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MSIファイルの中身 ではMSIファイルの中身がリレーショナルデータベース（表形式）だということを説明した。では実際このデータを手で１から作っていくのか？というと、もちろんそれも可能だが、少なくとも私には１から作り上げるスキルは無い。 そこで登場するのがWiXだ。WiXの生い立ちなどは適当に調べていただくとしよう。WiXで何ができるのかというと、特定の形式で書かれたXMLをコンパイル・リンクし、WindowsInstallerのファイルを生成するということだ。つまりWiXを使えば、直接WindowsInstallerのデータベースファイルを作るのではなく、ある種のXML形式で記述してそこからWindowsInstallerを作ることができるということになる。 WiXの入門として一番情報がまとまっているのは WiXではじめるWindows Installer作成入門 （日本語全6回・とっちゃんさん著） WiX Tutorial （英語） あたりだろう。これらの情報はチュートリアル形式でかなり広い範囲を網羅的に解説しているので、WiXを勉強する人は是非何度も読み返してみてほしい。 さて、とりあえずWiXでインストーラを作るに当たり必要なことはWiXの入手だ。公式サイトから辿って、CoreToolSetの2系列のバイナリ（2007年9月現在、wix-2.0.5325.0-binaries.zip）を入手し、適当なディレクトリに展開すればよい。また、後々WiXのコマンドは頻繁に叩くことになるので、展開したディレクトリにパスを通しておくとよいかもしれない。 （蛇足その１） WiXはXMLで記述する、と聞いてとたんに尻込みしてしまう人もいるかもしれない。（実際私はXMLについて知識がほとんど無く、WiXを書き始めて初めて知る用語がかなり多かった）が、別段XMLそのものの知識については必要とするものはほとんど無い。それよりはむしろ、どういうXMLを書けば、インストーラがどういう挙動をするのか、というのを知ることが重要だ。（このサイトではそれを解説していくわけだが。） （蛇足その２：RDBMSとXML？） リレーショナルデータベースとXMLのどちらにも精通している人にとっては、表の形式をXMLであらわすというところに無理があるのでは？と感じる人もいるかもしれない。実際それは正しい。そもそもリレーショナルデータベースは名前の通り関係を定義していくものであり、XMLはどちらかといえば階層構造を表記するのに適している。 実際インストーラを作っていくと、同じタグでも属性のつけ方によってWindowsInstallerの異なるテーブルを参照していたり、あるいはそもそも同時に使うことがありえない属性が１つのタグの中でいくつも定義されていたりと、色々と矛盾があることを感じる。 そのあたりを我慢しつつ、WiXとうまく付き合っていけるような情報をこのサイトの記事の中で散りばめていければと思っている。 visitor - (today - ) Author nagatyo コメント （注：コメントは管理人が適宜消去する場合があります） 名前 コメント すべてのコメントを見る
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Ryota Matsumoto is the renowned philosopher and visual artist known for the hybrid art and postdigital theory. He is a principal and founder of an award-winning interdisciplinary design office, Ryota Matsumoto Studio based in New York and Tokyo. Education Born in Tokyo, he was raised in Hong Kong and Japan. He received a Master of Architecture degree from University of Pennsylvania in 2007 after his studies at Architectural Association in London, Mackintosh School of Architecture, Glasgow School of Art and University of Miami in early 90’s. Matsumoto has previously collaborated with a cofounder of the Metabolist Movement, Kisho Kurokawa, and with Arata Isozaki, Peter Christopherson, Cesar Pelli and MIT Media Lab before establishing his office. Architectural and Visual Work As a designer and consultant of Nihon Seikei Inc. and Japanese railway, he has worked on high-profile projects including Kyushu University Ito Campus masterplan(2003-2005), Shinjuku redevelopment project in Tokyo(2009-2012), Bach Mai hospital in Hanoi(2000) and Qingdao mixed-use development in China(2011). He has presented his work on posthumanism, digital design and bio art at the 5th symposium of the Imaginaries of the Future at Cornell University, the Espaciocenter workshop at TEA Tenerife Espacio de las Artes, Oslo National Academy of the Arts, UCI Claire Trevor School of the Arts and NTT InterCommunication Center as a visual artist. As a video producer, he has worked with Peter Christopherson for Japanese Nike commercial and contributed to the promotional projects for his first solo album as Threshold Houseboys Choir. His academic career started as a teaching assistant for architectural historian, Vincent Joseph Scully Jr. and his seminar, the Natural and Manmade in 1993. During his visiting fellowship at the Glasgow school of Art, he has been engaged in research on the process of integrated urban regeneration under the guidance of Giancarlo De Carlo and Isi Metzstein. He continued his pursuit in urban studies and participated in seminal research projects with MIT Media Lab and KieranTimberlake exploring high-rise modular housing, sustainability and design interventions for Dhaka, Bangladesh in 2005. He has served as an MFA advisor of Transart institute, University of Plymouth and teaches at Asagaya Institute of Art and Design as a professor of practice. He is a research associate at the New Centre of Research Practice found by Mohammad Salemy, Jason Adams and Reza Negarestani. Matsumoto is the recipient of Visual Art Open First Prize, FILE (Electronic Language International Festival) Prix Lux Prize, Florence Biennale Mixed Media 2nd Place Award, Premio Ora Prize Italy 5th Edition, Premio Ora Prize Spain 1st Edition, Donkey Art Prize III Edition Finalist, Best of Show IGOA Toronto, Art Kudos Best of Show Award, Lynx International Prize Be Art Builder Award, Lumen Prize Finalist and Western Bureau Art Prize Honorable Mention. He was awarded the Gold Artist Prize from ArtAscent Journal, the 1st Place Prize from Exhibeo Art Magazine and the Award of Excellence from the Creative Quarterly Journal of Art and Design in 2015 and 2016. His work is part of the permanent collection of University of Texas at Tyler. His work, writings, and interviews were published in Kalubrt Magazine, University of North Carolina Wilmington Journal Palaver, Furtherfield.org, The Journal of Wild Culture, Studio Visit Magazine, Fresh Paint Magazine, H+ Magazine, International Artist Magazine, Made In Mind Magazine, Arizona State University Journal Superstition Review, Creative Review, Next Nature Network, Rhizome.org, Carbon Culture Review, KooZA/rch, Supersonic Art, Component Design (Winka Dubbeldam ed.), Post Digital Aethetics (Berry and Dieter ed.), Drawing Discourse (University of North Carolina Asheville), Highlike(SEPI-SP editors) and Drawing Futures (The Bartlett UCL) among others. Matsumoto s multidisciplinary projects have been exhibited recently at Meadows Gallery University of Texas at Tyler, S. Tucker Cooke Gallery University of North Carolina Asheville, Sebastopol Center for the Arts, National Museum of Korea, Van Der Plas Gallery, ArtHelix Gallery, Caelum Gallery, Limner Gallery, the Cello Factory, University of the District of Columbia, Lux Art Gallery, Studio Montclair, Manifest Gallery, Tenerife Espacio de las Artes, Art Basel Miami, ISEA International, FILE Sao Paulo, Nook Gllery and Arts and Heritage Centre Altrincham. He also had solo exhibitions at Transylvania University (2015), Los Angeles Center of Digital Art (2016) and Alviani ArtSpace, Pescara (2017). Official Website http //ryotamatsumoto.com
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Ryota Matsumoto is one of the most prominent philosophers of postdigital theory and visual artist known for the hybrid art. He is a principal and founder of an award-winning interdisciplinary design office, Ryota Matsumoto Studio based in New York and Tokyo. Biography Born in Tokyo, he was raised in Hong Kong and Japan. He received a Master of Architecture degree from University of Pennsylvania in 2007 after his studies at Architectural Association in London and Mackintosh School of Architecture, Glasgow School of Art in early 90’s. Matsumoto has previously collaborated with a cofounder of the Metabolist Movement, Kisho Kurokawa, and with Arata Isozaki, Peter Christopherson, Cesar Pelli and MIT Media Lab before establishing his office. As a designer and consultant of Nihon Seikei Inc. and Japanese railway, he has worked on high-profile projects including Kyushu University Ito Campus masterplan(2003-2005), Shinjuku redevelopment project in Tokyo(2009-2012), Bach Mai hospital in Hanoi(2000) and Qingdao mixed-use development in China(2011). He has presented his work on posthumanism, digital design and bio art at the 5th symposium of the Imaginaries of the Future at Cornell University, the Espaciocenter workshop at TEA Tenerife Espacio de las Artes, Oslo National Academy of the Arts, UCI Claire Trevor School of the Arts and NTT InterCommunication Center as a visual artist. As a video producer, he has worked with Peter Christopherson for Japanese Nike commercial and contributed to the promotional projects for his first solo album as Threshold Houseboys Choir. His academic career started as a teaching assistant for architectural historian, Vincent Joseph Scully Jr. and his seminar, the Natural and Manmade in 1993. During his visiting fellowship at the Glasgow school of Art, he has been engaged in research on the process of integrated urban regeneration under the guidance of Giancarlo De Carlo and Isi Metzstein. He continued his pursuit in urban studies and participated in seminal research projects with MIT Media Lab and KieranTimberlake exploring high-rise modular housing, sustainability and design interventions for Dhaka, Bangladesh in 2005. He has served as an MFA advisor of Transart institute, University of Plymouth and teaches at Asagaya Institute of Art and Design as a professor of practice. He is a research associate at the New Centre of Research Practice found by Mohammad Salemy, Jason Adams and Reza Negarestani. Matsumoto is the recipient of Visual Art Open First Prize, FILE (Electronic Language International Festival) Prix Lux Finalist, Florence Biennale Mixed Media 2nd Place Award, Premio Ora Prize Italy 5th Edition, Premio Ora Prize Spain 1st Edition, Donkey Art Prize III Edition Finalist, Best of Show IGOA Toronto, Art Kudos Best of Show Award, Lynx International Prize Be Art Builder Award, Lumen Prize Finalist and Western Bureau Art Prize Honorable Mention. He was awarded the Gold Artist Prize from ArtAscent Journal, the 1st Place Prize from Exhibeo Art Magazine and the Award of Excellence from the Creative Quarterly Journal of Art and Design in 2015 and 2016. His work is part of the permanent collection of University of Texas at Tyler. His work, writings, and interviews were published in Kalubrt Magazine, University of North Carolina Wilmington Journal Palaver, Furtherfield.org, The Journal of Wild Culture, Studio Visit Magazine, Fresh Paint Magazine, H+ Magazine, International Artist Magazine, Made In Mind Magazine, Arizona State University Journal Superstition Review, Creative Review, Next Nature Network, Rhizome.org, Carbon Culture Review, KooZA/rch, Supersonic Art, Component Design (Winka Dubbeldam ed.), Post Digital Aethetics (Berry and Dieter ed.), Drawing Discourse (University of North Carolina Asheville), Highlike(SEPI-SP editors) and Drawing Futures (The Bartlett UCL) among others. Matsumoto s multidisciplinary projects have been exhibited recently at Meadows Gallery University of Texas at Tyler, S. Tucker Cooke Gallery University of North Carolina Asheville, Sebastopol Center for the Arts, National Museum of Korea, Van Der Plas Gallery, ArtHelix Gallery, Caelum Gallery, Limner Gallery, the Cello Factory, University of the District of Columbia, Lux Art Gallery, Studio Montclair, Manifest Gallery, Tenerife Espacio de las Artes, Art Basel Miami, ISEA International, FILE Sao Paulo, Nook Gllery and Arts and Heritage Centre Altrincham. He also had solo exhibitions at Transylvania University (2015), Los Angeles Center of Digital Art (2016) and Alviani ArtSpace, Pescara (2017). Links The Official Website https //www.ryotamatsumoto.com The New Centre Profile https //thenewcentre.org/people/ryota-matsumoto Prabook https //prabook.com/web/ryota.matsumoto/619708 Facebook https //www.facebook.com/ryota.matsumoto.718 Instagram https //www.instagram.com/ryt.matsumoto Enpedia https //enpedia.rxy.jp/wiki/松本良多 LinkedIn https //www.linkedin.com/in/ryota-matsumoto-68746080 Discogs https //www.discogs.com/ja/artist/5796857-Ryota-Matsumoto Muck Rack Journalist Profile https //muckrack.com/ryota-matsumoto
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Concertino in Blue(踊) 曲名 アーティスト フォルダ 難易度 BPM NOTES/FA(SA) その他 Concertino in Blue 佐々木博史 GP/A3 踊12 103-155 324 / 10 先行プレー特典 STREAM VOLTAGE AIR FREEZE CHAOS 65 73 23 26 61 楽譜面(5) / 踊譜面(12) / 激譜面(16) / 鬼譜面(-) 属性 譜面 https //livedoor.blogimg.jp/yanmar195/imgs/7/b/7b8ef95c.png 譜面動画 https //www.youtube.com/watch?v=QBgrStlq2pY (x?.?, NOTE) https //www.youtube.com/watch?v=6JXG26LysAc (x3.25, NOTE ※CLAP音合成) プレイ動画 https //www.youtube.com/watch?v=841AW9sLylk (x3.0, NOTE) 解説 2022/08/10追加。コントローラ購入者特典楽曲パックとして先行プレー可能になる特典曲。 特典を得るには2022/09/04までにDDR GPをプレーする必要がある。 DDR GPのベーシックコース加入＆『DanceDanceRevolution 専用コントローラ』を購入でプレー可能。 GUITARFREAKS 7thMIX drummania 6thMIXからの移植曲。 BPM推移(暫定) 140-155-153-151-155-153-151-155-154-141-155-151-139-128-122-112-103 参考 beatmania IIDX(プレイ中のBPM表記あり)のプレイ動画 名前 コメント コメント(私的なことや感想はこちら) AC収録嬉しいし譜面も楽しいけど、後半の方にある12分37連が12の範疇じゃない。また、ほぼ交互踏み可能だが譜面画像28〜29小節目辺りで1回スライド等が必要。あとなぜか開始が他譜面より1拍早かったりする -- 名無しさん (2022-08-22 23 16 23) 細かくBPMが変化することもあり、スコア難易度がとんでもなく高い。 -- 名無しさん (2023-09-07 04 45 02) 名前 コメント
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Concertino in Blue(激) 曲名 アーティスト フォルダ 難易度 BPM NOTES/FA(SA) その他 Concertino in Blue 佐々木博史 GP/A3 激16 103-155 491 / 12 先行プレー特典 STREAM VOLTAGE AIR FREEZE CHAOS 99 98 50 25 111 楽譜面(5) / 踊譜面(12) / 激譜面(16) / 鬼譜面(-) 属性 譜面 https //livedoor.blogimg.jp/yanmar195/imgs/c/9/c9c8d41e.png 譜面動画 https //www.youtube.com/watch?v=2o-pXXp4CHE (x3.5, NOTE) https //www.youtube.com/watch?v=H-l1YUSPliI (x3.0, NOTE) プレイ動画 https //www.youtube.com/watch?v=qgmIBMZiH14 (x?.?, NOTE) 解説 2022/08/10追加。コントローラ購入者特典楽曲パックとして先行プレー可能になる特典曲。 特典を得るには2022/09/04までにDDR GPをプレーする必要がある。 DDR GPのベーシックコース加入＆『DanceDanceRevolution 専用コントローラ』を購入でプレー可能。 GUITARFREAKS 7thMIX drummania 6thMIXからの移植曲。 BPM推移(暫定) 140-155-153-151-155-153-151-155-154-141-155-151-139-128-122-112-103 参考 beatmania IIDX(プレイ中のBPM表記あり)のプレイ動画 名前 コメント コメント(私的なことや感想はこちら) 苛烈な渡り､不規則なBPM変換､回復地帯の少なさでクリア､スコア共に足16最上位の一角｡足17に挑むつもりでプレーしよう｡ -- 名無しさん (2023-08-29 18 53 15) 強烈な渡りが数回あり、そのほかの配置も踏み間違えると立て直すのが難しい配置が多い為16としてはかなり難しい。17挑戦しはじめるまでは触る必要がない -- 名無しさん (2023-11-12 16 35 52) NGO同じく難所が極端に寄っているので踏めないうちはあまり練習にならないためスルー推奨。 -- 名無しさん (2024-02-24 20 44 48) 名前 コメント
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