate source! One of the rarest recordings I ve ever come across. Sound quality is very nice. No vinyl surface noise. A really great second source alternate version. (untitled 2CDR transferred from audio tape) ■Philadelphia 1978, 6-17-78 Philadelphia show. (2CDR) ■This 1st GEN audience recording is superior to the above CD releases. Complete show from 6-19-78 New York City recordedfrom rare 1st GEN audio tape. (untitled 2CDR transferred from audio tape) ■New York City 1978, 6-19-78 New York show. (2CDR) ■We Could be Respectables!!, 6-19-78 New York show. (2CDR) ■6-21-78 Hampton show. (untitled 2CDR transferred from audio tape) ■Where the Green Grass Grows, 6-21-78 Hampton show. vinyl+aud. (2CDR) ■Complete 6-22-78 Myrtle Beach show recorded from 1st GEN audio tape. This is from a lower generation tape than the CD titles above, but sound quality is not very good. (untitled 2CDR transferred from audio tape) ■6-22-78 Myrtle Beach show. (2CDR) ■Surf s Up, 6-22-78 Myrtle Beach show. (2CDR) ■Myrtle Beach 78, 6-22-78 Myrtle Beach show. (2CDR) ■6-26-78 Greensboro show. (untitled 2CDR transferred from audio tape) ■Greensboro 1978, 6-26-78 Greensboro show. (2CDR) ■6-28-78 Memphis Complete show recorded in average quality from an alternate source. Sound quality is about the same. (untitled 2CDR transferred from audio tape) ■Make Some Girls in Memphis, 6-28-78 Memphis show. (2CDR) ■Let it Rock Lexington, 6-29-78 Lexington show. (2CDR) ■7-1-78 Cleveland show. (untitled 2CDR transferred from audio tape) ■Cleveland 1978, 7-1-78 Cleveland show. (1CDR) ■7-4-78 Buffalo show. (untitled 2CDR transferred from audio tape) ■Buffalo July 04, 1978, 7-4-78 Buffalo show. (2CDR) ■It Will Wig You Out!, 7-6-78 Detroit show. (2CDR) ■7-8-78 Chicago show. (untitled 2CDR transferred from audio tape) ■Chicago 1978 Soldier Field, 7-8-78 Chicago show. (2CDR) ■Chicago 1978-07-08, 7-8-78 Chicago show. (2CDR) ■7-10-78 Saint Paul show. (untitled 2CDR transferred from audio tape) ■St. Paul 1978, 7-10-78 Saint Paul show. (2CDR) ■14 tracks from 7-11-78 St. Louis show recorded in very nice audience quality from audio tape. Comparable to, and in some cases, superior to the bootleg CD releases above. (untitled 2CDR transferred from audio tape) ■Black Girls Just Like to Get Fucked All Night, 7-13-78 New Orleans show. (2CDR) ■New Orleans 78, 7-13-78 New Orleans show. (2CDR) ■7-16-78 Boulder show. (untitled 1CDR transferred from audio tape) ■Boulder 1978, 7-16-78 Boulder show. (2CDR) ■Complete show from 7-18-78 Fort Worth recorded in excellent stereo soundboard quality to CDR from audio tape. (untitled 2CDR transferred from audio tape) ■7-19-78 Houston show. (untitled 2CDR transferred from audio tape) ■7-19-78 Houston show, Best selection source. (untitled 2CDR transferred from audio tape) ■Houston 1978, 7-19-78 Houston show. (2CDR) ■Incomplete show from 7-21-78 Tucson. Both Brown Sugar Jumping Jack Flash are missing. Very bad sound quality, but this version has a much longer introduction. (untitled 2CDR transferred from audio tape) ■Complete show from 7-23-78 Anaheim recorded in average quality from audio tape (longer introduction). Compared to the 1975 LA shows, these stadium shows were weak. (untitled 2CDR transferred from audio tape) ■Complete show from 7-24-78 Anaheim recorded in above average quality from audio tape. Special guests onstage were Bobby Keys and Nicky Hopkins--still sad though. (untitled 2CDR NZ) ■1978 July 26 Coliseum, Oakland, CA, USA, 7-26-78 Oakland show. (2CDR) BACK / NEXT
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■8-30-70 Malmo show. First show of the 1970 European Tour . This is the only show of the 1970 European Tour where the Rolling Stones played "Gimme Shelter" (untitled 1CDR transferred from audio tape) ■9-4-70 Stockholm show. Incomplete show, low sound quality. (untitled 1CDR transferred from audio tape) ■Complete 9-6-70 Gothenburg show, low sound quality. (untitled 1CDR transferred from audio tape) ■9-12-70 Copenhagen show. Fourteen tracks, better sound quality. This is the most complete and best sounding version of this show. (untitled 1CDR NZ) ■9-14-70 Hamburg show. Different recording source. Includes "Live With Me" low sound quality. (untitled 1CDR transferred from audio tape) ■9-16-70 Berlin show. The original audio tape recording on CDR. (untitled 1CDR transferred from audio tape) ■9-18-70 Cologne show. This CDR is the best sounding recording available for the 9-18-70 Cologne show. (untitled 1CDR NZ) ■9-20-70 Stuttgart show. Poor sound quality. (untitled 1CDR transferred from audio tape) ■9-22-70 Paris show, This Europe 1 French radio broadcast captures a truly great performance in farly decent sound quality, but is ruined by a babbling French MC. (untitled 1CDR transferred from audio tape) ■9-23-70 Paris show, Eleven songs taken from Europe 1 French radio broadcast soundboard. (untitled 1CDR transferred from audio tape) ■9-24-70 Paris show, Origin doubtful. This recording might originate from one of the two previous Paris shows, or might even be from 10-3-70 Lyon show. (untitled 1CDR transferred from audio tape) ■Vienna 1970, 9-27-70 Vienna show. A great show recorded in terribly bad audience quality. (1CDR) ■9-29-70 Rome show. Poor sound quality. Very high-pitched, tinny, and shrill. Virtually unlistenable. (untitled 1CDR transferred from audio tape) ■Arrivederci Roma, 9-29-70 Rome show. Poor sound quality. Very high-pitched, tinny, and shrill. Virtually unlistenable. Plus two bonus tracks from 3-4-71 (these bonus tracks are actually from 9-19-73 Birminham show) (1CDR) ■Live in Milano 1970, Incomplete 10-1-70 Milan show, low sound quality. This concert was a frenzied riotous event. (1CDR) ■Lyon 1970, Once thought to be the 10-3-70 Lyon show, it has now been proven to be a composite made from 9-16-70 Berlin 9-23-70 Paris show (some parts with French dialogue might be 10-3-70 Lyon). Fake. (1CDR) ■Incomplete 10-5-70 Frankfurt show. Low sound quality. (untitled 1CDR transferred from audio tape) ■Incomplete 10-6-70 Frankfurt show. Low sound quality. (untitled 1CDR transferred from audio tape) ■10-9-70 Amsterdam show. This is the source tape for the above two VGP releases. It was around long before Vinyl Gang Productions released it. (untitled 1CDR transferred from audio tape) BACK / NEXT
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■5-26-82 Aberdeen show. Rare recording of Start Me Up and part of Jumping Jack Flash from the secret club gig in the Capitol Theatre, Aberdeen, Scotland. Terrible quality and runs too fast. (untitled 1CDR transferred from audio tape) ■Master of Drama, 5-26-82 Aberdeen show. (2CDR) ■Apollo Theatre 1982, 5-27-82 Glasgow show. (3CDR) ■Glasgow 1982, 5-27-82 Glasgow show. (2CDR) ■Complete 5-28-82 Edinburgh show recorded in very nice audience quality on CDR. This is the remastered version and is probably the best version of this show available. (untitled 2CDR) ■6-2-82 Rotterdam show. (untitled 2CDR transferred from audio tape) ■Hot Hot Hotterdam, 6-2-82 Rotterdam show. (2CDR) ■Complete show from 6-4-82 Rotterdam recorded in average audience quality from alternate source audio tape. Direct from Peter Bergsima uncirculated MASTER. (untitled 2CDR transferred from audio tape) ■Complete show from 6-5-82 Rotterdam recorded in average audience quality from alternate source audio tape. Direct from Peter Bergsima uncirculated MASTER. (untitled 2CDR transferred from audio tape) ■Hannover 1982, 6-6-82 Hannover show. (2CDR) ■Hannover 1982, 6-6-82 Hannover show. (2CDR) ■6-7-82 Hannover show. (untitled 2CDR transferred from audio tape) ■Live in Hannover, 6-7-82 Hannover show. (2CDR) ■Nice Pregnant, 6-7-82 Hannover show. (2CDR) ■Incomplete show from 6-8-82 Berlin recorded in average quality. Twenty tracks. Volume is very low---also very tinny, high-pitched and thrill. Not the best version. (untitled 2CDR transferred from audio tape) ■6-11-82 Munich show. ■6-14-82 Paris show. (untitled 2CDR transferred from audio tape) ■6-16-82 Lyons show. ■6-23-82 Newcastle upon Tyne show. (untitled 2CDR transferred from audio tape) ■Complete show from 6-25-82 London recorded in very nice audience quality from audio tape. Great show, great recording. (untitled 2CDR transferred from audio tape) ■6-26-82 London show. (untitled 2CDR transferred from audio tape) ■6-27-82 Bristol show. (untitled 2CDR transferred from audio tape) ■The first three songs from the 6-29-82 Frankfurt show recorded in very nice audience quality from audio tape. This might be from an alternate source. (untitled 1CDR transferred from audio tape) ■6-30-82 Frankfurt show. ■7-1-82 Frankfurt show. (untitled 2CDR transferred from audio tape) ■Frankfurt July 1, 1982, 7-1-82 Frankfurt show. (2CDR) ■Complete show from 7-4-82 Cologne recorded in outstanding audience quality on CDR. (untitled 2CDR) ■Cologne 1982 Part Two, 7-5-82 Cologne show. (2CDR) ■Finest Mojo, 7-7-82 Madrid show. (2CDR) ■Madrid 82, 7-9-82 Madrid show. (2CDR) ■7-12-82 Turin show. (untitled 2CDR transferred from audio tape) ■7-15-82 Basel show. (untitled 2CDR transferred from audio tape) ■Live at St. Jakobs Stadium, Basel July 15, 1982, 7-15-82 Basel show. (2CDR) ■7-17-82 Naples show. (untitled 2CDR transferred from audio tape) ■7-20-82 Nice show. (untitled 2CDR transferred from audio tape) ■Nice 82, 7-20-82 Nice show. (2CDR) ■Sloane Castle, Dublin, July 24, 1982, 7-24-82 Slane show. (2CDR) ■7-25-82 Leeds show. ■6 Pack of Beer (2CDR) ■Want Some Dirty Stuff? (3CDR) BACK / NEXT
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■Black Blue on a First Date, 4-28-76 Frankfurt show. (2CDR) ■Complete 4-29-76 show from Frankfurt recorded in about average quality from audio tape. (2CDR) ■4-30-76 Münster 1st show. (untitled 2CDR transferred from audio tape) ■Munsterlandhalle 1976 1st show!, 4-30-76 Münster 1st show. (2CDR) ■4-30-76 Münster 2nd show. (untitled 2CDR transferred from audio tape) ■Munsterlandhalle 1976 2nd show!, 4-30-76 Münster 2nd show. (2CDR) ■16 tracks from 5-2-76 Kiel show recorded in about average quality from audio tape. Jumping Jack Flash is incomplete. No Billy Preston songs on this either. (untitled 1CDR transferred from audio tape) ■Incomplete show from 5-3-76 Berlin recorded in nice audience quality from audio tape. You Gotta Move is cut, Jumping Jack Flash Street Fighting Man are missing. (untitled 2CDR transferred from audio tape) ■5-3-76 Berlin show. (untitled 2CDR transferred from audio tape) ■5-4-76 Bremen show. (untitled 2CDR transferred from audio tape) ■Black n Blue n Bremen, 5-4-76 Bremen show. (2CDR) ■Happy in Bremen, 5-4-76 Bremen show. (2CDR) ■Bienvenue a Bruxelles, 5-6-76 Brussels show. (3CDR/disc 1, 2) ■Bienvenue a Bruxelles, 5-7-76 Brussels show. (3CDR/disc 2, 3) ■Complete 5-10-76 Glasgow show recorded in average sound quality from audio tape. (untitled 2CDR transferred from audio tape) ■Hot Stuff at the Apollo, 5-12-76 Glasgow show. (2CDR) ■Glasgow June 12, 1976, 5-12-76 Glasgow show. (2CDR) ■5-14-76 Leicester show. (untitled 2CDR transferred from audio tape) ■Leicester 76 Friday Night, 5-14-76 Leicester show. (2CDR) ■5-15-76 Leicester show. ■Stafford UK May 17 18, 1976, 5-17-76 Stafford show. (2CDR) ■Stafford UK May 17 18, 1976, 5-18-76 Stafford show. (2CDR) ■Stafford 1976, 5-18-76 Stafford show. (2CDR) ■Earl s Court - First Night, 5-21-76 London show. (2CDR) ■Earl s Court 1st Day, May 21st 1976, 5-21-76 London show. (2CDR) ■Down in the Court, 5-22-76, London show. (2CDR) ■Complete show from 5-22-76 London recorded in pretty bad sound quality from audio tape. Very high-pitched, tinny, and shrill sound quality. (untitled 2CDR transferred from audio tape) ■Earl s Court 3rd Day, 5-23-76 London show. (2CDR) ■5-25-76 London show. (untitled 1CDR transferred from audio tape) ■Hot Stuff on Home Tuff, 5-25-76 London show. (2CDR) ■Love You Live London, 5-25-76 London show. (2CDR) ■5-26-76 London show. (untitled 1CDR transferred from audio tape) ■Hope You Like One of Them!, 5-26-76 London show. (2CDR) ■Earls Court 27.5.76, 5-27-76 London show. (2CDR) ■Hot Stuff at the Yellow House, 5-29-76 The Hague show. (2CDR) ■The Hague 76, 5-30-76 The Hague show. (2CDR) ■Complete 6-1-76 Dortmund show. Overloaded recording. Sound quality is absolutely terrible. One of the worst recordings I ve ever heard in my entire life. A shame… (untitled 2CDR transferred from audio tape) ■Complete show from 6-2-76 Cologne 1st show recorded in almost excellent audience quality from audio tape. (untitled 1CDR transferred from audio tape) ■Complete show from 6-2-76 Cologne 2nd show recorded in about average audience quality. (untitled 2CDR) ■Complete show from 6-4-76 Paris, France recorded in excellent audience quality from audio tape. (untitled 2CDR transferred from audio tape) ■6-5-76 Paris show. This is the tape source for the above VGP bootleg CD release---it was around years before VGP released it on CD. (untitled 2CDR transferred from audio tape) ■Complete show from 6-6-76 Paris, France recorded in excellent mono soundboard quality from audio tape. (untitled 2CDR transferred from audio tape) ■Viva La France!, 1976/6/7, 6-7-76 Paris show. (2CDR) ■Love You Live Outtakes, 6-7-76 Paris show. (1CDR) ■Backstage Limited, 6-9-76 Lyon show. (2CDR) ■Lyon 09-06-76, 6-9-76 Lyon show. (2CDR) ■Complete show from 6-11-76 Barcelona, Spain recorded in terrible sound quality from audio tape. Sound quality is about the same. (untitled 2CDR transferred from audio tape) ■Negrita s Of Nice, 6-13-76 Nice show. (2CDR) ■Nice 13-06-76, 6-13-76 Nice show, 3 different source. (2CDR) ■Get Off My Stone, 6-15-76 Zurich show. (2CDR) ■Nearly complete 6-16-76 Munich show recorded on audio tape. Honky Tonk Women is from 5-23-76 London Street Fighting Man is from 6-15-76 Zurich. (untitled 2CDR transferred from audio tape) ■6-19-76 Stuttgart show. (untitled 2CDR transferred from audio tape) ■Stuttgart June 19, 1976, 6-19-76 Stuttgart show. (2CDR) ■Stadthalle 1976, 6-23-76 Vienna show. (1CDR) ■The Sound of Marching (2CDR) 1975-1976 ■Live Dead Flowers, 8-21-76 Knebworth show. (2CDR) BACK / NEXT
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■Vancouver Ventilator, Complete 6-3-72 Vancouver show. Opening concert for the 1972 US Tour. Includes rare songs only done at this venue. Sound quality is not very good on this. (2CDR) ■Complete 6-4-72 Seattle 1st show. Second concert of the 1972 US Tour. Low sound quality. (untitled 2CDR transferred from audio tape) ■Complete 6-4-72 Seattle 2nd show. The source tape for all of the above bootleg releases. Low generation. Said to be better than either LP or CD releases. (untitled 2CDR transferred from audio tape) ■6-6-72 San Francisco 1st show. The source tape for all of the above bootleg releases. (untitled 1CDR transferred from audio tape) ■Mick Taylor is My Darling, 6-6-72 San Francisco 1st show. Lower generation tape upgrade. This is probably the best version of this available, though others may disagree. Coupled with the 6-10-72 Long Beach show. (2CDR) ■6-6-72 San Francisco 2nd show ? (1CDR) ■A truly great show recorded in below average sound quality. Complete 6-8-72 San Francisco 2nd show. Includes Loving Cup and the rare 1972 US Tour encore Honky Tonk Women (untitled 2CDR transferred from audio tape) ■The source tape for the above 6-9-72 Hollywood bootleg releases. (untitled 1CDR transferred from NZ audio tape) ■Complete 6-10-72 Long Beach show. The source tape for the above poor sound quality bootlegs. (untitled 1CDR transferred from audio tape) ■Long Beach 1972, Another great performance recorded in poor sound quality. A shame. (1CDR) ■Mick Taylor is My Darling, Disc 1 is ten tracks from the 6-6-72 San Francisco afternoon show. Disc 2 is the complete 6-10-72 Long Beach show in the same terrible audience quality. (2CDR) ■6-11-72 Los Angeles 1st show. Incredible newly-discovered upgrade source that began circulating in 2003. A 100% improvement. We all owe Bill Cravens a nod of gratitude for sharing this. (untitled 1CDR transferred from audio tape) ■Slay Em in L.A., The great new Bill Cravens master recording on bootleg CD. (1CDR) ■Tucson 72, Newly discovered audience tape. Complete 6-14-72 tucson show recorded in much better sound quality. (1CDR) ■Tucson Arizona 14Jun72 (1CDR) ■Where Were You in 72?, Acopy of the above SOF bootleg CD release, combining the 6-15-72 Albuquerque show and the 7-17-72 Montreal show. (1CDR) ■6-19-72 Chicago show. Audience tape of the above recorded in about the same quality. Includes 15 minutes of fan interviews andradio coverage of the 1972 Chicago concerts. (untitled 1CDR transferred from audio tape) ■6-20-72 Chicago show. Audience tape of the above recorded in about the same quality. (untitled 1CDR transferred from audio tape) ■6-22-72 Kansas City show. (untitled 1CDR transferred from audio tape) ■Kansas City Here We Come!, 6-22-72 Kansas City show. Bad night. Worse show of the 1972 US Tour and the recording is horrible to boot. After the gig, Keith arranged the Dallas rehearsals to sharpen the band up a bit. (1CDR) ■6-24-72 Fort Worth 1st show. Complete recording from audience source. Great sound quality. Includes Dead Flowers and the only ever live version of Sweet Black Angel (untitled 2CDR transferred from audio tape) ■6-24-72 Fort Worth 2nd show. Complete recording from audience source. Great sound quality. One of the best performances of the entire 1972 US Tour. Includes Don t Lie to Me (untitled 2CDR transferred from audio tape) ■6-27-72 Mobile show. source2-2nd generation. (2CDR) ■Dusting Off the Freezer, 6-27-72 Mobile show. The Freezer remaster on bootleg CD. (1CDR) ■6-27-72 Mobile Show. (1CDR) ■6-28-72 Tuscaloosa show. The source tape for the above two bootleg titles (not actually releases). Sound quality is terrible. (untitled 1CDR transferred from audio tape) ■Stoned Stone Stones, 6-28-72 Tuscaloosa show. Complete show recorded in atrociously bad quality. One of the worst recordings I ve ever heard in my entire life. (1CDR) ■6-29-72 Nashville show. In my opinion, this is the best sounding version of this show available. (untitled 1CDR transferred from NZ audio tape) ■6-29-72 Nashville show. The source tape for the above two bootleg titles (not actually releases). Sound quality is terrible. (untitled 1CDR transferred from audio tape) ■Nashville 72, Complete show recorded in atrociously bad quality. One of the worst recordings I ve ever heard in my entire life. (1CDR) ■Complete audience recording 7-4-72 Washington, DC. This might be the recording source for the VGP CD release Jack Daniel s On Tour (untitled 1CDR transferred from audio tape) ■7-5-72 Norfolk show. This is the recording source for the original bootleg LP releases with much more of the concert than what is on the LP s. (untitled 1CDR transferred from audio tape) ■7-6-72 Charlotte show. This is the tape source for the above VGP CD Bring it Back Alive It is equal to, if not better than, the bootleg CD release. (untitled 1CDR transferred from audio tape) ■Charlotte 1972, 7-6-72 Charlotte show. (1CDR) ■7-7-72 Knoxville show. The tape source for the above bootleg titles. (untitled 1CDR transferred from audio tape) ■7-11-72 Akron show. A recording of the IMP CD Akron-Rubber Bowl 72 with the missing ending tagged on from another recording source. (untitled 1CDR transferred from audio tape) ■7-11-72 Akron show. Complete show from a new recording source. There is a significant improvement in sound quality. (untitled 1CDR transferred from audio tape) ■This is the tape source for the above bootleg titles of the 7-12-72 Indianapolis show. (untitled 1CDR transferred from audio tape) ■The sound quality of this is equal to disc 1 (7-15-72 Toronto 1st show) of the VGP double CD Standing at the Kitchen Door release. (untitled 1CDR transferred from audio tape) ■The sound quality of this is equal to disc 2 (7-15-72 Toronto 2nd show) of the VGP double CD Standing at the Kitchen Door release. (untitled 2CDR transferred from audio tape) ■Incomplete recording of 7-17-72 Montreal show on CDR taken from audio tape. At this gig the STP equipment truck was blown-up. (untitled 1CDR transferred from audio tape) ■7-17-72 Montreal show. low generation tape (untitled 1CDR transferred from audio tape) ■7-18-72 Boston show. A new uncirculated recording source has surfaced after thirty-two years of obscurity. Complete show recorded in very nice sound quality. A real gem here. (untitled 1CDR transferred from audio tape) ■The Joe Maloney master tape, speed-corrected and in best possible quality-this is the best version of this recording source, though not necessarily the best version of the 7-18-72 Boston show itself. (untitled 1CDR transferred from audio tape) ■Out On Bail 72 (1CDR) ■Waiting On the Midnight Ramblers (1CDR) ■7-19-72 Boston show. A new uncirculated recording source has surfaced after thirty-two years of obscurity. Incomplete show recorded in very nice quality. With its counterpart above, a real gem. (untitled 1CDR transferred from audio tape) ■7-19-72 Boston show. (untitled 2CDR transferred from audio tape / momo+stereo) ■Can You Hear the Encore?, Complete 7-20-72 Philadelphia show recorded in atrociously bad sound quality on bootleg CD. One of the worst recordings I have ever heard in my entire life. (2CDR) ■7-21-72 Philadelphia 1st show. ? (untitled 1CDR transferred from audio tape) ■Philadelphia 07-21-1972 1st show. (1CDR) SBD ■Anyone for Seconds?, Complete Philadelphia 2nd show in absolutely terrible sound quality. One of the worst recordings I have ever heard in my entire life. (1CDR) ■Philadelphia 07-21-1972 2nd show. (1CDR) SBD ■7-22-72 Pittsburgh show. Audience recording in atrociously bad sound quality. One of the worst recordings I ve ever heard in my entire life. (untitled 1CDR transferred from audio tape) ■Sweet Virginia s Saturday Night Smelter s Blues, The complete 7-22-72 Pittsburgh show from both audience and soundboard sources. Tracks #1-11 are from audience recording, tracks #12-17 are from soundboard recording. (1CDR) ■Speed corrected complete audience recording for the 7-24-72 New York show in somewhat better sound quality. As of this date, this is the best version of this show available. (untitled 2CDR transferred from audio tape) ■Complete audience recording 7-25-72 New York City 1st show from newly-discovered source. The sound is not very good, but the performance is pure high energy adrenaline. (untitled 1CDR Master Source) ■Complete audience recording 7-25-72 New York City 2nd show from newly-discovered source. The sound is not very good, but the performance is pure high energy adrenaline. (untitled 2CDR Master Source) ■Welcome to New York (All Sold Out Productions), Yet another version of the infamous 7-26-72 Madison Square Garden, New York City, New York (Mick Jagger s birthday concert final 1972 US tour show) compiled from multiple sources. (1CDR) ■A Teddy Bear for Mick, 7-26-72 New York City show. (2CDR) ■Work Sucks…Let s Go on Tour!, Contains excerpts from 6-24-72 1st 2nd, 6-25-72 1st 2nd, 7-20-72, 7-21-72 1st 2nd, 7-22-72 7-26-72, plus 1972 soundboard remixes, and some 1972 live rarities (in audience quality only) (8CDR) ■Very Ancient, Thank You Kindly (Mickboy Remaster) (Tone Frayed Productions T F 002) (1CDR) ■Mick Taylor is in the Mix Vol. 1-3 (no credit) (3CDR) BACK / NEXT
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Magic Items Transferring XP Costs 出典 http //www.wizards.com/default.asp?x=dnd/we/20060526a 魔法のアイテム：経験点コストの譲渡 『プレイヤーズ・ハンドブックII』ウェブ・エンハンスメント 著：Kolja Raven Liquette 訳：SatD アイテム作成特技と呪文修正特技の余裕のあるウィザードは、モンスターからの略奪品が（パーティーの各メンバーにふさわしい）“完璧に需要に合った”タイプの財宝をもたらすものでなかった場合、期待に満ちた熱い視線をおそらくは最も注がれることになる。プレイヤー・キャラクターたちは典型的に貯金を残さず金銭をかき集め消費するが、その一方で自分の経験点を自発的に切り捨てる冒険者など居はしない。適切なアイテム作成特技と前提条件の呪文を持つウィザードは、可能性として仲間たちの望むどんな魔法のアイテムでも作成することができる。しかしながら、永続的に代償経験点を支払うことを彼らに期待することは、基本的に“平均パーティー・レベルに遅れをとるって分かってるかい？”と尋ねるようなものだ。一部のウィザードが、（たとえば）《魔法の武器防具作成》を修得することによって彼らに寄せられる過多な要望は自分の成長に有害な影響を及ぼすだろうと信じ込み、ある種のアイテム作成特技を忌避するのは理解できる。そんなわけで、義務を背負い込む立場に置かれることを避けるべく、ウィザードはしばしば《スタッフ作成》や《ワンド作成》を選びがちだ（そしてもちろん、そういった特技は彼らの職能において実に有用なものなのだ）。 だが、所有予定者が経験点コストを譲渡する直接的方法が存在する場合、ウィザードは《魔法の指輪作成》や《その他の魔法のアイテム作成》、更には《魔法の武具・防具作成》ですら、修得して使い倒したところでそうは思わないかもしれない。たとえば、パーティーのファイターが自分の+2キーン・バスター ド・ソードの為に720経験点を支払ったならば、ウィザードはレベルが遅れることなしに自分自身の為に+1リターニング・スペル・ストアリング・ダガーを更に作成することができる。その上、チャージを消費または使い切る典型的な呪文解放型アイテムと異なり、武器、アイテム、指輪は常動型もしくは再使用型の効果を注入することができるのだ。丹精を込めて、追加の2,000gpと80経験点を費やすことにより、上記の例のダガーは永続的に回数無制限でディテクト・マジックを発動するよう作成することもできる（『ダンジョン・マスターズ・ガイド』p.285の表7-33『魔法のアイテムの価格算定』を参照のこと）。 以下の記事は魔法のアイテムを作成する際に経験点コストを譲渡する為のいくつかの選択ルールを探究したものだ。簡潔にただ“ファイターは自分の剣の為の経験点コストを払ったよ。”と告げるだけで充分かもしれないが、ちょっとした根拠の追加を以下に論じてみた。 経験点を譲渡する為の必要条件 ルール１：魔法のアイテムを作成する為の経験点譲渡の第一ルールは、クリーチャーは自発的に交換に関与しなければならない、というものである。魔法的あるいは非魔法的な手段による、強制で経験点を譲渡する試みは自動的に失 敗するだろう。魔法のアイテムを作成する為の経験点コストは、結果について完全に認識した上でのみ自由に譲渡することができ、これにはまた最低でも【知力】３を必要とする。 ルール２：なおその上、クリーチャーはレベルを失うほど多くの経験点を魔法のアイテムを作成する為に譲渡することはできない。しかしながら、そのようなクリーチャーは、新たなレベルを獲得するに十分なだけの経験点を得た上で、経験点を維持してレベルを上昇させるよりも、魔法のアイテムを作成する為にこの経験点を譲渡することにしてもよい。 ルール３：最後に、クリーチャーは自分が習熟しているか（鎧、盾、武器関係）、起動することができるか（ワンドやその他の呪文解放型アイテムの場合[1]）、使用することができる（能力値、属性、クラスの特徴、または種族が限定されている場合[1]）魔法のアイテムを作成する為にのみ経験点を譲渡することができる。 [1] クリーチャーは経験点を譲渡する為に〈魔法装置使用〉判定を用いてこれらの条件を模擬しようとすることができる。 譲渡経験点の代価 君が自発的に経験点コストを譲渡して魔法のアイテムを注文しているのであれば、1 経験点につき5 gpが最終的な市価から割り引かれる。 注：経験点要素のある呪文に基づく魔法のアイテムは、1 経験点につき5 gpだけ市価が上昇する（『ダンジョン・マスターズ・ガイド』p.285の表7-33『魔法のアイテムの価格算定』を参照のこと）。 唯一ＮＰＣが魔法のアイテム作成の為に自発的に経験点コストを譲渡するのは、彼らがパーティー内のあるメンバーの腹心または従者である場合か、その魔法のアイテムが彼らの個人的な用途の為に作成される場合（たとえば、ＮＰＣが魔法のアイテムを注文した時）である。 ＮＰＣが魔法のアイテム作成の為に自発的に経験点コストを譲渡することができるのであれば、この奉仕の代価は1 経験点につき5 gpで、前払いされる。経験点はＮＰＣにとって抽象的な概念ではあるが、これは受容しうる最低額である。“個性付けされた”貪欲なＮＰＣは、とりわけ彼らが経験点譲渡の為の複数の必要条件を満たしている場合には、おそらくさらに多くの金銭を要求することだろう。 経験点コスト譲渡の分担 経験点コスト譲渡の必要条件を全て満たすクリーチャーは（訳注：魔法のアイテムを作成する為に必要な経験点の）全部または一部を譲渡して よい。一部とは、典型的に、25％、50％、75％の範囲であるが、クリーチャーが定めた任意量の経験点とすることができる（実質的に、彼らが“こ れくらいか”と言うまで）。５体までのクリーチャーが魔法のアイテム作成の為の譲渡経験点コストを分担し、等分するなり不均等配するなりできる。 魔法のアイテムの修復 譲渡経験点にて魔法のアイテムを作成する為の全てのルールが、魔法のアイテムの修復にも同様に適用される。 経験点の譲渡方法 魔法のアイテムの作成者に経験点を譲渡する為の３つの異なる手段を以下に挙げる。それぞれの手法は微妙に異なっており、関わり具合は様々である。 呪文 経験点を譲渡する為の第一の手段は、全ての呪文の使い手が使用できる共通呪文を利用することである。 この手段は経験点を譲渡する個々人よりも呪文の使い手の身の安全を保障する。 トランスファレンス 共通 レベル：ウィザード／ソーサラー１、クレリック１、ドルイド１、バード１ 構成要素：音声、動作、焦点具 発動時間：10分 距離：10フィート 目標：術者を中心とした半径10フィートの爆発 持続時間：永続；本文参照 セーヴィング・スロー：意志・無効（無害） 呪文抵抗：なし ほのかなエーテル光が目標クリーチャーから立ち上り、輝く光球と成り、そして術者へと流れ込んで、その体に融合していく。 この呪文は術者が１体以上のクリーチャー(最大で５体まで)からの譲渡経験点を蓄えることを可能とするが、同意を得た魔法のアイテムを作成する用途においてのみである。この呪文を通じて他のクリーチャーから得られた経験点は新たなレベルを獲得する際に計算に入れられることはない。目標のクリーャーは、この呪文が自分に発動されることを同意する前に、魔法のアイテムを作成する為に使用されるであろう焦点具要素に同意しなければならない。いったん呪文が発動されたならば、目標のクリーチャーはどれだけの経験点を譲渡するか調節する。術者は同意を得た魔法のアイテムを作成する為に必要な分よりも多くの譲渡経験点を受け取ることはできない。経験点譲渡、経験点の代価、経験点コスト分担の為の必要条件は全てこの呪文を発動する際に適用される。 同意の上での変更により更なる経験点が必要となったならば、術者は経験点を自分で提供するか、この呪文を再度発動して必要な分の譲渡経験点を蓄えなければならない。同意の上での変更により少ない経験点しか必要としなくなったならば、その差分は（元々の貢献度に応じた）適正な量が目標のクリーャーに返還される。たとえその内の一人だけであっても目標のクリーチャーが同意していない魔法のアイテムを術者が作成し始めたならば、譲渡経験点は直ちにそれらのクリーチャーに返還される。術者が同意を得た魔法のアイテムを作成する為に最低でも１日を費やしたならば、経験点は魔法のアイテムが完成したか否かに関わらず消費される。術者が同意を得た魔法のアイテムを作成する為に最低でも１日を費やした後で新たな魔法のアイテムに取りかかり始めたならば、（魔法のアイテム作成に関する一般ルールにより）経験点は消費され、消失する。 焦点具：同意を得た魔法のアイテムの原材料（たとえば、クローク、ソード、ワンド）。 概要： 共通 トランスファレンス焦 同意を得た魔法のアイテムを作成する為にクリーチャーから経験点を移送する。 魔法のアイテム この第二の経験点譲渡手段は、誰でも使用することのできる安価な魔法のアイテムによるものである。この手段は魔法のアイテムの作成者よりも経験点を転送する個々人の身の安全を保障する。 タリスマン・オヴ・トランスファレンス タリスマン・オヴ・トランスファレンスは同意を得た魔法のアイテムを作成する用途において経験点を譲渡させることのできる導管である。 伝承：この装置は譲渡経験点を消費しながら契約を完了せずに完成した生産物を持って姿をくらます作成者から魔法のアイテムを注文したクリーチャーを保護する為に設計された（〈情報収集〉難易度20または〈知識：神秘学〉難易度10）。 解説：タリスマン・オヴ・トランスファレンスは典型的に、腕輪やペリアプト、その他の素肌につける宝飾品の形状をしている。 起動：標準アクションとして、作成を始める前に、リンクを作り出す為の合言葉“取り付け”を着用者が唱えながら、着用されたタリスマン・オヴ・トランスファレンスを同意を得た魔法のアイテムの原材料（たとえば、クローク、ソード、ワンド）に接触させる。魔法のアイテムに取りかかって最低でも１日（８時間）が費やされた後で、効果を完了する為の合言葉“注入”を唱えながら、着用されたタリスマン・オヴ・トランスファレンスを作成者に接触させる。 タリスマン・オヴ・トランスファレンスは一度に一つの原材料としかつながりを持つことができない。新たな原材料に接触しながら合言葉“取り付け”を唱えると、古いリンクは消滅する。 効果：タリスマン・オヴ・トランスファレンスは、この装置がリンクしている大本の原材料から作成される魔法のアイテムに限って、着用者から魔法のアイテムの作成者へと経験点を譲渡する。着用者は（訳注：魔法のアイテムを作成する為に必要な経験点の）全部または一部を譲渡することができるが、着用者は魔法のアイテムを作成する為に必要とされているよりも多くの経験点を譲渡することはできない。経験点譲渡、経験点の代価、経験点コスト分担の為の必要条件は全てこの装置を使用する際に適用される。 着用者が魔法のアイテムの為の経験点譲渡を拒否したならば、作成者は魔法のアイテムを破壊することができ、既に注入された経験点はそれによって取り戻される。しかしながら、注ぎ込んだ金銭はやはり失われる。 オーラ／術者レベル：微弱・共通。術者レベル１ 作成：《その他の魔法のアイテム作成》、トランスファレンス呪文、100gp、16経験点、１日。 重量：1/2ポンド。 市価：200gp。 儀式特技 この第三の経験点譲渡手段は、魔法のアイテムの作成者が修得する特技である。この手段は、双方の集団が頻繁に共同で作業している間は、経験点を譲渡する個々人と魔法のアイテムの作成者の双方にほぼ等価に身の安全を保障する。 《譲渡の儀式》 君は同意を得た魔法のアイテムに他のクリーチャーの経験点を移送することができ、また自分では条件を満たすことのできない前提条件のある魔法のアイテムを作成することができる。 前提条件：〈知識：神秘学〉または〈知識：宗教〉、任意のアイテム作成特技。 利益：君は自分の〈知識：神秘学〉または〈知識：宗教〉に基づいた儀式を執り行える。君が〈知識：神秘学〉でこの特技の前提条件を満たしたのであれば、秘術呪文の前提条件を持つ魔法のアイテムだけが譲渡儀式を伴って作成されうる。君が〈知識：宗教〉でこの特技の前提条件を満たしたのであれば、信仰呪文の前提条件を持つ魔法のアイテムだけが譲渡儀式を伴って作成されうる。 譲渡（〈知識：神秘学〉4ランクまたは〈知識：宗教〉4ランク）：君は自分が作成している同意を得た魔法のアイテムに１体以上のクリーチャー（最大で５体まで）から譲渡経験点を運び込むことができる。この儀式に参加しているクリーチャーはどれだけの経験点を譲渡するか調節する。君は同意を得た魔法のアイテムを作成する為に必要な分よりも多くの譲渡経験点を運び込むことはできない。経験点譲渡、経験点の代価、経験点コスト分担の為の必要条件は全てこの儀式に参加する際に適用される。 同意の上での変更により更なる経験点が必要となったならば、君または参加クリーチャーは必要な分の経験点を提供しなければならない。同意の上での変更により少ない経験点しか必要としなくなったならば、その差分は（元々の貢献度に応じた）適正な量が君または参加クリーチャーに返還される。たとえその内の一人だけであっても参加クリーチャーが同意していない魔法のアイテムを君が作成し始めたならば、譲渡経験点は直ちにそれらのクリーチャーに返還される。君が同意を得た魔法のアイテムを作成する為に最低でも１日を費やしたならば、経験点は魔法のアイテムが完成したか否かに関わらず消費される。君が同意を得た魔法のアイテムを作成する為に最低でも１日を費やした後で新たな魔法のアイテムに取りかかり始めたならば、（魔法のアイテム作成に関する一般ルールにより）経験点は消費され、消失する。 この儀式に参加しているクリーチャーは、魔法のアイテムが作成されている間（市価1,000gpごとに１日、１日につき８時間；ポーションはコストと無関係に製作には常に１日しかかからない）、同席していなければならない。この儀式に参加しているクリーチャーが同席していないならば、その日の魔法のアイテム作成の進展は一切ない。１日につき８時間が経過する前にクリーチャーが退席したならば、その日の作業分は作成日数に含めない。 共同作業（〈知識：神秘学〉8ランクまたは〈知識：宗教〉8ランク）：君はこの儀式に参加していて最低でも経験点コストの50％を譲渡したクリーチャーによって、同意を得た魔法のアイテムの為の前提呪文を提供することができる。クリーチャーは呪文に必要な物質要素または焦点具を提供しなければならず、また呪文に必要な経験点コストを支払わなければならない。魔法のアイテムを作成する行為はこれらの呪文を解放してしまうため、魔法のアイテム作成を行なっている期間中は毎日、その呪文を発動することはできなくなる。 注：（君が呪文を提供するものとして、）君がこの特技を修得したＮＰＣに魔法のアイテムの作成を注文するのであれば、君の貢献度と魔法のアイテムの種類に応じた金額が最終的な市価から割り引かれる （『ダンジョン・マスターズ・ガイド』p.285の表7-33『魔法のアイテムの価格算定』を参照のこと）。 同様に、君はこの儀式に参加していて最低でも経験点コストの50％を譲渡したクリーチャーによって、同意を得た魔法のアイテムの為の前提条件となっている能力値、属性、キャラクター・レベル、クラス・レベル、クラスの特徴、種族、技能ランクを提供することができる。これらの条件を提供することによる割引きはない。君は魔法のアイテムを作成する為に必要な術者レベルとアイテム作成特技を常に提供しなければならない。 特殊：前提条件を満たしているキャラクターは、５つのタリスマン・オヴ・トランスファレンスを作成した後で、ボーナス特技として自動的に《譲渡の儀式》を獲得する。 概要： 特技 前提条件 利益 《譲渡の儀式》 〈知識：神秘学〉または〈知識：宗教〉、任意のアイテム作成特技 経験点を譲渡する儀式を執り行う 著者略歴： Kolja Raven Liquetteはおそらく、ウェブサイト『The Waking Lands』を作り上げたことでもっとも名を知られているが、『Races of the Dragon』や『Weapons of Legacy』の共著者でもあり、加えて『FiveNations』、『Complete Mage』（近刊）、およびWizards of the Coast社のウェブサイトの様々な記事やエンハンスメントの素材を提供している。
https://w.atwiki.jp/v2cwiki/pages/183.html
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https://w.atwiki.jp/stones/pages/170.html
■9-25-81 Philadelphia show. (untitled 2CDR transferred from audio tape) ■9-25-81 Philadelphia show. (untitled 2CDR raw soundboard) ■9-26-81 Philadelphia show. (untitled 2CDR transferred from audio tape) ■Very rare raw soundboard recording from 9-26-81 Philadelphia. It is from this raw soundboard that the above releases are taken from. Only sixteen actual soundboard tracks. (untitled 1CDR raw soundboard) ■9-27-81 Buffalo show. (untitled 2CDR transferred from audio tape) ■9-27-81 Buffalo show, Very rare raw soundboard recording. This is the primary source for the DAC-027. (untitled 2CDR raw sbd) ■10-1-81Rockford show. (untitled 2CDR transferred from audio tape) ■The complete 10-3-81 Boulder show compiled from both of the above LP releases. (untitled 2CDR transferred from audio tape) ■Complete show from 10-4-81 Boulder recorded in very nice audience quality on CDR. Digitally remastered for outstanding audience quality. (untitled 2CDR) ■10-4-81 Boulder show. (untitled 2CDR raw soundboard) ■10-7-81 San Diego show. (untitled 2CDR transferred from audio tape) ■KBFH San Diego 1981, 10-7-81 San Diego show. (1CDR) ■10-9-81 Los Angeles show. (untitled 2CDR transferred from audio tape) ■Complete 10-9-81 Los Angeles show recorded in excellent soundboard quality from master audio tape. (untitled 2CDR raw sbd) ■10-11-81 Los Angeles show. (untitled 2CDR transferred from audio tape) ■10-14-81 Seattle show. (untitled 2CDR transferred from audio tape) ■Complete show from 10-17-81 San Francisco in average audience quality from audio tape. Excellent performance by the Rolling Stones. (untitled 2CDR transferred from audio tape) ■10-17-81 San Francisco show. (untitled 2CDR raw soundboard) ■Complete show from 10-18-81 San Francisco recorded in very nice audience quality from audio tape (no crackles). (untitled 2CDR transferred from audio tape) ■10-18-81 San Francisco show. (untitled 2CDR raw soundboard) ■10-24-81 Orlando show. Complete show recorded in very nice audience quality. This is probably the best version of this show. (untitled 2CDR transferred from audio tape) ■10-25-81 Orlando show. (untitled 2CDR transferred from audio tape) ■This remaster was for a long time the best version of this show available. Complete show from 10-26-81 Atlanta recorded in slightly better audience quality. (untitled 2CDR) ■10-26-81 Atlanta show. (untitled 2CDR raw soundboard) ■10-28-81 Houston show recorded in soundboard plus very rare audience recording. (untitled 2CDR transferred fromaudio tape) ■Houston 81, 10-29-81 Houston show. (2CDR) ■Houston Can You Sing! Again?, 10-29-81 Houston show. (2CDR) ■10-31-81 Dallas show. (untitled 2CDR raw soundboard) ■Waiting on a Dallas Friend, 11-1-81 Dallas show. (2CDR) ■11-1-81 Dallas show. (untitled 2CDR raw soundboard) ■Louisville 81, 11-3-81 Louisville show. (2CDR) ■11-3-81 Louisville show. (untitled 2CDR raw soundboard) ■Complete show from 11-5-81 Meadowlands recorded in average audience quality from audio tape with special guest Tina Turner on Honky Tonk Women (untitled 2CDR transferred from audio tape) ■11-5-81 East Rutherford show. (untitled 2CDR raw soundboard) ■11-6-81 East Rutherford show. Complete show recorded in about average audience quality on bootleg CD. (untitled 2CDR transferred from audio tape) ■Very rare raw soundboard recording from 11-6-81 Meadowlands show. This is the primary source for the bootleg release Jersey Devil (EVSD) (Rattlesnake). (untitled 2CDR raw soundboard) ■Stoned in New Jersey, 11-7-81 East Rutherford show. (2CDR) ■Hartford 1981, 11-9-81 Hartford show. (4CDR/disc 1, 2) ■11-9-81 Hartford show. (untitled 2CDR raw soundboard) ■Hartford 1981, 11-10-81 Hartford show. (4CDR/disc 3, 4) ■11-12-81 New York show. New recording source. Complete show recorded in slightly above average quality onto 2CDR discs. (2CDR) ■11-13-81 New York show. (untitled 2CDR transferred from audio tape) ■New York M.S.G. Nov. 13, 1981, 11-13-81 New York show. (2CDR) ■Cleveland Nov. 16, 1981, 11-16-81 Cleveland show. (2CDR) ■Cleveland Nov. 17, 1981, 11-17-81 Cleveland show. (2CDR) ■11-20-81 Cedar Falls show. (untitled 2CDR transferred from audio tape) ■11-20-81 Cedar Falls show. (untitled 2CDR raw soundboard) ■11-20-81 Cedar Falls show. (untitled 2CDR transferred from audio tape) ■11-20-81 Cedar Falls show. (untitled 2CDR raw soundboard) ■11-23-81 Rosemont show. (untitled 2CDR transferred from audio tape) ■The Complete Chicago 1981 Tapes, 11-23-81 Rosemont show. (6CDR/disc 1, 2) ■11-23-81 Rosemont show. (untitled 2CDR raw soundboard) ■The Complete Chicago 1981 Tapes, 11-24-81 Rosemont show. (6CDR/disc 3, 4) ■11-24-81 Rosemont show. (untitled 2CDR raw soundboard) ■11-25-81 Rosemont show. (untitled 2CDR transferred from audio tape) ■The Complete Chicago 1981 Tapes, 11-25-81 Rosemont show. (6CDR/disc 5, 6) ■11-27-81 Syracuse show. (untitled 2CDR transferred from audio tape) ■11-28-81 Syracuse show. (untitled 2CDR transferred from audio tape) ■11-30-81 Pontiac show. (untitled 2CDR transferred from audio tape) ■11-30-81 Pontiac show. (untitled 2CDR raw soundboard) ■12-1-81 Pontiac show. (untitled 2CDR transferred from audio tape) ■12-1-81 Pontiac show. (untitled 2CDR raw soundboard) ■12-5-81 New Orleans show. (untitled 2CDR transferred from audio tape) ■Shattered at the Superdome, 12-5-81 New Orleans show. (2CDR) ■12-5-81 New Orleans show. (untitled 2CDR raw soundboard) ■First Night in Largo, 12-7-81 Largo show. (2CDR) ■12-7-81 Largo show. (untitled 2CDR raw soundboard) ■Largo 81 (Capital Center Arena Part 2), 12-8-81 Largo show. (2CDR) ■12-8-81 Largo show. (untitled 2CDR raw soundboard) ■Largo 81 (Capital Center Arena Part 3), 12-9-81 Largo show. (2CDR) ■12-9-81 Largo show. (untitled 2CDR raw soundboard) ■Lexington 1981, 12-11-81 Lexington show. (2CDR) ■12-11-81 Lexington show. (untitled 2CDR raw soundboard) ■12-13-81 Phoenix show. ■12-14-81 Kansas City show. ■Complete show from 12-15-81 Kansas City in varying raw soundboard quality. Some warbling speed problems-nonetheless, this is the rarest show in my collection. (untitled 2CDR raw soundboard) ■Inomplete show from 12-18-81 Hampton in varying raw soundboard quality. This is non-broadcast true soundboard. This is the second rarest show in my collection. (untitled 2CDR raw soundboard) ■The Last Day of 1981 Tour, 12-19-81 Hampton show. (2CDR) ■Sweet Virginia, 12-19-81 Hampton show. (2CDR) ■Still Love Life (2CDR) BACK / NEXT
https://w.atwiki.jp/stones/pages/201.html
■Nearly complete 7-5-69 Hyde Park free concert soundboard recording on audio tape. (untitled 2CDR transferred from audio tape) ■Stones in the Park (no credit), 7-5-69 Hyde Park free concert. (1CDR) ■He is Not Dead... (An All Sold Out Production), 7-5-69 Hyde Park free concert. (2CDR) ■11-7-69 Fort Collins show. First concert of the 9th US Tour. First US performance with new guitarist Mick Taylor. (untitled 1CDR transferred from audio tape) ■11-8-69 Inglewood Forum 1st show. The original source tape for the above bootleg releases. (untitled 1CDR transferred from audio tape) ■Wrapped Up in an LA Show. 11-8-69 Inglewood Forum 1st show, Sound quality is pretty good, but there are some drop-outs. (1CDR) ■11-8-69 Inglewood Forum 2nd show. (low generation, 2nd gen reels Sony PCM Beta 1CDR) ■11-8-69 Inglewood Forum 2nd show. (untitled 1CDR transferred from audio tape) ■11-9-69 Oakland 1st show. Amplifiers blown at concert. This is the master source for the complete show in best possible quality. (low Generation, master 1st gen 1CDR) ■11-9-69 Oakland 2nd show. Complete performance (drop-outs in Jumping Jack Flash Under My Thumb ). Excellent quality. (low Generation, master 1st gen 1CDR) ■11-10-69 San Diego show. Complete performance, excellent quality. (untitled 1CDR transferred from audio tape) ■San Diego 1969-Low Generation, 11-10-69 San Diego show. (1CDR) ■11-11-69 Phoenix show. Some distortion sound problems, Lirttle Queenie is garbled due to recorder malfunction. Acoustic parts crystal clear. (low generation, 2nd gen reels sony PCM beta 1CDR) ■Dallas 69, 11-13-69 Dallas show. Poor sound quality. (1CDR) ■11-13-69 Dallas show. (1CDR) ■11-15-69 Champaign 1st show. Some distortion sound problems, but still enjoyable. (untitled 1CDR transferred from audio tape) ■Another Mad Day on the Road, 11-15-69 Champaign 1st show. Some distortion sound problems, but still enjoyable. (1CDR) ■Welcome to Champaign, Illinois, 11-15-69 Champaign 2nd show. Rare recording. For many years thought to not exist. (1CDR) ■Champaign (2nd show), 11-15-69 Champaign 2nd show. Rare recording. For many years thought to not exist. (1CDR) ■11-16-69 Chicago show. Poor sound quality. (untitled 1CDR transferred from audio tape-low gen fragment) ■11-16-69 Chicago show. Poor sound quality. (untitled 1CDR transferred from audio tape-chicago more complete) ■Chicago Nov.16, 1969, Poor sound quality. This show ends the first half of the 1969 US Tour. (1CDR) ■Stranglers in the Night, 11-16-69 Chicago show. (1CDR) ■11-24-69 Detroit show. This show begins the second half of the 1969 US Tour. (untitled 1CDR transferred from audio tape) ■11-25-69 Philadelphia show. Second recording source, previously uncirculated, correct speed, complete. (untitled 1CDR transferred from audio tape) ■Philadelphia 69, 11-25-69 Philadelphia show. Speed problems, but still enjoyable. Midnight Rambler is incomplete. Includes six songs 11-16-69 Chicago as bonus tracks. (1CDR)■Philadelphia Special 1969, 11-25-69 Philadelphia show. (1CDR) ■11-26-69 Baltimore show. More songs and slightly better sound quality than the bootleg LP above--this tape is the source for the Baltimore 69 (DP 9305) bootleg CD. (untitled 1CDR transferred from audio tape) ■11-26-69 Baltimore show. Two recording sources spliced together--for the most part, this tape is the source for the Devil s Disciple (VGP-211) bootleg CD. (untitled 1CDR transferred from audio tape) ■11-27-69 New York City show. Same as above, but from CDR not tape. Complete show in best possible quality. Better than LP or CD. (untitled 1CDR 1st gen) ■Different source. Complete 11-27-69 New York City show in best possible quality. Better than LP or CD. (untitled 1CDR transferred from audio tape) ■11-27-69 New York City show. (low generation, master 1st gen 1CDR) ■11-27-69 New York City show. (untitled 1CDR transferred from audio tape) ■NYC 69-Two Days Three Shows, Complete 11-27-69 New York City show in nice sound quality. (3CDR-disc 1) ■M.S.G. 69 (Mickboy Remaster) (Tone Frayed Productions T F 005) (1CDR) ■NYC 69-Two Days Three Shows, 11-28-69 New York City 1st show-Complete fake. Compiled from 11-27-69 New York City, Gimme Shelter film, Get Yer Ya-Ya s Out LP. Not an audio tape. (3CDR-disc 2) ■New York City You Talk a Lot, 11-28-69 New York City 1st show-Complete fake.Compiled from 11-27-69 New York City, Gimme Shelter film, Get Yer Ya-Ya s Out LP. Not an audio tape. (1CDR) ■11-28-69 New York City 2nd show. Probably the best show they ever played, but low sound quality. Source for Gimme Shelter Film Get Yer Ya-Ya s Out LP. (low generation, master 1CDR) ■NYC 69-Two Days Three Shows, 11-28-69 New York City 2nd show. Probably the best show they ever played, but low sound quality. Source for Gimme Shelter Film Get Yer Ya-Ya s Out LP. (3CDR-disc 3) ■Boston Gardens 69, 11-29-69 Boston 1st show. Poor sound quality. (1CDR) ■The One that Closed the Bedroom Door, 11-29-69 Boston 1st show. Poor sound quality. (1CDR) ■11-29-69 Boston 2nd show. (1CDR) ■Boston Garden, 11-29-69 Boston 2nd show. (1CDR) ■11-30-69 West Palm Beach Pop Festival Low quality soundboard. Late arrival, bad weather (tuning difficulties) speed problems. (untitled 1CDR transferred from audio tape) ■Altamont 1969, 12-6-69 Altamont speedway free concert (2CDR) ■Altamont 1969-Europe 1 Broadcast, The FM soundboard above, plus the Altamont songs from Gimme Shelter film complete Brown Sugar spliced from 2 sources. (1CDR) ■The Rolling Stones Special Guests Altamont Racetrack 12-6-69, Here are the support acts from the 12-6-69 Altamont speedway free concert Santanna; Crosby, Stills, Nash Young The Flying Burrito Brothers the Jefferson Airplane in average audience quality. (2CDR) ■The Rolling Stones Friends Altamont Speedway 12-6-69, Compilation of the Rolling Stones and the other bands that played at Altamont. The best historical record of the day s events. (2CDR) ■Altamont Deluxe Edition, Compiled from three sources by DH. Smooth as silk editing from source to source. Includes bonus tracks from Gimme Shelter DVD. (2CDR) ■Rock n Roll Roots (2CDR) 1963-1969 BACK / NEXT