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https://w.atwiki.jp/flightglide/pages/169.html
Folio Facing 和訳開始 和訳しつつ更新 ツイッターとかで感想くれると本人も頑張るStarted translation 2015-12-10 綺麗な日本語にするには相当な時間と技量とセンスと知識がいるので、機械的な和訳ですがご了承ください。 Huge amount of time, sense and knowledge are required if I tried to translate it to perfect, poetic and story-telling Japanese-written novel, so this translation will be very straight and direct. 執筆者は積極的にWikiをGoogle翻訳で楽しんでくれていて、よくスカイプで質問してくれますが、やはり海外勢には設定が深く待っで行き渡っていません。 生放送なので慣れ親しんだ世界設定を知っていると「おお?そうくる?」という場面があるかもしれませんが、そこは気にしないでください。 そもそも、二次創作というものはこれくらいであるべきです。あまり敷居が高すぎても困りますしね!! 【キャプション まえがきの訳】 Another fanwork for Flight Glide, the world ofWaffle0708and the thing that I saw before I foundRavajavaand therefore got priority. (Sorry, Rava - I only have so much room on my plate. When I get employed and settled, I promise I ll look more into your stuff.) This features a fanmade craft, the Dzazd, and a battle I also made up. 蒼衣わっふる氏のフライトグライドの別の小説(註 この方はすでにCanaryとBarriers to Growthとを執筆してくださっています)。Ravajana氏の創作を見つける前だったから、Ravaには悪いけれど、君の世界の二次創作は身辺が落ち着いてからにするよ。Dzazd ズザッド The Dzazd is a third-generation heavy craft from the Fow Kingdom, relying on their close association with Arkilia. It utilizes a combined flight system - a flight organ for lift, and jet engines with rocket afterburn for thrust. The thrust system is extremely advanced, a primitive form of vectored thrust. In combination, these two systems mean it is a jet craft that doesn t rely on aerodynamic lift. It uses minimal flight planes (principally for maneuvers), and can generate considerable speed for its size. It s essentially a heavy gunship (Fow calls it a dreadnought ), but it s a fast attack heavy gunship capable of such tight maneuvers and at such speeds as to potentially tear itself to pieces and/or kill its crew if the captain isn t careful. Crundalt bioengine craft are about as maneuverable, but cannot get anywhere close to its speed. ズザッドはアーキル連邦の強い支援による、フォウ王国の第三世代(註 たぶん機体世代表とは関係ない)の航空機。この機体は浮遊機関とジェットエンジンのハイブリッドで、浮遊機関で浮き、ジェットで加速する。 推進機構はとても高度な、原始的なベクターノズルだ。このふたつのハイブリッドを紐解くと、この機体はエアロダイナミクスに全く頼らないものであることがわかる。機体の割にはちゃんと浮き、速度を出すことができるというわけだ。 本質的には重ガンシップで、フォウ王国はドレッドノートと呼ぶ。しかし、機長がちょっとでも気を抜くと、この高速で飛ぶ鋼鉄の化物はあっという間に空気の力により引き裂かれてしまう。クランダルト帝国の兵器は強烈なマニューバを誇るが、フォウ王国の機体には全く追いつくすべがない。 Of course, it s also carrying large amounts of aeronautics fuel, which means a lucky incendiary hit might turn it to vapor. To minimize the threat, each of the six jet/afterburner systems runs on its own independent fuel supply, and that supply is in two parts, which must be manually switched when one depletes. These are kept in strict isolation, to prevent one tank going up from spreading to others. Despite its frailties, it is an absurdly functional craft, capable of maneuvers that make reliably striking it difficult (especially at range), and moving something like a child would move a toy airship when playing out an imaginary game of war. もちろん、この機体は大量の燃料を積んでいる、つまり敵弾のラッキーヒットは燃料の霧を吹き出すこととなる。この脅威の対策として、6つのそれぞれのエンジンシステムは独自に稼働していて、その供給源は2つにわけられている。一つがダメに成っても片方に手動で切り替えられる。それらは厳重に守られていて、一つのタンクから他のタンクへ偏らないように工夫されている。そのような高度な細工がされて入るが、うんたらかんたらComplement 50 flight crew 50人乗りFlight Systems Heavy flight organ Six heavy jet turbines with afterburners, set on vector sweeps. Two are mounted towards the front of the craft, two at center, and two at rear, at underside to flanks. フライトシステム 重浮遊機関(浮遊ノームにあたる?) 6発ジェットエンジン リヒート可能 まえに2つ 胴体に真ん中に2つ ケツの腹がわに2つTop Speed 150 kph sustained, 250 kph if the captain doesn t care what condition the craft ends up in. ロップスピードは150キロ。機長が機体について何も、まっさら、、なにがおころうとも気にしないでいられるならば250キロはでる。Armaments Two axial-mounted forward-firing 300mm rocket propelled shell tubes. Four 88mm rapid-firing cannons mounted on turrets one front sweeping left with elevation to ceiling, one front sweeping right with elevation to ceiling, and one on each broadside with narrow elevation ranges. Six light antiaircraft turrets for anti-fighter action, each top-mounted at iterated heights to ensure widest-possible firing areas. 武装 軸上300mm噴進弾 4つの88mm速射砲。前に。上下仰俯角付きが横に。 とにかくいろいろなとことついてる 6つの対空機銃 story by Edmund Wilfong Flight Glide setting by Aoi Waffle((NOTE The Dzazd light dreadnought is fanmade, by Edmund Wilfong. It is not an official part of the Flight Glide world.)) 作者による註 ズザッド型ドレッドノートはEdmandによる二次創作です。フラグラの公式ではないです。 Nobody knows what started the battle of Folio Greens. One day on the Folio Greenspoint, a large fertile island sixty-eight miles off the shore of Anansalad, there were Fow Kingdom and Crundalt Empire forces. Then, nine days later, they were shooting at each other. It s not even clear any of them had radioed home. グリンフォリオ戦役の発端が何だったかは誰も知らない。 ある日、フォリオ・グリンスポインにて大きな肥沃な島―アナンサラドから6~8マイル沿岸の―にて、フォウ王国とクランダルト帝国の両軍がいた。 9日後、彼らは砲火を交えていた。彼らが生還したかは誰も知らない― Captain Ilin Burak was in command of A Kiss for Yntil before She Becomes Cold, one of the new Dzazd-class dreadnoughts that Fow had been putting out. She was floating some hundreds of meters off the ground trying to intercept Crundalt fighter groups as they strafed ground forces and intercepted fighter groups going after the Crundalt battleship. The Kiss for Yntil was a light dreadnought, but faster than anything in her class. She could easily outmaneuver anything in her class as well. イリンブラークは風邪で寝込んだユンティに代わって機長をしている、最新装備の一つであるズザッド級ドレッドノートが配備されてから。ズザッドは離床し、数百メルト上昇して帝国戦闘機隊を迎え撃たんとしている。地上部隊に機銃掃射を加えた奴らだ。 The name was perhaps ominous, coming from a piece of classic Fow literature. The phrase meant something like “Flowers for Algernon.” フォウの古典文学からきている アルゲルノンの花々 とかいうフレーズはひょっとしたら不吉かもしれない The sister ship, The Beauty of a Bullet Breaking the Silence at Sunrise, was taking some heavy fire from a ground anti-aircraft group that had managed to score a penetration using heavy bio-driven gun platforms. 姉妹艦の 美しき静曙の弾斬 は生体機構を用いた破格の貫通力を誇る、帝国の地上からの激しい対空砲撃にあった Telemetry officer Stales called in, “Grazalanker attack group coming in at one-sixteen bearing us at one-two-five, count twelve. Atlatl coming in at thirty-six bearing us off five forward at seventy-seven, count two.” All of this made perfect sense to Captain Burak, but it essentially meant that twelve high-speed ship-killer fighters and two gunboats were coming from different directions in perfect attack placement. 測距士官のステイルスが言った「グラザランカ攻撃隊、1-6から当艦へ1-2-5空域ヘ向けて、およそ12機!! アトラトルが13-6から16-7にかけて2隻!!」これらの報告はブラーク機長にパーフェクトな勘をもたらした、それは別々の方向からくる12機と2隻の敵軍が絶好の攻撃地点へ向かいつつあるということだった。 Burak almost looked distracted, but gave orders. “Visturen, come about ten left. Svenek, order ack-acks to concentrate on Granzlanker inbound, tell fore-right and right-side eighty-eights to gun down the Atlatls.” ブラークは気が散っているように見えたが、命令を下した。「ヴィストレン、10時方向へ転舵。スヴェネク、グラザランカに集中砲火をめいじろ。右舷前方、そして右舷にかけて88ミリをアトラトルに指向せよ。」 The anti-aircraft guns were essentially 14mm machine guns with gravity-adjusted sights allowing for target adjustments for barrel elevation. The 88mm repeating cannons fired steel shells with impact-fuse explosives, and fired them at one shot per second. Each weapon was well put to its task, but the enemy aircraft weren t going to blindly accept the fact. 弾道修正されたされた14mm対空砲が敵を捉えんとゆっくりと動く。閃光火薬入りの88mmは1秒毎に立て続けに火を噴く。射撃は性格だったが敵も持ちこたえているようだった。 Stales called in again, “Shots fired, all contacts, incoming.” ステイルスが再び言う「発砲を視認、。砲弾、来ます。」 Burak didn t hesitate. “Visturen, lift evasive.” There were two things that set a Dzazd apart from other aerial dreadnoughts. One was the flight organ, a technology obtained from Arkilia. The flight organ provided lift, meaning the craft did not rely on aerodynamics to stay in the air. This meant it didn t need (and didn t have) wings. This optimized the other unique quality – jet and rocket thrust. It used jet turbines for basic thrust, augmented by burners for additional thrust. But this system was unique – the output ports on the thrusters were directional. This “vectored thrust” system gave it the ability to move with great versatility in battle. ブラークは動じない。「ヴィストレン、下降回避。」ズザッドがほかのドレッドノートと一線を画する点が2つあった。 1つは浮遊機関だ。あー切る連邦から得た技術。浮遊機関は浮力を司り、機体は浮くために揚力を必要としない。つまり、翼が必要ないのだ(こいつにもついていない)。これはユニークに見えるかもしれない ジェットとロケットスラスト組み合わせ、リヒート噴射とスラストによるパワー。 しかしこのシステムはユニークだ。指向性のスラスターが付いているベクターノズル式なのだ。戦場ですさまじい起動が可能となる。(和訳しながらなんじゃこりゃと かっこいいぞ) The center engines shifted directionality down and to the right, and let out a short burst of flame. Gravity suddenly increased then shifted to the right as the craft lifted fifteen or twenty meters and slipped left. A loud thunk followed by a hull shudder told them that an armor-piercing round had ruptured some part of the exterior hull. 真ん中のエンジンは直下と右に志向し、炎を吐いた。右方向のGがかかり15~20メルト機体が空中をスリップした。そして機体内で幾つかのヒンジやら部品やらが弾ける音が聞こえた。 