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http //www.oracle.com/sun/lje-oracle-sun-faq.pdf Transcript of an Interview with Larry Ellison by Reuters on the Acquisition of Sun Microsystems Part I May 7, 2009 Why does Oracle, a company that prides itself on highmargins, want to get into the low-margin hardware business? Are you going to exit the hardware business? No, we are definitely not going to exit the hardware business. While most hardware businesses are low-margin, companies like Apple and Cisco enjoy very high-margins because they do a good job of designing their hardware and software to work together. If a company designs both hardware and software, it can build much better systems than if they only design the software. That’s why Apple’s iPhone is so much better than Microsoft phones. OK, Apple and Cisco have proven that they can do it, but what experience does Oracle have designing hardware and software to work together? Oracle started designing hardware and software to work together a few years ago when we began our Exadata database machine development project. Some of our competitors, Teradata and Netezza for example, were delivering preconfigured hardware/ software systems, while we were just delivering software. The combination of hardware and software has significant performance advantages for data warehousing applications. We had to respond with our own hardware/software combination, the Exadata database machine. Oracle’s Exadata database machine runs data warehousing applications much faster—at least ten-times faster than Oracle software running on conventional hardware. All the hardware and software pieces, database to disk, are included. You just plug it in and go—no systems integration required. Alright, Oracle’s done integrated hardware and software design with the Exadata database machine. But Exadata uses standard Intel chips. Are you going to discontinue the SPARC chip? No. Once we own Sun we’re going to increase the investment in SPARC. We think designing our own chips is very, very important. Even Apple is designing its own chips these days. Right now, SPARC chips do some things better than Intel chips and vice-versa. For example, SPARC is much more energy efficient than Intel while delivering the same performance on a per socket basis. This is not just a green issue, it’s an economic issue. Today, database centers are paying as much for electricity to run their computers as they pay to buy their computers. SPARC machines are much less expensive to run than Intel machines. So is that your plan, to use SPARC to compete by lowering a data center’s electricity bills? No, our primary reason for designing our own chips is to build computers with the very best performance, reliability and security available in the market. Some system features work much better if they are implemented in silicon rather than software. Once we own Sun, we’ll be able to plan and synchronize new features from silicon to software, just like IBM and the other big system suppliers. We want to work with Fujitsu to design advanced features into the SPARC microprocessor aimed at improving Oracle database performance. In my opinion, this will enable SPARC Solaris open-system mainframes and servers to challenge IBM’s dominance in the data center. Sun was very successful for a very long time selling computer systems based on the SPARC chip and the Solaris operating system. Now, with the added power of integrated Oracle software, we think they can be again. Your management team has no experience with delivering hardware. There is a lot of risk in going into an unfamiliar business. Obviously, we want to hold on to Sun’s experienced team of first-rate hardware engineers. For years, Sun has led the industry in building and delivering innovative systems. For example, Sun was the first company to deliver systems built on a multicore processor—what Sun called the Niagara chip—and the industry followed. Oracle has a good track record of retaining the engineering talent from acquired companies; Sun will be no different. In addition, over the last couple of years Oracle gained a lot of experience developing and delivering our first integrated hardware and software system, the Exadata database machine. We have lots of hardware experience inside of Oracle. Hundreds 2 of Oracle’s engineers came from systems companies like IBM and HP. Even I started my Silicon Valley career working for a hardware company that worked with Fujitsu to design and build the first IBM compatible mainframe. OK, so you have engineers who are experienced at