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https://w.atwiki.jp/neteng/pages/21.html
html title dinamic filter /title body body bgcolor="rosybrown" /etc/sysconfig/iptables-config br IPTABLES_MODULES="ip_conntrack_ftp" br pre NEWがないと一切の通信がダメ。ポートが開かない。NEWだけは特別なのだ アプリI/OSADAPROTSPDPCONN.STAT FTPOUT自分FTP鯖TCPー21NEW(一番最初のステータスですよ)、ESTABLISHED コマンドチャンネル? FTPINFTP鯖自分TCP21ーESTABLISHED(全部ACKがついてますから?) コマンドチャンネル? ポート番号21ってFTPの制御用のポートだよね 何番のポートと何番のポートで通信しますよでRELATED(関係のある)通信になる ↓データチャンネル FTPOUT自分FTP鯖TCPーーRELATED、ESTABLISHED FTPINFTP鯖自分TCPーーESTABLISHED font size=5 color=darkblue b iptables追加ftpパッシブモードクライアントルール /b /font #dinamicfilter ftp comand-ch -A OUTPUT -p tcp --dport 21 -m state --state NEW,ESTABLISHED -j ACCEPT -A INPUT -p tcp --sport 21 -m state --state ESTABLISHED -j ACCEPT #dinamicfilter ftp date-ch -A OUTPUT -p tcp -m state --state RELATED,ESTABLISHED -m helper --helper ftp -j ACCEPT -A INPUT -p tcp -m state --state ESTABLISHED -m helper --helper ftp -j ACCEPT -m state 接続状態の指定 接続状態にはNEW、INVALID、ESTABLISHED、RELATEDが指定できる -m helper unknown -A 指定したチェインにルールを追加する -F -Aとは逆でチェインの内容を削除する font size=5 color=darkblue b 検証 /b /font [root@neteng18 ~]# [root@neteng18 ~]# ftp 192.168.128.1 Connected to 192.168.128.1. 220 (vsFTPd 2.0.5) 530 Please login with USER and PASS. 530 Please login with USER and PASS. KERBEROS_V4 rejected as an authentication type Name (192.168.128.1 root) neteng18 331 Please specify the password. Password 230 Login successful. Remote system type is UNIX. Using binary mode to transfer files. ftp ascii 200 Switching to ASCII mode. ftp get welcome local welcome remote welcome 227 Entering Passive Mode (192,168,128,1,115,140) 150 Opening BINARY mode data connection for welcome (24 bytes). WARNING! 2 bare linefeeds received in ASCII mode File may not have transferred correctly. 226 File send OK. 24 bytes received in 0.00013 seconds (1.9e+02 Kbytes/s) ftp quit 221 Goodbye. [root@neteng18 ~]# cat /proc/net/ip_conntrack tcp 6 112 TIME_WAIT src=192.168.128.212 dst=192.168.128.1 sport=45107 dport=29580 packets=4 bytes=216 src=192.168.128.1 dst=192.168.128.212 sport=29580 dport=45107 packets=4 bytes=240 [ASSURED] mark=0 secmark=0 use=1 tcp 6 117 TIME_WAIT src=192.168.128.212 dst=192.168.128.1 sport=54614 dport=21 packets=21 bytes=1201 src=192.168.128.1 dst=192.168.128.212 sport=21 dport=54614 packets=15 bytes=1139 [ASSURED] mark=0 secmark=0 use=2 [root@neteng18 ~]# cat welcome Welcome to ftp server! b font size=4 color=darkblue ノーマルモード /font /b FTP上でpassiveと打つとON/OFFを切り替えることができる パッシブモードの設定だとコマンドをやっても通信ができないのですよう ー私案ー 合意はもうできている上で 要はノーマルということはFTP鯖からの20番ポートからのTCPデータを受信できればよいだから アプリI/OSADAProtSPDPState FTPINFTP鯖自分TCP20ーRELATED,ESTABLISHED FTPOUT自分FTP鯖TCPー20ESTABLISHED FTPクライアントの設定ノーマルデータCHを送受信するにはこれだけで良い #dinamicfilter ftp date-ch -A INPUT -p tcp --sport 20 -m state --state RELATED,ESTABLISHED -m helper --helper ftp -j ACCEPT -A OUTPUT -p tcp --dport 20 -m state --state ESTABLISHED -m helper --helper ftp -j ACCEPT font size=5 color=darkblue b 検証 /b /font [root@neteng18 ~]# ftp 192.168.128.1 Connected to 192.168.128.1. 220 (vsFTPd 2.0.5) 530 Please login with USER and PASS. 530 Please login with USER and PASS. KERBEROS_V4 rejected as an authentication type Name (192.168.128.1 root) neteng18 331 Please specify the password. Password 530 Login incorrect. Login failed. ftp quit 221 Goodbye. [root@neteng18 ~]# ftp 192.168.128.1 Connected to 192.168.128.1. 220 (vsFTPd 2.0.5) 530 Please login with USER and PASS. 530 Please login with USER and PASS. KERBEROS_V4 rejected as an authentication type Name (192.168.128.1 root) neteng18 331 Please specify the password. Password 230 Login successful. Remote system type is UNIX. Using binary mode to transfer files. ftp passive Passive mode off. ftp ls 200 PORT command successful. Consider using PASV. 150 Here comes the directory listing. -rw-r--r-- 1 518 500 24 Feb 25 02 34 welcome 226 Directory send OK. ftp get welcome local welcome remote welcome 200 PORT command successful. Consider using PASV. 150 Opening BINARY mode data connection for welcome (24 bytes). 226 File send OK. 24 bytes received in 8.6e-05 seconds (2.7e+02 Kbytes/s) ftp quit 221 Goodbye. [root@neteng18 ~]# cat /proc/net/ip_conntrack tcp 6 96 TIME_WAIT src=192.168.128.1 dst=192.168.128.212 sport=20 dport=35862 packets=5 bytes=333 src=192.168.128.212 dst=192.168.128.1 sport=35862 dport=20 packets=3 bytes=164 [ASSURED] mark=0 secmark=0 use=1 tcp 6 79 TIME_WAIT src=192.168.128.212 dst=192.168.128.1 sport=35714 dport=21 packets=16 bytes=911 src=192.168.128.1 dst=192.168.128.212 sport=21 dport=35714 packets=13 bytes=888 [ASSURED] mark=0 secmark=0 use=1 tcp 6 112 TIME_WAIT src=192.168.128.212 dst=192.168.128.1 sport=35715 dport=21 packets=23 bytes=1364 src=192.168.128.1 dst=192.168.128.212 sport=21 dport=35715 packets=18 bytes=1410 [ASSURED] mark=0 secmark=0 use=3 tcp 6 107 TIME_WAIT src=192.168.128.1 dst=192.168.128.212 sport=20 dport=60047 packets=5 bytes=292 src=192.168.128.212 dst=192.168.128.1 sport=60047 dport=20 packets=3 bytes=164 [ASSURED] mark=0 secmark=0 use=1 [root@neteng18 ~]# a href="index.html" 戻る /a /body /html
https://w.atwiki.jp/mrfrtech/pages/47.html
Market Scenario The global Gaming Console market is expected to register a CAGR of ~5.37% during the forecast period, 2021–2030. In this report, Market Research Future (MRFR) includes the segmentation and dynamics of the Gaming Console market to offer a better glimpse into the coming years. The major factors driving the growth of the gaming console market are the rising demand of 3D video games and increasing number of e-sport tournaments. However, lack of skilled professionals is hindering the market growth. Although, advancement in core wireless connectivity is creating an opportunity in the market. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/10770 Competitive Outlook The global Gaming Console market is characterized by the presence of several regional and local providers. Some of the key players in the market are Sony Corporation (Japan), Microsoft Corporation (US), Nintendo Co., Ltd. (Japan), Logitech Inc. (Switzerland), Valve Corporation (US), NVIDIA Corporation (US), PlayJam (UK), BlueStacks (US), OUYA Inc. (US), Sega (Japan) and Atari (US). Segmentation The global gaming console market has been segmented based on type, application, end user and region. By type, the global gaming console market has been divided into home console, handheld console, hybrid console. A home console is a gaming console that is connected to a device such as displays, television and to an external power source. These have advanced graphics abilities but with a limited storage capacity. The handheld console is has a built-in game consoles, screen and speaker. It is a portable, small self-contained video game console that contains console, speaker, screen and controls all in one unit. A hybrid game console is a combined form of home and handheld console. It has either a docking station or a wired connection that connects the console unit to a fixed power source and television unit. Based on application, the global gaming console market has been segmented into gaming and non-gaming. The gaming consoles are integrated with multiple features that offers both gaming and non-gaming or entertainment console. The rise of gaming consoles integrated with extensive content applications such as Netflix, YouTube, Amazon Prime Video and others are included in the non-gaming application. The development of controller-free gaming console is anticipated to drive the gaming application for the gaming console market. Based on end user, the global gaming console market has been segmented into residential and commercial. The residential sector is expected to boost the growth of the market owing to the rising need for gaming accessories, 3D gaming headsets, integrated mic, gaming mouse, game-enabled television and others. The commercial sector is also anticipated to grow owing to the growing demand of cloud gaming services. These services store a huge amount of gaming data along with improved security methods. Regional Analysis The regional analysis for the global Gaming Console market has been done for North America, Europe, Asia-Pacific, and the Middle East Africa, and South America. The market in Asia Pacific accounted for the largest market share in 2020, and it is expected to register strong growth during the forecast period. However, the North America area is experiencing tremendous growth due to growing adoption of modern technologies such as AR-VR platform, cloud services, Bluetooth, 3D technology and others. The major North American countries are technologically advanced and provide significant investment and income potential. Browse Full Report Details @ https //www.marketresearchfuture.com/reports/gaming-console-market-10770 Table of Contents 1Executive Summary 2Scope of the Report 2.1Market Definition 2.2Scope of the Study 2.2.1Research objectives 2.2.2Assumptions Limitations 2.3Markets Structure Continued…. View Similar Report Internet of things (IoT) Market https //ictmrfr.blogspot.com/2022/04/internet-of-things-market-growth-key.html B2B Telecommunication Market https //www.scutify.com/articles/2022-04-12-b2b-telecommunication-market-analysis--geographic-growth-opportunities-for-it-security-and-data- Cash Management System Market https //market-research-future.tribe.so/post/cash-management-system-market-size-receives-a-rapid-boost-in-economy-due-to--625d5382d24f49591bd3befb Learning Management System Market By Application (Corporate, Academics), by Deployment (Cloud, On-Premise), by Service (Administration, Performance Management, Content Management, Communication Collaboration) About Market Research Future At Market Research Future (MRFR), we enable our customers to unravel the complexity of various industries through our Cooked Research Report (CRR), Half-Cooked Research Reports (HCRR), Raw Research Reports (3R), Continuous-Feed Research (CFR), and Market Research Consulting Services. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com #market #research #industry #data #report #share #digital #gnews Plugin Error キーワードを入力してください。 #trend #future #analyis #industryreport #industrygrowth #demographic #strategy #manegment
https://w.atwiki.jp/mainichi-matome/pages/2035.html
The story below is originally published on Mainichi Daily News by Mainichi Shinbun (http //mdn.mainichi.jp). They admitted inventing its kinky features, or rather deliberately mistranslating them from the original gossip magazine. In fact, this is far from the general Japanese behavior or sense of worth. このページは、毎日新聞事件の検証のための配信記事対訳ページです。直接ジャンプして来られた方は、必ずFAQをお読みください。 ※ この和訳はあくまでもボランティアの方々による一例であり、翻訳の正確さについては各自判断してください。もし誤訳(の疑い)を発見した場合には、直接ページを編集して訂正するか翻訳者連絡掲示板に報告してください。 A curious oral encounter with contrite ex-cop深く悔いている元警官との、好奇心をそそる口腔の邂逅 拡散状況 関連ページ A curious oral encounter with contrite ex-cop 深く悔いている元警官との、好奇心をそそる口腔の邂逅 0 A curious oral encounter with contrite ex-cop 2007,06,08 Uramono Japan (June) By Masuo Kamiyama 深く悔いている元警官との、好奇心をそそる口腔の邂逅 裏モノJAPAN(6月号) カミヤママスオ記 1 "My name is Yoko. I m 26 years old," she tells him. 「私の名前は葉子。26才です」と、女は男に語る。 2 "What kind of work do you do?" the fellow, a 29-year-old salaryman, asks her. 「どんな仕事をしているんだい?」と、相手の29才のサラリーマンは彼女に尋ねる。 3 "I m an OL (office worker)," she replies, batting her eyelids shyly. 「私はOL(事務員)です」と、まぶたを恥ずかしげにまばたかせながら、彼女は答える。 4 "Oh? Well, would you like to get it on with me?" 「そう?ねえ、僕とあれをしないかい?」 5 "Actually, I m having my period, it might be a bit uncomfortable." 「実は、私は今生理で、ちょっと具合が悪いんじゃないかしら」 6 "You can use your mouth then, okay?" 「それじゃ口でしてよ、いいかい?」 7 "Um, yeah, I guess." 「うーん、ええ、そうね」 8 "I ll pay you 10,000 yen." 「僕は君に1万円払うよ」 9 "Well, all right, but I m not very good at this sort of thing, you know?" 「そうね、いいわ、でも私、それはあまりうまくないのよ」 10 The above exchange, reports Uramono Japan (June), took place at a "deai kissa" (matchmaking coffee shop) in Tokyo s Ikebukuro district. The standard procedure is for the male patrons to view female patrons through a one-way magic mirror and draw chits for the right to get to know them better in a private "talk room," where one-on-one exchanges, like the one above, ensue. 裏モノJAPAN(6月号)の報告によると、上述の会話は東京の池袋にある「出会い喫茶」(出会いを仲介する喫茶軽食店)で行われた。 標準的な手順は、男性客が一方通行のマジックミラー越しに女性客を眺め、じゃまの入らない「トークルーム」 -- そこでは上述のもののような、1対1の会話がなされる --の中で互いをよりよく知りあう権利のためのクジを引く。 11 If both parties agree on whatever the man proposes in terms of activity and price, they depart the premises hand in hand for someplace more intimate. もし両者が、なんであろうと男が提案するコトと価格の条件に合意すれば、かれらは手を握って店から出てもっと親密になれるどこかに向かう。 12 But the above encounter took place at around three p.m. on a Sunday, the shop was crowded, and this particular customer, forced to compete with others, wasn t having much luck finding an appealing female partner until our gal arrived on the scene. しかし上述の会話はある日曜の午後3時ごろになされ、店は込んでいてたので、この好みのうるさい客は、他の男と競わなければならなくなり、われらがギャルが登場するまでは、魅力的な女性パートナーを見つけるられる幸運に大してめぐまれなかった。 13 Still, a mere session of oral gratification did not seem to warrant paying for a room in a love hotel, so the pair decided to get down to the nitty-gritty in a "manga kissa," a type of shop that serves drinks and rents comics, and where customers can avail themselves of comparatively inexpensive private rooms. とはいえ、口での奉仕だけにラブホテルの部屋代の支払いをするのは割に合わないように思えたので、二人は「漫画喫茶」--- 飲み物を提供し漫画を貸す店の一種で、比較的安価で客が個室を利用できるところ ---の中で肝心なことに取り掛かろうと決めた。 14 To add a little, er, flavor to the experience, the man stretched out the time by questioning Yoko -- the name she went by -- regarding her curriculum vitae. この体験に少し、えー、面白みを付け加えるため、男は、彼女の履歴書を考えながら、葉子(仮名)に質問をして時間伸ばしをした。 15 "What do you do at your company?" 「会社では何をしているの?」 16 "Did I say company?" she replies. "Sorry, I do office work, but it s for the Japan Self Defense Forces." 「私、会社って言ったかしら」と彼女は返答した。 「ごめんなさい、私は事務をしているけど、自衛隊の仕事なの」 17 "Really?! You re in the military?" 「本当に?!君は自衛隊にいるのかい?」 18 "Yes, and before that I was a policewoman, but there were some ... problems at work and I had to quit." 「ええ、そしてその前私は婦人警官だったの、だけど職場でちょっと…問題があって辞めなけらばならなかったの」 19 "I can t believe I m hearing this," the man thinks to himself. "Here s a woman who s about to give me a blowjob for 10,000 yen, and she used to be a cop..." 「こんな話信じられないぞ」と、男は心の中で思った。 「ここに1万円でフェラチオを僕にしようとしている女性がいて、彼女はかつて警官だったなんて…」 20 In, as then she informed him, the Seikatsu Anzen (public safety) section, where her assignment was -- are you sitting down, dear reader? -- busting girls caught engaging in "enjo kosai" (teen prostitution)! そのあと彼女が彼に教えたことによると、彼女が配属されたところの生活安全(公衆の安全)課は -- 親愛なる読者よ、おどろかないでくれ(*1) -- 「援助交際(十代の売春)」をしている少女たちを取り締まっていたのだ! 21 The main procedure for discouraging "enko," Yoko tells him, was for plainclothes cops to patrol the street outside the entrances of love hotels. Young females suspected of selling their bodies were intercepted as they were about to check in with their John, and whisked away to be questioned by a male-female team of juvie officers. Sometimes the girls male patrons were also placed under arrest. 葉子が彼に語るところによると、「援交」をやめさせる主な手順は、私服警官がラブホテルの出入り口に面した通りをパトロールすることからはじまる。 自分の体を売っていると疑われた若い女性たちは、客とともにチェックインしようとするところを捕まえられ、すぐに連れられて未成年担当官の男女チームに尋問される。 ときおり少女を買った男も逮捕される。 22 But that was then and this was now, and once he disrobed and got horizontal, Yoko performed a rousing rendition on his fleshy flute for 20 minutes, until he climaxed and spent himself into her oral cavity. しかしそれは昔のことで今は今だ、彼が服を脱いで横になるとすぐ、葉子は20分間彼の肉のフルートで扇情的な演奏をし、そして彼は絶頂をむかえ彼自身を彼女の口腔の中に入れてはてた。 23 "She was certainly right about not being very skilled," the man comments. "But I have to admit, the notion of getting sucked off by a former policewoman really turned me on." 「彼女は、あまり上手くないということについては、確かにそのとおりでした」と、この男はコメントする。 「しかし、元婦人警官が尺八をしてくれるという考えが私を本当に興奮させたことは、認めざるを得ません」 24 "Do you do this a lot?" he asked her as they took the elevator back to the street level. 「これは何回もやってるの?」と、地上1階にもどるエレベーターに乗りながら彼は彼女に尋ねた。 25 "Actually, this is my first time," she says. "Today was only the second time I d ever gone to that shop. The customer who took me out last time only bought me dinner." 「実は、これがはじめてなの」と彼女はいう。 「私が今まであの店にいったのは、今日でたった二回目なの。 前回私を連れ出した利用客は私に夕食をおごるだけだったわ」 26 "Tell you what. Let me buy you dinner too. I d really like to hear more about your police work." 「そうだなあ、僕にも夕食をおごらせてくれないかな。 僕は本当に君の警察の仕事についてもっと聞きたいんだ」 27 "Sorry, but no. I ve put all that behind me. I should never really have told you I was a cop in the first place." 「ごめんなさい、でもだめよ。私はそのことは全部忘れるようにしてるの。 そもそも私が警官だったことをあなたに決して話さなければよかったわ」 28 And with that, she bade him adieu and walked away. Yes, concludes Uramono Japan, we re living in times when we even want to forget those things that should be unforgettable. (By Masuo Kamiyama, contributing writer) そう言って、彼女は彼に別れの挨拶をして歩みさった。 裏モノJAPANは結論付ける、そうだ、我々は忘れられないであろうことさえ忘れたく思う時代に生きているのだ。(寄稿記者カミヤママスオ記) 拡散状況 The Black Ship http //www.theblackship.com/forum/japan-tabloid-news/874-curious-oral-encounter-contrite-ex-cop.html Blogger:その他 部分転載:http //sephysama.blogspot.com/2007/06/curious-oral-encounter-with-contrite-ex.html 関連ページ Blogger:その他 The Black Ship 元記事一覧 毎日新聞英語版から配信された記事2007年(1月 - 6月)
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!important; left 0px; line-height 1.2 !important; margin 0 !important; padding 0px 1px 1px 0px !important; position absolute; text-align left !important; text-decoration none !important; top 0px; visibility hidden; z-index 31; } div.headmenu a.headmenuItem { color #000000 !important; color #000000 !important; cursor default !important; display block; font-family "MS Sans Serif", Arial, sans-serif !important; font-size 13px !important; font-style normal !important; font-weight normal !important; line-height 1.2 !important; margin 0 !important; padding 3px 1em !important; text-decoration none !important; white-space nowrap !important; } div.headmenu a.headmenuItem img{ display inline !important; vertical-align middle !important; border 0 !important; padding 0 !important; margin 0 .5em 0 0 !important; } div.headmenu a.headmenuItem span.headmenuItemArrow{ margin-right -.75em !important; } div.headmenu a.headmenuItem span.headmenuItemText { margin-right -.75em !important; margin-left 0 !important; padding-left 0 !important; } div.headmenu a.headmenuItem hover, div.headmenu a.headmenuItemHighlight { background-color #2c8bec !important; color #ffffff !important; } div.headmenu div.headmenuItemSep { border-bottom 1px solid #f0f0f0 !important; border-top 1px solid #909090 !important; margin 4px 2px !important; padding 0 !important; } div.headBar ul { line-height 26px !important; list-style-image none !important; list-style-position outside !important; list-style-type none !important; margin 0 !important; padding 0pt !important; position absolute !important; right 0pt !important; top 0px !important; } * html div.headBar ul li a.haeder_ul { top 6px !important; } div.headBar ul li { background-image none !important; background-position 0 !important; background-repeat no-repeat !important; float left !important; line-height 26px !important; list-style-image none !important; list-style-type none !important; margin 0pt !important; padding 0pt !important; position relative !important; } div.headBar ul li a.haeder_ul { border 1px solid #e8e8e8 !important; color #000000 !important; color #000000 !important; cursor default !important; font-size 13px !important; font-style normal !important; font-weight normal !important; left 0px; margin 1px !important; padding 2px 6px 2px 6px !important; position relative !important; top 0px; z-index 30; } div.headBar ul li a.haeder_ul active { background-color #2c8bec !important; color #ffffff !important; } div.headBar ul li a.mooter_link { margin-right .2em !important; } div.headBar ul li a.mooter_link img{ vertical-align middle !important; } div.headBar ul li form { display inline !important; line-height 25px !important; margin 0pt !important; padding 0pt !important; } div.headBar ul li input { display inline !important; font-size 13px !important; margin 0 !important; padding 0 !important; margin-right .2em !important; } div.headBar ul li input.submit { background ButtonFace !important; border 2px outset ButtonFace !important; color ButtonTex !importantt; cursor default !important; font-weight normal !important; line-height normal !important; padding 0px 3px !important; text-align center !important; white-space pre !important; } div#headBarWrapper{ display block !important; margin 0 !important; padding 0 !important; } -- /style link rel="alternate" type="application/x-wiki" title="トップページ を編集する" href="http //www39.atwiki.jp/gokuu/editx/1.html" / style type="text/css" media="screen" !-- #ads{visibility visible !important; display block !important;}#ad{visibility visible !important; display block !important;} -- /style link rel="alternate" href="http //www39.atwiki.jp/gokuu/rss10_new.xml" type="application/rss+xml" title="新規作成ページRSS" / /head body id="atwiki-jp" a id="atwiki-jp-top" name="atwiki-jp-top" style="display inline;line-height 0;border none;margin 0;padding 0;" /a !-- google_ad_section_start(weight=ignore) -- !-- Head Bar -- script src="/_js/headBar.js" type="text/javascript" !-- -- /script div class="box" id="headBarWrapper" div class="headBar" style="height 16px !important;-moz-box-sizing content-box ! important;" a class="headmenuButton" href="javascript void(0);" onclick="return headmenuButtonClick(event, hb_fileMenu );" onmouseover="headmenuButtonMouseover(event, hb_fileMenu );" @wikiメニュー /a a class="headmenuButton" href="javascript void(0);" onclick="return headmenuButtonClick(event, hb_editMenu );" onmouseover="headmenuButtonMouseover(event, hb_editMenu );" 編集 /a a class="headmenuButton" href="javascript void(0);" onclick="return headmenuButtonClick(event, hb_viewMenu );" onmouseover="headmenuButtonMouseover(event, hb_viewMenu );" 表示 /a a class="headmenuButton" href="javascript void(0);" onclick="return headmenuButtonClick(event, hb_toolsMenu );" onmouseover="headmenuButtonMouseover(event, hb_toolsMenu );" ツール /a a class="headmenuButton" href="javascript void(0);" onclick="return headmenuButtonClick(event, hb_helpMenu );" onmouseover="headmenuButtonMouseover(event, hb_helpMenu );" ヘルプ /a a class="headmenuButton" href="javascript void(0);" onclick="return headmenuButtonClick(event, hb_socialMenu );" onmouseover="headmenuButtonMouseover(event, hb_socialMenu );" ブックマーク登録 /a a class="headmenuButton" href="javascript void(0);" onclick="return headmenuButtonClick(event, hb_rssMenu );" onmouseover="headmenuButtonMouseover(event, hb_rssMenu );" RSS登録 /a div style="position absolute;top 6px;right 2px;" a href="http //www39.atwiki.jp/gokuu/mypage" title="設定" class="headmenuButton" 設定 /a a href="http //www39.atwiki.jp/gokuu/logout/1.html" title="ログアウト (gokuu)" class="headmenuButton" ログアウト (gokuu) /a /div /div /div !-- -- !-- -- div id="hb_fileMenu" class="headmenu" onmouseover="headmenuMouseover(event)" a class="headmenuItem" href="http //www39.atwiki.jp/gokuu/new/%E3%83%88%E3%83%83%E3%83%97%E3%83%9A%E3%83%BC%E3%82%B8" 新規ページ作成 /a div class="headmenuItemSep" /div a class="headmenuItem" href="http //www39.atwiki.jp/gokuu/copy/" すでにあるページをコピーして新規ページを作成 /a a class="headmenuItem" href="http //www39.atwiki.jp/gokuu/bbsquote/" スレッドフロート型掲示板から引用して新規ページ作成(α版) /a a class="headmenuItem" href="http //www39.atwiki.jp/gokuu/rssquote/" ブログの内容から引用して新規ページ作成(α版) /a a class="headmenuItem" href="http //www39.atwiki.jp/gokuu/upmake/" ファイルをアップロードして新規ページ作成(α版) /a a class="headmenuItem" href="http //www39.atwiki.jp/gokuu/webquote/" 他のホームページから引用して新規ページ作成(α版) /a div class="headmenuItemSep" /div a class="headmenuItem" href="http //atpages.jp/" [PR] 無料ホームページ @PAGES /a a class="headmenuItem" href="http //atpne.jp/" [PR] 無料SNSレンタル @PNE /a a class="headmenuItem" href="http //atbb.jp/" [PR] 無料フォーラム型掲示板レンタル @BB /a a class="headmenuItem" href="http //atbbs.jp/" [PR] 選べる無料掲示板 @BBS /a a class="headmenuItem" href="http //atchs.jp/" [PR] 2ch型無料レンタル掲示板 @chs /a div class="headmenuItemSep" /div a class="headmenuItem" href="http //atwiki.jp/l/" @wikiで新規wikiを作成 /a /div !-- -- div id="hb_editMenu" class="headmenu" onmouseover="headmenuMouseover(event)" a class="headmenuItem" href="http //www39.atwiki.jp/gokuu/editx/1.html" このページを編集 /a a class="headmenuItem" href="http //www39.atwiki.jp/gokuu/editxx/1.html" このページを編集(メニュー非表示編集;α) /a a class="headmenuItem" href="http //www39.atwiki.jp/gokuu/copy2/1.html" このページをコピーして新規ページを作成 /a a class="headmenuItem" href="http //www39.atwiki.jp/gokuu/renamex/1.html" このページのページ名を変更 /a a class="headmenuItem" href="http //www39.atwiki.jp/gokuu/chkind/1.html" このページの編集モードを変更 /a a class="headmenuItem" href="http //www39.atwiki.jp/gokuu/chmod/1.html" このページの閲覧/編集権限の変更 /a div class="headmenuItemSep" /div a class="headmenuItem" href="http //www39.atwiki.jp/gokuu/upload/1.html" このページにファイルをアップロード /a div class="headmenuItemSep" /div a class="headmenuItem" href="http //atwiki.jp/ftp/" target="_blank" このウィキにファイルをアップロード(FTP機能/管理者のみ利用可) /a div class="headmenuItemSep" /div a class="headmenuItem" href="/gokuu/edit/%E3%83%A1%E3%83%8B%E3%83%A5%E3%83%BC flag=onlymain" メニューを編集(メニュー部分は非表示で編集) /a /div !-- -- div id="hb_viewMenu" class="headmenu" onmouseover="headmenuMouseover(event)" a class="headmenuItem" href="http //www39.atwiki.jp/gokuu/diffx/1.html" このページの最新版変更点 /a a class="headmenuItem" href="http //www39.atwiki.jp/gokuu/backupx/1/list.html" このページの編集履歴(バックアップ) /a a class="headmenuItem" href="http //www39.atwiki.jp/gokuu/ref/1.html" このページへのリンク元 /a a class="headmenuItem" href="http //www39.atwiki.jp/gokuu/trackback/1.html" このページへのトラックバック /a div class="headmenuItemSep" /div a class="headmenuItem" href="http //www39.atwiki.jp/gokuu/pages/1.pdf" このページをPDFで表示(α版) /a div class="headmenuItemSep" /div a class="headmenuItem" href="http //www39.atwiki.jp/gokuu/list" このwikiのページ一覧 /a a class="headmenuItem" href="http //www39.atwiki.jp/gokuu/?cmd=backup amp;action=list" 編集履歴(バックアップ)のあるページ一覧 /a a class="headmenuItem" href="http //www39.atwiki.jp/gokuu/tag" このwikiのタグ一覧 /a a class="headmenuItem" href="/gokuu/rss10.xml" img src="http //img.atwiki.jp/_skin/h/feed.png" alt="このwikiの更新情報RSS" / このwikiの更新情報RSS /a a class="headmenuItem" href="/gokuu/rss10_new.xml" img src="http //img.atwiki.jp/_skin/h/feed.png" alt="このwikiの新着ページRSS" / このwikiの新着ページRSS /a /div !-- -- div id="hb_toolsMenu" class="headmenu" onmouseover="headmenuMouseover(event)" a class="headmenuItem" href="/gokuu/search" このwiki内を検索 /a a class="headmenuItem" href="#" onclick="return false;" onmouseover="headmenuItemMouseover(event, hb_toolsMenu2 );" span class="headmenuItemText" @wikiパーツ /span span class="headmenuItemArrow" #x25B6; nbsp; /span /a a class="headmenuItem" href="#" onclick="return false;" onmouseover="headmenuItemMouseover(event, hb_toolsMenu3 );" span class="headmenuItemText" @wiki便利ツール /span span class="headmenuItemArrow" #x25B6; nbsp; /span /a a class="headmenuItem" href="/gokuu/contact" このwikiの管理者に連絡 /a /div !-- -- div id="hb_helpMenu" class="headmenu" onmouseover="headmenuMouseover(event)" a class="headmenuItem" href="http //sns.atfb.jp/view_community2.php?no=112" @wiki助け合いコミュニティ /a div class="headmenuItemSep" /div a class="headmenuItem" href="http //atwiki.jp/l/" wiki(ウィキ)って何? /a div class="headmenuItemSep" /div a class="headmenuItem" href="http //www33.atwiki.jp/atwikibeginner" 初心者ガイド /a div class="headmenuItemSep" /div a class="headmenuItem" href="http //www1.atwiki.jp/guide/" ご利用ガイド /a a class="headmenuItem" href="http //www1.atwiki.jp/guide/pages/21.html" 良くある質問 /a a class="headmenuItem" href="http //www1.atwiki.jp/guide/pages/32.html" プラグイン一覧 /a a class="headmenuItem" href="http //www1.atwiki.jp/guide/pages/20.html" 編集モードの違いについて /a a class="headmenuItem" href="http //www1.atwiki.jp/guide/pages/18.html" 不具合や障害を見つけたら /a a class="headmenuItem" href="http //www1.atwiki.jp/guide/pages/36.html" 管理・設定マニュアル /a /div !-- -- div id="hb_socialMenu" class="headmenu" onmouseover="headmenuMouseover(event)" a class="headmenuItem" href="#" onclick="onw( http //b.hatena.ne.jp/append?http //www39.atwiki.jp/gokuu/pages/1.html );" はてなブックマークする /a a class="headmenuItem" href="#" onclick="onw( http //bookmark.fc2.com/user/post?url=http //www39.atwiki.jp/gokuu/pages/1.html amp;title=tesssttttttttttttttttt%20-%20%E3%83%88%E3%83%83%E3%83%97%E3%83%9A%E3%83%BC%E3%82%B8 );" FC2ブックマークに追加 /a a class="headmenuItem" href="#" onclick="onw( http //clip.livedoor.com/clip/add?link=http //www39.atwiki.jp/gokuu/pages/1.html amp;title=tesssttttttttttttttttt%20-%20%E3%83%88%E3%83%83%E3%83%97%E3%83%9A%E3%83%BC%E3%82%B8 );" Livedoor クリップに追加 /a a class="headmenuItem" href="#" onclick="onw( http //bookmarks.yahoo.co.jp/bookmarklet/showpopup?t=tesssttttttttttttttttt%20-%20%E3%83%88%E3%83%83%E3%83%97%E3%83%9A%E3%83%BC%E3%82%B8 amp;u=http //www39.atwiki.jp/gokuu/pages/1.html amp;opener=bm amp;ei=UTF-8 );" Yahoo!ブックマークに登録 /a a class="headmenuItem" href="#" onclick="onw( http //del.icio.us/post?url=http //www39.atwiki.jp/gokuu/pages/1.html amp;title=tesssttttttttttttttttt%20-%20%E3%83%88%E3%83%83%E3%83%97%E3%83%9A%E3%83%BC%E3%82%B8 );" del.icio.usに追加 /a /div !-- -- div id="hb_rssMenu" class="headmenu" onmouseover="headmenuMouseover(event)" a class="headmenuItem" href="#" onclick="onw( http //r.hatena.ne.jp/append/http //www39.atwiki.jp/gokuu/rss10.xml );" はてなRSSに追加 /a a class="headmenuItem" href="#" onclick="onw( http //reader.livedoor.com/subscribe/http //www39.atwiki.jp/gokuu/rss10.xml );" livedoor ReaderにRSSフィードを登録 /a a class="headmenuItem" href="#" onclick="onw( http //e.my.yahoo.co.jp/config/jp_promo_content?.module=jp_rss amp;.url=http //www39.atwiki.jp/gokuu/rss10.xml );" Yahoo!にRSSフィードを登録 /a a class="headmenuItem" href="#" onclick="onw( http //www.bloglines.com/sub/http //www39.atwiki.jp/gokuu/rss10.xml );" BloglinesにRSSフィードを登録 /a a class="headmenuItem" href="#" onclick="onw( http //www.newsgator.com/ngs/subscriber/subext.aspx?url=http //www39.atwiki.jp/gokuu/rss10.xml );" NewsGator OnlineにRSSフィードを登録 /a a class="headmenuItem" href="#" onclick="onw( http //fusion.google.com/add?feedurl=http //www39.atwiki.jp/gokuu/rss10.xml );" GoogleパーソナライズドホームページにRSSを追加 /a /div !-- -- !-- -- !-- Submenus. -- div id="hb_toolsMenu2" class="headmenu" a class="headmenuItem" href="/gokuu/jsparts" @wikiパーツ:あなたのサイトにWikiデータを簡単表示! /a div class="headmenuItemSep" /div a class="headmenuItem" href="/gokuu/jsparts/recent" 最近更新したページの一覧を表示する /a a class="headmenuItem" href="/gokuu/jsparts/newcreate" 最近作成したページの一覧を表示する /a a class="headmenuItem" href="/gokuu/jsparts/search" このwiki内を検索するフォームを表示する /a a class="headmenuItem" href="/gokuu/jsparts/tagcloud" このwikiのタグクラウドを表示する /a a class="headmenuItem" href="/gokuu/jsparts/autolink" 自動リンク辞書を利用する /a /div !-- -- div id="hb_toolsMenu3" class="headmenu" a class="headmenuItem" href="http //atwiki.jp/tools/" target="_blank" @wiki便利ツール:トップページ /a div class="headmenuItemSep" /div a class="headmenuItem" href="http //atwiki.jp/tools/rssmaker.html" target="_blank" RSSかんたん作成 /a a class="headmenuItem" href="http //atwiki.jp/tools/rssnavimaker.html" target="_blank" 興味キーワードをチェック!!(RSSナビ) /a a class="headmenuItem" href="http //atwiki.jp/tools/blogrssmaker.html" target="_blank" いろんなblogのRSSかんたん作成ページ /a a class="headmenuItem" href="http //atwiki.jp/tools/a.php" target="_blank" アマゾン商品検索(簡単アフィリエイト) /a a class="headmenuItem" href="http //atwiki.jp/tools/quote.html" target="_blank" wikiに株式情報(日本)を表示 /a a class="headmenuItem" href="http //atwiki.jp/tools/quote2.html" target="_blank" wikiに株式情報(中国)を表示 /a a class="headmenuItem" href="http //atwiki.jp/tools/html.html" target="_blank" かんたんHTML直接入力 /a a class="headmenuItem" href="http //atwiki.jp/tools/qa.html" target="_blank" Q amp;Aサイトかんたん連携作成 /a a class="headmenuItem" href="http //atwiki.jp/tools/kawase.html" target="_blank" wikiに為替情報を表示 /a a class="headmenuItem" href="http //atwiki.jp/tools/hatena.html" target="_blank" はてなアンテナと簡単連携 /a /div !-- -- !-- -- !-- /Head Bar -- !-- google_ad_section_end -- div id="atwiki-jp-bg2" div id="container" div id="banner" div id="bannerLeft" div id="atwiki-jp-bg1" /div /div div id="bannerRight" h1 class="sitename" a href="/gokuu/" title="tesssttttttttttttttttt" tesssttttttttttttttttt /a /h1 h2 class="title" a href="http //www39.atwiki.jp/gokuu/pages/1.html" title="トップページ (1m)" トップページ /a /h2 /div /div div id="content" div id="leftColumn" div id="leftColumnTop" div id="menu" !--@@@@@-- div |- a href="http //www39.atwiki.jp/gokuu/pages/1.html" title="トップページ (5m)" トップページ /a br / |- a href="http //www39.atwiki.jp/gokuu/pages/8.html" title="プラグイン (15h)" プラグイン紹介 /a br / |- a href="http //www39.atwiki.jp/gokuu/pages/11.html" title="css (1m)" css /a br / |- a href="http //www39.atwiki.jp/gokuu/?page=html" html /a br / |- a href="http //www39.atwiki.jp/gokuu/?page=a" a /a br / |- a href="http //www39.atwiki.jp/gokuu/?page=b" b /a br / |- a href="http //www39.atwiki.jp/gokuu/?page=c" c /a br / |- a href="http //www39.atwiki.jp/gokuu/pages/2.html" title="メニュー (0s)" メニュー /a br / |- a href="http //www39.atwiki.jp/gokuu/?page=%E3%83%A1%E3%83%8B%E3%83%A5%E3%83%BC2" メニュー2 /a br / /div hr / /div /div div id="leftColumnBottom" /div /div !-- BEGIN CONTENT AREA -- div id="rightColumn" !--- h3 class="title" a href="http //www39.atwiki.jp/gokuu/pages/1.html" title="トップページ (1m)" トップページ /a /h3 -- div class="text" div id="body" !--@@@@@-- div togasidead br / /div /div div class="ads" br / [ スポンサード リンク ] br style="display inline; " / script type="text/javascript" !-- ad_client = 72376; ad_start_count = 1; ad_end_count = 4; ad_total = 4; ad_format = "v336x66"; ad_width = 336; ad_height = 264; color_border = "FFFFFF"; color_bg = "FFFFFF"; color_link = "3D81EE"; color_url = "3D81EE"; color_text = "7F7F7F"; //-- /script script type="text/javascript" src="http //ad.pitattomatch.com/js/advertise.js" /script /div div id="body_footer" /div div id="menuarea" hr / a href="http //www39.atwiki.jp/gokuu/editx/1.html" title="このページを編集する" このページを編集する /a nbsp; nbsp; a href="http //www39.atwiki.jp/gokuu/trackback/1.html" title="トラックバック" トラックバック(0) /a nbsp; nbsp; a href="http //www39.atwiki.jp/gokuu/ref/1.html" title="リンク元" リンク元(0) /a /div div id="editmenu" !-- 編集用メニュー -- !-- google_ad_section_start(weight=ignore) -- | a href="http //www39.atwiki.jp/gokuu/new/%E3%83%88%E3%83%83%E3%83%97%E3%83%9A%E3%83%BC%E3%82%B8" title="新しいページ" 新しいページ /a | a href="http //www39.atwiki.jp/gokuu/search" title="検索" 検索 /a | a href="http //www39.atwiki.jp/gokuu/list" title="ページ一覧" ページ一覧 /a | a href="http //www39.atwiki.jp/gokuu/rss" title="RSS" RSS /a | a href="http //atwiki.jp/guide/" title="@ウィキご利用ガイド" @ウィキご利用ガイド /a | a href="http //www39.atwiki.jp/gokuu/contact" title="管理者にお問合せ" 管理者にお問合せ /a !-- google_ad_section_end -- br / !-- google_ad_section_start(weight=ignore) -- | a href="http //www39.atwiki.jp/gokuu/mypage" title="設定" 設定 /a |ログイン済み ( gokuu ) | a href="http //www39.atwiki.jp/gokuu/logout/1.html" title="ログアウト" ログアウト /a | !-- google_ad_section_end -- !-- 編集メニューリストフォーム -- !-- google_ad_section_start(weight=ignore) -- select onchange="location.href=this.options[this.selectedIndex].value" option 以下から選択してください /option option value="" ------------------------- /option option value="http //www39.atwiki.jp/gokuu/editx/1.html" このページを編集 /option option value="http //www39.atwiki.jp/gokuu/renamex/1.html" ページ名変更 /option option value="http //www39.atwiki.jp/gokuu/diffx/1.html" 差分 /option option value="http //www39.atwiki.jp/gokuu/backupx/1/list.html" 編集履歴 /option option value="http //www39.atwiki.jp/gokuu/upload/1.html" アップロード /option option value="" ------------------------- /option option value="http //www39.atwiki.jp/gokuu/new/%E3%83%88%E3%83%83%E3%83%97%E3%83%9A%E3%83%BC%E3%82%B8" 新しいページ /option option value="http //www39.atwiki.jp/gokuu/list" ページ一覧 /option option value="http //www39.atwiki.jp/gokuu/jsparts" @wikiパーツ /option option value="http //www39.atwiki.jp/gokuu/search" 検索 /option option value="" ------------------------- /option option value="http //www39.atwiki.jp/gokuu/mypage" 設定 /option /select !-- google_ad_section_end -- /div div class="attach" /div div class="footnote" /div /div /div !--end of rightColumn-- !-- END CONTENT AREA -- div id="clear" /div /div !-- 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LIVEと行事一覧DB データベース (DataBase for Vocaloid Live Concerts and Events) メニューMENU +←クリック目次 [←Click here for CONTENTS] ↓↓↓現在のページ名(Current Page Name)↓ 自動作成目次(contents) 行事紹介(Vocaloid Live Concert and Event Information) 【LIVE/海外/Vocaloid Concerts of Vocalekt Visions】 Under writing from following links Vocalekt Visionsダイジェスト映像・動画配信・写真等(Summary Video, Live Streaming Photo) チケット情報・グッズ情報・BD/CD・その他 (Ticket Goods Information, etc.) 技術情報・出演ボーカロイド・スクリーン・MMD・3Dモデル・プロジェクター・ソフト・舞台等 (Technology・Vocaloid Name・Screen・MikuMikuDance・3D Model・Projector・Software) 出演者・製作者・関連ブログ等 (Musician, Staff and Related Blog) セットリスト(演奏曲目)・その他 (Set List, name of music) Summary in English and other language(英語等での紹介) 行事を行う団体や個人等 (Organizer and Group) スポンサー・協賛等 (Sponsor and Support) 関連行事 (Related Event Info.) 紹介記事・参考サイト・謝辞・文献等 (News, References, Acknowledgement and Credit) Blog (このサイト内での関連内部リンク・補助リンク・Internal Link) Memo・メモ帳 EDIT Page 行事紹介(Vocaloid Live Concert and Event Information) ↓このページ名(Current Page Name)↓ 【LIVE/海外/Vocaloid Concerts of Vocalekt Visions】 LIVE/海外/Vocaloid Concerts of Vocalekt Visions Under writing from following links 2手作りライブ等の為の技術情報 Technology for the Vocaloid Handmade Live Concert (ページ作成中 CONSTRUCTION) [AOD] [Hatsune Miku Animation Concert] Vocalekt Visions @ Anime on Display 2012 WVD01 AniMiku http //www.youtube.com/watch?v=uIpT1kRSmPo Vocaloid MMD Live starts after 20min. Vocalekt Visions after 34min, Staff introduction around 48min Vocalekt Visions Vocalekt Visions is the most active western VOCALOID producer team in USA. http //www.vocalektvisions.com/ Vocalekt Visions’ News http //web.me.com/tempo_p/Vocalekt_Visions/News/News.html Message http //web.me.com/tempo_p/Vocalekt_Visions/Message.html 主催のVocalekt Visionsから協力スタッフ等を募集 http //web.me.com/tempo_p/Vocalekt_Visions/Message.html Parallel World [Hatsune Miku] [Kagamine Rin] [Gumi] [SF-A2 Miki] [Original Vocaloid Song] http //www.youtube.com/watch?feature=player_embedded v=yXcdMWAHM7Y 藤本健の“DTMステーション” DTM Station ( by Ken Fujimoto) ボカロ曲をアメリカとルーマニアで合作するVOCALECT VISIONS http //www.dtmstation.com/archives/51859052.html English Article Vocalekt Visions http //www.mikustar.com/Vocalekt_Visions.html Vocalekt Visions at Anime LA 2012 (sound fixed) http //www.youtube.com/watch?v=hklEpmiRIN8 http //www.youtube.com/watch?v=tlpfusmbAvo (Original Recording ?) Songs presented 1) "Bring back your smile" - Gumi and Gakupo (motion under development) 2) "Overseas Travel" - Gumi 3) "Lemon Ice Bar" - Miku 4) "Headline Love" - Sweet Ann and Big Al (Koda-P) Vocalekt Visions presents Hatsune Miku and other Vocaloids at Anime LA on 2012-01-08. Vocalekt Visions is the largest western Vocaloid music-producing company and is quickly rising in popularity among western Vocaloid fans. With numerous connections to other Vocaloid professionals, Vocalekt Visions plans to expand its presence by producing fan-made Vocaloid concerts outside of Japan. Hear from host Holo the Wise, special guest Koda-P - the famous Engloid producer, and Tempo-P of Vocalekt Visions. Please visit their website for more original Vocaloid songs, and be sure to like and subscribe Vocalekt Visions! Credits 39diyMMDConcert (Shinji) film team Vocalekt Visions - neutrinoP and Tempo-P - http //www.vocalektvisions.com Host - Holo the Wise (James) Special Guest - Koda-P Animation AniMiku (Re VB) http //animiku.net MMD Animations by 1FNPony Dregorin Keeprefrigeratedful Raiku-P Choreographies by Myokuju Holo the Wise Yukie Dong Original video http //www.youtube.com/watch?v=tlpfusmbAvo ENJOY ^^ Materials to make Screen? 13 10secのところで、やや茶色い布が少し見える 映りこみなし。シーツ,。背面投影 neutrinoP s Vocaloid channel http //www.youtube.com/user/neutrino006 Vocalekt Visions official channel - Tempo-P and neutrinoP http //www.youtube.com/user/TempRecord/featured http //www.youtube.com/user/TempRecord/playlists Vocalekt Visions songs http //www.youtube.com/playlist?list=PL0B7F4958AAC860DA [AOD] [Hatsune Miku Animation Concert] Vocalekt Visions @ Anime on Display 2012 WVD01 AniMiku http //www.youtube.com/watch?v=uIpT1kRSmPo Vocaloid MMD Live starts after 20min. Vocalekt Visions 34min [Wow what a spectacular event! There were so many people cheering us on! There was probably close to 500 people in the audience! Anyways, our original video was uploaded here http //www.youtube.com/user/39diyMMDConcert#g/c/E940C14F6411A357 . but it was split up due to Shinji s youtube cap. Here, you can enjoy the full length show! The credits are at the end. We featured World Vocaloid Dance 01 and AniMiku this time! Vocalekt Visions is a western Vocaloid production unit that has their own Vocaloid dance group and Hatsune Miku Animation concert. We re probably a unique combination that exists nowhere else in the world! We ve partnered with http //mikubook.com and have character licensing from Crypton Future Media, Internet.co, PowerFX, and AHS-soft. Any character image that we represent belongs to these companies, but the whole production is the doing of Vocalekt Visions staff and it s partners. Most of the music was produced by Vocalekt Visions. EP Album link http //www.cdbaby.com/cd/tempopandneutrinop Vocalekt Visions http //www.facebook.com/VocalektVisions www.vocalektvisions.com Full Album Vocaloid Vacation (feat. Tempo-P Neutrinop) Vocalekt Visions on Itunes Vocaloid Vacation (feat. Tempo-P Neutrinop) Vocalekt Visions on Itunes Please enjoy the whole concert footage and share this with the world! Thanks! Tempo-P Vocalekt Visions] AniMiku Live Hatsune Miku Concert at Tora-Con 2012 Official Video http //www.youtube.com/watch?v=9F2c4YrvzQs https //www.youtube.com/watch?v=rt5jTynhgsA UtataP – Project Diva desu. DX (Nico) Vocalekt Visions – Overseas Travels (YouTube) Vocalekt Visions – Tornado (YouTube) Vocalekt Visions – Lemon Ice Bar (YouTube) LamazeP – PoPiPo (Nico) Koda-P – Headline Love (YouTube) LamazeP – WAVEFILE (Nico) (encore) Vocalekt Visions – Summer Festival (YouTube) Anime Destiny 2011 [Hatsune Miku][Vocaloid DJ][DEMO][Live concert][aniMiku][cosplay][Gumi][Gackpoid] http //www.youtube.com/watch?v=G0WZ-gbsEbM J-Pop Summit Festival 2011 Vocaloid Conference Zaneeds, Danceroids, Vocalekt Visions http //www.youtube.com/watch?v=HZlB0uxSQQw LA手作りライブの、左側の出演者のTempo-PさんとneutrinoPたちは 自分たちで作曲して投影ライブやってたらしい 【レモンアイスバー】ミクオリジナル曲 【初音ミク】 Tempo-P (Vocalekt Visions) http //www.nicovideo.jp/watch/sm14987729 (詳細リンク集有) http //www.youtube.com/watch?v=sLQWs7zFL8Y Lemon Ice Bar at PMX 2011 http //www.youtube.com/watch?v=sDWa-aU0XKc Tempo-P USA s vocaloid user in LA 30min http //www.youtube.com/user/TempRecord Amazon Tuned in the West Tempo-P NeutrinoP Anime Los Angeles Band Schedule 2012 http //www.animelosangeles.org/wp/2011/concerts-2/ Anime Los Angeles (紹介 日本語訳) http //www.bunkaextend.com/ala12_01.html ダイジェスト映像・動画配信・写真等(Summary Video, Live Streaming Photo) Vocalekt Visions at Anime LA 2012 (sound fixed) 動画配信 【初音ミク】 http //www.youtube.com/watch?v=hklEpmiRIN8 出た!「PMX 2012」で開催の「Vocalekt Visions」による初音ミクライブ映像 http //vocaloid.blog120.fc2.com/blog-entry-13681.html Hatsune Miku in Concert at PMX 2012 J-POP SUMMIT FESTIVAL. 2012 http //www.j-pop.com/2012/vocalekt-visions/ A special one night only vocaloid holographic concert featuring Hatsune Miku and other Vocaloid stars! チケット情報・グッズ情報・BD/CD・その他 (Ticket Goods Information, etc.) チケット情報一覧 DVD/BD及びグッズ情報 Official goods Full Album Vocaloid Vacation (feat. Tempo-P Neutrinop) Vocalekt Visions on Itunes Vocaloid Vacation (feat. Tempo-P Neutrinop) Vocalekt Visions on Itunes Please enjoy the whole concert footage and share this with the world! Amazon Tuned in the West Tempo-P NeutrinoP EP Album link http //www.cdbaby.com/cd/tempopandneutrinop 技術情報・出演ボーカロイド・スクリーン・MMD・3Dモデル・プロジェクター・ソフト・舞台等 (Technology・Vocaloid Name・Screen・MikuMikuDance・3D Model・Projector・Software) ライブ技術一覧 技術内容が不明の部分は、空けておいて下さい。 (IF YOU DO NOT UNDERSTAND, LEAVE THE TECHNOLOGY SECTION OPEN.) See also AniMIku for the technical data of [[AOD] [Hatsune Miku Animation Concert] Vocalekt Visions @ Anime on Display 2012 WVD01 AniMiku ] Screen 投影スクリーンの種類 (Screen Type): スクリーンの素材(Materials for making screen): 投影スクリーン等への映り込み状態(Reflection): 鮮明度 Clearness, resolution of screen: 舞台の高さ(stage height): スクリーンの高さ(Screen height): スクリーンの湾曲の程度=(映りこんだ物の歪み方の程度): スクリーンの大きさ又は横の長さ (Screen Size): スクリーンの継ぎ目の数(Junction within the screen)=(つないで使用された投影ボード等の枚数-1、?) :0 number of materials used for making main screen:1 使用された投影ボード等の枚数(Number of board used): 音響設備及び音響状態 (Sound): プロジェクタの種類・台数 (Projector): 使用ソフト (Software): Projection software 3D model: Producer of 3D Model:モデル製作: スクリーン及び映像の解像度(Resolution of Screen and video): 投影時の色補正(Color Adjustment to view on screen): MMDのモデルの種類(Model Type of MikuMikuDance): Motion: Computer and OS: レンダリング ソフトRendering software レンダリング速度等 fps フレーム速度(frame speed) fps カメラ等 (Camera): 技術説明動画・写真等 (Tech Video Photo): 会場設備のホームページ (Homepage of the Event Hall): 会場設備 その他 (others): 衣装モジュール及びデザイン: (Clothing design of the models) 同期システム (Synchronization system): 選曲 (music selection): 出演者・製作者・関連ブログ等 (Musician, Staff and Related Blog) 演奏者と関連ブログ Vocalekt Visions official Facebook http //www.facebook.com/VocalektVisions セットリスト(演奏曲目)・その他 (Set List, name of music) Set List Fan-made VOCALOID Concert at Tora-con UtataP – Project Diva desu. DX (Nico) Vocalekt Visions – Overseas Travels (YouTube) Vocalekt Visions – Tornado (YouTube) Vocalekt Visions – Lemon Ice Bar (YouTube) LamazeP – PoPiPo (Nico) Koda-P – Headline Love (YouTube) LamazeP – WAVEFILE (Nico) (encore) Vocalekt Visions – Summer Festival (YouTube) Vocalekt Visions at Anime LA 2012 (sound fixed) http //www.youtube.com/watch?v=hklEpmiRIN8 Songs presented 1) "Bring back your smile" - Gumi and Gakupo (motion under development) 2) "Overseas Travel" - Gumi 3) "Lemon Ice Bar" - Miku 4) "Headline Love" - Sweet Ann and Big Al (Koda-P) Summary in English and other language(英語等での紹介) 行事を行う団体や個人等 (Organizer and Group) Tempo-P NeutrinoP (Wolf Neve)? スポンサー・協賛等 (Sponsor and Support) 関連行事 (Related Event Info.) Please find the separate page for Synthesized Reality Productions SRP in this Wiki. LIVE/海外/Vocaloid Concerts of Synthesized Reality Productions SRP Authorized FAN MADE SRP VOCALOID Concert at KamiCon 2014 http //www.youtube.com/watch?v=saCch6DjIOo Synthesized Reality Productions http //synthreality.com/ http //synthreality.com/about/ [After Tempo left Vocalekt Visions, Wolf Neve set out to find a new group wanting to focus on live VOCALOID shows. Now, with NeutrinoP, Alfred, EmpathP, Apparatus and RuchiiP, the team has one goal – to keep the bar set high and try to put on the best show possible. Our dream is to make live concerts for VOCALOID all over the world. With us and all of you, we can make this dream come true!] English GUMI official demo 【Megpoid English DEMO】 You Are The Reason FULL Ver. http //www.youtube.com/watch?v=jyE7uoE2_lQ 紹介記事・参考サイト・謝辞・文献等 (News, References, Acknowledgement and Credit) 情報一覧MEMO Blog 藤本健の“DTMステーション” DTM Station ( by Ken Fujimoto) ボカロ曲をアメリカとルーマニアで合作するVOCALECT VISIONS http //www.dtmstation.com/archives/51859052.html 出た!「PMX 2012」で開催の「Vocalekt Visions」による初音ミクライブ映像 http //vocaloid.blog120.fc2.com/blog-entry-13681.html Hatsune Miku in Concert at PMX 2012 「Pacific Media Expo」 https //www.facebook.com/PacificMediaExpo vocaloidism http //www.vocaloidism.com/tag/vocalekt-visions/ Vocalekt Visions Holds KickStarter for Improved Concerts http //www.vocaloidism.com/tag/vocalekt-visions/ New Album From Vocalekt Visions Now Available Digitally Vocalekt Visions Holding Concerts in California and Romania Fan-made VOCALOID Concert at Tora-con AniMiku and Vocalekt Visions to hold concert at AOD 2012 AOD 2012 VOCALOID Event Recording Uploaded (このサイト内での関連内部リンク・補助リンク・Internal Link) Memo・メモ帳 ライブ技術一覧/過去のライブの反省会等の一部 some オススメ osusume [GUMI] On my Way to Nowhere [VOCALOID3] ORIGINAL http //www.youtube.com/watch?v=S2C2dyOE4pk [Kokone] Vise de îndrăgostit [ROMANIAN] [VOCALOID] [ORIGINAL SONG] http //www.youtube.com/watch?v=PyKqxG49id4 English GUMI official demo 【Megpoid English DEMO】 You Are The Reason FULL Ver. http //www.youtube.com/watch?v=jyE7uoE2_lQ [GUMI ENGLISH] Happy New Year [COVER] https //soundcloud.com/shootingstar-p/gumi-english-happy-new-year [GUMI COMPLETE] Open your mind [REAPER_REMASTER] https //soundcloud.com/shootingstar-p/gumi-complete-open-your-mind コメント・Comment 名前 コメント EDIT Page If do not know about editing web page of this Wiki, DO NOT EDIT. 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August 6, 2008 Wednesday 1ST Edition Living wills law puts too much pressure on families BYLINE Steve Doughty SECTION Pg. 25 <以下家族の負担減のAff> LABOUR S controversial living wills law was severely criticised yesterday by the Whitehall watchdog appointed to help make it work. Richard Brooks, who was head of the Office of the Public Guardian, also said the law - which was condemned as a means of legalising euthanasia by its opponents - is to be reviewed by ministers. Mr Brooks said the Mental Capacity Act should be reformed and rewritten because of the delays, disputes and high costs it has piled on families as they try to cope with the affairs of incapacitated and elderly relatives. The Act - which came into force last autumn - gives legal force to living wills, documents in which someone can set down how they should be treated if they become too ill to speak for themselves. It also allowed them to appoint an attorney - someone with power to decide for them who could tell doctors to withdraw hospital food and water tubes. But trouble in putting into effect the Lasting Powers of Attorney that convey such lifeand-death powers has hit tens of thousands of families. In the past, families who need to take over the finances of, for example, an elderly relative with dementia who goes into a care home have been able to draw up an Enduring Power of Attorney which went instantly into effect. However the new Lasting Powers of Attorney include complex safeguards which require a 23- page form and registration by the Office of the Public Guardian. That has led to delays of up to six months before families can get control of finances. One family told the Daily Mail they spent £15,000 of their own money on care fees and other costs before gaining Lasting Powers of Attorney. Mr Brook, who stepped down last month, said in June it was taking an average of 13 weeks against the target of a maximum of nine weeks to register LPAs that had no errors or omissions . Even without such delays, the time scales written into the law are often not what the customer expects or wishes to see when trying to deal with urgent issues around vulnerable people . The law also insists wronglyfilled in forms must be rejected. An application costs £150, and where families have to apply a second time they must pay twice. <以下Neg> Opponents called the Mental Capacity Act a disaster. Anti-euthanasia campaigner Elspeth Chowdharay-Best said Labour was so determined to have a euthanasia law that it made it impossible for ordinary people to organise basic financial instruments. The need to prevent abuse has led to a law so bureaucratic that people cannot get at their granny s bank account to pay her care home bills. A spokesman for the Alzheimer s Society blamed the difficulties on teething problems . 09/03/11 SO HUMBLING; Family of death-pact couple speaks out over their care SECTION NEWS; Pg. 8 LENGTH 267 words THE family of a wealthy British couple who ended their lives together at a voluntary euthanasia clinic in Switzerland said they had both received "wonderful and humbling care". Peter and Penelope Duff, from Bath in Somerset, died at the Dignitas clinic in Zurich on February 27. Retired businessmen Mr Duff was suffering from colon and liver cancer and his 70-year-old wife had been suffering from another rare form of the disease, Gist (gastrointestinal stromal tumour) since 1992. A family statement released yesterday said "Their decision in no way reflected on the wonderful and humbling care they have received from their consultant, doctors and nurses, for which the family, and they, were so appreciative." The Duffs are the latest Britons to end their lives at Dignitas. Although there is no suggestion of them being helped by anyone else to end their lives, their deaths will reopen the debate on whether voluntary euthanasia and assisted suicide for the terminally ill should be allowed in Britain. There have been a series of legal bids in recent years to clarify the law relating to the issue. Multiple sclerosis sufferer Debby Purdy, who said she is ready to end her life if her condition becomes intolerable, lost a Court of Appeal bid last month to clarify the law. British anti-euthanasia campaign group Care Not Killing said the Duffs deaths did not make a case for legalising assisted suicide. A spokesman said "The fact remains that, if euthanasia was ever legalised in Britain, vulnerable and seriously ill people would come under pressure to end their lives prematurely." http //www.lexisnexis.com/us/lnacademic/results/docview/docview.do?docLinkInd=true risb=21_T6005191541 format=GNBFI sort=RELEVANCE startDocNo=1 resultsUrlKey=29_T6005191544 cisb=22_T6005191543 treeMax=true treeWidth=0 csi=265310 docNo=3 written by Matsubayashi Family’s burden SQ 1)経済的な負担 延命治療にお金がかかる。←evi 助からない可能性が極めて高い場合、そのお金を払うのは無駄である。 2)精神的な負担 家族が痛みや苦痛に苦しむ姿を側で見なければならない。 厚労省の意識調査では、延命治療について「やめた方がいい」という回答は一般の人74%、医師82%で、多くが苦痛緩和や自然な死を迎えることができる医療を望んでいる、という。
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