Captain Sistra Nara was one of the “Three Furies” of Fury Division. The Division s nickname came from the three of them – Captain Sistra Nara of the Beauty of a Bullet, Captain Ilin Burak of a Kiss for Yntil, and Captain Mar Laquesta of the ground forces. This was backed up by their general commander, Delict Pursand. They called it the Women s Division. Mar was lying dead in a flaming puddle of incendiary fluid, Ilin was coming under large volume armor-piercing howitzer fire, Sistra was taking heavy anti-aircraft ground fire, and Delict was busy trying to make a clean slate of a royal mess. Seems the reputation of the division was going to change soon. The Beauty of a Bullet shuddered as multiple launched flechette mines poked holes into the superstructure. Individually they didn t by definition do much harm, but they did undermine the integrity of the hull, allowing the heavy anti-aircraft shot to rupture the vessel. Every time the craft shuddered, she was closer to her ship dropping out from underneath her. Nara turned to her communications officer. “Denken, I need Pursand on the wire right now. We re coming under heavier fire, and she s told us to hold position. Unless we get some kind of fire support, we ll be holding air as the ship falls apart around us.” Captain Del Yeago was in command of the Krushaltsha, one of the new line of Gariagull-class light cruisers out of Crundalt. These “light” cruisers bore enough firepower to have been light dreadnoughts in early years, but times had changed, and rather incredible firepower and defensive capability was now in his command. Unfortunately, despite the two new-model heavies floating about the battlefield for the enemy, Yeago had to hang back because the Gariagull didn t have the ability to thwart fighter assaults. She instead remained behind air cover and ground-based protection. The general commander, Felind Murmura, felt confident of victory. Yeago did not. He didn t have as much experience in battle, but he knew how to count flies as they perished in the smoke, and more of their flies were dying than the enemy s. It was clear to him that, despite the Krushaltsha keeping the enemy warships at bay, the enemy was obtaining air superiority. Fortunately, his orders gave him some discretion. “Kredlin, approach seventy to coordinate G-19. Burcante, prepare gun assault on ground forces for when we arrive.” He d keep out of the gunsights of anti-aircraft while clearing them out, thus freeing the air fleet to focus on the air. It s what they had been doing. It was boring work that didn t earn much in the way of glory, but it was useful work that won battles. Plus, the ground forces were terrified of it, so at least he got respect from somewhere. Somewhere in the Beauty of a Bullet, something ruptured. A shudder went through her hull as a critical system decided it wasn t going to work half as hard as it used to, and it was taking as much of the rest of the craft along with it as it could. Captain Nara spun to face her deck officer. “Priscean, tell me what that was.” Dini Priscean, who had hoped to live long enough to see his own command one day, listened to the comm. “Engineering reports a reserve aeronautic fuel tank burst and ignited. Damage control underway.” Nara turned towards communications. “Denken, where s the commander?” Denken finally chimed in. “Commander instructs that you may pull back minimal distance to ensure survival, but insists we keep this position clear of enemy forces.” Nara could have choked somebody. “It s already swarming with enemy forces, how the hell are we supposed to stop them? Tell her to get ground forces over here. We re leaving.” Just as she started to issue repositioning instructions, her telemetry officer called out. “Captain, Crundalt cruiser has adjusted course and is now en route, bearing us.” Nara stopped for a moment and, while calling out instructions to her helmsman, moved to the side view. There was the cruiser, coming down in their direction. In between them… no friendly anti-aircraft, and a gap in the air cover. Somehow, the Red Sea had parted, and now Moses was coming down to beat her with his stick. “Crundalt support cruiser mobile, bearing towards coordinate 128-92.” Captain Burak stopped as she heard Stales announce this. She looked at the map and realized that it was a course direct to the Beauty of a Bullet. She said to nobody in particular, “It s bearing down on Sistra.” The aircraft coming in on them had lightened a bit, and she looked out. For all the air war going on, it was suddenly quite peaceful. That was when it dawned on her. “Visturen, set course heading thirty right, four-fifths burn. Prepare to turn ninety left at full burn on my mark.” The initial course would set them into the area just clearing of the cruiser s control, but the second course would tend to put the Kiss for Yntil directly in its area of control. Deck officer Radley was a bit concerned. “Captain, request plan update.” When Captain Burak smiled in peacetime, it was a pleasant smile usually at someone s expense. When she smiled in wartime, it was an unpleasant smile of a wolf looking at a pig with a lacerated belly. Burak smiled. “So do I, Radley. So do I.” Captain Yeago turned to look at his telemetry officer. “Repeat that, Moran.” Telemetry officer Lojodien Moran repeated himself. “Attack ship two has set course just outward of our original position.” Yeago paused, and thought it through. “So, it s going to break up some of the support we gathered as we break up its sister. Very well.” Yeago had reason for confidence – the first craft… would it be a heavy destroyer? A light battleship? Whatever it was, it was already in danger, and the main guns on the Krushaltsha should disable or kill her rapidly. Then it would be a quick about-face to confront the other interloper. Moran called in, “Attack ship one coming into range.” The moment was coming. Moran then called in again. “Attack ship two has come about, heading in our direction at… very rapid speeds.” Yeago spun to face him. It didn t make sense the attack craft coming after a ship-killer… except he realized he was facing his fanny towards it. His eyes narrowed. Attack ship one would come into optimum range just about the time attack ship two would bear him down. “Moran, identify precisely the approach vector of attack ship two.” “Attack ship two coming in one point five off left, speed one seventy and rising.” He leaned back in his chair. “Tzerin snare. Kredlin, on my mark cut thrust and come about one-seventy right. Burcante, prepare forward guns to rapidly adjust and fire. The bunny s going to hop over us and into our mouth.” Jagor Yeland, telemetry officer on the Beauty of a Bullet, called in, “Kiss of Yntil is now bearing one point four off of Crundalt cruiser at full burn.” Captain Nara turned to her telemetry officer. “What the fucking Hell does that stupid bitch think she s gonna pull?” The answer seemed obvious. A Tzerin snare was a Fow maneuver first employed in the Third Battle on Tzerin Valley, when a Vizelve came up behind a battleship at high speed, pounding it in the ass, then shifted to a collision course. The other craft attempted an evasion, but the Vizelve just nosed-up and went high, then cut thrust and pulled the rudder hard. The Vizelve pitched around, its body acting as a wind-sail to cut velocity. The fall of the Vizelve hit the rudder, causing the craft to pirouette, and the thrust turned it into the motion of the enemy craft, giving it a second look at its ass. The problem is, everybody knew this maneuver. Nara made a quick decision. “Come about. We re going to support Ilin. She s going to owe me a fleet of hookers and more booze than I can drink.” The forward guns of the Dzazd weren t guns at all. They were rocket launches. Their range wasn t incredible – they were more devoted to deploying a large amount of explosive with enough penetrating force to get it on the other side of armor before it blew. The first launch from a Kiss for Yntil s two heavy tubes went out as she approached. The cruiser shifted to one side, and one rocket missed. The other glanced target, detonating outside of the craft, doing moderate damage. The forward 88mm guns started pounding on it, causing some more damage. The rear of the craft wasn t heavily defended, but the cruiser s rear guns made the chassis of a Kiss for Yntil s shake hard. “Visturen, on my mark set forward jets back, set mid jets front, set rear jets back. Fire one will be front left rear right. Fire two will be front right rear left. Fire three will be both mid. Confirm.” Visturen, who was ever curious as to what the captain was going to do to kill him before the enemy got the opportunity, prepared the facing commands. “Forward to back, mid to front, rear to back. One is front left rear right, two is front right rear left, three is mid.” Burak nodded and leaned back. She took the comm from Radley, an act that for any deck officer was rather like pulling down his pants. “All hands, violent maneuvers ahead. Prepare for sudden G-force without warning.” Radley then hit the button for shipwide comm. “You may want to repeat that, ma am.” Burak looked at him like he d rather she had taken his pants from him, then repeated the instruction. Moran called in, “Sir, attack ship two s vector is too narrow for a Tzerin snare.” Captain Yeago turned to look at him. “What s the vector?” Moran looked up at him. “It s going to approach to within 150 meters of us broadside.” Yeago was baffled. “On what planet does it think it s going to broadside us? No… it s doing a Tzerin snare. These new airships aren t using aerodynamic lift. This captain s too certain of her craft s maneuverability. He forgets that he still needs room to make the turn.” He turned to the flight officer. “Visturen, adjust trajectory for where she would be if we were… one hundred thirty meters to our right. That should be correct. We may need to make a sharp banking turn.” The rear observation deck of the Krushaltsha had several persons looking in horror as the face of the attack ship got closer and closer, veering ever so gently to their right. The gunners opened fire as much as they could, but the Krushaltsha didn t have a great many guns to her rear. They did have a great many guns on their flank, so it was only a matter of time. The Tzerin snare would be filled with failure. The Krushaltsha s drive system shifted, propelling forward and to the right in a short horizontal adjustment and a moderate-speed pirouette. The rear deck observers felt their bellies lariated by their belaying straps. But they didn t watch a Tzerin snare. “What… the… fuck…?” After the fact, nobody on the command deck of the Beauty of a Bullet would be certain who had said it, not even the person who said it. As they came about, they watched as a Kiss for Yntil didn t adjust direction. Instead, its jets burned it into a spin, retaining its forward velocity while doing a midair twirl. The main guns launched another pair of heavy rockets that took gouges out of the sides of the Crundalt cruiser before exploding, shrapnel going so far as to scar the face of a Kiss for Yntil. Her forward 88s fired over and over again at absurdly close range, close enough that the burst blew back onto the firing craft. As the cruiser came about to face where it thought its enemy was going, a Kiss for Yntil did a full forward velocity 180º vertical axis spin, a maneuver for which there hadn t yet even been a term. In layman s terms, it kept going forward at full speed while spinning around to face backwards, all the while the butt of the Crundalt attack ship in its face getting pounded by her guns. It would ve been beautiful if Captain Nara didn t know what must ve been happening to the interior of a Kiss for Yntil. Captain Burak tried to give a coherent order, but the safety straps on her chair were clenched so tight against her chest that she couldn t take a breath. She was jammed against one side of her chair, her back threatening to crack for being bent over the armrest. Her command crew continued their duties, half of them shoved up against their control consoles and half of them clutching those consoles in hopes of keeping the controls in reach. One deck officer lost grip on a railing and flew to the other side, striking his head on a bulkhead. A large amount of blood remained where he hit. Visturen shouted, “Firing two!” The vessel s spin suddenly stopped as the jets fired to halt its rotation. Burak clutched her head for the headache she was under, and looked around. The whole crew looked punch drunk. Then again, the deck itself looked punch drunk. It occurred to her that maybe she was punch drunk. Just then, the missile crews launched the second salvo. Burak had to remind herself to give a commendation to them, since they managed to reload in record time and fire while under significant gravity in the wrong direction. The forward observation crew of a Kiss for Yntil would ve introduced themselves to the rear observation crew of the Crundalt attack ship, or maybe tossed a grenade across the gap, if they hadn t been falling in the wrong direction, wrenched around their waists by their safety lines. For the better part of a quarter of a second, and for what felt like a full minute, they were less than fifteen meters apart. The blasts from the impacts on one ship caused minor injuries to the other ship as the two battered each other, one with main cannonade and firepower and the other with rearward chasers. Both craft strained under the pressures. As the two craft finally parted company, like dancers with one partner spinning out into a twirl, a Kiss for Yntil managed a second missile launch. This time, both missiles struck the rear side of the Crundalt cruiser, blowing huge pieces off of it. The forward observation crew of a Kiss for Yntil was happier now – if they had introduced themselves, they d have known the names of those flight staff now dead. An echoing whine sounded, the sound of metal crushing, as portions of the craft became structurally unsound. Continued hammering showed that the Crundalt craft s shots were still finding marks, and the strain of the maneuver had just jeopardized hull integrity. A subsequent sound of something metal getting gashed across the ship confirmed that the hull s structural stability was completely gone. The ship would, sooner or later, fall apart. That was just what Radley reported to Burak. She paused for a moment, and saw that the Crundalt craft was continuing its turn about. It was still going to try to meet its foe face-on. In its present condition… it could still withstand a full volley before going down, and she couldn t get herself behind it a third time, so it would have many more guns on her. “Visturen, can you hear me?” “Yes, ma am.” She sounded rather far away, but it occurred to Burak that she may have lost hearing. “All jets to rear, nose up twenty and full burn for a half second. Then cut all lift and thrust.” Visturen paused, then completed the command sequence. “Dragonfly, confirmed.” Captain Yeago picked himself up from the slump he ended up forming in his seat. The sudden repeated impacts of some super-heavy explosives lurched the ship in all the wrong ways. He turned to the helmsman, who was now unconscious, his safety line having snapped allowing him to pitch head-first into his control panel. Someone was pulling him out and sitting down in his place. “Helm, continue bringing us about and face this bitch. Burcante, set all guns to fire the moment they have arc.” Moran coughed and choked out a call, “Attack ship is gaining elevation and bearing us on the horizontal.” Yeago didn t have time to reply. Just then, the Fow attack ship dropped down directly on top of the aft of the Krushaltsha, having hopped into the air and then cut all lift and thrust. Retaining forward momentum and impelled by gravity, the craft shattered against the stern hull of the larger Krushaltsha, causing the Krushaltsha to angle upwards at the nose. The reverberation hit like a solid object throughout the craft, throwing people backwards and knocking them to the ground. The nose pitched up twenty degrees as the exploding wreckage of the Fow vessel finally slid off and let go, letting the vessel come to rights. Yeago looked around the bridge, seeing it in general disarray. He realized he was on the ground, his chair having dislodged from the floor. He disconnected the safety straps and got up. “Is anybody awake? Sound off!” One deck hand walked over to telemetry. “Sir… I, ah… there s a large ship bearing down on us, sir.” Yeago paused. “A large ship?” Then he remembered. There was a term for what Captain Nara just saw – an aerial “death from above” ramming attack. It was called a “dragonfly s mating charge.” There was also a word for what she was about to do. It was called “killing a cripple.” “Main guns fire.” At long range, the rocket launches on the Beauty of the Bullet were not especially accurate. Still, she only needed one to hit, and one did hit, directly into the weakened stern of the cruiser. The missile managed to penetrate into the guts of the craft before detonating. The blast came out the front of the craft, and the whole thing split apart like a banana skin on a stick of dynamite. The wreckage mostly landed on top of the wreckage of a Kiss for Yntil. The Battle of Folio Greens ended indecisively, with both sides eventually withdrawing, leaving behind people they could not transport. The running gag is that they ended up forming a massive nudist commune and becoming licentious sex addicts. The reality is winter set in, and they formed a single community for warmth and to pool their supplies. By the time relief came, they couldn t tell who was Fow and who was Crundalt. The battle goes down in history as demonstrating the potential maneuverability and firepower of the Dzazd, and also for bringing us the name for a new maneuver, called the Folio Reverse or Folio Facing.
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LIVEと行事一覧DB データベース (DataBase for Live Concert and Event) メニューMENU +←クリック目次 [Click here for CONTENTS] 自動作成目次(contents) 行事紹介(Vocaloid Live Concert and Event Information) 【LIVE/日本/大感謝祭 Hatsune Miku Special 39's Giving Day in Tokyo Japan 2012】 ダイジェスト映像・動画配信・写真等(Summary Video, Live Streaming Photo) チケット情報・グッズ情報・BD/CD・その他 (Ticket Goods Information, etc.) 技術情報・出演ボーカロイド・スクリーン・MMD・3Dモデル・プロジェクター・ソフト・舞台等 (Technology・Vocaloid Name・Screen・MikuMikuDance・3D Model・Projector・Software) 出演者・製作者・関連ブログ等 (Musician, Staff, Related Blog and Credit) セットリスト(演奏曲目)・その他 (Set List, name of music) Summary in English and other language(英語等での紹介) 行事を行う団体や個人等 (Organizer and Group) スポンサー・協賛等 (Sponsor and Support) 関連行事 (Related Event Info.) 紹介記事・参考サイト・謝辞・文献等 (News, References, Acknowledgement and Credit) News and Information of Miku Live 2012 International News (国際ニュース) New Project and collaboration Blog (このサイト内での関連内部リンク・補助リンク・Internal Link) Memo・メモ帳 EDIT Page 行事紹介(Vocaloid Live Concert and Event Information) ↓このページ名(Current Page Name)↓ 【LIVE/日本/大感謝祭 Hatsune Miku Special 39's Giving Day in Tokyo Japan 2012】 【登録タグ(tag) 】ここにぺーじ名をひらがなで記載ここにぺーじ名をひらがなで記載 [LIVE/日本/大感謝祭 Hatsune Miku Special 39 s Giving Day in Tokyo Japan 2012 Related page 関連ページ LIVE/日本/大感謝祭 最後のミクの日感謝祭 Hatsune Miku 39s Giving Day in Tokyo Japan2012 LIVE/日本/大感謝祭 ミクパ Hatsune Miku Live Party (Miku-Pa) in Tokyo Japan2012 Miku Day Celebration Live Concert Hatsune Miku two-day concert held at Tokyo Dome City Hall on 8th 9th March 2012. "Hatsune Miku Live Party 2012 (MIKUPA♪)" on 8th March and "HATSUNE MIKU Concert Final 39 s Giving Day" on 9th March. Summary video of the Live concert 2012 at Tokyo, Japan 初音ミク】「ミクの日大感謝祭」ダイジェスト映像 http //www.youtube.com/watch?v=rqg4Eun7fgs 「ミクパ♪」×「ミクの日感謝祭」夢の2日間公演『ミクの日大感謝祭』2012年3月8・9日に開催決定! 3月8日に「初音ミクライブパーティー2012(ミクパ♪)」を、そして 翌日3月9日に、「初音ミクコンサート 最後のミクの日感謝祭」を開催という 夢の2日間!! オフィシャルWEB抽選先行予約は11月23日(水)の12:00より! 【 『ミクの日大感謝祭』 開催概要 】 http //miku.sega.jp/39/ ■イベント名称:ミクの日大感謝祭 ■会場:TOKYO DOME CITY HALL (東京都文京区後楽 1-3-61) ■日程: <2012年3月8日(木)> 「初音ミクライブパーティー2012 ひる(ミクパ♪)」OPEN 13 00/START 14 00 「初音ミクライブパーティー2012 よる(ミクパ♪)」OPEN 18 00/START 19 00 <2012年3月9日(金)> 「初音ミクコンサート 最後のミクの日感謝祭」OPEN 13 00/START 14 00 「初音ミクコンサート 最後のミクの日感謝祭 ファイナル」OPEN 18 00/START 19 00 ■出演者:初音ミク ■チケット:全席指定〔一般〕 各公演6,300円(税込/ドリンク別) ■主催:SEGA/MAGES. ■特別協力:クリプトン・フューチャー・メディア ■協力:MIKUNOPOLIS実行委員会 ■後援:TOKYO MX ■公式サイト:http //miku.sega.jp/39/ <公演概要> 公演名:「ミクの日大感謝祭」 3月8日「初音ミクライブパーティー2012(ミクパ♪)」 3月9日「初音ミクコンサート 最後のミクの日感謝祭」 場所:TOKYO DOME CITY HALL 【 チケット販売について 】 <一般発売> 2012年1月28日(土)10:00より チケットぴあ/ローソンチケット/イープラスなどで発売開始 Twitter #39_2012 Tag https //twitter.com/#!/search/%2339_2012 #mikupa タグ https //twitter.com/#!/search/%23mikupa facebook Hatsune-Miku http //www.facebook.com/pages/Hatsune-Miku/10150149727825637 ダイジェスト映像・動画配信・写真等(Summary Video, Live Streaming Photo) LIVE/日本/大感謝祭 最後のミクの日感謝祭 39s Giving Day in Tokyo Japan2012-Miku LIVE ミクの日大感謝祭 ニコ生 ネットチケット発売開始 2012年3月8日 9日 19pm- http //blog.nicovideo.jp/niconews/2012/01/029191.html 2012年3月8日(木)19 00 ミクの日大感謝祭『3/8初音ミクライブパーティー2012よる(ミクパ♪)』WEB LIVE http //live.nicovideo.jp/gate/lv78254303 2012年3月9日(金)19 00 ミクの日大感謝祭『3/9初音ミクコンサート 最後のミクの日感謝祭ファイナル』WEB LIVE http //live.nicovideo.jp/gate/lv78254917 150万人突破記念!150円で1000ポイント購入できます http //blog.nicovideo.jp/niconews/2012/01/029170.html 公演チケット付宿泊プランの発売が決定しました。 http //www.jtbbwt.com/daiyon/miku/ 東京ドームホテル http //www.tokyodome-hotels.co.jp/banquet/ poster http //miku.sega.jp/info/public/image/miku/201201/%a5%dd%a5%b9%a5%bf%a1%bc.jpg Summary video of the Live concert 2012 at Tokyo, Japan 初音ミク】「ミクの日大感謝祭」ダイジェスト映像 http //www.youtube.com/watch?v=rqg4Eun7fgs TOKYO MX * ミクの日大感謝祭特番・制作日誌39 http //www.mxtv.co.jp/miku39/ Related Video 【初音ミク】MIKUNOPOLISダイジェスト映像 http //www.youtube.com/watch?v=WzYssX-CcSY [ミクの日感謝祭 39 s Giving Day] 裏表ラバーズ (feat. 初音ミク) / wowaka http //www.youtube.com/watch?v=MO-7YxoE-pc HatsuneMiku channel http //www.youtube.com/user/HatsuneMiku 【Hatsune Miku】 CONCERT!! 【初音ミク】 http //www.youtube.com/playlist?list=PL-pKPpZ1Q5NZqi-pHqc2zKXk8GG3U2fkW チケット情報・グッズ情報・BD/CD・その他 (Ticket Goods Information, etc.) チケット情報一覧 official goods http //miku.sega.jp/39/goods_list.html 「ミクフリック」特別体験会実施! 2012/3/2(金) 「ミクの日大感謝祭」開催期間の3月8日~9日に、セガ東京ドームシティにてiPhone用アプリ「ミクフリック」の特別体験会が開催されます。 ライブをお楽しみになる前後に、是非お立ち寄りください! 詳しい情報は『ミクフリック』公式サイトへ http //miku.sega.jp/flick/ <「ミクフリック」特別体験会> 開催日 2012年3月8日(木) 9日(金) 時間 11 00~18 00 場所 セガ 東京ドームシティ 住所 東京都文京区後楽1-3-61 株式会社東京ドーム アトラクションズ内 カーニバル 店舗URL http //tempo.sega.jp/am/tokyo-domecity/ ▼今後の抽選予約スケジュール 13日から19日 ファミマ ※支払いはファミマ限定 受付中 23日から25日 イープラス 23日から1/5 ローソン第一 23日から1/6 CNプレイガイド 23日から1/6 SOGO 東京 1/9から1/12 ぴあ 1/16から1/22 ローソン第二 日付 |19 21 23 25 27 29 3101 03 05 07 09 11 13 15 17 ファミマ. |〆 支払─┘ e-プラス. | 受付┘ 支払─┘ CNプレイ | 受付────────────┘ SOGO. | 受付────────────┘ ローソン1 | 受付───────────┘ 09 12 チケットぴあ | 受付─┘ 16 ローソン2 | 受付─…22日〆 ▼CN 受付期間:23日(祝・金)10 00~2012年1月6日(金)10 00 CNカード会員・CNケータイ会員・CNプレ会員限定のインターネット先行抽選予約です。 ※決済方法:カード決済/店頭引き換え(セブン-イレブン・ファミリーマート) ●CNカード会員 年会費1,312円 クレジット機能付きCNプレイガイドカードをお持ちの方が対象となる会員です。 ●CNケータイ会員 月額157円 NTTdocomo、au、Softbank の携帯電話端末からのご入会お手続きが必要 ●CNプレ会員 会費無料 ただし、会員限定・特別選考・先行販売の対象外。予約可能?? ▼SOGO 東京 受付期間:12月23日(金) 11 00~01月06日(金) 11 00 登録無料、メルマガ受信義務 ▼今後の抽選予約スケジュール(年明け版) 23日から1/5 ローソン第一 23日から1/6 CNプレイガイド 23日から1/6 SOGO 東京 1/9から1/12 ぴあ 1/16から1/22 ローソン第二 イマココ!! ▼ 日付 |3101 03 05 07 09 11 13 15 17 CNプレイ |受付中───┘ 結果 SOGO. |受付中───結果 ローソン1 |受付中──┘ 結果 12 チケットぴあ | 受付─┘ 16 ローソン2 | 受付─…22日〆 ▼今後の抽選予約スケジュール(年明け版v3.5) 23日から1/6 CNプレイガイド ◎受付終了 結果発表予定日 11(金) 1/6から1/12 チケットぴあ ○受付中 結果発表予定日 13(金) 18 00頃 1/16から1/22 ローソン第二 /申込待機 結果発表予想日 24日頃 日付 |09 11 13 15 17 19 21 … 28 CNプレイ | └結果 チケットぴあ |受付中┘└結果 22 ローソン2 | 受付────〆 一般販売 | 開戦 ちけっとぴあ プレリザーブ抽選申込み ttp //pia.jp/t/mikunohi/ ローソン二次 プレリクエスト抽選 ttp //l-tike.com/d1/AA02G07F1.do?DBNID=1 ALCD=1 LCD=73834u CNプイガイド抽選先行 ttp //www.cnplayguide.com/miku/ ▼今後の抽選予約スケジュール(年明け版v4) 1/16から1/22 ローソン第二 /申込待機 結果発表予想日 24日頃 日付 | 17 19 21 … 28 ローソン2 |受付────〆 一般販売 | 開戦 ローソン二次 プレリクエスト抽選 ttp //l-tike.com/d1/AA02G07F1.do?DBNID=1 ALCD=1 LCD=73834 今後の予定 18(水) ニコニコ動画 1,000pを\150で買えるキャンペーン 22(日) ローソン二次抽選申し込み受付中! 締め切り 24(火) ローソン二次抽選 結果発表 15 00~ 28(土) チケット一般販売 10 00~ ■今後の予定 01/20 12 00 ニコ生チケット販売中 1公演2kp、通し3.5kp 3/15発売終了予定 01/22 23 00 ローソン二次抽選申し込み締め切り 01/23 10 00 チケット付相部屋プラン お一人様4万円~先着申し込み開始 01/24 15 00 ローソン二次抽選結果発表 01/28 10 00 一般販売開始 ぴあ・ローソン・CNは電話もあり、e+・SOGOはwebのみ。 01/28 12 00 映画館生中継先行抽選受付開始 2/12(日) 23 59締め切り 2日通し券はここだけ 02/25 10 00 映画館生中継一般販売開始 ニコ生 ミクパ http //live.nicovideo.jp/gate/lv78254303 感謝祭 http //live.nicovideo.jp/gate/lv78254917 映画館生中継 http //l-tike.com/miku2012/ 相部屋宿泊プラン http //www.jtbbwt.com/daiyon/miku/ 東京ドームシティ公式サイト MEETS PORT (ミーツポート) http //www.meetsport.jp/about/seat/1f_05.htm#zaseki 座席表 (仮) http //s1-02.twitpicproxy.com/photos/full/504491780.jpg http //www.gorakudoh.co.jp/zasekizu-web/jcb_hole.gif 宿泊プラン用 http //imgup.me/e/iup00031157.jpg http //www.meetsport.jp/about/seat/image/view_1f_2.jpg 正面写真 http //www.meetsport.jp/about/seat/view_b2f.htm (第1バルコニー右71-90番) http //www.meetsport.jp/about/seat/view_b1f.htm (第2バルコニー右101-110番のR1扉近辺) http //www.meetsport.jp/about/seat/view_1f.htm (第3バルコニー右88-91番) http //www.meetsport.jp/about/seat/view_b3f.htm (アリーナ中央後方) ミクの日大感謝祭ツアーチケット争奪戦の一部始終をまとめてみた http //togetter.com/li/246137 技術情報・出演ボーカロイド・スクリーン・MMD・3Dモデル・プロジェクター・ソフト・舞台等 (Technology・Vocaloid Name・Screen・MikuMikuDance・3D Model・Projector・Software) ライブ技術一覧 Live technology of [最後の感謝祭] "HATSUNE MIKU Concert Final 39 s Giving Day" on 9th March. Hatsune Miku Kagamine Rin Kagamine Len Megurine Luka Meiko Kaito ディラッド・ボード又はディラッド・スクリーン、もしくは改良品 技術内容が不明の部分は、空けておいて下さい。 (IF YOU DO NOT UNDERSTAND, LEAVE THE TECHNOLOGY SECTION OPEN.) 投影スクリーンの種類 (Screen Type):ディラッド・ボード又はディラッド・スクリーン、もしくは改良品 スクリーンの素材(Materials for making screen): スクリーン素材の網の目等のメッシュのサイズ:Mesh number # or Mesh size of Screen: スクリーン素材の製品カタログ番号等(Product Number of materials for making screen): スクリーン素材の透過率(%)及び色等(Light Transmittance (%) of screen, Color): 投影スクリーン等への映り込み状態(Reflection):still happening 舞台の高さ(stage height):relatively high スクリーンの高さ(Screen height): スクリーンの湾曲の程度=(映りこんだ物の歪み方の程度):very small スクリーンの大きさ又は横の長さ (Screen Size): スクリーンの継ぎ目の数=(つないで使用された投影ボード等の枚数-1、?):2 使用された投影ボード等の枚数(Number of board used):3 ? 音響設備及び音響状態 (Sound): プロジェクタの種類・台数 (Projector):4 (bottom=3 (Left, Center, Right), Center Top=1) 使用ソフト (Software): VFエンジン Virtual Fighter engine VF4? http //ja.wikipedia.org/wiki/%E3%83%90%E3%83%BC%E3%83%81%E3%83%A3%E3%83%95%E3%82%A1%E3%82%A4%E3%82%BF%E3%83%BC http //ja.wikipedia.org/wiki/SEGA-AM2 3D model: スクリーン及び映像の解像度(Resolution of Screen and video): 投影時の色補正(Color Adjustment to view on screen): MMDのモデルの種類(Model Type of MikuMikuDance): Computer and OS: レンダリング速度等 60 fps フレーム速度 60 fps カメラ等 (Camera): 技術説明動画・写真等 (Tech Video Photo): 会場設備のホームページ (Homepage of the Event Hall): 会場設備 東京ドームシティ公式サイト MEETS PORT (ミーツポート) http //www.meetsport.jp/about/seat/1f_05.htm#zaseki その他 (others): 衣装モジュール及びデザイン (Clothing design of the models) http //miku.sega.jp/pjd2/module.html CreativES クリエイティブス株式会社 http //creatives.jp/ 同期投影ライブシステムを考案し、企画・制作を行いました。 85-862 バンドはイヤホンしてるらしいので歓声もあまり聞こえないらしい。 ライブは自分の音源確認の為にステージモニターにイヤホン使用。 Band staff may using earphone. Live technology of [ミクパ]] "HATSUNE MIKU Concert Final 39 s Giving Day" on 9th March. "Hatsune Miku Live Party 2012 (MIKUPA♪)" on 8th March and Hatsune Miku Kagamine Rin Kagamine Len Megurine Luka ディラッド・ボード又はディラッド・スクリーン、もしくは改良品 技術内容が不明の部分は、空けておいて下さい。 (IF YOU DO NOT UNDERSTAND, LEAVE THE TECHNOLOGY SECTION OPEN.) Bottom screen (ステージ上の床面設置スクリーン) 投影スクリーンの種類 (Screen Type):ディラッド・ボード又はディラッド・スクリーン、もしくは改良品 スクリーンの素材(Materials for making screen): スクリーン素材の網の目等のメッシュのサイズ:Mesh number # or Mesh size of Screen: スクリーン素材の製品カタログ番号等(Product Number of materials for making screen): スクリーン素材の透過率(%)及び色等(Light Transmittance (%) of screen, Color): 投影スクリーン等への映り込み状態(Reflection):some 舞台の高さ(stage height): スクリーンの高さ(Screen height): スクリーンの湾曲の程度=(映りこんだ物の歪み方の程度): スクリーンの大きさ又は横の長さ (Screen Size): スクリーンの継ぎ目の数=(つないで使用された投影ボード等の枚数-1、?):2 使用された投影ボード等の枚数(Number of board used):3 ? Top screen (天井のスクリーン) 天井からの吊り下げ式のスクリーン? 投影スクリーンの種類 (Screen Type): スクリーンの素材(Materials for making screen): スクリーン素材の網の目等のメッシュのサイズ:Mesh number # or Mesh size of Screen: スクリーン素材の製品カタログ番号等(Product Number of materials for making screen): スクリーン素材の透過率(%)及び色等(Light Transmittance (%) of screen, Color):低透過率、札幌コンサート参照、2011-8月 投影スクリーン等への映り込み状態(Reflection): 舞台の高さ(stage height): スクリーンの高さ(Screen height): スクリーンの湾曲の程度=(映りこんだ物の歪み方の程度): スクリーンの大きさ又は横の長さ (Screen Size): スクリーンの継ぎ目の数=(つないで使用された投影ボード等の枚数-1、?):0 使用された投影ボード等の枚数(Number of board used):1 ? 音響設備及び音響状態 (Sound): プロジェクタの種類・台数 (Projector):3 (bottom=3 (Left, Center, Right) 使用ソフト (Software): 3D model: スクリーン及び映像の解像度(Resolution of Screen and video): 投影時の色補正(Color Adjustment to view on screen): MMDのモデルの種類(Model Type of MikuMikuDance): Computer and OS: レンダリング速度等 60 fps ? フレーム速度 60 fps? カメラ等 (Camera): 技術説明動画・写真等 (Tech Video Photo): 会場設備のホームページ (Homepage of the Event Hall): その他 (others): Model design KinoP 衣装モジュール及びデザイン (Clothing design of the models) 出演者・製作者・関連ブログ等 (Musician, Staff, Related Blog and Credit) 演奏者と関連ブログ The 39 s The 39 s Strings MKP39 ■フロントアクトが決定しました。 3月8日 昼・夜公演 出演:StylipS(歌) MC 藤田 咲、浅川 悠 3月9日 昼・夜公演 出演:DANCEROID(ダンスパフォーマンス) MC 藤田 咲、下田 麻美 ※フロントアクトは、開演30分前からスタート予定です。 ※Stylipsの出演パートの生中継はございません。 又、映画館中継会場ではご覧になれません。 各公演のゲスト出演Pが決定しました! 3月8日 「初音ミクライブパーティー2012(ミクパ♪)」 アゴアニキ OSTER project とくP buzzG 3月9日 「初音ミクコンサート 最後のミクの日感謝祭」 OSTER project samfree DECO*27 とくP North-T ぼーかりおどP(noa) ラマーズP セットリスト(演奏曲目)・その他 (Set List, name of music) セットリスト Hatsune Miku Live Party 2012 (MIKUPA) セットリスト http //mikubook.com/setlist/mikupa2012inTokyo Hatsune Miku Concert Final 39 s Giving Day LIVE SET LIST http //mikubook.com/setlist/mikupa2012inTokyo Summary in English and other language(英語等での紹介) Special 39 s Giving Day in Tokyo Japan 2012 Miku Day Celebration Live Concert Hatsune Miku two-day concert held at Tokyo Dome City Hall on 8th 9th March 2012. "Hatsune Miku Live Party 2012 (MIKUPA♪)" on 8th March and "HATSUNE MIKU Concert Final 39 s Giving Day" on 9th March. http //www.niconico.com/ http //live.niconico.com/ https //secure.live.niconico.com/product/miku_day2012 On March 8th and 9th the Miku Day Celebration concerts will be live on niconico! Both single and bundled tickets will be available. Don’t miss out on the live vocaloid concerts! ※This show will be pay per view. Ticket "Miku Day Celebration Concerts" Bundled Ticket Price US$ 40.00 Dates March 8th and 9th, 2012 Time 2 00 PST for both shows If you would like to purchase the single tickets for each shows, please refer to the following link. You will be directed to Paypal for your payment. You can purchase the ticket until March 15th, 2012 23 59 (JST). You can watch the timeshift until March 16th, 2012 23 59(JST). http //live.niconico.com/watch/lv80866458 On March 8th (Fri) 19 00(JST) Mar 09 2012 Open 01 30 (PST) Curtain Rise 02 00 (PST) Miku Day Celebration "Hatsune Miku Live Party 2012 (MIKUPA♪)" will be available on pay per view! On March 8th and 9th the Miku Day Celebration concerts will be live on niconico! Both single and bundled tickets will be available. Don’t miss out on the live concerts! Title Miku Day Celebration “Hatsune Miku Live Party 2012 (MIKUPA♪)” WEB LIVE Organizer:SEGA /MAGES. Special Supporter:Crypton Future Media Sponsor:Good Smile Company/COSPA/ Daiichikosho Co., Ltd Supporter:MIKUNOPOLIS Executive Committee Promoter:TOKYO MX Starts:March 9th 2012 (Fri), 19 00 (JST) Ticket Price:One day ticket $25, 2day ticket $40 Sale Date:Feb 9th (Thu) Sale Ends March 15th (Thu)(JST) 2012年3月8日(木)19 00 ミクの日大感謝祭『3/8初音ミクライブパーティー2012よる(ミクパ♪)』WEB LIVE http //live.nicovideo.jp/gate/lv78254303 2012年3月9日(金)19 00 ミクの日大感謝祭『3/9初音ミクコンサート 最後のミクの日感謝祭ファイナル』WEB LIVE http //live.nicovideo.jp/gate/lv78254917 LIve viewing in Syanghai, China http //miku.sega.jp/39/ ★上海大舞台での各夜公演の生中継決定! 2012/2/9(木) 本公演の海外生中継の続報です。上海の上海大舞台での各夜公演の生中継「2012初音未来大感谢祭现场连线直播会」の開催が決定しました。 今年3月8,9日晚上18点,日本虚拟歌姬初音未来将在东京举行大感谢祭演唱会。这一次两场连开的超大规模演唱会还将在中国上海大舞台与日本进行零时差的现场连线同步直播。首次登陆中国的初音未来两天的演出曲目将完全不同,8日将带来「初音未来Live Party2012MIKUPA♪」9日将是「初音未来演唱会 最后的未来之日感谢祭」。除了初音未来,镜音铃,镜音连,巡音流歌也将在舞台上一展歌喉。这将是第一次面向中国FANS的官方活动,希望能在3月8日、9日的演唱会直播现场,感受到更多中国FANS的热情!! <概要> 演出简介: タイトル 演出名称: 「2012初音未来大感谢祭现场连线直播会」 3月8日 「初音未来Live Party2012(MIKUPA♪)」 3月9日 「初音未来演唱会 最后的未来之日感謝祭」 実施日時: (上海時間) 2012年3月8日(木) 16時30分 開場予定 17時30分~ プレイベント 18時~20時 「初音未来Live Party2012(MIKUPA♪)」 9日(金) 16時30分 開場予定 17時30分~ プレイベント 18時~20時 「初音未来演唱会 最后的未来之日感謝祭」 出演: 初音ミク/鏡音リン/鏡音レン/巡音ルカ 会場: 上海大舞台 チケット詳細: 各公演 全席指定 380元 280元 180元 ※380元、280元チケット各1枚ずつ、特製ポストカード付き 一般発売: 2012年2月9日(木)より発売開始 演出时间: 2012年3月8日(四) 16時30分 观众入场 17時30分~ 初音未来中国歌迷特别活动 18時~20時 「初音未来Live Party2012(MIKUPA♪)」 9日(五) 16時30分 观众入场 17時30分~ 初音未来中国歌迷特别活动 18時~20時 「初音未来演唱会 最后的未来之日感謝祭」 演员: 初音未来,镜音铃,镜音连,巡音流歌 演出地点: 上海大舞台 票价: 380元 280元 180元 (购买380,280票价者每人将赠送初音未来特制明信片一张) 预订开票日期: 2012年2月9日(四) 発売サイト 售票网址 星族文化 http //www.newstargroup.com.cn/ (総合問い合わせ窓口 总票务咨询) 大麦票務 http //www.damai.cn/ 永楽票務 http //www.228.com.cn/index.html 東亜票務 http //www.eaticket.com/ 主催・制作:上海星族文化芸術発展有限公司(STAR GROUP ENTERTAINMENT LTD.) 日本公演主催・制作:SEGA/ MAGES. 特別協力:Crypton Future Media, Inc. 制作協力:株式会社NHKエンタープライズ ★香港・台湾の映画館で各夜公演の生中継決定! 2012/2/6(月) 日本全国の映画館での生中継に加えて、香港・台湾の映画館にて3月8日(木)・3月9日(金)各夜公演の模様を生中継することが決定しました! 香港の生中継詳細はコチラ 台湾の生中継詳細はコチラ ※現地の映画館のサイトに飛びます ■香港 映画館生中継概要 "未來之日大感謝祭"直播詳情 開售日期: 2012年2月15日 (星期三) 直播日期: 2012年3月8日及9日 (星期四、五) 直播地點: MCL銅鑼灣戲院、MCL德福戲院 直播時間: 下午5時45分 票價: HKD$260 購票: 親臨直播戲院票房購買或到www.mclcinema.com網上購票 2418 8841 網址: www.mclcinema.com MCL facebook專頁: www.facebook.com/MCLCinemas “ミクの日大感謝祭”生中継詳細 チケット発売日: 2012年2月15日 (水曜日) 日程: 2012年3月8日及9日 (木、金曜日) 生中継場所: MCL JP、MCL TELFORD 開場時間: 午後5時45分(現地時間) 開演時間: 午後6時00分(現地時間) 価格: HKD$260 チケットの購入: 生中継の映画館もしくはサイトwww.mclcinema.comにて 問い合わせ: 2418 8841 サイト: www.mclcinema.com MCL facebookページ: www.facebook.com/MCLCinemas Live Viewing in Taiwan ■台湾 映画館生中継概要 “未来之日大感謝祭” 直播 售票時間: 2/15(三) 12 00起 售完為止 轉播日期: 地點: 台北信義威秀影城第1、2廳 台北京站威秀影城第1廳 板橋大遠百威秀影城第3廳 新竹大遠百威秀影城第9廳 台中新時代威秀影城第2廳 台南大遠百威秀影城第10廳 高雄大遠百威秀影城第12廳 票價: 全台不分區統一票價800元 “ミクの日大感謝祭” 生中継 チケット販売時間: 2/15(水) 12 00から 予定枚数になり次第終了 中継日付: 初音ミクライブパーティー2012 3/8(木) 開演18 00~(現地時間) 初音ミクコンサート 最後のミクの日感謝祭ファイナル 3/9(金) 開演18 00~(現地時間) ※開場時間は各劇場にお問い合わせください。 場所: 台北信義威秀影城第1、2廳 台北京站威秀影城第1廳 板橋大遠百威秀影城第3廳 新竹大遠百威秀影城第9廳 台中新時代威秀影城第2廳 台南大遠百威秀影城第10廳 高雄大遠百威秀影城第12廳 チケット価格: 全台不分區統一票價800元 行事を行う団体や個人等 (Organizer and Group) スポンサー・協賛等 (Sponsor and Support) 関連行事 (Related Event Info.) 紹介記事・参考サイト・謝辞・文献等 (News, References, Acknowledgement and Credit) 情報一覧MEMO News and Information of Miku Live 2012 PikuPa March 8, 2012 TOKYO MX NEWS http //www.mxtv.co.jp/mxnews/news_play.html?bctid=ref mxnews_201203086 Reuters News She sings, she dances, she s ... not real http //www.chicagotribune.com/health/sns-rt-us-japan-digital-divabre8280do-20120309,0,6151152.story ミクパ昼のレポート 週アス http //weekly.ascii.jp/elem/000/000/079/79322/ ファミ通 http //www.famitsu.com/news/201203/08011241.html 【ミクの日大感謝祭】東京ドームシティホールが湧き上がる!「初音ミクライブパーティー2012(ミクパ♪)」レポ! http //blog.piapro.jp/2012/03/2012-9.html 電飾衣装のミクさんが華麗に舞う! KAITOもサプライズ出演した“初音ミクライブパーティー2012(ミクパ♪)”をレポート http //news.dengeki.com/elem/000/000/466/466973/ Hatsune Miku Facebook http //www.facebook.com/pages/Hatsune-Miku/10150149727825637 ミクパ海外の反応 http //newsokutimes.2chblog.jp/archives/3798624.html 39 s Thanks giving day March 9, 2012 感謝祭 Gamer Net http //www.gamer.ne.jp/news/201203090044/ Large Photo 拡大画像 本日3月9日に開催された「初音ミクコンサート 最後のミクの日感謝祭」をレポート!クリプトン代表取締役・伊藤氏のコメントも紹介 http //www.gamer.ne.jp/news/201203090044/image/9/ http //www.gamer.ne.jp/news/201203090044/image/10/ http //www.gamer.ne.jp/news/201203090044/image/11/ 【ミクの日大感謝祭】本日は3月9日!「最後のミクの日感謝祭」の様子をレポート!! http //blog.piapro.jp/2012/03/39-1.html Spica Photo http //a1.sphotos.ak.fbcdn.net/hphotos-ak-ash4/420241_10151381430730637_10150149727825637_23266089_832718358_n.jpg http //news.dengeki.com/elem/000/000/467/467363/c20120309_mikunohi_013_cs1w1_720x.jpg セガとMAGES.、「ミクの日大感謝祭」を開催 2日間に渡って開催されたライブイベントの模様をダイジェストでお届け! http //game.watch.impress.co.jp/docs/news/20120310_517927.html 2012年3月9日(金) 2年ぶりに“SPiCa砲”がさく裂! MEIKOも駆け付けた“初音ミクコンサート 最後のミクの日感謝祭”のレポートをお届け http //news.dengeki.com/elem/000/000/467/467349/ 週アス 『最後のミクの日感謝祭』速報 ビッグサプライズもあった!? http //weekly.ascii.jp/elem/000/000/079/79425/ 毎日新聞 初音ミク : 3月9日「ミクの日」大感謝祭に2日間で1万人 会場は緑一色に http //mantan-web.jp/2012/03/09/20120309dog00m200037000c.html Photo http //mantan-web.jp/gallery/2012/03/09_11/1.html http //www.mxtv.co.jp/miku39/ 『ミクの日大感謝祭-制作日誌39-』は 7月5日(木)27 09~28 09より朝日放送(ABC)にて放送! http //blog.piapro.jp/2012/06/-39-.html#more International News (国際ニュース) BBC UK Hatsune Miku Japan s computer-generated pop star s last tour 9 March 2012 Last updated at 12 49 GMT http //www.bbc.co.uk/news/entertainment-arts-17310976 翻訳を見る Spain HATSUNE MIKU ES UNA ESTRELLA DEL POP VIRTUAL La cantante de pop que arrasa en Japón es un holograma http //www.antena3.com/noticias/cultura/musica/cantante-pop-que-arrasa-japon-humana-sino-virtual_2012030900061.html Chillian a video named "Concierto digital en Japón" Furor por cantante virtual en Japón Actualizado 09/03/2012 - 15 02 http //tele13.13.cl/internacional/furor-por-cantante-virtual-en-japon Heldigital popstjerne trekker fulle hus i JapanDel på Facebook Norway...!?? Titusen elleville fans var på plass for å få med seg en av de fire utsolgte avskjedskonsertene med den virtuelle popartisten Miku Hatsune.10.03.2012 - 00 23 7 306 visninger http //www.vgtv.no/#!id=50346 Argentina Hatsune Miku la reina del pop virtual de Japón http //tn.com.ar/tecnologia/00045590/hatsune-miku-la-reina-del-pop-virtual-de-japon Belgium Japanse popster is computerprogramma http //www.hln.be/hln/nl/3805/Buitenland/video/detail/1406396/Japanse-popster-is-computerprogramma.dhtml 09/03/12 15u20 - De Japanse popster Hatsune Miku verschilt erg van haar collega s. Ze is een computerprogramma. Gisteren gaf ze een laatste optreden waar duizenden mensen naar kwamen kijken. Het concert was ook te zien in verschillende bioscopen. Portugal, Obrigada! A estrela pop digital Hatsune Miku é uma animação de computador que dá concertos e tem milhares de fãs Por Redacção / CF | 9- 3- 2012 12 46 http //www.tvi24.iol.pt/tecnologia/tecnologia-hatsune-miku-musica-digital-japao-tvi24/1331677-4069.html Canadian She sings, she dances, she s ... not real vancouver.24hrs http //vancouver.24hrs.ca/News/world/2012/03/09/19480461.html Er dette framtidas popstjerne? Idolet Hatsune Miku har hverken kropp eller sjel, men trekker fulle hus i Japan. Se framtidas konsert her. http //www.dagbladet.no/2012/03/09/kultur/musikk/japan/teknologi/20613233/ В Японии виртуальная певица собирает полные залы http //www.1tv.ru/news/world/200981 (日本では、仮想歌手は完全な家を持っていた by google翻訳) 「日本で、バーチャルシンガーがホールを席巻(魅了/支配)しました。」 залы 「ホール」 huffingtonpost Hatsune Miku, Crypton Future Media s Virtual Pop, Star Sells Out Shows In Tokyo http //www.huffingtonpost.com/2012/03/09/hatsune-miku-japan_n_1334017.html Indonesia Konser Digital Hatsune Miku Dibanjiri Penonton http //tv.liputan6.com/main/read/10/1077182/0/konser-digital-hatsune-miku-dibanjiri-penonton And With That… The 39′s Giving Day 2012 Comes to a Close Filed under Hatsune Miku,J-Pop,Megurine Luka,Miku News,Other Vocaloids — Written by jrharbort on Friday, March 9th, 2012 @ 6 12 am http //www.mikufan.com/and-with-that-the-39s-giving-day-2012-comes-to-a-close/ http //www.mikufan.com/ ウォールの写真 http //www.facebook.com/photo.php?fbid=10151381430730637 set=a.10150152350510637.401640.10150149727825637 Hatsune Miku canal N Peru http //www.youtube.com/watch?v=XZBeg6wvb0w feature=youtu.be Danish news Virtuel popstjerne trækker stikket Den japanske popstjerne Hatsune Miku spiller lige nu for udsolgte huse i hjemlandet. Hun er virtuel, men karrieren lakker mod enden http //ekstrabladet.dk/kup/elektronik/teknologi/article1723408.ece Brasil Ingressos para show de cantora popdigital no Japão esgotam em menos de 24 horas Do UOL, em São Paulo http //tecnologia.uol.com.br/ultimas-noticias/redacao/2012/03/09/ingressos-para-show-de-cantora-pop-digital-no-japao-esgotam-em-menos-de-24-horas.jhtm Bulgarian Виртуална звезда забавлява японците Концертите на холограмата Хатсуне Мику събират хиляди почитатели http //btvnews.bg/video/news/virtualna-zvezda-zabavlyava-yapontsite.html reuters Thousands attend concert of digital pop star (1 26) http //www.reuters.com/video/2012/03/09/thousands-attend-concert-of-digital-pop?videoId=231483926 PikuPa March 8, 2012 ミクパ海外の反応 http //newsokutimes.2chblog.jp/archives/3798624.html http //cirnopoly Hatsune Miku Live Concert in Tokyo 2012 http //cirnopoly.blogspot.com/2012/03/hatsune-miku-live-concert-in-tokyo-2012.html ●『ミクの日大感謝祭』生中継イベントドリンク発表! http //www.goodsmilecafe.jp/news.html 初音ミクドリンク(Miku Drink) 巡音ルカドリンク(Luka Drink) 鏡音リンドリンク(Rin Drink) 鏡音レンドリンク(Len Drink) MEIKOドリンク(MEIKO Drink) KAITOドリンク(KAITO Drink) 各500円(税込) ※写真は左から「初音ミクドリンク」「巡音ルカドリンク」 となります。 New Project and collaboration PIAPROブログ情報では 今日23時からGoogle+の初音ミクページで 何かがあるそうな。 Piapro http //blog.piapro.jp/2012/03/2012-9.html mg-miku http //www.mg-miku.com Google + 初音ミク Hatsune Miku - 11 00 PM - March 09, 2012 “Miku Creator s Project on Google+” スタート!(English follows) https //plus.google.com/117525656268411212735/posts 初音ミク Hatsune Miku - 23 00 - 一般公開 “Miku Creator s Project on Google+” スタート!(English follows) ファミリーマートがミクとコラボ family Mart collaboration http //famima-miku.jp/ http //famima-miku.jp/img/home/bg_body_mid.jpg 「アース ミュージック&エコロジー」×「初音ミク」との新コラボレーションブランド 発表 http //www.apalog.com/news/archive/4542 Google + 初音ミク Hatsune Miku - 23 00 - 一般公開 “Miku Creator s Project on Google+” スタート!(English follows) https //plus.google.com/117525656268411212735/posts 2012年3月9日。 4回目の「ミクの日」となる本日、 初音ミク のGoogle+ 新プロジェクトがスタートします。 このプロジェクトでは、Google Chrome のCMで描き出された初音ミクの世界、 「Everyone, Creator.」という言葉に凝縮された、クリエーターたちの ムーヴメントを、さらに延長、拡大していくことを目指していきます。 まず最初の試みとして、これまで作品を見たり聞いたりするだけでは わからなかった「クリエーターが作品をつくっていく過程そのもの」を 公開し、このGoogle+ページで皆さんと一緒にMikuのクリエーションの 本質に触れられるようにしていきたいと思います。 今回は、その試みに参加する最初のクリエーターの未発表デモを公開します。 このクリエーターが誰かは、3/17に発表しますので、ぜひ楽しみにお待ちください。 ※デモのリンク(【初音ミク G+ Project】ザ・ファースト・クリエイターズ・サンプルデモ) また、今後もほかの取り組みや関連情報も順次発表、公開していきますので、 このページを、必ずチェックしてください! 最後に、このプロジェクトのキュレーションは、 ミクを追いつづけている編集者/プランナーの鮎川ぱてが務めさせていただきます。 これから、どうぞよろしくお願いいたします! “Miku Creator s Project on Google+” これは全てのクリエーターに捧げるプロジェクトです。 どうぞ、ご期待ください。 “Miku Creator s Project on Google+”キュレイター 鮎川ぱて Blog Hatsune Miku Live Concerts on March 8th and 9th – Stream Info http //www.moetron.com/2012/03/07/hatsune-miku-live-concerts-on-march-8th-and-9th-stream-info/ http //www.moetron.com/2012/03/09/hatsune-miku-2012-live-concerts-set-list-photos-more/ Brief of Hatsune Miku Live Party 2012 http //sgcafe.com/2012/03/brief-of-hatsune-miku-live-party-2012/ sgcafe http //tieba.baidu.com/f?kw=%B3%F5%D2%F4%A5%DF%A5%AF# 初音ミクニュース http //hatsunemiku.blog107.fc2.com/ 初音ミクみく http //vocaloid.blog120.fc2.com/blog-entry-11266.html http //vocaloid.blog120.fc2.com/blog-entry-11246.html 上海 ミクの日 大感謝祭 Live viewing in Shanghai(上海)行ってきました http //blog.goo.ne.jp/mskblog/e/b31052e789baad5b0c4822d931d3d81d/ ttp //blog.goo.ne.jp/shanghaiwu/e/d464097760f9278aa07a8acf9c31e80e ttp //blog.goo.ne.jp/allasia/e/86bb0bba9fafe735cd4ca2ecea1ae693 (このサイト内での関連内部リンク・補助リンク・Internal Link) Related page 関連ページ LIVE/日本/大感謝祭 最後のミクの日感謝祭 39s Giving Day in Tokyo Japan2012-Miku LIVE LIVE/日本/大感謝祭 ミクパ Miku Live Party (Miku-Pa) in Tokyo Japan2012-Miku LIVE Memo・メモ帳 ライブ技術一覧/4過去のライブの反省会等の一部 黒田氏 ①ブラスパート追加 ②アンコール鉄板かと思いきや最初にTYW ③メイコ姐悲願のライブ出演 ④リンとギター黒田まさかのセッション ⑤ダブルアンコ→10年感謝祭ループ=そして伝説へ JTBディナー さっきぃ挨拶 伊藤社長挨拶 今日のゲストP挨拶 39 s挨拶 ボカロ六本締め #mikupa タグ https //twitter.com/#!/search/%23mikupa 夕食会のメニュー(うろおぼえ) 会場はホテル外のベースボールカフェ貸切で ビュッフェ方式(ここでも行列ががが) トルティーヤに長ネギを巻く(ネギ12cm程) たこやき タコ足のせピザ タコ型ウインナ パスタ(食べなかったので不明) フライドポテト ポップコーンシュリンプ こんなとこかな補完ヨロ長ネギ噛み切れねー http //snowwhitemiku.seesaa.net/article/253764743.html EDIT Page If do not know about editing web page of this Wiki, DO NOT EDIT. Click HERE to Edit Current Page or click following URL to edit this page. http //www18.atwiki.jp/vocalive/editx/27.html Make sure to rewrite correct page number after (/vocalive/editx/) or (/vocalive//editx/PAGE NUMBER.html) to edit current page. [ページ保存] button below the editing window=means SAVE the page after editing to finish editing. [プレビュー] button below the editing window=means PREVIEW the page during editing. input the code number shown to perform these command. To cancel editing, just use Web browser button out side the editing window to go back. or CLOSE the editing page of the Web browser s window. If you make mistake, DO NOT SAVE the page. Do NOT press [ページ保存] button. [» タグ ]box below the editing window=means make TAG of this page after editing. If you have any problem, insert "HELP" in the TAG to identify the page at later for repair. EDIT & MAKE Page コメント・Comment 名前 コメント
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LIVEと行事一覧DB データベース (DataBase for Live Concerts and Events) メニューMENU +←クリック目次 [←Click here for CONTENTS] ↓↓↓このページ名(Current Page Name)↓ 自動作成目次(contents) 行事紹介(Live Concert and Event Information) 【LIVE/海外/Hatsune Miku MIKUNOPOLIS in Los Angeles ミクノポリス USA 2011】 (透過スクリーンとバンド演奏を使用した)初音ミク海外初公演 ダイジェスト映像・動画配信・写真等(Summary Video, Live Streaming Photo) チケット情報・グッズ情報・BD/CD・その他 (Ticket Goods Information, etc.) 技術情報・出演ボーカロイド・スクリーン・MMD・3Dモデル・プロジェクター・ソフト・舞台等 (Technology・Vocaloid Name・Screen・MikuMikuDance・3D Model・Projector・Software) 出演者・製作者・関連ブログ等 (Musician, Staff, Related Blog and Credit) セットリスト(演奏曲目)・その他 (Set List, name of music) Summary in English and other language(英語等での紹介) The first live concert of Hatsune Miku in oversea by using transparency screen system with live band. 行事を行う団体や個人等 (Organizer and Group) スポンサー・協賛等 (Sponsor and Support) 関連行事 (Related Event Info.) 紹介記事・現地参加者の感想・参考サイト・謝辞・文献等 (News, References, Acknowledgement and Credit) (このサイト内での関連内部リンク・補助リンク・Internal Link) Memo・メモ帳 EDIT Page 行事紹介(Live Concert and Event Information) ↓このページ名(Current Page Name)↓ 【LIVE/海外/Hatsune Miku MIKUNOPOLIS in Los Angeles ミクノポリス USA 2011】 LIVE/海外/Hatsune Miku MIKUNOPOLIS in Los Angeles ミクノポリス USA 2011 【初音ミク】MIKUNOPOLISダイジェスト映像 http //www.youtube.com/watch?v=WzYssX-CcSY (透過スクリーンとバンド演奏を使用した)初音ミク海外初公演 The first live concert of Hatsune Miku in oversea by using transparency screen system with live band. 2011年7月2日 「MIKUNOPOLIS in Los Angeles はじめまして、初音ミクです Happy to meet you ! I m HATSUNE MIKU」 主催:MIKUNOPOLIS. 2011、ANIME EXPO 2011 タイトル:MIKUNOPOLIS in Los Angeles はじめまして、初音ミクです Happy to meet you ! I m HATSUNE MIKU 公式サイト:http //mikunopolis.com/top/ja/ 公式:http //miku.sega.jp/39/ http //miku.sega.jp/39/mikula.html 会場:NOKIAシアター L.A. LIVE(ロサンゼルス) 初音ミクコンサート Hatsune Miku Concert 【Twitter】 : 【Facebook】: MIKUNOPOLIS暫定公式ツイッター: http //twitter.com/miku_la ツイッターハッシュタグ:https //twitter.com/#!/search/miku_la 公式の観覧ツアー(受付は6/13まで) Los Angeles AnimeExpo 2011と初音ミク コンサートに行こう!(株式会社ラテーザ) http //www.lattesa.co.jp/opera-tour.php?id=70 http //www.lattesa.co.jp/uploads/files/lattesa_tour_70_1.pdf?1385948754 米ロサンゼルスで開催される、北米最大級のアニメ関連イベント「ANIME EXPO2011」と、7月2日に同イベントの一部として開催される人気ボーカロイド「初音ミク」のコンサートのプレミアムチケットをセットにしたツアーです。 NOKIAシアター L.A. LIVE NOKIA Theatre L.A. LIVE 777 Chick Hearn Ct Los Angeles, CA 90015 Map https //www.google.co.jp/maps/place/L.A.%E3%83%A9%E3%82%A4%E3%83%96/@34.044429,-118.267074,17z/data=!3m1!4b1!4m2!3m1!1s0x0 0xc71d771bd9c0cf0f?hl=ja Public Transportation http //www.nokiatheatrelalive.com/parking/public-transportation 座席表 Seating map http //www.nokiatheatrelalive.com/seating-map ダイジェスト映像・動画配信・写真等(Summary Video, Live Streaming Photo) Related Video 【Hatsune Miku "Dream Harmonic - Big Dream" (English) | 2011 Toyota Corolla】 This concert was supported by Toyota USA. http //www.youtube.com/watch?v=E15PE7iGT0U Other Toyota Miku https //www.youtube.com/results?search_query=toyota+miku+hatsune http //vocaloid.wikia.com/wiki/Toyota_Corolla_Campaign http //img2.wikia.nocookie.net/__cb20110627023253/vocaloid/images/4/4d/Illu_Zain_Vocaloid_Hatsune_Miku-Toyota.jpg Hatsune Miku Facebook MIKUNOPOLIS in Los Angels report! vol.1 チケット情報・グッズ情報・BD/CD・その他 (Ticket Goods Information, etc.) チケット情報一覧 DVD/BD及びグッズ情報 http //miku.sega.jp/39/mikula.html タイトル:Hatsune Miku Live in LosAngels(The Miku-Fes 2011) ウェブサイト http//mukufes.com/ 会場:NOKIAシアターホール 開催日時:7月2日(開演時間は未定) ライブチケット代金:$15 AX入場チケット$50 チケット予約(英語) https //register.rcsreg.com/r2/anime2011/ga/top.html (公式の観戦ツアーとは別) Ticket Pick Up Line for Mikunopolis - The Early Birds - AX2011 Los Angeles, California http //www.youtube.com/watch?v=rXslHQ0EdCs 技術情報・出演ボーカロイド・スクリーン・MMD・3Dモデル・プロジェクター・ソフト・舞台等 (Technology・Vocaloid Name・Screen・MikuMikuDance・3D Model・Projector・Software) ライブ技術一覧 TECH/日本語/会場設備-EVENT Hall info Hatsune Miku Kagamine Rin Kagamine Len Megurine Luka 技術内容が不明の部分は、空けておいて下さい。 (IF YOU DO NOT UNDERSTAND, LEAVE THE TECHNOLOGY SECTION OPEN.) 投影スクリーンの種類 (Screen Type):ディラッド・ボード又はディラッド・スクリーン、もしくは改良品 スクリーンの素材(Materials for making screen):ディラッド・ボード又はディラッド・スクリーン、もしくは改良品 スクリーン素材の網の目等のメッシュのサイズ:Mesh number # or Mesh size of Screen: スクリーン素材の製品カタログ番号等(Product Number of materials for making screen): スクリーン素材の透過率(%)及び色等(Light Transmittance (%) of screen, Color): 投影スクリーン等への映り込み状態(Reflection): YES, red reflection, face 舞台の高さ(stage height):Low? スクリーンの高さ(Screen height): Low スクリーンの湾曲の程度=(映りこんだ物の歪み方の程度):There are significant bending スクリーンの大きさ又は横の長さ (Screen Size): スクリーンの継ぎ目の数=(つないで使用された投影ボード等の枚数-1、?):2 使用された投影ボード等の枚数(Number of board used): 音響設備及び音響状態 (Sound):Very good プロジェクタの種類・台数 (Projector): 使用ソフト (Software): VFエンジン Virtual Fighter engine VF4? wikipedia of Virtual Fighter engine VF4 3Dゲームファンのための「バーチャファイター5」グラフィックス講座 PCベースのアーケードシステムで実現される至極のリアルタイム3Dグラフィックスの秘密 AM2 of SEGA wikipedia 3D model:ACモデル=「アケミク」=「感謝祭モデル」=arcade model (AC Model) Producer of 3D Model:モデル製作:Project DIVA チーム AM2 of SEGA wikipedia Project DIVA wikipedia 初音ミク Project DIVA http //miku.sega.jp/ 初音ミク Project DIVA Arcade http //miku.sega.jp/arcade/index.html スクリーン及び映像の解像度(Resolution of Screen and video): 投影時の色補正(Color Adjustment to view on screen): MMDのモデルの種類(Model Type of MikuMikuDance): Motion similar to Project DIVA or related project Computer and OS: リアルタイム レンダリングの有無(real-time rendering or not) レンダリング速度等 60 fps Note from this concert for Project DIVA team, the video motion became smoothly.(ぬるぬる動くようになった模様) フレーム速度 60 fps カメラ等 (Camera): 技術説明動画・写真等 (Tech Video Photo): 会場設備のホームページ (Homepage of the Event Hall): その他 (others): 衣装モジュール及びデザイン (Clothing design of the models) http //miku.sega.jp/pjd2/module.html 同期システム (Synchronization system): CreativES クリエイティブス株式会社 http //creatives.jp/ 同期投影ライブシステムを考案し、企画・制作を行いました。 現在widewireworks http //widewireworks 大感謝祭 http //widewireworks.jp/works.html#miku01 黒田Pこと黒田貴泰プロデューサー(クリエイティブス株式会社)といえば、 「ミクの日感謝祭」にて「世界でも他に類を見ない「バーチャルアーティストのコンサートライブ」を制作。 同期投影ライブシステムを考案し、企画・制作を行いました」 http //vocaloid.blog120.fc2.com/blog-entry-13651.html 85-862 バンドはイヤホンしてるらしいので歓声もあまり聞こえないらしい。 ライブは自分の音源確認の為にステージモニターにイヤホン使用。 Band staff may using earphone. 選曲 (music selection): 中の人1号、他 MIKUNOPOLIS ミクノポリス Q Aもどき http //kettya.com/backnumber/2011/netalog201107795003.htm 出演者・製作者・関連ブログ等 (Musician, Staff, Related Blog and Credit) 演奏者と関連ブログ MIKUNOPOLIS 2011 in Los Angeles 演奏:The 39s 安部潤(key、P)、黒田晃年(g)、田中晋吾(b)、折田新(ds) ストリングス 武内香澄(vln)、河本夕里安(vln)、惠藤あゆ(vla)、 さいとうひさこ(2ndvln)、今井香織(vcl cello)、上保朋子(2ndvln) アコミク参加 筒井文子(vla)、下山田珠美(cello) 【初音ミク】 "アコミク" 完成音源ダイジェスト【The39s】2011年12月より発売開始 http //www.nicovideo.jp/watch/sm16040410 安部潤blogから各メンバーへのリンクをたどる http //blog.goo.ne.jp/jabe0755/e/fba261ecf49ad4f61c3a4d7e6ef686fb http //blog.goo.ne.jp/jabe0755/e/c35d565f1c0e3ed27b78509f0dac788c http //blog.goo.ne.jp/jabe0755/s/%A5%DF%A5%AF 「MIKUNOPOLIS」出演者や関係者の感想リンクまとめ(雑記) http //sekiseblog.blog51.fc2.com/blog-entry-619.html から各メンバーへのリンクをたどる 折田新(ds) http //blog.goo.ne.jp/shinxdrum/e/8930b03acd91db0e1daa0ad1eda89457?fm=entry_awc 黒田晃年(g) http //akitoshikuroda.me/ 田中晋吾(b) http //homepage2.nifty.com/shingobass/index.html http //shingo.tea-nifty.com/blog/2011/07/la-76c5.html 武内香澄(vln) http //ameblo.jp/pyonnchan/entry-11035588430.html http //ameblo.jp/pyonnchan/entry-10944809273.html 河本夕里安(vln) http //ameblo.jp/yuristrawberry/entry-10945217876.html MIKUNOPOLIS in LOS ANGELES はじめまして、 初音ミクです。 Happy to meet you! I m HATSUNE MIKU. Artist Hatsune Miku Kagamine Rin, Kagamine Len, Megurine Luka Concert Staff The 39 s (The Thanks) Jun Abe (Key/Pf) , Akitoshi Kuroda (G) , Shingo Tanaka (B) , Shin Orita (Dr) Katsuro Uno (Manip) 39 s Strings Kasumi Takeuchi, Yuria Kawamoto, Tomoko Joho, Hisako Saito, Ayu Eto, Kaori Imai Producer Hiroshi Utsumi (SEGA) Takayasu Kuroda (CreativES/INTERNET INDEPENDENT) Mitsuyuki Saikawa (TOKYO MX) Creative Producer Makoto Osaki (SEGA) Creative Director Kenshiro Morii (STUDIO MORIKEN) Executive Producer Hiroyuki Itoh (CRYPTON FUTURE MEDIA, Inc.) SEGA STAFF Director Keiichi Matsunami Programmer Hideki Tanaka, Kota Matsumoto, Takeshi Yamanouchi, Akio Saito Script Programmer Yukihito Yagi Designer Kazuya Morita, Shinya Kitagawa, Haruna Ito, Ayumi Tanaka, Michi Shibuya, Atsuo Takayasu, Masatomo Suzuki, Takashi Ito Animator SEGA Toshiya Inoue, Masateru Kawasaki, Sakiko Seki, Hajime Ito, Masayuki Ito, Eisuke Abe, Kazuyuki Watanabe, Tomoyuki Nishiguchi, Sei Koeda, Shinya SHimada, Masaki Yano IMAGICA DIGITALSCAPE Choreographer Keiko Fukushima, yoshiko, Kojiro Ishioka, Kaori Aoki, Shihoko Inamitsu, Arisa Noto, Kuniko Performer Yui Ogura, Kaori Ishihara, Arisa Noto, Kaori Aoki, Shihoko Inamitsu, Kuniko Voice Manipulator Kefir-P, Yunimemo-P Clothes Design Tda, hekopon, sakurau/Alice, KEI, cosMo, nagimiso, OHSE, shari, Onyx Kobayashi, Ichikai Hano, Tomio Clothes Cooperation ATELIER BOZ Director Toshihiro Fukuoka セットリスト(演奏曲目)・その他 (Set List, name of music) セットリスト ミクノポリス セットリスト MIKUNOPOLIS in LOS ANGELES-Live Set List http //mikubook.com/setlist/mikunopolis MIKUNOPOLIS 2011 in Los Angeles -はじめまして 初音ミクです- セットリスト 1.Project Diva desu. 2.ワールドイズマイン 3.えれくとりっくえんじぇぅ 4.恋スルVOC@LOID 5.クローバークラブ(みくずきん) 6.ぽっぴっぽー(ジャー★ジ) 7.ロミオとシンデレラ(ヴィンテージドレス) 8.裏表ラバーズ(英語でメンバー紹介) 9.パズル 10.VOiCE 11.1/6 12.moon(スピリチュアル) 13.初音ミクの消失(∞) 14.右肩の蝶 15.炉心融解(リアクター) 16.Just Be Friend---Thanks LA 17.ワールズエンド・ダンスホール english ver(蝶・華) 18.from Y to Y(ホワイトワンピース) 19.サイハテ(サイハテミク) 20.ファインダー DSLR remix-re edit(パウダー) 21.SPiCa(エンジェル) ここでアンコール連呼 22.愛言葉 23.StargazeR 24.ハジメテノオト Summary in English and other language(英語等での紹介) The first live concert of Hatsune Miku in oversea by using transparency screen system with live band. Happy to meet you ! I m HATSUNE MIKU」 http //mikunopolis.com/ News and information http //mikunopolis.com/page/en/post/all/news/all/all/all/published/1.html 行事を行う団体や個人等 (Organizer and Group) スポンサー・協賛等 (Sponsor and Support) 関連行事 (Related Event Info.) MikuFes09 ミクフェス09 in Tokyo Japan 2009 ミクの日感謝祭2010 39 s Giving Day in Tokyo Japan 2010 ミクの日大感謝祭 ミクパ 東京2012 Hatsune Miku Live Party (Miku-Pa) in Tokyo Japan 2012 ミクの日大感謝祭 最後のミクの日感謝祭2012 Special 39 s Giving Day in Tokyo Japan 2012 ミクの日大感謝祭 2012 Special 39 s Giving Day in Tokyo Japan 2012 ANIME EXPO 2011情報 http //www.anime-expo.org LACC(ロサンゼルス コンベンションセンター)、その他のイベント 7月1日 9 00AM-10 30AM ANIME EXPO2011 オープニングセレモニー 7月1日 2 45PM-3 45PM クリプトンCEO、伊藤社長のキーノートを使ったプレゼン 7月2日 1 30PM-2 30PM 小林オニキス氏とクリプトン佐々木渉氏によるトークセッション 7月3日 9 00PM-10 00PM MIKU DCD DANCEROIDのダンスコンペティション。 7月3日 5 45PM-8 45PM MIKUNOPOLISが応援するセッション「Mirai no Neiro」 ANIME EXPO 2011 ボーカロイドイベントまとめ DAY1 - 7/1 (金) OPセレモニー 9 00AM~10 30AM LP1 LACC Petree Hall Miku Keynote 2 45PM~3 45PM LP1 LACC Petree Hall MikuMikuDanceWorkshop 5 00PM~6 00PM WS2 LACC 501 ZANEEDS Dance DJ 11 00PM~12 00AM Club Nokia DAY2 - 7/2 (土) Miku Conference 1 30PM~2 30PM LP1 LACC Petree Hall Mikunoplois 8 30PM~10 00PM Nokia Theatre DAY3 - 7/3 (日) The Vocaloid Fan Phenomenon 4 15PM~5 15PM LP2 LACC 502 みらいのねいろ 第一部 5 45PM~7 15PM LP1 LACC Petree Hall みらいのねいろ 第二部 7 15PM~8 30PM LP1 LACC Petree Hall MikuDanceコンテスト 9 00PM~10 00PM WS1 LACC515B 黒崎真音 ミニコンサート 7/1(金) 11 15PM~12 00AM P1 LACC Petree Hall Kalafina ライブ 7/2(土) 5 00PM~6 30PM Club NOKIA 初音ミク Mikunoplis 7/2(土) 8 30PM~10 00PM NOKIA Theatre 黒崎真音 ライブ 7/3(日) 5 00PM~6 00PM Club NOKIA その他のイベント、詳細なタイムスケジュール表はこちらのPDFを参照してください http //www.anime-expo.org/programming/schedules/ ネット中継 Anime Expo 2011 ブースから生放送!米国最大のアニメイベント2日目 http //live.nicovideo.jp/watch/lv54095879 (3日目以降も中継あり) 暫定公式ツイッターアカウント:http //twitter.com/miku_la ツイッターハッシュタグ:#miku_la (ミクパタグを間違えて付けないようにw) ※タグ付きのツイートをそのまま公式RTすると検索時のノイズとなる場合もあるので気をつけて 公式の観覧ツアー(受付は6/13まで) Los Angeles AnimeExpo 2011と初音ミク コンサートに行こう!(株式会社ラテーザ) http //www.lattesa.co.jp/opera-tour.php?id=70 ネット中継 初音ミク「MIKUNOPOLIS in LOSANGELES」勝手に前夜祭!ライブメンバー、スタッフに密着取材 http //live.nicovideo.jp/watch/lv55151825 初音ミク「MIKUNOPOLIS in LOS ANGELES」生中継(有料ニコ生) http //blog.nicovideo.jp/niconews/2011/06/014173.html http //live.nicovideo.jp/watch/lv54164376 LAライブ現地参加者向け http //twitter.com/290cart (ミクノポリス実行委員会 F岡氏のアカウント、現地情報のツイートも) http //twitter.com/AnimeExpo (Anime Expo公式アカウント、ハッシュタグは#AX11) http //kamome.2ch.net/oversea/ (2ch海外旅行板) 本日のミクポリ実況スレは、なんでも実況U板にあります http //yuzuru.2ch.net/liveuranus/ 初音ミク「ミクノポリス in LA」実況スレ♪1 http //yuzuru.2ch.net/test/read.cgi/liveuranus/1309655672/ 紹介記事・現地参加者の感想・参考サイト・謝辞・文献等 (News, References, Acknowledgement and Credit) 情報一覧MEMO 現地参加者の感想 誤訳御免Δ MIKUNOPOLIS 詳細紹介記事 (2人目の赤シャツ氏の紹介他) http //goyaku.blog45.fc2.com/blog-entry-401.html 初音ミク米国初コンサートの海外反応 http //japancool.sblo.jp/article/46529083.html Bunka Extended AX 2011 MIKUNOPOLIS in Los Angeles http //www.bunkaextend.com/ax2011_07.html USトヨタ役員とミクコラボ担当者ボブとのゆかいな会話 http //togetter.com/li/136798 MIKUNOPOLISの裏話 中の人1号さん かく語りき #miku_la http //togetter.com/li/159988 In the NHK TV of Japan, they published the [MIKUNOPOLIS in Los Angeles in 2011 ] to limited people for the BS TV. NHK TV is some kind of public TV. 音楽熱帯夜- 「MIKUNOPOLIS in Los Angeles はじめまして、初音ミクです] Happy to meet you ! I m HATSUNE MIKU」 初音ミク海外初公演 MIKUNOPOLIS 無事終了 [リンク集] http //kettya.com/backnumber/2011/netalog201107794723.htm このリンク集から各自に行き着く MIKUNOPOLIS ミクノポリス Q Aもどき http //kettya.com/backnumber/2011/netalog201107795003.htm 番組詳細182137 BSプレミアム 5月20日(日)~5月20日(日) 00 15~01 39(19日深夜) http //www.nhk.or.jp/bs/past/index.html?genre=9 There are button to press regarding evaluation of the [MIKUNOPOLIS in Los Angeles 2011]. If you are interested in [MIKUNOPOLIS in Los Angeles 2011], you may vote. [ヨカッタ] means good or very good [キニナル] means interesting The Making of MIKUNOPOLIS in Los Angeles July 2nd, 2011 http //www.youtube.com/watch?v=PZGlEBk_Ed0 中の人たちが語る 初音ミク全米デビューの興奮 http //weekly.ascii.jp/elem/000/000/048/48251/ supercell&初音ミク、Worldチャートで1位で思うこと http //kettya.com/backnumber/2011/netalog201106788801.htm 現地参加者の感想メモ一覧 Comments and reports of the peoples who went to the live event. ミクノポリス参加者の感想メモ http //anond.hatelabo.jp/20110705094529 初音ミクLA公演現地組の情報まとめ http //togetter.com/li/156564 初音ミク in LA、MIKUNOPOLISの感想まとめ http //togetter.com/li/157069 葱ワラ団 http //read2ch.net/streaming/1309499556/ デルタ航空欠航 2011年07月01日(金) 初音ミク ロサンゼルスコンサート 公式ツアー 出発便が欠航で 阿鼻叫喚 http //d.hatena.ne.jp/myu10/20110701#1309503312 初音ミク ロサンゼルスコンサート 公式ツアー 出発便が欠航 その後1 http //d.hatena.ne.jp/myu10/20110703#1309682330 初音ミク ロサンゼルスコンサート 公式ツアー AnimeExpo 2011 MIKUNOPOLIS 参加レポート http //d.hatena.ne.jp/myu10/20110706#1309947390 2011年07月06日(水) 初音ミク ロサンゼルスコンサート 公式ツアー AnimeExpo 2011 MIKUNOPOLIS 参加レポート http //d.hatena.ne.jp/myu10/20110706 Manga illustrated reports of AnnMelts P. who went to the MIku live event and ANIME EXPO in LA, USA. タイトル:Los AnnMelts ~僕の見たLAミクライブ&ANIME EXPO~ (LAミクライブ&ANIME EXPO体験記) Los Annmeltsまんが本 特設ページ http //www.gcmstyle.com/0/release/losannmelts/ 日本足止め編~:(デルタ欠航) http //www.gcmstyle.com/index.php?e=253 Los Annmelts 表紙の見本、脚本:アンメルツP 作画:涼 http //www.gcmstyle.com/0/release/losannmelts/cover_large.jpg 日本足止め編【まんがレポート】の見本サンプル、脚本:アンメルツP 作画:涼 http //www.gcmstyle.com/0/release/losannmelts/pre_sample2.jpg http //www.gcmstyle.com/0/release/losannmelts/sample2.jpg http //www.gcmstyle.com/0/release/losannmelts/sample3.jpg http //www.gcmstyle.com/0/release/losannmelts/sample4.jpg 販売先 トラの穴 http //www.toranoana.jp/mailorder/article/04/0030/01/44/040030014461.html (このサイト内での関連内部リンク・補助リンク・Internal Link) Memo・メモ帳 ライブ技術一覧/過去のライブの反省会等の一部 http //read2ch.net/streaming/1309499556/ EDIT Page If you do not know about editing web page of this Wiki, DO NOT EDIT. Click HERE to Edit Current Page or click following URL to edit this page. http //www18.atwiki.jp/vocalive/editx/27.html Make sure to rewrite correct page number after (/vocalive/editx/) or (/vocalive//editx/PAGE NUMBER.html) to edit current page. [ページ保存] button below the editing window=means SAVE the page after editing to finish editing. [プレビュー] button below the editing window=means PREVIEW the page during editing. input the code number shown to perform these command. To cancel editing, just use Web browser button out side the editing window to go back. or CLOSE the editing page of the Web browser s window. If you make mistake, DO NOT SAVE the page. Do NOT press [ページ保存] button. [» タグ ]box below the editing window=means make TAG of this page after editing. If you have any problem, insert "HELP" in the TAG to identify the page at later for repair. EDIT & MAKE Page コメント・Comment 名前 コメント