designing hardware as well as software, but Oracle outsourced the manufacturing of the Exadata machine to HP. You have no experience in manufacturing. Just because we’re buying Sun does not mean Oracle is becoming a manufacturer. Sun outsources almost all of its manufacturing to companies like Flextronics and Fujitsu. With one tiny exception, Sun does no manufacturing; neither will we. There has been a lot of speculation in the press that Oracle is going to sell some or all of Sun’s hardware businesses. From your previous answers it certainly seems like you are keeping the SPARC Solaris systems business. Are you keeping the disk storage and tape backup businesses? Yes, definitely. We believe the best user experience is when all the pieces in the system are engineered to work together. Disk storage and tape backup are critical components in highperformance, high-reliability, high-security database systems. So, we plan to design and deliver those pieces too. Clearly many Sun customers choose disk and tape systems from other vendors. That’s what open systems are all about providing customers with a choice. But Oracle expects to continue competing in both the disk and tape storage businesses after we buy Sun. Is Exadata moving to Sun SPARC Solaris? Exadata is built by HP using Intel microprocessors. We have no plans for a SPARC Solaris version of Exadata. We have an excellent relationship with HP that we expect to continue. The Exadata database machine delivers record setting database performance at a lower cost than conventional hardware. Customers love the machine. It is the most successful product introduction in Oracle’s 30 year history. The Sun acquisition doesn’t reduce our commitment to Exadata at all. Cautionary Statement Regarding Forward-Looking Statements This document contains certain forward-looking statements about Oracle and Sun, including statements that involve risks and uncertainties concerning Oracle’s proposed acquisition of Sun; plans for Sun’s hardware businesses (including the SPARC chip) upon completion of the proposed acquisition; estimates of future results of operations; anticipated customer, partner and product plans, advantages and benefits; retention of Sun’s engineers; and general business outlook. When used in this document, the words “anticipates”, “plans”, “estimates”, “may”, “can”, “want”, “will”, “believes”, “expects” or “expected”, “projects”, “intends”, “likely”, similar expressions and any other statements that are not historical facts are intended to identify those assertions as forward-looking statements. Any such statement may be influenced by a variety of factors, many of which are beyond the control of Oracle or Sun, that could cause actual outcomes and results to be materially different from those projected, described, expressed or implied in this document due to a number of risks and uncertainties. Potential risks and uncertainties include, among others, the possibility that the transaction will not close or that the closing may be delayed, the anticipated synergies of the combined companies may not be achieved after closing, the combined operations may not be successfully integrated in a timely manner, if at all, general economic conditions in regions in which either company does business, and the possibility that Oracle or Sun may be adversely affected by other economic, business, and/or competitive factors. Accordingly, no assurances can be given that any of the events anticipated by the forward-looking statements will transpire or occur, or if any of them do so, what impact they will have on the results of operations or financial condition of Oracle or Sun. In addition, please refer to the documents that Oracle and Sun, respectively, file with the Securities and Exchange Commission (the “SEC”) on Forms 10-K, 10-Q and 8-K. These filings identify and address other important factors that could cause Oracle’s and Sun’s respective financial and operational results to differ materially from those contained in the forward-looking statements set forth in this document. You are cautioned to not place undue reliance on forward-looking statements, which speak only as of the date of this document. Neither Oracle nor Sun is under any duty to update any of the information in this document. Additional Information about the Merger and Where to Find It In connection with the proposed merger, Sun will file a proxy statement with the SEC. Additionally, Sun and Oracle will file other relevant materials in connection with the proposed acquisition of Sun by Oracle pursuant to the terms of an Agreement and Plan of Merger by and among Oracle, Soda Acquisition Corporation, a wholly-owned subsidiary of Oracle, and Sun. The materials to be filed by Sun with the SEC may be obtained free of charge at the SEC’s web site at www.sec.gov. Investors and security holders of Sun are urged to read the proxy statement and the other relevant materials when they become available before making any voting or investment decision with respect to the proposed merger because they will contain important information about the merger and the parties to the merger. Oracle, Sun and their respective directors, executive officers and other members of its management and employees, under SEC rules, may be deemed to be participants in the solicitation of proxies of Sun stockholders in connection with the proposed merger. Investors and security holders may obtain more detailed information regarding the names, affiliations and interests of certain of Oracle’s executive officers and directors in the solicitation by reading Oracle’s most recent Form 10-K and other relevant materials filed with the SEC when they become available. Information concerning the interests of Sun’s participants in the solicitation, which may, in some cases, be different than those of Sun’s stockholders generally, is set forth in the materials filed with the SEC on Form 10-K and will be set forth in the proxy statement relating to the merger when it becomes available. This document is intended for information purposes only and may not be incorporated into any contract. It is not a commitment to deliver any material, code, or functionality, and should not be relied upon in making purchasing decisions. The development, release, and timing of any features or functionality described for Oracle’s products remains at the sole discretion of Oracle. Copyright © 2009, Oracle and/or its affiliates. All rights reserved. Oracle is a registered trademark of Oracle Corporation and/or its affiliates. Other names may be trademarks of their respective owners. 09025090
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Tier1 スキル 効果 その他 Intelligence (Level 1) Base Sign Intensity +10% Bronze Talentが必要 Unlocks level 2 Signs Potion Brewing ポーションの作成が可能になります Story-based ability Geraltが酔った状態時のみ効果を発揮 Rising Moon Sign Intensity +100% Story-based ability 月が出ている時だけ効果を発揮 Tier2 スキル 効果 その他 Intelligence (Level 2) Base Sign Intensity +10% Bronze Talentが必要 Unlocks level 3 Signs Herbalism ハーブの識別と採集が可能になります Bronze Talentが必要 Monster Lore Provides knowledge about selected, not yet encountered monsters. Bronze Talentが必要 Oil Preparation オイルを作ることが可能になります Bronze Talentが必要 Tier3 スキル 効果 その他 Intelligence (Level 3) Base Sign Intensity +20% Silver Talentが必要 Unlocks level 4 Signs Cleansing RItual パワースポットでポーション毒を解毒できるようになります Silver Talentが必要 Ingredient Extraction Increases chance of extracting ingredients from both herb plants and defeated foes Silver Talentが必要 Bomb Preparation 爆弾の作成が可能になります Silver Talentが必要 Tier4 スキル 効果 その他 Intelligence (Level 4) Base Sign Intensity +20% Silver Talentが必要 Unlocks level 5 Signs Focus Sign duration +25% Silver Talentが必要 Life Ritual Enables performance of Life Ritual in Places of Power Silver Talentが必要 Magic Frenzy Sign Intensity +25% Silver Talentが必要 Geraltの体力が25%以下の時に効果を発揮 Tier5 スキル 効果 その他 Intelligence (Level 5) Base Sign Intensity +40% Gold Talentが必要 Mental Endurance Endurance consumed when casting Sings -25% Gold Talentが必要 Intensity Sign Intensity +20% Gold Talentが必要
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第２幕 第１場 カペッリオの宮殿の屋内の広間 ジュリエッタひとり レチタティーヴォ ジュリエッタ 誰も戻ってこない！... 残酷でつらいことね 何も知らされずにいるのは！ 武器の音は消えたわ... ただ時折 かすかに 不確かなざわめきが 遠くで起こっている まるで風のように 嵐が収まるときの 誰が倒れたの ああ！ 誰が勝ったのかしら？ 誰のために最初に私は泣くの？... ここから出ることはできないの！... 私の運命を知ることなく 私はここを歩き回るだけ！ （ロレンツォが現れる） ロレンツォ！どうだったの？ ロレンツォ ロメオ様はご無事です ジュリエッタ よかった ロレンツォ 近くの要塞におられます 彼の急襲用の そこでエッツェリーノ公の救助を 望めるでしょう ... けれどあなたは ああ！ すぐにテバルドさまの 城に連れて行かれるでしょう もしも私を信用して頂かなければ もしもこの極めて危険な試みに 極めて強固な気持ちで チャレンジして頂かないことには ジュリエッタ 何をすればいいの？話して ロレンツォ あなたは勇気を持っていますか？ ジュリエッタ それを聞く必要があるの？ ロレンツォ 飲むのです この秘薬を これは とても強く 死んだかのように見える 眠りをもたらします あなたは亡くなったと思われて 墓が用意されるでしょう ご先祖の墓所の中に... ジュリエッタ おお！何を仰いますの？あそこのうちには 兄が横たわっています ロメオさまに刺し貫かれた... 私の罪を知って 起き上がって責められるかも ... ロレンツォ あなたが目覚める時には わたしたちがそこにおります あなたの最愛の人と私が... 恐れないでください デュオ ロレンツォ 震えておられますね？... 止めますか？ ジュリエッタ おお 神さま！ 私は死ぬことは恐れません お分かりでしょう いつもあなたにこの薬を求めておりました...そうです でもこれまでに試したことがないので それが私には恐ろしくて 私を怯えさせるのです ああ！恐れが私に湧き起こります ロレンツォ 信じてください どうか！私を信じてください ジュリエッタ ああ！もしもこの強烈な薬が... ロレンツォ ええ あなたを幸せにするでしょう ジュリエッタ ...効き目がうまく働かなかったら... 恐ろしい疑いが！ もしも私がそこに横たわったまま 二度と目覚められないとしたら ... ロレンツォ お飲みなさい 時間がありません あなたの父上がやってこられます ジュリエッタ お父さまが！ああ下さい 私を救って 私は死んだ方が良いのです そう あなたのために ロメオ様 死ぬのです 死だけが私を引き離すことができるのだから 酷い父上から！ 飲む ロレンツォ もう救われておりますよ しっかりなさいませ！ ジュリエッタ 別の場所へお連れください カペッリオが他の人々と入ってくる カペッリオ 待て まだ起きていたのか？ 休む時間は与えてやろう だがほんのちょっとの間だぞ 行け 花婿に従えるよう 明日の夜明けまでには支度をしておくのだぞ 分かっておろうな コーラス 可哀想に！苦しみがあふれている... 嘆き...ようやく耐えておられる もっと穏やかにお話し下さい お嬢様を死なせてしまいます あなた様の厳しさは... カペッリオは再びジュリエッタに出て行くよう合図をする ジュリエッタ （涙ながらに） どうか！お父さま ああお父さま！ ああ！私は出ては行けません あなたの許しを頂かなくては 私はもう墓が間近なのです ああ！せめて私を抱いてください そのお怒りを鎮めて... 安らぎをこの死にゆく心に... 眠ってくれますように あなたのすべてのお怒りが 私がお墓に入った時には ああ！お父さま お許しをこの死にゆく心に カペッリオ 早く行け... ...お前の部屋に戻れ ロレンツォ （小声でジュリエッタに） ああ！参りましょう 素知らぬふりで コーラス 可哀想に！苦しみがあふれている... ジュリエッタ ああ お父さま！ ロレンツォ さあ 行きましょう カペッリオ 行け！ ジュリエッタ お許しください カペッリオ お前の部屋に下がれ ジュリエッタ まず お許しください コーラス お嬢さまは今にも死にそうです お分かりでしょう あなたの怒りを抑えてくださいませ お嬢さまは今にも死にそうです．．． ジュリエッタ どうか！ どうか！私のお父さま！... ああ！私は出ては行けません．．． ...お許しをこの死にゆく心に ロレンツォ ああ！参りましょう どうか！あなたの信頼する者と さあ 行きましょう．．． カペッリオ 明日の夜明けまでには支度をしておくのだぞ．．． コーラス どうか！あなたの怒りを抑えてくださいませ... ロレンツォに支えられながらジュリエッタ退場 レチタティーヴォ カペッリオ 何と心乱れることか！ 何たる動揺がこの胸のうちに！ 黙れ 同情心よ ：臆病だぞ テバルドを探しに 誰でも良い 急げ それからロレンツォの挙動をそなたらは見張れ わしには疑念が湧いておるのだ 奴を外に出すな 他の者と話をさせてもならん 全員退場 第２場 宮殿の庭園の中に。 ロメオが入って来る レチタティーヴォ ロメオ ここは誰もいない ロレンツォを探し出すこともできるだろう ひどいロレンツォ！ ぼくをこんな不幸のうちに忘れ去って 共謀しているんだ ぼくの運命の暴君と ぼくを放り出しているんだ ひとりぼっちでこんな苦しみの中に 行こう ...誰か来る 残酷な邪魔者め！ テバルド 誰だ 貴様 大胆にもしのび歩くとは この屋敷の中を？ 聴こえないのか？ ロメオ ぼくに近寄るな 恐ろしいことになるぞ ぼくが誰だか分かれば テバルド 貴様が誰か分かったぞ その不敵な口調で この激しい怒りから 貴様が私に掻き立てた ロメオ ならばぼくを見ろ 震えるがいい デュオ テバルド 愚か者め！一声私が叫べば 千人の手の者が貴様を襲うのだぞ 愚か者め！愚か者め！ だか 貴様は生贄として この剣のために取って置いてやるのだ 愚か者め！一声私が叫べば．．． だか 貴様は生贄として．．． ロメオ 来い：貴様など物の数ではない 者の数ではないぞ ぼくは挑んでやる 貴様にも 貴様の手下どもにも 貴様など物の数ではない 者の数ではないぞ 貴様は願うことになるんだ ぼくたちの間に 高い山が 海が分け入ってくれたらなあって 来い さあ来るんだ 貴様など物の数ではない．．． テバルド 憎しみの神か 運命か 貴様の正気を奪ったのは... ロメオ 武器を取れ！ 貴様を寄こしたのだ この場所に 死が挨拶しようとしてな テバルド 武器を取れ！ ロメオ、テバルド 憎しみの神が 運命が 貴様を寄こしたのだ この場所に 死が挨拶しようとして 憎しみの神が．．． ...武器を取れ！武器だ！ 武器を取れ！ 戦おうとする テバルド 待て ロメオ 何と悲しげな音のこだまだ？ コーラス （舞台裏で） ああ 不幸な娘！ ロメオ 何の声だ！おお神よ！ テバルド 恐ろしい予感が！ 葬送の行列が現れて回廊に沿って進んで行く コーラス あなたの美しい魂に安らぎあれ これほど多くの苦しみのあとには 生きよ 人間の中ではなく 生きよ おおジュリエッタ 天国で ああ！不幸なお方よ！ ロメオ ああ！ テバルド おお 神よ！ ロメオ なんてことだ！ジュリエッタ！ テバルド 死んでしまった！... ロメオ ああ 残酷な！ テバルド この目をヴェールが覆っているぞ ロメオ （涙を流して） おお ぼくのジュリエッタ！ ぼくは君を失ってしまった！ テバルドとロメオはしばしじっとしている ロメオが最初に身を震わせて剣を投げ捨て テバルドの前に絶望して駆け寄る デュオ ロメオ 彼女は死んだぞ おお不運な奴め 貴様のせいで悲しみのために死んだのだ ああ！これでついに報われたのだ 貴様の心の 執拗な残酷さが テバルド ああ！貴様などよりずっと絶望しておるわ 貴様などよりずっと深く傷ついている ああ 私のこの愛を罪だと この心が責め立てているのだ ロメオ 貴様のせいで悲しみのために死んだのだ テバルド 貴様などよりずっと絶望しておるわ... ああ 私のこの愛を．．． ロメオ 貴様もこれで満足だろう 殺せ ああ！ 殺してくれ この絶望した男を... 貴様の一撃に この胸を差し出すぞ... 最高の救いなのだ 今この瞬間には ああ！死ぬことがぼくにとっては 最高の救いなのだ．．． テバルド 生きろ ああ！生きていろ 不運な奴め 貴様には少なくとも 悔いはないだろう ああ！貴様にこの命が絶たれずとも ああ！この悲しみが私を殺すだろう ああ！貴様にこの命が絶たれずとも．．． ああ 黙れ ロメオ 彼女は死んだ テバルド お慈悲を！ ロメオ 彼女は死んだ テバルド ああ！私のこの愛を この心が責め立てているのだ ロメオ 貴様もこれで満足だろう テバルド ああ！やめてくれ ロメオ 殺せ ああ！殺してくれ．．． テバルド 生きろ ああ！生きていろ．．． 第３場 カプレーティの墓所 ロメオが彼の従者たちと共に入ってくる モンテッキ家の人々のコーラス 着きました ああ！天がなしたまいますように これがあなた様に致命的とならぬように ここに足を踏み入れたことが この不浄の場へと ああ！天がなしたまいますように．．． レチタティーヴォ ロメオ ここが墓か... （ロメオは墓石に近づく） ...まだ花が散らされている 涙でまだ濡れている なら...ぼくのも...受け取ってくれ... ずっと辛い 苦い涙を モンテッキ家の人々 若 落ち着いて下さい ロメオ でもすぐに この涙以上の 別の捧げものを受けるんだ モンテッキ家の人々 過ぎますぞ あなた様の悲しみは ロメオ おお この墓の 深い暗闇よ... しばし譲ってくれ 譲ってくれ 日の光に そしてぼくに見せてくれ わずかな間でも お前の獲物を （従者たちに） 墓を開けてくれ お前たち 彼女にまた会いたいんだ モンテッキたちは墓の蓋をこじ開け ジュリエッタがそこに横たわっているのが見える ロメオはすすり泣いて喉を詰まらせ彼女に駆け寄る ああ！ジュリエッタ！おおぼくのジュリエッタ！ 君だね...君に会えた ぼくはまた君に会えたんだ... 君は死んではいない... 眠ってるだけなんだ 目覚めるのを待ってるよ 君のロメオは 起きてくれよ 愛しい人 ぼくのため息を聞いて 君を呼んでいるんだ このロメオは 起きてくれよ 愛しい人 モンテッキ家の人々 お気の毒に！正気を失われて さあ 立ち去りましょう 危険です これ以上ここに留まるのは レチタティーヴォ ロメオ しばらくの間 ぼくをここに残してくれ 密かにこの悲しみを この墓にだけ打ち明けたいんだ モンテッキ家の人々 あなただけを残すと これほどの悲しみのうちに！ ああ！あなたはわれらの心を打ち砕きます ロメオ 行ってくれ お願いだ モンテッキ家の人々 ああ！あなたはわれらの心を打ち砕きます （去って行く） レチタティーヴォ ロメオ 君だけが おおぼくのジュリエッタ 一人だけ聞いてくれているね ああ！むなしい希望だ！ 聴こえない 君の冷たいむくろには ぼくの声の響きは... この世にただ一人 見捨てられたんだね ぼくは！ アリア ロメオ お願いだ！君 その美しい魂が 天に昇っていくのなら ぼくの方を振り向いて ぼくも一緒に連れて行ってくれ こうして ぼくを忘れるなんて こうして ぼくを残していくなんて 君にはできない 美しい魂よ ぼくの悲しみのうちに 君にはできない ぼくを忘れるなんて （レチタティーヴォ） おお お前 ぼくの唯一の希望よ 死の毒薬よ ぼくが肌身離さずに持っていた ぼくの唇に来るがいい （毒を飲む） 受けてくれ お前 ぼくの最後の吐息を わが敵の墓よ ジュリエッタ （墓から目覚めて） ああ！ ロメオ 何のため息だ！ ジュリエッタ （かすかな声で） ロメオ！ ロメオ 彼女の声だ！... ジュリエッタ ロメオ！ ロメオ ぼくを呼んでる！ もうぼくをその胸に呼び寄せてくれるのか！ （ジュリエッタは墓から起き上がる） 天よ！どういうことだ？ ジュリエッタ ロメオ！ ロメオ ジュリエッタ！おお神よ！ ジュリエッタ あなたなの？ ロメオ 生きていたのか？... ジュリエッタ ああ！もう二度とあなたから離れないために 私は目覚めたのです 恋しいお方... 私の死は偽りでしたの... ロメオ ああ！何を言うんだ？ ジュリエッタ 知らないのですか？ロレンツォとお会いには？ ロメオ 他のことは見ていない... 他のことは知らなかった... ああっ！... ここであなたが死んでいるということの他は それでぼくはここに来た...ああ！不幸な！ ジュリエッタ でも それが何ですの？ とうとうあなたと一緒になれるのですもの すべての悲しみを打ち消してくれるでしょう 私たちの抱擁は... さあ 行きましょう... ロメオ ぼくはここに永遠に残っていなければならないんだ ジュリエッタ 何をおっしゃいますの？... 話して...話してください... ああ！ロメオ！ ロメオ みんなもう分かってるだろう （両手で頭を抱えて） デュオ ジュリエッタ ああ！ひどい！何をなさったのですか？ ロメオ 君のそばで死にたかったんだ ジュリエッタ まあ！ でも何か助かる道を探せば... ロメオ もういい 無駄なんだ... ジュリエッタ ああ！酷い運命！ ロメオ 残酷な死をぼくは抱いている この胸のうちに... ジュリエッタ 私もあなたと一緒に せめて死を迎えられるように... その剣をくださいませ... ロメオ ああ！だめだ 決して ジュリエッタ 毒を... ロメオ 飲んでしまったんだ 生きて ああ！生きてくれ そして時々は来てくれないか ぼくの墓の上に涙を流しに ジュリエッタ 残酷な神さま！ ああ！彼が死んでしまう前に 私の命を奪い去ってください ロメオ 生きて ああ！生きてくれ．．． ジュリエッタ！その胸にぼくを抱いてくれ もう君がほとんど分からないんだ ジュリエッタ （泣きながら） 私は生き返ってしまったのね あなたが死ぬときに！ ロメオ もう十分だ...悲しむ君を見たら ぼくの苦しみは増すばかりなんだ もう君が見えないや... ああ！ぼくに話しかけて... ジュリエッタ ああ！私のロメオ！... ロメオ ...もう一言だけでも... ジュリエッタ ...私を置いて行かないで... ロメオ ...忘れないで ぼくたちの愛を... ジュリエッタ ...私の胸にもたれて... ロメオ ...忘れないで ぼくたちの愛を... ジュリエッタ ...私を置いて行かないで... ロメオ ジュリエッタ！ああ！お別れだ...ああ！ ジュリエッタ 私を待って... ロメオ さよなら...ああ！ジュリエ... 死ぬ ジュリエッタ 死んでしまった...おお神さま！ ロメオの体のそばに倒れる） モンテッキ家の人々 （入ってきて） ロメオさま！ロメオさま！ カペッリオ、ロレンツォとカプレーティの人々も入ってくる ロレンツォはロメオとジュリエッタの亡骸に駆け寄る カペッリオ 追いかけろ ロレンツォ、モンテッキ家の人々 何と！ ロレンツォ 二人とも死んでおられます！ モンテッキとカプレーティの人々 おお残酷な運命！ ロレンツォ モンテッキとカプレーティの人々 見よ カペッリオ 殺されたのだな！誰にだ？ ロレンツォ、モンテッキ家の人々 あなたにですよ 残酷なお方 （台本：フェリーチェ·ロマーニ） ATTO SECONDO SCENA PRIMA Atrio interno nel palazzo di Capellio. Giulietta sola Recitativo GIULIETTA Né alcun ritorna!... Crudele, dolorosa incertezza! Il suon dell armi si dileguò... Sol tratto tratto un fioco, incerto mormorio lunge si desta, come vento al cessar della tempesta. Chi cadde, ohimè! chi vinse? chi primo io piangerò?... Né uscir poss io!... e ignara di mia sorte io qui m aggiro! Lorenzo appare Lorenzo! ebben? LORENZO Salvo è Romeo. GIULIETTA Respiro. LORENZO Nella vicina rocca da suoi sorpresa, da Ezzelin soccorso sperar ei puote... ma tu, lassa! in breve di Tebaldo al castel tratta sarai, se in me non fidi, se al periglio estremo con estrema fermezza or non provvedi. GIULIETTA Che far? Favella. LORENZO Hai tu coraggio? GIULIETTA E il chiedi? LORENZO Prendi tal filtro è questo e si possente, che sembiante a morte sonno produce. A te creduta estinta tomba fa data nei paterni avelli... GIULIETTA Oh! che di tu? fra quelli giace il fratel da Romeo trafitto... Esso del mio delitto sorgeria punitor... LORENZO Al tuo svegliarti saremo presenti il tuo diletto ed io... non paventar. Duo LORENZO Tremi?... t arretri? GIULIETTA Oh Dio! Morte io non temo il sai, sempre la chiesi a te... si. Pur non provato mai sorge un terrore in me che mi sgomenta, ah! sorge in me. LORENZO Fida, deh! fida in me. GIULIETTA Ah! se del licor possente... LORENZO Si, sarai contenta. GIULIETTA ...se fallisse la virtù... dubbio crudele! Se in quell orror giacente non mi destassi più... LORENZO Prendi, gl istanti volano, il padre tuo s avanza. GIULIETTA Il padre! Ah porgi, salvami. Morir dovessi ancora, si, per te Romeo si mora, sol morte mi può togliere al crudo genitor! Beve LORENZO Salva già sei, costanza! GIULIETTA Guidami altrove. Capellio entra con altri CAPELLIO Arresta. Ancor sei desta? Concedo al tuo riposo brevi momenti ancor. Esci a seguir lo sposo ti appresta al nuovo albor. Udisti. CORO Lassa! d affanno è piena... geme... si regge appena. Più mite a lei favella; l uccide il tuo rigor... Capellio rinnova a Giulietta il cenno d uscire GIULIETTA con voce piangente Deh! padre mio, deh padre mio! Ah! non poss io partire priva del tuo perdono presso alla tomba io sono, ah! dammi un amplesso almeno. Pace una volta all ire... pace ad un cor che muore... Dorma ogni tuo furore del mio sepolcro in sen, ah! padre mio, perdona un cor che muor. CAPELLIO Lasciami... ...alle tue stanze riedi. LORENZO piano a Giulietta Ah! vieni e simula. CORO Lassa! d affanni è piena, ecc. GIULIETTA Ah padre! LORENZO Oh vieni. CAPELLIO Va! GIULIETTA Perdona CAPELLIO Alle tue stanze riedi. GIULIETTA Pria mi perdona. CORO Ell è morente, il vedi; poni al tuo sdegno un fren, ell è morente, ecc. GIULIETTA Deh! deh! padre mio!... Ah! non poss io partire, ecc. ...perdona un cor che muor. LORENZO Ah! vieni, deh! col tuo fedel, ah! vieni, ecc. CAPELLIO Ti appresta al nuovo albor, ecc. CORO Deh! poni al tuo sdegno un fren... Giulietta parte sostenuta da Lorenzo Recitativo CAPELLIO Qual turbamento io provo! Quale scompiglio in cor! Taci, o pietade viltà saresti. Di Tebaldo in traccia corra qualcun, e di Lorenzo i passi spiate voi sospetto omai m è desso. Né uscir, né altrui parlar gli sia concesso. Partono SCENA SECONDA Nei giardini del palazzo. Entra Romeo Recitativo ROMEO Deserto è il luogo. Di Lorenzo in traccia irne poss io. Crudel Lorenzo! Anch esso m oblia nella sventura, e congiurato coi mio destin tiranno, m abbandona a me solo in tanto affann. Vadasi... Alcun s appressa Crudele inciampo! TEBALDO Chi sei tu, che ardisci aggirarti furtivo in queste mura? Non odi tu? ROMEO Non t appressare. Funesto il conoscermi fora. TEBALDO Io ti conosco all audace parlar, all ira estrema che in me tu desti. ROMEO Ebben, mi guarda, e trema. Duo TEBALDO Stolto! a un sol mio grido mille a punirti avrei. Stolto! Stolto! Ma vittima tu sei serbata a questo acciar. Stolto, a un sol mio grido, ecc. ma vittima tu sei, ecc. ROMEO Vieni io ti sprezzo, ti sprezzo e sfido teco i seguaci tuoi, ti sprezzo, ti sprezzo tu bramerai fra noi l alpi frapposte e il mar. Vieni, ah vieni io ti sprezzo, ecc. TEBALDO Un Nume avverso, un Fato, che la ragion ti toglie... ROMEO All armi! T ha spinto in queste soglie la morte ad incontrar. TEBALDO All armi! ROMEO, TEBALDO Un Nume avverso, un Fato t ha spinto in queste soglie la morte ad incontrar. Un Nume avverso, ecc. ...All armi! all armi! all armi! per battersi TEBALDO Arresta. ROMEO Qual mesto suon echeggia? CORO dentro delle scene Ahi sventurata! ROMEO Qua voci! Oh Dio! TEBALDO Presentimento orribile! Comparisce un corteggio funebre che diffila lungo la galleria CORO Pace alla tua bell anima dopo cotanti affanni! vivi, se non fra gli uomini, vivi, o Giulietta, in ciel, ah! sventurata! ROMEO Ah! TEBALDO Oh Dio! ROMEO Che sento! Giulietta! TEBALDO Spenta!... ROMEO Ah barbaro! TEBALDO Mi scende agli occhi un vel. ROMEO in dirotto pianto Oh mia Giulietta! io t ho perduta! Tebaldo e Romeo rimangono immobili alcuni momenti. Romeo per primo si scuote e gettando la spada si precipita disperato innanzi a Tebaldo Duo ROMEO Ella è morta, o sciagurato; per te morta di dolore. Ah! paga alfine è del tuo core l ostinata crudeltà TEBALDO Ah! di te più disperato, più di te son io trafitto... ah l amor mio come un delitto rinfacciando il cor mi va. ROMEO Per te morta di dolore. TEBALDO Son di te più disperato... ah l amor mio, ecc. ROMEO Sei pago alfin. Svena, ah! svena un disperato... a tuoi colpi il sen presento... sommo bene in tal momento ah! il morir per me sarà, sommo bene, ecc. TEBALDO Vivi, ah! vivi, o sventurato, tu che almen non hai rimorso, ah! se i miei di non tronchi, ah! il dolor m ucciderà, ah! se i miei di non tronchi, ecc. Ah taci. ROMEO È morta. TEBALDO Pietà! ROMEO È morta. TEBALDO Ah! l amor mio rinfacciando il cor mi va. ROMEO Sei pago alfin. TEBALDO Ah! cessa. ROMEO Svena, ah! svena, ecc. TEBALDO Vivi, ah! vivi, ecc. SCENA TERZA Le tombe dei Capuleti. Romeo entra con i suoi seguaci CORO DI MONTECCHI Siam giunti. Ah! il ciel consenta che non ti sia funesto l esser disceso in questo albergo di squallor, ah! il ciel consenta, ecc. Recitativo ROMEO Ecco la tomba... Romeo s avvia al sasso ...ancor di fiori sparsa molli di pianto ancor Il... mio... ricevi... più doloroso, amaro MONTECCHI Signor, ti calma. ROMEO Altro fra poco maggior del pianto, altro olocausto avrai. MONTECCHI Omai eccede il tuo dolor. ROMEO O del sepolcro profonda oscurità... cedi un istante, cedi al lume del giorno, e mi rivela per poco la tua preda. ai seguaci L urna m aprite voi; ch io la riveda. Il Montecchi sforzano il coperchio dell urna e vedesi Giulietta distesa. Romeo corre a lei, soffocato dal singhiozzo Ah! Giulietta! o mia Giulietta! Sei tu... ti veggo, ti ritrovo ancora... morta non sei... dormi soltanto, e aspetti che ti desti il tuo Romeo. Sorgi, mio ben, al suon de miei sospiri ti chiama il tuo Romeo, sorgi, mio bene. MONTECCHI Lasso! delira. Vieni, partiamo periglio è l indugiar di più. Recitativo ROMEO Per pochi istanti me qui lasciate arcani ha il duol che deve solo alla tomba confidar. MONTECCHI Lasciarti solo, e in tanto cordoglio! Ah! tu ci spezzi il cor. ROMEO Uscite, il voglio. MONTECCHI Ah! tu ci spezzi il cor. Si ritirano Recitativo ROMEO Tu sola, o mia Giulietta, m odi tu sola. Ah! vana speme! È sorda la fredda salma di mia voce al suono... Deserto in terra, abbandonato io sono! Aria ROMEO Deh! tu, bell anima, che al ciel ascendi, a me rivolgiti, con te mi prendi così scordarmi, così lasciarmi, non puoi, bell anima, nel mio dolor, non puoi scordarmi, ecc. Recitativo O tu, mia sola speme, tosco fatal, non mai da me diviso, vieni al mio labbro Si avvelena Raccogliete voi l ultimo mio sospiro, tombe de miei nemici. GIULIETTA destandosi dalla tomba Ah! ROMEO Qual sospiro! GIULIETTA con fioca voce Romeo! ROMEO La voce sua!... GIULIETTA Romeo! ROMEO Mi chiama! Già m invita al suo sen! Giulietta sorge dalla tomba Ciel! che vegg io? GIULIETTA Romeo! ROMEO Giulietta! Oh Dio! GIULIETTA Sei tu? ROMEO Tu vivi?... GIULIETTA Ah! per non più lasciarti io mi desto, mio ben... la morte mia fu simulata... ROMEO Ah! che di tu? GIULIETTA L ignori? non vedesti Lorenzo? ROMEO Altro io non vidi... altro io non seppi... ohimè!... ch eri qui morta. E qui venni... ah! infelice! GIULIETTA Ebben, che importa? Son teco alfin ogni dolor cancella un nostro amplesso... Andiam... ROMEO Restarmi io deggio eternamente qui. GIULIETTA Che dici mai?... Parla... parla... Ah! Romeo! ROMEO Tutto gi sai. Si asconde il capo fra le mani Duo GIULIETTA Ah! crudel! che mai facesti? ROMEO Morte io volli a te vicino. GIULIETTA Deh! che scampo alcun t appresti... ROMEO Ferma, è vano... GIULIETTA Oh! rio destino! ROMEO Cruda morte io chiudo in seno... GIULIETTA Ch io con te l incontri almeno... dammi un ferro... ROMEO Ah! no, giammai. GIULIETTA Un veleno... ROMEO Il consumai. Vivi, ah! vivi, e vien talora sul mio sasso a lagrimar. GIULIETTA Ciel crudel! ah! pria ch ei mora i miei dì troncar dei tu. ROMEO Vivi, ah! vivi, ecc. Giulietta! al seno stringimi Io ti discerno appena. GIULIETTA piangendo Ed io ritorno a vivere quando tu dei morir! ROMEO Basti... il vederti in pena accresce il mio martir. Più non ti veggo... ah! parlami... GIULIETTA Ah! mio Romeo!... ROMEO ...un solo accento ancor... GIULIETTA ...non mi lasciare ancor... ROMEO ...rammenta il nostro amor... GIULIETTA ...posati sul mio cor... ROMEO ...rammenta il nostro amor... GIULIETTA ...non mi lasciare ancor... ROMEO Giulietta! ah! io manco... ah! GIULIETTA Attendimi... ROMEO Addio... ah! Giulie... Muore GIULIETTA Ei muore... oh, Dio! Cade sul corpo di Romeo) MONTECCHI entrando Romeo! Romeo! Capellio, Lorenzo e i Capuleti sortono. Lorenzo s avvia ai corpi di Giulietta e Romeo CAPELLIO S inseguano. LORENZO, MONTECCHI Cielo! LORENZO Morti ambedue! MONTECCHI, CAPULETI Barbaro fato! LORENZO, MONTECCHI, CAPULETI Mira. CAPELLIO Uccisi! da chi? LORENZO, MONTECCHI Da te, spietato. (libretto Felice Romani) Bellini,Vincenzo/I Capuleti e i Montecchi
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What Shape Is a Poem? Macmillan Children s Books? Paul Cookson? MacmillanChildren sBooks? PaulCookson? ジャンル別? Substores-UnknownASINs-8 Subjects-Literature&Fiction-Poetry-Anthologies? Subjects-Literature&Fiction-WorldLiterature-British? How Does Your Body Work? (Mactracks) Macmillan Education Ltd? Lorna Evans? MacmillanEducationLtd? LornaEvans? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-Education-LanguageInstruction-Instruction-EnglishasaForeignLanguage-Reading? Subjects-Reference-ForeignLanguages-Instruction-EnglishasaForeignLanguage-Reading? Churchill's Peacetime Ministry, 1951-55 Palgrave Macmillan? Henry Pelling? PalgraveMacmillan? HenryPelling? ジャンル別? Substores-UnknownASINs-8 Subjects-Biographies&Memoirs-General? Subjects-History-Europe-England-20thCentury? Subjects-Nonfiction-Politics-International-Relations? Subjects-Nonfiction-SocialSciences-PoliticalScience-LevelsofGovernment-FederalGovernment? Zambia Home Economics Pb4 Macmillan Education Ltd? Cdc? 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British Social Welfare in the Twentieth Century Palgrave Macmillan? Robert Page? Richard Silburn? PalgraveMacmillan? RobertPage? RichardSilburn? ジャンル別? Substores-UnknownASINs-8 Subjects-History-Europe-England-19thCentury? Subjects-History-HistoricalStudy-SocialHistory? Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare? The Power of Money Palgrave Macmillan? Armand Van Dormael? PalgraveMacmillan? ArmandVanDormael? ジャンル別? Substores-UnknownASINs-8 Subjects-Business&Investing-Biographies&Primers-BusinessHistory? Subjects-Business&Investing-Biographies&Primers-UnderstandingMoney? Subjects-Business&Investing-Economics-International? Subjects-Nonfiction-Economics-EconomicHistory? Subjects-Nonfiction-Economics-International? Subjects-Nonfiction-Economics-Money&MonetaryPolicy? Subjects-Professional&Technical-Accounting&Finance-International-Economics? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicHistory? Subjects-Professional&Technical-Accounting&Finance-Economics-Money&MonetaryPolicy? MAC Sec Physics (Intern/Taylor) Macmillan Education Ltd? Taylor Michael? MacmillanEducationLtd? TaylorMichael? ジャンル別? Substores-UnknownASINs-8 Subjects-Children sBooks-Science,Nature&HowItWorks-Physics? Subjects-Science-Physics? Macmillan Secondary Biology Macmillan Education Ltd? Hayward Geoff? MacmillanEducationLtd? HaywardGeoff? ジャンル別? Substores-UnknownASINs-8 Subjects-Children sBooks-Science,Nature&HowItWorks-Biology? Macmillan Mathematical Tables Macmillan Education Ltd? Bryn Roberts? MacmillanEducationLtd? BrynRoberts? ジャンル別? Substores-UnknownASINs-8 Subjects-Children sBooks-Reference&Nonfiction? Subjects-Children sBooks-Science,Nature&HowItWorks-Math? The British Labour Government and the 1976 IMF Crisis Palgrave Macmillan? Mark D. Harmon? PalgraveMacmillan? MarkD.Harmon? ジャンル別? Substores-UnknownASINs-8 Subjects-Business&Investing-Economics-International? Subjects-Nonfiction-SocialSciences-PoliticalScience-LevelsofGovernment-FederalGovernment? Subjects-Nonfiction-Economics-International? Subjects-Professional&Technical-Accounting&Finance-International-Economics? The Peacock Spring (Young Picador) Macmillan Children s Books? Rumer Godden? MacmillanChildren sBooks? RumerGodden? ジャンル別? Substores-UnknownASINs-8 Subjects-Children sBooks-Literature? Stealaway (Shock Shop) Macmillan Children s Books? K.M. Peyton? David Wyatt? MacmillanChildren sBooks? K.M.Peyton? DavidWyatt? ジャンル別? ユーズドブック(洋書)-Horror? Substores-UnknownASINs-8 Subjects-Children sBooks-Literature-ScienceFiction,Fantasy,Mystery&Horror-Spine-ChillingHorror? Subjects-Horror? Subjects-Literature&Fiction-GenreFiction-Horror? Globalization, Democratization and Multilateralism (Multilateralism the United Nations System) Palgrave Macmillan? Stephen Gill? PalgraveMacmillan? StephenGill? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-Politics-International-Relations? The Rainy Season (Trendsetters) Macmillan Education Ltd? Shelley Davidow? MacmillanEducationLtd? ShelleyDavidow? ジャンル別? Substores-UnknownASINs-8 Subjects-Children sBooks-Issues-General? Privatization and Development St Martins Pr? Osama J. A. R. Abu Shair? StMartinsPr? OsamaJ.A.R.AbuShair? ジャンル別? Substores-UnknownASINs-8 Subjects-Business&Investing-Economics-Development&Growth? Subjects-Business&Investing-Economics-Privatization? Subjects-Business&Investing-General? Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Nonfiction-Economics-Development&Growth? Subjects-Nonfiction-Economics-Privatization? Subjects-Professional&Technical-Accounting&Finance-Economics-Development&Growth? Subjects-Professional&Technical-Accounting&Finance-Economics-Privatization? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Harmonised Mathematics Pb2 Macmillan Education Ltd? Akwa? MacmillanEducationLtd? Akwa? ジャンル別? Substores-UnknownASINs-8 Harmonised Mathematics Pb3 Macmillan Education Ltd? Akwa? MacmillanEducationLtd? Akwa? ジャンル別? Substores-UnknownASINs-8 Subjects-Children sBooks-Science,Nature&HowItWorks-Math? Harmonised Mathematics Wb2 Macmillan Education Ltd? Akwa? MacmillanEducationLtd? Akwa? ジャンル別? Substores-UnknownASINs-8 Subjects-Children sBooks-Science,Nature&HowItWorks-Math? Toothpaste Trouble Macmillan Children s Books? Nick Toczek? MacmillanChildren sBooks? NickToczek? ジャンル別? Substores-UnknownASINs-8 Subjects-Literature&Fiction-Poetry-Anthologies? Subjects-Literature&Fiction-WorldLiterature-British? H.G.Wells and the Culminating Ape Palgrave Macmillan? Peter Kemp? PalgraveMacmillan? PeterKemp? ジャンル別? Substores-UnknownASINs-8 Subjects-Literature&Fiction-WorldLiterature-British-19thCentury? Subjects-Literature&Fiction-WorldLiterature-British-20thCentury? Resources of Realism (Language, Discourse, Society) Palgrave Macmillan? Christopher Norris? PalgraveMacmillan? ChristopherNorris? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-Philosophy-Epistemology? Subjects-Nonfiction-Philosophy-Logic&Language? Subjects-Nonfiction-Philosophy-Science? Subjects-Science-History&Philosophy-General? Practical Market Planning Palgrave Macmillan? John Cooper? Peter Lane? PalgraveMacmillan? JohnCooper? PeterLane? ジャンル別? Substores-UnknownASINs-8 Subjects-Business&Investing-Marketing&Sales-Sales&Selling-Management? Subjects-Professional&Technical-BusinessManagement-Marketing&Sales-Sales&Selling-Management? Ha! Ha! 100 Poems to Make You Laugh Macmillan Children s Books? Paul Cookson? MacmillanChildren sBooks? PaulCookson? ジャンル別? Substores-UnknownASINs-8 Subjects-Children sBooks-Ages9-12-General? Subjects-Literature&Fiction-Poetry-Anthologies? Sticky Beak Macmillan Children s Books? Morris Gleitzman? MacmillanChildren sBooks? MorrisGleitzman? ジャンル別? Substores-UnknownASINs-8 Subjects-Children sBooks-Ages9-12-General? Subjects-Children sBooks-Literature? Haiti and the United States Palgrave Macmillan? J.Michael Dash? J. Michael Dash? PalgraveMacmillan? J.MichaelDash? J.MichaelDash? ジャンル別? Substores-UnknownASINs-8 Subjects-Literature&Fiction-History&Criticism-Criticism&Theory? Subjects-Literature&Fiction-History&Criticism-Movements&Periods? Subjects-Nonfiction-Politics-International-Relations? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Small Islands, Big Politics Palgrave Macmillan? Hooshang Amirahmadi? PalgraveMacmillan? HooshangAmirahmadi? ジャンル別? Substores-UnknownASINs-8 Subjects-History-MiddleEast-General? Subjects-Law-InternationalLaw-General? Subjects-Nonfiction-Law-InternationalLaw-General? The High Road Palgrave Macmillan? John Glendening? PalgraveMacmillan? JohnGlendening? ジャンル別? