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How to Study Foreign Languages (How to Study) Palgrave Macmillan? Marilyn Lewis? PalgraveMacmillan? MarilynLewis? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-Education-Reference-Words&Language-Reference? Subjects-Nonfiction-Education-StudySkills? Subjects-Reference-Words&Language-Reference? Britain and the H-bomb Palgrave Macmillan? Lorna Arnold? PalgraveMacmillan? LornaArnold? ジャンル別? Substores-UnknownASINs-8 Subjects-History-Europe-England-General? Subjects-History-Military-Weapons&Warfare-Nuclear? Diana, a Cultural History Palgrave Macmillan? Jude Davies? PalgraveMacmillan? JudeDavies? ジャンル別? Substores-UnknownASINs-8 Subjects-Biographies&Memoirs-Leaders&NotablePeople-Royalty? Subjects-History-World-General? Subjects-Literature&Fiction-History&Criticism-Criticism&Theory? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Nonfiction-SocialSciences-MediaStudies? Chronic Disease Management Palgrave Macmillan? Tessa Muncey? Alison Parker? PalgraveMacmillan? 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Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management? Coleridge and the Psychology of Romanticism Palgrave Macmillan? David Vallins? PalgraveMacmillan? DavidVallins? ジャンル別? Substores-UnknownASINs-8 Subjects-Literature&Fiction-History&Criticism-UnitedStates-LiteraryTheory? Subjects-Literature&Fiction-Poetry? Modern Politics and Government Palgrave Macmillan? Alan R. Ball? B.Guy Peters? PalgraveMacmillan? AlanR.Ball? B.GuyPeters? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-Politics-General? The Underground Man Macmillan Audio Books? Mick Jackson? MacmillanAudioBooks? MickJackson? ジャンル別? Substores-UnknownASINs-8 Subjects-Literature&Fiction-General-Contemporary? The Story of Bermuda and Her People Macmillan Caribbean? William Sears Zuill? MacmillanCaribbean? WilliamSearsZuill? ジャンル別? Substores-UnknownASINs-8 Subjects-Business&Investing-Biographies&Primers-BusinessHistory? Subjects-History-HistoricalStudy-SocialHistory? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Nonfiction-Economics-EconomicHistory? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicHistory? Treasures My Caribbean Kitchen Macmillan Caribbean? Anne-Marie Whittaker? MacmillanCaribbean? Anne-MarieWhittaker? ジャンル別? Substores-UnknownASINs-8 Subjects-Cooking,Food&Wine-Regional&International? Laura Z A Life Donald I Fine? Laura Keane Zamatkin Hobson? DonaldIFine? LauraKeaneZamatkinHobson? ジャンル別? Substores-UnknownASINs-8 Financial Engineering Palgrave Macmillan? Brian A. Eales? PalgraveMacmillan? BrianA.Eales? ジャンル別? Substores-UnknownASINs-8 Subjects-Business&Investing-Finance-Budgeting? Subjects-Business&Investing-Industries&Professions-Accounting? Subjects-Business&Investing-Investing? Subjects-Professional&Technical-Accounting&Finance-Industries&Professions-Accounting? Subjects-Professional&Technical-Accounting&Finance-Finance-Budgeting? The Origins Of Social Work Continuity And Change Palgrave Macmillan? Malcolm Payne? Jo Campling? PalgraveMacmillan? MalcolmPayne? JoCampling? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-SocialSciences-SocialWork? Subjects-Nonfiction-SocialSciences-Sociology-General? Facilities Management (Building Surveying) Palgrave Macmillan? Alan Park? PalgraveMacmillan? AlanPark? ジャンル別? Substores-UnknownASINs-8 Subjects-Business&Investing-Industries&Professions-RealEstate-General? Subjects-Professional&Technical-Accounting&Finance-Industries&Professions-RealEstate-General? Bequia Reflections Macmillan Caribbean? Julia Savage Lea? MacmillanCaribbean? JuliaSavageLea? ジャンル別? Substores-UnknownASINs-8 Subjects-Arts&Photography-Art-Painting-General? Subjects-Arts&Photography-Art-Instruction&Reference-Drawing? Subjects-Travel-Reference&Tips? Foundations of Health Psychology Palgrave Macmillan? Ron Roberts? Tony Towell? John Golding? PalgraveMacmillan? RonRoberts? TonyTowell? JohnGolding? ジャンル別? Substores-UnknownASINs-8 Imagined Commonwealth (Cambridge Commonwealth) Palgrave Macmillan? T.J. Cribb? PalgraveMacmillan? T.J.Cribb? ジャンル別? Substores-UnknownASINs-8 Subjects-Literature&Fiction-History&Criticism-Criticism&Theory? Social Research Palgrave Macmillan? Sotirios Sarantakos? PalgraveMacmillan? SotiriosSarantakos? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-SocialSciences-Research? Subjects-Nonfiction-Women sStudies-FeministTheory? World Orders in the Making (Institute of Social Studies) Palgrave Macmillan? Jan P.Nederveen Pieterse? PalgraveMacmillan? JanP.NederveenPieterse? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-Politics-International-Relations? Subjects-Nonfiction-CurrentEvents-War&Peace? Beyond Belief Macmillan? Elaine Pagels? Macmillan? ElainePagels? ジャンル別? Substores-UnknownASINs-8 Subjects-Religion&Spirituality-Bible&OtherSacredTexts-Bible-StudyGuides,History&Reference-General? Subjects-Religion&Spirituality-Christianity-ChurchHistory-EarlyChurch? Subjects-Religion&Spirituality-ReligiousStudies-History? The Problem of Poetry in the Romantic Period Palgrave Macmillan? Mark Storey? PalgraveMacmillan? MarkStorey? ジャンル別? Substores-UnknownASINs-8 Subjects-Literature&Fiction-Poetry-British-19thCentury? Change and Development in the Gulf Palgrave Macmillan? Abbas Abdelkarim? PalgraveMacmillan? AbbasAbdelkarim? ジャンル別? Substores-UnknownASINs-8 Subjects-Business&Investing-Economics-EconomicConditions? Subjects-Business&Investing-General? Subjects-Business&Investing-Industries&Professions-Oil&Energy? Subjects-Nonfiction-SocialSciences-PoliticalScience-LevelsofGovernment-FederalGovernment? Subjects-Nonfiction-Economics-EconomicConditions? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicConditions? European Democratization Since 1800 Palgrave Macmillan? John Garrard? Vera Tolz? Ralph White? PalgraveMacmillan? JohnGarrard? VeraTolz? RalphWhite? ジャンル別? Substores-UnknownASINs-8 Subjects-History-Europe-General? 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Substores-UnknownASINs-8 Subjects-Nonfiction-Politics-International-Relations? Public Opinion Polling and Politics in Britain Palgrave Macmillan? David Broughton? PalgraveMacmillan? DavidBroughton? ジャンル別? Substores-UnknownASINs-8 Public Management And Modernisation In Britain (Contemporary Political Studies) Palgrave Macmillan? Andrew Massey? Robert Pyper? PalgraveMacmillan? AndrewMassey? RobertPyper? ジャンル別? Substores-UnknownASINs-8 Subjects-History-Europe-England-General? Subjects-Law-PerspectivesonLaw-Non-USLegalSystems? Subjects-Nonfiction-Politics-General? Subjects-Nonfiction-Politics-History&Theory? Subjects-Nonfiction-Government-PublicAffairs&Administration? Subjects-Nonfiction-Law-PerspectivesonLaw-Non-USLegalSystems? Subjects-Professional&Technical-Law-PerspectivesonLaw-Non-USLegalSystems? Public Management and Modernisation in Britain (Contemporary Political Studies) Palgrave Macmillan? Robert Pyper? Andrew Massey? PalgraveMacmillan? RobertPyper? AndrewMassey? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-Politics-General? Urban Policy and Politics in Britain (Contemporary Political Studies) Palgrave Macmillan? Dilys M. Hill? PalgraveMacmillan? DilysM.Hill? ジャンル別? Substores-UnknownASINs-8 Subjects-Business&Investing-Economics? Subjects-Nonfiction-Economics? Subjects-Professional&Technical-Accounting&Finance-Economics? Jane Austen (Analysing Texts) Palgrave Macmillan? Nicholas Marsh? PalgraveMacmillan? NicholasMarsh? ジャンル別? Substores-UnknownASINs-8 Subjects-Literature&Fiction-WorldLiterature-British-19thCentury? Virginia Woolf (Analysing Texts) Palgrave Macmillan? Nicholas Marsh? PalgraveMacmillan? NicholasMarsh? ジャンル別? Substores-UnknownASINs-8 Subjects-Literature&Fiction-WorldLiterature-British-20thCentury? Chaucer (Analysing Texts) Palgrave Macmillan? Gail Ashton? PalgraveMacmillan? GailAshton? ジャンル別? Substores-UnknownASINs-8 Subjects-Literature&Fiction-Poetry-General? Rose of Martinique Macmillan? Andrea Stuart? Macmillan? 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Reinhard Drifte? PalgraveMacmillan? ReinhardDrifte? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-Politics-International-Relations? What Do Economists Contribute? (A Cato Institute Book) Palgrave Macmillan? Daniel B. Klein? PalgraveMacmillan? DanielB.Klein? ジャンル別? Substores-UnknownASINs-8 Subjects-Business&Investing-Economics-Theory? Subjects-Nonfiction-Economics-Theory? Subjects-Professional&Technical-Accounting&Finance-Economics-Theory? Contemporary Security and Strategy Palgrave Macmillan? Craig Snyder? PalgraveMacmillan? CraigSnyder? ジャンル別? Substores-UnknownASINs-8 Subjects-History-Military-Weapons&Warfare? Subjects-Nonfiction-Politics-International-Relations? Subjects-Nonfiction-CurrentEvents-War&Peace? Ethical Issues in Contemporary Human Resource Management (Management, Work Organisations) Palgrave Macmillan? Diana Winstanley? Jean Woodall? PalgraveMacmillan? DianaWinstanley? JeanWoodall? ジャンル別? Substores-UnknownASINs-8 Subjects-Business&Investing-Industries&Professions-HumanResources&PersonnelManagement? Subjects-Nonfiction-Philosophy-Ethics&Morality? Subjects-Professional&Technical-BusinessManagement-HumanResources&PersonnelManagement? Shakespeare (Analysing Texts) Palgrave Macmillan? R.P. Draper? PalgraveMacmillan? R.P.Draper? ジャンル別? Substores-UnknownASINs-8 Subjects-Literature&Fiction-WorldLiterature-British-Shakespeare? The Korean War (Twentieth Century Wars) Palgrave Macmillan? Peter Lowe? PalgraveMacmillan? PeterLowe? ジャンル別? Substores-UnknownASINs-8 Subjects-History-Asia-General? Subjects-History-Military-Strategy? The Korean War (Twentieth Century Wars) Palgrave Macmillan? Peter Lowe? PalgraveMacmillan? PeterLowe? ジャンル別? Substores-UnknownASINs-8 Subjects-History-Asia-China-General? Subjects-History-MiddleEast-General? Subjects-History-Military-Strategy? The New Managerialism and Public Service Professions Change in Health, Social Services and Housing Palgrave Macmillan? Ian Kirkpatrick? Stephen Ackroyd? Richard M. Walker? PalgraveMacmillan? IanKirkpatrick? StephenAckroyd? RichardM.Walker? ジャンル別? Substores-UnknownASINs-8 Subjects-Business&Investing-General? Subjects-Business&Investing-Management&Leadership-Management? Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management? Nuclear Weapons-Free Zones Palgrave Macmillan? Ramesh Chandra Thakur? PalgraveMacmillan? RameshChandraThakur? ジャンル別? Substores-UnknownASINs-8 Subjects-History-Military-Weapons&Warfare-Nuclear? Subjects-History-Military-Weapons&Warfare-Control? Subjects-Nonfiction-Politics-International-Relations? Substores-UnknownASINs-8 洋書
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水湊幻想郷 －Recurrence Imagination－ サークル：絃奏水琴樂章 Number Track Name Arranger Original Works Original Tune Length 01 夜明け ～ from sunrise 霧島 雫 東方妖々夢 妖々夢 ～ Snow or Cherry Petal [4 29] 02 Trad Mandolins 霧島 雫 東方妖々夢 無何有の郷 ～ Deep Mountain [3 30] 03 Alice Quintet 霧島 雫 東方幻想郷 アリスマエステラ [4 10] 04 Star Road Night 霧島 雫 秋霜玉 シルクロードアリス [4 29] 05 蓬莱の夕凪 霧島 雫 東方永夜抄 エクステンドアッシュ ～ 蓬莱人 [3 37] 06 Celtic Forest 霧島 雫 東方花映塚 春色小径 ～ Colorful Path [4 05] 07 森のささやき ～ Fairy s Voice 霧島 雫 東方妖々夢 アルティメットトゥルース [2 46] 08 雪中月光 ～ Moonlight in Snow 霧島 雫 東方幻想郷 永遠の満月 [3 28] 09 碧水の回廊 ～ Transparent Blue 霧島 雫 東方永夜抄 永夜抄 ～ Eastern Night. [3 06] 10 幻想郷の夜天光 ～ Silence Atmosphere 霧島 雫 東方永夜抄 千年幻想郷 ～ History of the Moon [5 00] 11 竹花開的庭 ～ Flowering of Sixty Years 霧島 雫 東方永夜抄 竹取飛翔 ～ Lunatic Princess [3 29] 12 紅い月に乾杯 霧島 雫 東方紅魔郷 紅楼 ～ Eastern Dream... [3 48] 13 白玉楼庭園風景 霧島 雫 東方妖々夢 東方妖々夢 ～ Ancient Temple [4 01] 詳細 東方Project クラシカルニューエイジ アレンジアルバム クラシックやニューエイジを基調として東方サウンドをアレンジ 2006/03/06発売開始 イベント価格：700円 ショップ価格：893円 レビュー 名前 コメント
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http //www.oracle.com/sun/lje-oracle-sun-faq.pdf Transcript of an Interview with Larry Ellison by Reuters on the Acquisition of Sun Microsystems Part I May 7, 2009 Why does Oracle, a company that prides itself on highmargins, want to get into the low-margin hardware business? Are you going to exit the hardware business? No, we are definitely not going to exit the hardware business. While most hardware businesses are low-margin, companies like Apple and Cisco enjoy very high-margins because they do a good job of designing their hardware and software to work together. If a company designs both hardware and software, it can build much better systems than if they only design the software. That’s why Apple’s iPhone is so much better than Microsoft phones. OK, Apple and Cisco have proven that they can do it, but what experience does Oracle have designing hardware and software to work together? Oracle started designing hardware and software to work together a few years ago when we began our Exadata database machine development project. Some of our competitors, Teradata and Netezza for example, were delivering preconfigured hardware/ software systems, while we were just delivering software. The combination of hardware and software has significant performance advantages for data warehousing applications. We had to respond with our own hardware/software combination, the Exadata database machine. Oracle’s Exadata database machine runs data warehousing applications much faster—at least ten-times faster than Oracle software running on conventional hardware. All the hardware and software pieces, database to disk, are included. You just plug it in and go—no systems integration required. Alright, Oracle’s done integrated hardware and software design with the Exadata database machine. But Exadata uses standard Intel chips. Are you going to discontinue the SPARC chip? No. Once we own Sun we’re going to increase the investment in SPARC. We think designing our own chips is very, very important. Even Apple is designing its own chips these days. Right now, SPARC chips do some things better than Intel chips and vice-versa. For example, SPARC is much more energy efficient than Intel while delivering the same performance on a per socket basis. This is not just a green issue, it’s an economic issue. Today, database centers are paying as much for electricity to run their computers as they pay to buy their computers. SPARC machines are much less expensive to run than Intel machines. So is that your plan, to use SPARC to compete by lowering a data center’s electricity bills? No, our primary reason for designing our own chips is to build computers with the very best performance, reliability and security available in the market. Some system features work much better if they are implemented in silicon rather than software. Once we own Sun, we’ll be able to plan and synchronize new features from silicon to software, just like IBM and the other big system suppliers. We want to work with Fujitsu to design advanced features into the SPARC microprocessor aimed at improving Oracle database performance. In my opinion, this will enable SPARC Solaris open-system mainframes and servers to challenge IBM’s dominance in the data center. Sun was very successful for a very long time selling computer systems based on the SPARC chip and the Solaris operating system. Now, with the added power of integrated Oracle software, we think they can be again. Your management team has no experience with delivering hardware. There is a lot of risk in going into an unfamiliar business. Obviously, we want to hold on to Sun’s experienced team of first-rate hardware engineers. For years, Sun has led the industry in building and delivering innovative systems. For example, Sun was the first company to deliver systems built on a multicore processor—what Sun called the Niagara chip—and the industry followed. Oracle has a good track record of retaining the engineering talent from acquired companies; Sun will be no different. In addition, over the last couple of years Oracle gained a lot of experience developing and delivering our first integrated hardware and software system, the Exadata database machine. We have lots of hardware experience inside of Oracle. Hundreds 2 of Oracle’s engineers came from systems companies like IBM and HP. Even I started my Silicon Valley career working for a hardware company that worked with Fujitsu to design and build the first IBM compatible mainframe. OK, so you have engineers who are experienced at designing hardware as well as software, but Oracle outsourced the manufacturing of the Exadata machine to HP. You have no experience in manufacturing. Just because we’re buying Sun does not mean Oracle is becoming a manufacturer. Sun outsources almost all of its manufacturing to companies like Flextronics and Fujitsu. With one tiny exception, Sun does no manufacturing; neither will we. There has been a lot of speculation in the press that Oracle is going to sell some or all of Sun’s hardware businesses. From your previous answers it certainly seems like you are keeping the SPARC Solaris systems business. Are you keeping the disk storage and tape backup businesses? Yes, definitely. We believe the best user experience is when all the pieces in the system are engineered to work together. Disk storage and tape backup are critical components in highperformance, high-reliability, high-security database systems. So, we plan to design and deliver those pieces too. Clearly many Sun customers choose disk and tape systems from other vendors. That’s what open systems are all about providing customers with a choice. But Oracle expects to continue competing in both the disk and tape storage businesses after we buy Sun. Is Exadata moving to Sun SPARC Solaris? Exadata is built by HP using Intel microprocessors. We have no plans for a SPARC Solaris version of Exadata. We have an excellent relationship with HP that we expect to continue. The Exadata database machine delivers record setting database performance at a lower cost than conventional hardware. Customers love the machine. It is the most successful product introduction in Oracle’s 30 year history. The Sun acquisition doesn’t reduce our commitment to Exadata at all. Cautionary Statement Regarding Forward-Looking Statements This document contains certain forward-looking statements about Oracle and Sun, including statements that involve risks and uncertainties concerning Oracle’s proposed acquisition of Sun; plans for Sun’s hardware businesses (including the SPARC chip) upon completion of the proposed acquisition; estimates of future results of operations; anticipated customer, partner and product plans, advantages and benefits; retention of Sun’s engineers; and general business outlook. When used in this document, the words “anticipates”, “plans”, “estimates”, “may”, “can”, “want”, “will”, “believes”, “expects” or “expected”, “projects”, “intends”, “likely”, similar expressions and any other statements that are not historical facts are intended to identify those assertions as forward-looking statements. Any such statement may be influenced by a variety of factors, many of which are beyond the control of Oracle or Sun, that could cause actual outcomes and results to be materially different from those projected, described, expressed or implied in this document due to a number of risks and uncertainties. Potential risks and uncertainties include, among others, the possibility that the transaction will not close or that the closing may be delayed, the anticipated synergies of the combined companies may not be achieved after closing, the combined operations may not be successfully integrated in a timely manner, if at all, general economic conditions in regions in which either company does business, and the possibility that Oracle or Sun may be adversely affected by other economic, business, and/or competitive factors. Accordingly, no assurances can be given that any of the events anticipated by the forward-looking statements will transpire or occur, or if any of them do so, what impact they will have on the results of operations or financial condition of Oracle or Sun. In addition, please refer to the documents that Oracle and Sun, respectively, file with the Securities and Exchange Commission (the “SEC”) on Forms 10-K, 10-Q and 8-K. These filings identify and address other important factors that could cause Oracle’s and Sun’s respective financial and operational results to differ materially from those contained in the forward-looking statements set forth in this document. You are cautioned to not place undue reliance on forward-looking statements, which speak only as of the date of this document. Neither Oracle nor Sun is under any duty to update any of the information in this document. Additional Information about the Merger and Where to Find It In connection with the proposed merger, Sun will file a proxy statement with the SEC. Additionally, Sun and Oracle will file other relevant materials in connection with the proposed acquisition of Sun by Oracle pursuant to the terms of an Agreement and Plan of Merger by and among Oracle, Soda Acquisition Corporation, a wholly-owned subsidiary of Oracle, and Sun. The materials to be filed by Sun with the SEC may be obtained free of charge at the SEC’s web site at www.sec.gov. Investors and security holders of Sun are urged to read the proxy statement and the other relevant materials when they become available before making any voting or investment decision with respect to the proposed merger because they will contain important information about the merger and the parties to the merger. Oracle, Sun and their respective directors, executive officers and other members of its management and employees, under SEC rules, may be deemed to be participants in the solicitation of proxies of Sun stockholders in connection with the proposed merger. Investors and security holders may obtain more detailed information regarding the names, affiliations and interests of certain of Oracle’s executive officers and directors in the solicitation by reading Oracle’s most recent Form 10-K and other relevant materials filed with the SEC when they become available. Information concerning the interests of Sun’s participants in the solicitation, which may, in some cases, be different than those of Sun’s stockholders generally, is set forth in the materials filed with the SEC on Form 10-K and will be set forth in the proxy statement relating to the merger when it becomes available. This document is intended for information purposes only and may not be incorporated into any contract. It is not a commitment to deliver any material, code, or functionality, and should not be relied upon in making purchasing decisions. The development, release, and timing of any features or functionality described for Oracle’s products remains at the sole discretion of Oracle. Copyright © 2009, Oracle and/or its affiliates. All rights reserved. Oracle is a registered trademark of Oracle Corporation and/or its affiliates. Other names may be trademarks of their respective owners. 09025090
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松丸 隆文、福山 聡、島 和義、伊藤 友孝 異なる開始姿勢からの重量物挙上動作の解析・評価と躍度最小規範を用いた適切な動作姿勢の検討 日本機械学会 Vol.72 No.720 pp2554-2561 2006年8月 五十嵐 創、植野 研、尾崎 知伸、森田 想平、古川 康一 ベイジアンネットワークによるチェロ演奏スキルモデリング 電子情報通信学会Vol.102, No.709(20030306) pp. 1-6 工藤 俊亮、幸村 琢、池内 克史 全身を用いたバランス保持動作のモデル化とその生成 電子情報通信学会論文誌Vol.J88-D-II, No.8 pp. 1583-1591 2005年8月 井上 智之、西住 直樹、鈴木 伸明、安福 尚文、佐賀 聡人 仮想空間中での手書きジェスチャ認識に基づいた3次元モデリングインタフェースBlueGrottoの提案 電子情報通信学会Vol.J87_D_II, No.6(20040601) pp. 1309-1318 川辺 善郎、小西 晃造、岡崎 賢、洪 在成、中島 秀彰、家入 里志、田上 和夫、橋爪 誠 内視鏡外科手術における鉗子操作の熟練度評価指標の検証 日本コンピュータ外科学会大会 05-26 pp93-94 2005 11月 山内 康司、 山下 樹里、 森川 治 他 内視鏡下鼻内手術トレーニングシステムによる手術スキル評価手法 日本コンピュ-タ外科学会誌Vol.4, No.1 (2002/6) pp. 13〜19 TAMAR FLASH,NEVILLE HOGAN The Coordination of Arm Movements An Experimentally Confirmed Mathematical Model The Journal of Neuroscience Vol 5,No.7,pp 1688-1703 July 1985 Harris, C.M., Wolpert, D.M. Signal-dependent noise determines motor planning. Nature, 394, 780-784 1998 Junghyun Know, Frank C. Park Using Hidden Markov Models to Generate Natural Humanoid Movement International Conference on Intelligent Robots and Systems , Octorber 2006 C.Daniel Smith,M.D.,Timothy M.Farrell,M.D.,Stephen S.McNatt,M.D.,Ramaz E.Metreveli,M.D. Assessing laparoscopic manipulative skills The American Journal of Surgery Vol181 547-550 2001 Anna M. Derossis MDA, Gerald M. Fried MDA, *, Michal Abrahamowicz PhDA, Harvey H. Sigman MDA, Jeffrey S. Barkun MDA and Jonathan L. Meakins MDA Development of a Model for Training and Evaluation of Laparoscopic Skills The American Journal of Surgery Volume 175, Issue 6, June 1998, Pages 482-487 橋本 亮一、山内 康司、持丸 正明 他 内視鏡先端の速度情報による術者熟達度計測の試み ヒューマンインタフェースシンポジウム2002,pp.609-612(2002) 野方 誠、石川 剛、岡谷 潤一、来見 良誠 手術映像から手技特定と記録に関する研究 JJSCAS vol,8 no.3 2006 pp180-181 石原進 太田雅敏 行方エリキ 水野忠則 端末自体の動きを用いた携帯端末向け個人認証 情報処理学会Vol46 No12 2997-3007 2005 J.Y.Chung,J.M.Sackier A method of objectively evaluating improvements in laparoscopic skills Surgical Endoscopy Vol12 9 pp1111-1116 1998年 9月 Rosen J; MacFarlane M; Richards C; Hannaford B; Sinanan M Surgeon-Tool Force/Torque Signatures Evaluation of Surgical Skills in Minimally Investive Surgery Studies in health technology and informatics 1999;62() 290-6. C. Richards, J. Rosen, B. Hannaford, M. MacFarlane, C. Pellegrini, M. Sinanan, Skills Evaluation in Minimally Invasive Surgery Using Force/Torque Signatures, Surgical Endoscopy, vol. 14, pp. 791-798, 2000. J. Rosen, C. Richards, B. Hannaford, M. Sinanan, Hidden markov Models of Minimally Invasive Surgery, Medicine Meets Virtual Reality, vol. 70, pp. 279-285, January, 2000. J. Rosen, B. Hannaford, C. Richards, M. Sinanan, Markov Modeling of Minimally Invasive Surgery Based on Tool/Tissue Interaction and Force/Torque Signatures for Evaluating Surgical Skills, IEEE Transactions on Biomedical Engineering, vol. 48, pp. 579-591, May 2001.
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Market Analysis As indicated by the most recent examination report, The Forensic Accounting Market size is projected to develop at a build yearly development pace of CAGR of 8.2 percent during the gauge time span, arriving at USD 8.85 billion in the year 2025. To perform and dissect the monetary exhibition of the organizations or people, the legal bookkeeping business sector will utilize bookkeeping, review, and examination mastery. Bookkeeping experts are liable for the examination, understanding, and rundown of muddled monetary and business circumstances. Such bookkeeping experts might work for any administration division, protection business, monetary firm, organization, or government bookkeeping firm, among different work environments. Measurable bookkeepers collect quantitative gauges, put together and assemble data, and pass on their decisions as a report and briefings to suitable specialists and witnesses. Legal bookkeepers produce reports, which are frequently introduced as slideshows with the help of visual guides; such discoveries are acceptable proof in a judicial procedure. Bookkeeping experts utilize a wide scope of factual methods and programming to help them in their examinations. Before innovation advanced, particular datasets were being utilized for assortment and information the executives; all things considered, with mechanical development, different logical apparatuses have without a doubt been sent off on the lookout, and this multitude of instruments presently give monetary announcing examiners complete start to finish analytical choices. In besides, various strategies for examination and information mining innovations are utilized by various measurable bookkeeping market criminal investigators in raised fakes and violations, just as different kinds of wrongdoings. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/8383 Market Segmentation The market is fragmented based on parts, end-client, and geographic. The worldwide scientific bookkeeping market patterns are relied upon to observe respectable development during the conjecture time frame. By Application In view of the application, the market is fragmented into arrangements and administrations. Arrangements in this class contain criminological apparatuses/programming, reviewing/bookkeeping programming, and other related items and administrations. The administration s classification includes additional expert administrations given by the arrangement suppliers, notwithstanding the actual arrangements. Preparing, consultancy, and backing administrations are a portion of the choices accessible. By end-clients In light of the impetus types, the market is fragmented into banking and protection, law authorization offices, government, bookkeeping organizations, and others. Regional Analysis As indicated by the reports, Globally, the overall scientific bookkeeping market is arranged into four areas Asia-Pacific, North America, Europe, the Middle East, Africa, and South America. As per the portion of the market in the criminological bookkeeping industry, North America is the most evolved district on the planet. A portion of the reasons adding to the market s development incorporates the developing reception of such programming and apparatuses by various government bodies and bookkeeping firms, in addition to other things. Besides that, the presence of numerous sellers in North America that give total answers for organizations has brought about North America catching the biggest portion of the worldwide IT administrations industry. Right now, Europe is positioned second in the worldwide commercial center. Europe has to be sure been separated into the accompanying gatherings the United Kingdom, Germany, France, Spain, Italy, and the remainder of Europe. Following the United Kingdom, Germany, and France, according to the MRFR study. Key Players Notable players of the global forensic accounting industry are Galvanize, CaseWare IDEA, Passware, Fulcrum Management, Nuix, Arbutus Software Inc., Cygna Labs Corp, e-fense, OpenText, Cellebrite, Sama Audit Systems Software Pvt Ltd, and AccessData. Industry News Cellebrite Mobile Synchronization Ltd, a provider of computerized insight answers for police divisions, organization, and endeavor areas, reported in June 2019 that IGP Capital has arrived at an arrangement to procure USD 110 million in the organization. Access Report Details @ https //www.marketresearchfuture.com/reports/forensic-accounting-market-8383 Table of Contents 1 Executive Summary 2 Scope of The Report 2.1 Market Definition 2.2 Scope of The Study 2.2.1 Research Objectives 2.2.2 Assumptions Limitations 2.3 Markets Structure 3 Market Research Methodology 3.1 Research Process 3.2 Secondary Research 3.3 Primary Research 3.4 Forecast Model Continued… Similar Report** Mobile Banking Market By Solution (Customer Management, Mobile Banking Features, Mobile Payment Features), By Technology (Wireless Application Protocol, Standalone Mobile Application), By Deployment (On-Cloud, On-Premise) Voice Assistant Market** https //mrfrinformation.tistory.com/615 Network-Attached Storage Market** https //telescope.ac/information-technology-Lc1XMRDqL/5WlKY9Kx4 About Market Research Future At Market Research Future (MRFR), we enable our customers to unravel the complexity of various industries through our Cooked Research Report (CRR), Half-Cooked Research Reports (HCRR), Raw Research Reports (3R), Continuous-Feed Research (CFR), and Market Research Consulting Services. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com #market #research #industry #data #growth #trend #report #analyis #share #marketing #forecast #digital #geographic #demographic #gnews Plugin Error キーワードを入力してください。 #tech #researchreport #marketreport #futrue
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What Shape Is a Poem? Macmillan Children s Books? Paul Cookson? MacmillanChildren sBooks? PaulCookson? ジャンル別? Substores-UnknownASINs-8 Subjects-Literature&Fiction-Poetry-Anthologies? Subjects-Literature&Fiction-WorldLiterature-British? How Does Your Body Work? (Mactracks) Macmillan Education Ltd? Lorna Evans? MacmillanEducationLtd? LornaEvans? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-Education-LanguageInstruction-Instruction-EnglishasaForeignLanguage-Reading? Subjects-Reference-ForeignLanguages-Instruction-EnglishasaForeignLanguage-Reading? Churchill's Peacetime Ministry, 1951-55 Palgrave Macmillan? Henry Pelling? PalgraveMacmillan? HenryPelling? ジャンル別? Substores-UnknownASINs-8 Subjects-Biographies&Memoirs-General? Subjects-History-Europe-England-20thCentury? Subjects-Nonfiction-Politics-International-Relations? Subjects-Nonfiction-SocialSciences-PoliticalScience-LevelsofGovernment-FederalGovernment? Zambia Home Economics Pb4 Macmillan Education Ltd? Cdc? 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第２幕 第１場 カペッリオの宮殿の屋内の広間 ジュリエッタひとり レチタティーヴォ ジュリエッタ 誰も戻ってこない！... 残酷でつらいことね 何も知らされずにいるのは！ 武器の音は消えたわ... ただ時折 かすかに 不確かなざわめきが 遠くで起こっている まるで風のように 嵐が収まるときの 誰が倒れたの ああ！ 誰が勝ったのかしら？ 誰のために最初に私は泣くの？... ここから出ることはできないの！... 私の運命を知ることなく 私はここを歩き回るだけ！ （ロレンツォが現れる） ロレンツォ！どうだったの？ ロレンツォ ロメオ様はご無事です ジュリエッタ よかった ロレンツォ 近くの要塞におられます 彼の急襲用の そこでエッツェリーノ公の救助を 望めるでしょう ... けれどあなたは ああ！ すぐにテバルドさまの 城に連れて行かれるでしょう もしも私を信用して頂かなければ もしもこの極めて危険な試みに 極めて強固な気持ちで チャレンジして頂かないことには ジュリエッタ 何をすればいいの？話して ロレンツォ あなたは勇気を持っていますか？ ジュリエッタ それを聞く必要があるの？ ロレンツォ 飲むのです この秘薬を これは とても強く 死んだかのように見える 眠りをもたらします あなたは亡くなったと思われて 墓が用意されるでしょう ご先祖の墓所の中に... ジュリエッタ おお！何を仰いますの？あそこのうちには 兄が横たわっています ロメオさまに刺し貫かれた... 私の罪を知って 起き上がって責められるかも ... ロレンツォ あなたが目覚める時には わたしたちがそこにおります あなたの最愛の人と私が... 恐れないでください デュオ ロレンツォ 震えておられますね？... 止めますか？ ジュリエッタ おお 神さま！ 私は死ぬことは恐れません お分かりでしょう いつもあなたにこの薬を求めておりました...そうです でもこれまでに試したことがないので それが私には恐ろしくて 私を怯えさせるのです ああ！恐れが私に湧き起こります ロレンツォ 信じてください どうか！私を信じてください ジュリエッタ ああ！もしもこの強烈な薬が... ロレンツォ ええ あなたを幸せにするでしょう ジュリエッタ ...効き目がうまく働かなかったら... 恐ろしい疑いが！ もしも私がそこに横たわったまま 二度と目覚められないとしたら ... ロレンツォ お飲みなさい 時間がありません あなたの父上がやってこられます ジュリエッタ お父さまが！ああ下さい 私を救って 私は死んだ方が良いのです そう あなたのために ロメオ様 死ぬのです 死だけが私を引き離すことができるのだから 酷い父上から！ 飲む ロレンツォ もう救われておりますよ しっかりなさいませ！ ジュリエッタ 別の場所へお連れください カペッリオが他の人々と入ってくる カペッリオ 待て まだ起きていたのか？ 休む時間は与えてやろう だがほんのちょっとの間だぞ 行け 花婿に従えるよう 明日の夜明けまでには支度をしておくのだぞ 分かっておろうな コーラス 可哀想に！苦しみがあふれている... 嘆き...ようやく耐えておられる もっと穏やかにお話し下さい お嬢様を死なせてしまいます あなた様の厳しさは... カペッリオは再びジュリエッタに出て行くよう合図をする ジュリエッタ （涙ながらに） どうか！お父さま ああお父さま！ ああ！私は出ては行けません あなたの許しを頂かなくては 私はもう墓が間近なのです ああ！せめて私を抱いてください そのお怒りを鎮めて... 安らぎをこの死にゆく心に... 眠ってくれますように あなたのすべてのお怒りが 私がお墓に入った時には ああ！お父さま お許しをこの死にゆく心に カペッリオ 早く行け... ...お前の部屋に戻れ ロレンツォ （小声でジュリエッタに） ああ！参りましょう 素知らぬふりで コーラス 可哀想に！苦しみがあふれている... ジュリエッタ ああ お父さま！ ロレンツォ さあ 行きましょう カペッリオ 行け！ ジュリエッタ お許しください カペッリオ お前の部屋に下がれ ジュリエッタ まず お許しください コーラス お嬢さまは今にも死にそうです お分かりでしょう あなたの怒りを抑えてくださいませ お嬢さまは今にも死にそうです．．． ジュリエッタ どうか！ どうか！私のお父さま！... ああ！私は出ては行けません．．． ...お許しをこの死にゆく心に ロレンツォ ああ！参りましょう どうか！あなたの信頼する者と さあ 行きましょう．．． カペッリオ 明日の夜明けまでには支度をしておくのだぞ．．． コーラス どうか！あなたの怒りを抑えてくださいませ... ロレンツォに支えられながらジュリエッタ退場 レチタティーヴォ カペッリオ 何と心乱れることか！ 何たる動揺がこの胸のうちに！ 黙れ 同情心よ ：臆病だぞ テバルドを探しに 誰でも良い 急げ それからロレンツォの挙動をそなたらは見張れ わしには疑念が湧いておるのだ 奴を外に出すな 他の者と話をさせてもならん 全員退場 第２場 宮殿の庭園の中に。 ロメオが入って来る レチタティーヴォ ロメオ ここは誰もいない ロレンツォを探し出すこともできるだろう ひどいロレンツォ！ ぼくをこんな不幸のうちに忘れ去って 共謀しているんだ ぼくの運命の暴君と ぼくを放り出しているんだ ひとりぼっちでこんな苦しみの中に 行こう ...誰か来る 残酷な邪魔者め！ テバルド 誰だ 貴様 大胆にもしのび歩くとは この屋敷の中を？ 聴こえないのか？ ロメオ ぼくに近寄るな 恐ろしいことになるぞ ぼくが誰だか分かれば テバルド 貴様が誰か分かったぞ その不敵な口調で この激しい怒りから 貴様が私に掻き立てた ロメオ ならばぼくを見ろ 震えるがいい デュオ テバルド 愚か者め！一声私が叫べば 千人の手の者が貴様を襲うのだぞ 愚か者め！愚か者め！ だか 貴様は生贄として この剣のために取って置いてやるのだ 愚か者め！一声私が叫べば．．． だか 貴様は生贄として．．． ロメオ 来い：貴様など物の数ではない 者の数ではないぞ ぼくは挑んでやる 貴様にも 貴様の手下どもにも 貴様など物の数ではない 者の数ではないぞ 貴様は願うことになるんだ ぼくたちの間に 高い山が 海が分け入ってくれたらなあって 来い さあ来るんだ 貴様など物の数ではない．．． テバルド 憎しみの神か 運命か 貴様の正気を奪ったのは... ロメオ 武器を取れ！ 貴様を寄こしたのだ この場所に 死が挨拶しようとしてな テバルド 武器を取れ！ ロメオ、テバルド 憎しみの神が 運命が 貴様を寄こしたのだ この場所に 死が挨拶しようとして 憎しみの神が．．． ...武器を取れ！武器だ！ 武器を取れ！ 戦おうとする テバルド 待て ロメオ 何と悲しげな音のこだまだ？ コーラス （舞台裏で） ああ 不幸な娘！ ロメオ 何の声だ！おお神よ！ テバルド 恐ろしい予感が！ 葬送の行列が現れて回廊に沿って進んで行く コーラス あなたの美しい魂に安らぎあれ これほど多くの苦しみのあとには 生きよ 人間の中ではなく 生きよ おおジュリエッタ 天国で ああ！不幸なお方よ！ ロメオ ああ！ テバルド おお 神よ！ ロメオ なんてことだ！ジュリエッタ！ テバルド 死んでしまった！... ロメオ ああ 残酷な！ テバルド この目をヴェールが覆っているぞ ロメオ （涙を流して） おお ぼくのジュリエッタ！ ぼくは君を失ってしまった！ テバルドとロメオはしばしじっとしている ロメオが最初に身を震わせて剣を投げ捨て テバルドの前に絶望して駆け寄る デュオ ロメオ 彼女は死んだぞ おお不運な奴め 貴様のせいで悲しみのために死んだのだ ああ！これでついに報われたのだ 貴様の心の 執拗な残酷さが テバルド ああ！貴様などよりずっと絶望しておるわ 貴様などよりずっと深く傷ついている ああ 私のこの愛を罪だと この心が責め立てているのだ ロメオ 貴様のせいで悲しみのために死んだのだ テバルド 貴様などよりずっと絶望しておるわ... ああ 私のこの愛を．．． ロメオ 貴様もこれで満足だろう 殺せ ああ！ 殺してくれ この絶望した男を... 貴様の一撃に この胸を差し出すぞ... 最高の救いなのだ 今この瞬間には ああ！死ぬことがぼくにとっては 最高の救いなのだ．．． テバルド 生きろ ああ！生きていろ 不運な奴め 貴様には少なくとも 悔いはないだろう ああ！貴様にこの命が絶たれずとも ああ！この悲しみが私を殺すだろう ああ！貴様にこの命が絶たれずとも．．． ああ 黙れ ロメオ 彼女は死んだ テバルド お慈悲を！ ロメオ 彼女は死んだ テバルド ああ！私のこの愛を この心が責め立てているのだ ロメオ 貴様もこれで満足だろう テバルド ああ！やめてくれ ロメオ 殺せ ああ！殺してくれ．．． テバルド 生きろ ああ！生きていろ．．． 第３場 カプレーティの墓所 ロメオが彼の従者たちと共に入ってくる モンテッキ家の人々のコーラス 着きました ああ！天がなしたまいますように これがあなた様に致命的とならぬように ここに足を踏み入れたことが この不浄の場へと ああ！天がなしたまいますように．．． レチタティーヴォ ロメオ ここが墓か... （ロメオは墓石に近づく） ...まだ花が散らされている 涙でまだ濡れている なら...ぼくのも...受け取ってくれ... ずっと辛い 苦い涙を モンテッキ家の人々 若 落ち着いて下さい ロメオ でもすぐに この涙以上の 別の捧げものを受けるんだ モンテッキ家の人々 過ぎますぞ あなた様の悲しみは ロメオ おお この墓の 深い暗闇よ... しばし譲ってくれ 譲ってくれ 日の光に そしてぼくに見せてくれ わずかな間でも お前の獲物を （従者たちに） 墓を開けてくれ お前たち 彼女にまた会いたいんだ モンテッキたちは墓の蓋をこじ開け ジュリエッタがそこに横たわっているのが見える ロメオはすすり泣いて喉を詰まらせ彼女に駆け寄る ああ！ジュリエッタ！おおぼくのジュリエッタ！ 君だね...君に会えた ぼくはまた君に会えたんだ... 君は死んではいない... 眠ってるだけなんだ 目覚めるのを待ってるよ 君のロメオは 起きてくれよ 愛しい人 ぼくのため息を聞いて 君を呼んでいるんだ このロメオは 起きてくれよ 愛しい人 モンテッキ家の人々 お気の毒に！正気を失われて さあ 立ち去りましょう 危険です これ以上ここに留まるのは レチタティーヴォ ロメオ しばらくの間 ぼくをここに残してくれ 密かにこの悲しみを この墓にだけ打ち明けたいんだ モンテッキ家の人々 あなただけを残すと これほどの悲しみのうちに！ ああ！あなたはわれらの心を打ち砕きます ロメオ 行ってくれ お願いだ モンテッキ家の人々 ああ！あなたはわれらの心を打ち砕きます （去って行く） レチタティーヴォ ロメオ 君だけが おおぼくのジュリエッタ 一人だけ聞いてくれているね ああ！むなしい希望だ！ 聴こえない 君の冷たいむくろには ぼくの声の響きは... この世にただ一人 見捨てられたんだね ぼくは！ アリア ロメオ お願いだ！君 その美しい魂が 天に昇っていくのなら ぼくの方を振り向いて ぼくも一緒に連れて行ってくれ こうして ぼくを忘れるなんて こうして ぼくを残していくなんて 君にはできない 美しい魂よ ぼくの悲しみのうちに 君にはできない ぼくを忘れるなんて （レチタティーヴォ） おお お前 ぼくの唯一の希望よ 死の毒薬よ ぼくが肌身離さずに持っていた ぼくの唇に来るがいい （毒を飲む） 受けてくれ お前 ぼくの最後の吐息を わが敵の墓よ ジュリエッタ （墓から目覚めて） ああ！ ロメオ 何のため息だ！ ジュリエッタ （かすかな声で） ロメオ！ ロメオ 彼女の声だ！... ジュリエッタ ロメオ！ ロメオ ぼくを呼んでる！ もうぼくをその胸に呼び寄せてくれるのか！ （ジュリエッタは墓から起き上がる） 天よ！どういうことだ？ ジュリエッタ ロメオ！ ロメオ ジュリエッタ！おお神よ！ ジュリエッタ あなたなの？ ロメオ 生きていたのか？... ジュリエッタ ああ！もう二度とあなたから離れないために 私は目覚めたのです 恋しいお方... 私の死は偽りでしたの... ロメオ ああ！何を言うんだ？ ジュリエッタ 知らないのですか？ロレンツォとお会いには？ ロメオ 他のことは見ていない... 他のことは知らなかった... ああっ！... ここであなたが死んでいるということの他は それでぼくはここに来た...ああ！不幸な！ ジュリエッタ でも それが何ですの？ とうとうあなたと一緒になれるのですもの すべての悲しみを打ち消してくれるでしょう 私たちの抱擁は... さあ 行きましょう... ロメオ ぼくはここに永遠に残っていなければならないんだ ジュリエッタ 何をおっしゃいますの？... 話して...話してください... ああ！ロメオ！ ロメオ みんなもう分かってるだろう （両手で頭を抱えて） デュオ ジュリエッタ ああ！ひどい！何をなさったのですか？ ロメオ 君のそばで死にたかったんだ ジュリエッタ まあ！ でも何か助かる道を探せば... ロメオ もういい 無駄なんだ... ジュリエッタ ああ！酷い運命！ ロメオ 残酷な死をぼくは抱いている この胸のうちに... ジュリエッタ 私もあなたと一緒に せめて死を迎えられるように... その剣をくださいませ... ロメオ ああ！だめだ 決して ジュリエッタ 毒を... ロメオ 飲んでしまったんだ 生きて ああ！生きてくれ そして時々は来てくれないか ぼくの墓の上に涙を流しに ジュリエッタ 残酷な神さま！ ああ！彼が死んでしまう前に 私の命を奪い去ってください ロメオ 生きて ああ！生きてくれ．．． ジュリエッタ！その胸にぼくを抱いてくれ もう君がほとんど分からないんだ ジュリエッタ （泣きながら） 私は生き返ってしまったのね あなたが死ぬときに！ ロメオ もう十分だ...悲しむ君を見たら ぼくの苦しみは増すばかりなんだ もう君が見えないや... ああ！ぼくに話しかけて... ジュリエッタ ああ！私のロメオ！... ロメオ ...もう一言だけでも... ジュリエッタ ...私を置いて行かないで... ロメオ ...忘れないで ぼくたちの愛を... ジュリエッタ ...私の胸にもたれて... ロメオ ...忘れないで ぼくたちの愛を... ジュリエッタ ...私を置いて行かないで... ロメオ ジュリエッタ！ああ！お別れだ...ああ！ ジュリエッタ 私を待って... ロメオ さよなら...ああ！ジュリエ... 死ぬ ジュリエッタ 死んでしまった...おお神さま！ ロメオの体のそばに倒れる） モンテッキ家の人々 （入ってきて） ロメオさま！ロメオさま！ カペッリオ、ロレンツォとカプレーティの人々も入ってくる ロレンツォはロメオとジュリエッタの亡骸に駆け寄る カペッリオ 追いかけろ ロレンツォ、モンテッキ家の人々 何と！ ロレンツォ 二人とも死んでおられます！ モンテッキとカプレーティの人々 おお残酷な運命！ ロレンツォ モンテッキとカプレーティの人々 見よ カペッリオ 殺されたのだな！誰にだ？ ロレンツォ、モンテッキ家の人々 あなたにですよ 残酷なお方 （台本：フェリーチェ·ロマーニ） ATTO SECONDO SCENA PRIMA Atrio interno nel palazzo di Capellio. Giulietta sola Recitativo GIULIETTA Né alcun ritorna!... Crudele, dolorosa incertezza! Il suon dell armi si dileguò... Sol tratto tratto un fioco, incerto mormorio lunge si desta, come vento al cessar della tempesta. Chi cadde, ohimè! chi vinse? chi primo io piangerò?... Né uscir poss io!... e ignara di mia sorte io qui m aggiro! Lorenzo appare Lorenzo! ebben? LORENZO Salvo è Romeo. GIULIETTA Respiro. LORENZO Nella vicina rocca da suoi sorpresa, da Ezzelin soccorso sperar ei puote... ma tu, lassa! in breve di Tebaldo al castel tratta sarai, se in me non fidi, se al periglio estremo con estrema fermezza or non provvedi. GIULIETTA Che far? Favella. LORENZO Hai tu coraggio? GIULIETTA E il chiedi? LORENZO Prendi tal filtro è questo e si possente, che sembiante a morte sonno produce. A te creduta estinta tomba fa data nei paterni avelli... GIULIETTA Oh! che di tu? fra quelli giace il fratel da Romeo trafitto... Esso del mio delitto sorgeria punitor... LORENZO Al tuo svegliarti saremo presenti il tuo diletto ed io... non paventar. Duo LORENZO Tremi?... t arretri? GIULIETTA Oh Dio! Morte io non temo il sai, sempre la chiesi a te... si. Pur non provato mai sorge un terrore in me che mi sgomenta, ah! sorge in me. LORENZO Fida, deh! fida in me. GIULIETTA Ah! se del licor possente... LORENZO Si, sarai contenta. GIULIETTA ...se fallisse la virtù... dubbio crudele! Se in quell orror giacente non mi destassi più... LORENZO Prendi, gl istanti volano, il padre tuo s avanza. GIULIETTA Il padre! Ah porgi, salvami. Morir dovessi ancora, si, per te Romeo si mora, sol morte mi può togliere al crudo genitor! Beve LORENZO Salva già sei, costanza! GIULIETTA Guidami altrove. Capellio entra con altri CAPELLIO Arresta. Ancor sei desta? Concedo al tuo riposo brevi momenti ancor. Esci a seguir lo sposo ti appresta al nuovo albor. Udisti. CORO Lassa! d affanno è piena... geme... si regge appena. Più mite a lei favella; l uccide il tuo rigor... Capellio rinnova a Giulietta il cenno d uscire GIULIETTA con voce piangente Deh! padre mio, deh padre mio! Ah! non poss io partire priva del tuo perdono presso alla tomba io sono, ah! dammi un amplesso almeno. Pace una volta all ire... pace ad un cor che muore... Dorma ogni tuo furore del mio sepolcro in sen, ah! padre mio, perdona un cor che muor. CAPELLIO Lasciami... ...alle tue stanze riedi. LORENZO piano a Giulietta Ah! vieni e simula. CORO Lassa! d affanni è piena, ecc. GIULIETTA Ah padre! LORENZO Oh vieni. CAPELLIO Va! GIULIETTA Perdona CAPELLIO Alle tue stanze riedi. GIULIETTA Pria mi perdona. CORO Ell è morente, il vedi; poni al tuo sdegno un fren, ell è morente, ecc. GIULIETTA Deh! deh! padre mio!... Ah! non poss io partire, ecc. ...perdona un cor che muor. LORENZO Ah! vieni, deh! col tuo fedel, ah! vieni, ecc. CAPELLIO Ti appresta al nuovo albor, ecc. CORO Deh! poni al tuo sdegno un fren... Giulietta parte sostenuta da Lorenzo Recitativo CAPELLIO Qual turbamento io provo! Quale scompiglio in cor! Taci, o pietade viltà saresti. Di Tebaldo in traccia corra qualcun, e di Lorenzo i passi spiate voi sospetto omai m è desso. Né uscir, né altrui parlar gli sia concesso. Partono SCENA SECONDA Nei giardini del palazzo. Entra Romeo Recitativo ROMEO Deserto è il luogo. Di Lorenzo in traccia irne poss io. Crudel Lorenzo! Anch esso m oblia nella sventura, e congiurato coi mio destin tiranno, m abbandona a me solo in tanto affann. Vadasi... Alcun s appressa Crudele inciampo! TEBALDO Chi sei tu, che ardisci aggirarti furtivo in queste mura? Non odi tu? ROMEO Non t appressare. Funesto il conoscermi fora. TEBALDO Io ti conosco all audace parlar, all ira estrema che in me tu desti. ROMEO Ebben, mi guarda, e trema. Duo TEBALDO Stolto! a un sol mio grido mille a punirti avrei. Stolto! Stolto! Ma vittima tu sei serbata a questo acciar. Stolto, a un sol mio grido, ecc. ma vittima tu sei, ecc. ROMEO Vieni io ti sprezzo, ti sprezzo e sfido teco i seguaci tuoi, ti sprezzo, ti sprezzo tu bramerai fra noi l alpi frapposte e il mar. Vieni, ah vieni io ti sprezzo, ecc. TEBALDO Un Nume avverso, un Fato, che la ragion ti toglie... ROMEO All armi! T ha spinto in queste soglie la morte ad incontrar. TEBALDO All armi! ROMEO, TEBALDO Un Nume avverso, un Fato t ha spinto in queste soglie la morte ad incontrar. Un Nume avverso, ecc. ...All armi! all armi! all armi! per battersi TEBALDO Arresta. ROMEO Qual mesto suon echeggia? CORO dentro delle scene Ahi sventurata! ROMEO Qua voci! Oh Dio! TEBALDO Presentimento orribile! Comparisce un corteggio funebre che diffila lungo la galleria CORO Pace alla tua bell anima dopo cotanti affanni! vivi, se non fra gli uomini, vivi, o Giulietta, in ciel, ah! sventurata! ROMEO Ah! TEBALDO Oh Dio! ROMEO Che sento! Giulietta! TEBALDO Spenta!... ROMEO Ah barbaro! TEBALDO Mi scende agli occhi un vel. ROMEO in dirotto pianto Oh mia Giulietta! io t ho perduta! Tebaldo e Romeo rimangono immobili alcuni momenti. Romeo per primo si scuote e gettando la spada si precipita disperato innanzi a Tebaldo Duo ROMEO Ella è morta, o sciagurato; per te morta di dolore. Ah! paga alfine è del tuo core l ostinata crudeltà TEBALDO Ah! di te più disperato, più di te son io trafitto... ah l amor mio come un delitto rinfacciando il cor mi va. ROMEO Per te morta di dolore. TEBALDO Son di te più disperato... ah l amor mio, ecc. ROMEO Sei pago alfin. Svena, ah! svena un disperato... a tuoi colpi il sen presento... sommo bene in tal momento ah! il morir per me sarà, sommo bene, ecc. TEBALDO Vivi, ah! vivi, o sventurato, tu che almen non hai rimorso, ah! se i miei di non tronchi, ah! il dolor m ucciderà, ah! se i miei di non tronchi, ecc. Ah taci. ROMEO È morta. TEBALDO Pietà! ROMEO È morta. TEBALDO Ah! l amor mio rinfacciando il cor mi va. ROMEO Sei pago alfin. TEBALDO Ah! cessa. ROMEO Svena, ah! svena, ecc. TEBALDO Vivi, ah! vivi, ecc. SCENA TERZA Le tombe dei Capuleti. Romeo entra con i suoi seguaci CORO DI MONTECCHI Siam giunti. Ah! il ciel consenta che non ti sia funesto l esser disceso in questo albergo di squallor, ah! il ciel consenta, ecc. Recitativo ROMEO Ecco la tomba... Romeo s avvia al sasso ...ancor di fiori sparsa molli di pianto ancor Il... mio... ricevi... più doloroso, amaro MONTECCHI Signor, ti calma. ROMEO Altro fra poco maggior del pianto, altro olocausto avrai. MONTECCHI Omai eccede il tuo dolor. ROMEO O del sepolcro profonda oscurità... cedi un istante, cedi al lume del giorno, e mi rivela per poco la tua preda. ai seguaci L urna m aprite voi; ch io la riveda. Il Montecchi sforzano il coperchio dell urna e vedesi Giulietta distesa. Romeo corre a lei, soffocato dal singhiozzo Ah! Giulietta! o mia Giulietta! Sei tu... ti veggo, ti ritrovo ancora... morta non sei... dormi soltanto, e aspetti che ti desti il tuo Romeo. Sorgi, mio ben, al suon de miei sospiri ti chiama il tuo Romeo, sorgi, mio bene. MONTECCHI Lasso! delira. Vieni, partiamo periglio è l indugiar di più. Recitativo ROMEO Per pochi istanti me qui lasciate arcani ha il duol che deve solo alla tomba confidar. MONTECCHI Lasciarti solo, e in tanto cordoglio! Ah! tu ci spezzi il cor. ROMEO Uscite, il voglio. MONTECCHI Ah! tu ci spezzi il cor. Si ritirano Recitativo ROMEO Tu sola, o mia Giulietta, m odi tu sola. Ah! vana speme! È sorda la fredda salma di mia voce al suono... Deserto in terra, abbandonato io sono! Aria ROMEO Deh! tu, bell anima, che al ciel ascendi, a me rivolgiti, con te mi prendi così scordarmi, così lasciarmi, non puoi, bell anima, nel mio dolor, non puoi scordarmi, ecc. Recitativo O tu, mia sola speme, tosco fatal, non mai da me diviso, vieni al mio labbro Si avvelena Raccogliete voi l ultimo mio sospiro, tombe de miei nemici. GIULIETTA destandosi dalla tomba Ah! ROMEO Qual sospiro! GIULIETTA con fioca voce Romeo! ROMEO La voce sua!... GIULIETTA Romeo! ROMEO Mi chiama! Già m invita al suo sen! Giulietta sorge dalla tomba Ciel! che vegg io? GIULIETTA Romeo! ROMEO Giulietta! Oh Dio! GIULIETTA Sei tu? ROMEO Tu vivi?... GIULIETTA Ah! per non più lasciarti io mi desto, mio ben... la morte mia fu simulata... ROMEO Ah! che di tu? GIULIETTA L ignori? non vedesti Lorenzo? ROMEO Altro io non vidi... altro io non seppi... ohimè!... ch eri qui morta. E qui venni... ah! infelice! GIULIETTA Ebben, che importa? Son teco alfin ogni dolor cancella un nostro amplesso... Andiam... ROMEO Restarmi io deggio eternamente qui. GIULIETTA Che dici mai?... Parla... parla... Ah! Romeo! ROMEO Tutto gi sai. Si asconde il capo fra le mani Duo GIULIETTA Ah! crudel! che mai facesti? ROMEO Morte io volli a te vicino. GIULIETTA Deh! che scampo alcun t appresti... ROMEO Ferma, è vano... GIULIETTA Oh! rio destino! ROMEO Cruda morte io chiudo in seno... GIULIETTA Ch io con te l incontri almeno... dammi un ferro... ROMEO Ah! no, giammai. GIULIETTA Un veleno... ROMEO Il consumai. Vivi, ah! vivi, e vien talora sul mio sasso a lagrimar. GIULIETTA Ciel crudel! ah! pria ch ei mora i miei dì troncar dei tu. ROMEO Vivi, ah! vivi, ecc. Giulietta! al seno stringimi Io ti discerno appena. GIULIETTA piangendo Ed io ritorno a vivere quando tu dei morir! ROMEO Basti... il vederti in pena accresce il mio martir. Più non ti veggo... ah! parlami... GIULIETTA Ah! mio Romeo!... ROMEO ...un solo accento ancor... GIULIETTA ...non mi lasciare ancor... ROMEO ...rammenta il nostro amor... GIULIETTA ...posati sul mio cor... ROMEO ...rammenta il nostro amor... GIULIETTA ...non mi lasciare ancor... ROMEO Giulietta! ah! io manco... ah! GIULIETTA Attendimi... ROMEO Addio... ah! Giulie... Muore GIULIETTA Ei muore... oh, Dio! Cade sul corpo di Romeo) MONTECCHI entrando Romeo! Romeo! Capellio, Lorenzo e i Capuleti sortono. Lorenzo s avvia ai corpi di Giulietta e Romeo CAPELLIO S inseguano. LORENZO, MONTECCHI Cielo! LORENZO Morti ambedue! MONTECCHI, CAPULETI Barbaro fato! LORENZO, MONTECCHI, CAPULETI Mira. CAPELLIO Uccisi! da chi? LORENZO, MONTECCHI Da te, spietato. (libretto Felice Romani) Bellini,Vincenzo/I Capuleti e i Montecchi
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The Joshua Generation The Road of Healing That Leads to the Promised Land Authorhouse? Sean C. Mungin? Authorhouse? SeanC.Mungin? Substores-UnknownASINs-35 Subjects-Religion&Spirituality-General? Subjects-Religion&Spirituality-Spirituality-Inspirational? The House of Stone Mystery and Other Stories Authorhouse? Roger I. Garza? Authorhouse? RogerI.Garza? Substores-UnknownASINs-35 Subjects-Literature&Fiction-General? Someone I Love Is in the Hospital Grandpa's in the Hospital Authorhouse? Esther Pearlman? Authorhouse? EstherPearlman? Substores-UnknownASINs-35 Subjects-Children sBooks-Science,Nature&HowItWorks-Health-VisittheDoctor? Wumpleberries and Gronglenuts Authorhouse? Graham Burchell? Authorhouse? GrahamBurchell? Substores-UnknownASINs-35 Subjects-Literature&Fiction-GenreFiction-Action&Adventure? The Whisper of Feathers Stories of Maybes and Might-Have-Beens Authorhouse? Maureen Williams? Authorhouse? MaureenWilliams? 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Subjects-Literature&Fiction-Poetry-UnitedStates-20thCentury? Moonlight Psyche Lyrical Poetry of Love and Sorrow Authorhouse? Judith Lahaie? Authorhouse? JudithLahaie? Substores-UnknownASINs-35 Subjects-Literature&Fiction-Poetry-Anthologies? Subjects-Literature&Fiction-Poetry-General? Subjects-Literature&Fiction-Poetry-SingleAuthors-UnitedStates? Subjects-Literature&Fiction-Poetry-UnitedStates-General? Subjects-Literature&Fiction-Poetry-UnitedStates-20thCentury? Voices from the Forest The Story of Abram and Julia Bobrow Authorhouse? Stephen Paper? Authorhouse? StephenPaper? Substores-UnknownASINs-35 Subjects-Biographies&Memoirs-General? Subjects-Biographies&Memoirs-Historical-Holocaust? Voices from the Forest The Story of Abram and Julia Bobrow Authorhouse? Stephen Paper? Authorhouse? StephenPaper? Substores-UnknownASINs-35 Subjects-Biographies&Memoirs-General? Subjects-Biographies&Memoirs-Historical-Holocaust? The Time of Enlightenment Authorhouse? Master Teachers Through Darlen-de? 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Subjects-Law-PerspectivesonLaw-Non-USLegalSystems? Subjects-Nonfiction-Law-PracticalGuides-General? Subjects-Nonfiction-Law-PerspectivesonLaw-Non-USLegalSystems? God Without the Myths Authorhouse? J. Ray Hunt? Authorhouse? J.RayHunt? Substores-UnknownASINs-35 Subjects-Religion&Spirituality-ReligiousStudies-Theology-General? A Devil Among Angels Authorhouse? Eva M. Shutt? Authorhouse? EvaM.Shutt? Substores-UnknownASINs-35 Subjects-Literature&Fiction-General? Subjects-Religion&Spirituality-Christianity-Fiction&Poetry-Fiction? Jazz Dance Styles and Steps for Fun Authorhouse? Helene Andreu? Authorhouse? HeleneAndreu? Substores-UnknownASINs-35 Subjects-Entertainment-PerformingArts? Subjects-Arts&Photography-PerformingArts-General? L. A. Stalker Authorhouse? David L. Kilpatrick? Authorhouse? DavidL.Kilpatrick? ユーズドブック(洋書)-Mystery&Thrillers? Substores-UnknownASINs-35 Subjects-Literature&Fiction-General? Subjects-Mystery&Thrillers-Thrillers-Psychological&Suspense? Living Remedies Authorhouse? Eric Jackson? Authorhouse? EricJackson? ユーズドブック(洋書)-Mystery&Thrillers? Substores-UnknownASINs-35 Subjects-Literature&Fiction-General? Subjects-Mystery&Thrillers-Thrillers-Psychological&Suspense? Stories from the Top Drawer Authorhouse? Community Learning Press? Authorhouse? CommunityLearningPress? Substores-UnknownASINs-35 Subjects-Literature&Fiction-General? Subjects-Literature&Fiction-ShortStories-Anthologies? Night Prophecies Authorhouse? Larry Hupp? Authorhouse? LarryHupp? ユーズドブック(洋書)-Mystery&Thrillers? Substores-UnknownASINs-35 Subjects-Literature&Fiction-General? Subjects-Mystery&Thrillers-Thrillers-Psychological&Suspense? Surviving Wwii As a Child Swamp Hermit Transcending Illiteracy and Ignorance Authorhouse? Sal Kapunan? Authorhouse? SalKapunan? ユーズドブック(洋書)-Mystery&Thrillers? Substores-UnknownASINs-35 Subjects-Children sBooks-Animals-Pets? Subjects-Children sBooks-Science,Nature&HowItWorks-Environment&Ecology-Fiction? Subjects-Mystery&Thrillers-Thrillers-Psychological&Suspense? Substores-UnknownASINs-35 洋書
https://w.atwiki.jp/myoss/pages/18.html
Apacheのインストール Apache Http Serverのソースファイルを入手．現在の最新版は，2.0.54. 圧縮ファイルを解凍しソースツリーを作成．今回は最低限必要なもののみソースツリーに含ませた． ./configure --prefix={$apache_install_dir} --enable-so --with-mpm=worker [--prefix] インストールするディレクトリを指定．指定しない場合は，/usr/local/apache2にインストールされる． [--enable-so] Dynamic Shared Object(動的共有オブジェクト)の使用を可能にする．このオプションを指定しないと，コンパイル後のモジュール追加が行えない． [--with-mpm=worker] MPM(Multi Processing Module)を指定する．現在使用可能なMPMは以下の通り． UNIX,Linux;prefork,worker Windows;mpm_winnt この後， make make install Tomcatのインストール TomcatのバイナリをJakarta Projectより入手．現在の最新版は，5.5.9． ソースファイルからビルドしても構わないが，非常に時間がかかるので推奨しない． 前提条件 J2SE 5.0以上 Tomcat導入後，環境変数にJAVA_HOME={$jdk_install_dir}，CATALINA_HOME={$tomcat_install_dir}を設定しておく． Apache,Tomcatのインストール後，単体での稼動確認を行う． Apache+Tomcatの連携 Apache/Tomcatコネクタの導入 Apache/TomcatコネクタをJakarta Projectより入手．コネクタは，mod_jkの利用を推奨する(mod_jk2は現在開発終了)．現在の最新版は1.2.14． 解凍しコンパイル/インストール． ./configure --with-apxs={$apache_install_dir}/bin/apxs make make install ${jakarta_connctor_src_dir}/jk/native/apache-2.0ディレクトリにモジュールが作成されるので，mod_jk.soという名前に変更し，{$apache_install_dir}/modulesにコピー． 変更ファイル Apache;httpd.conf，workers.properties Tomcat;server.xml [httpd.conf] 以下の記述を追加． LoadModule jk_module modules/mod_jk.so JKWorkersFile conf/workers.properties JkLogFile logs/mod_jk.log JkLogLevel debug JkMount /servlets-examples/* ajp13w JkMount /jsp-examples/* ajp13w この記述はIfModule mod_jk.cタグで囲っても構わない． [workers.properties] {$tomcat_install_dir}/confにあるworkers.properties.minimalをコピーし，workers.propertiesに変更． ここで，workers.propertiesに記述されたworker名とhttpd.confに記述したworker名(今回はajp13w)を統一すること． [server.xml] Connector要素のポート8080をコメントアウト． Connector要素のポート8009のコメントアウトを外す． 稼動確認 Tomcat，Apacheの順番で起動する． 以下のURLにアクセスできれば成功． http //localhost/jsp-examples/またはhttp //localhost/servlets-examples/ #comment() と書くとこのようにコメント欄を付け加えることができます。 -- ikeda (2005-07-26 08 45 08) もしかして今Apache+Tomcatの連携環境つくられてます？ -- ikeda (2005-07-26 08 45 45) 沢山あるよ。Linux,UNIX,Windows etc -- sugahara (2005-07-27 10 32 25) 名前 コメント
https://w.atwiki.jp/utapri_shininglive/pages/698.html
楽曲情報難易度・ノーツ数 解禁条件 備考 コメント 楽曲情報 曲名 ORIGINAL RESONANCE 属性 シャイン 歌 聖川真斗一ノ瀬トキヤ 作詞 上松範康（Elements Garden） 作曲 上松範康（Elements Garden） 編曲 藤間仁（Elements Garden） 難易度・ノーツ数 EASY NORMAL HARD PRO ★ 2 6 8 12 ノーツ数 103 234 370 650 解禁条件 キャンペーン（2018/4/1～2018/4/30） 備考 初出：キャンペーン（2018/4/1～2018/4/30） コメント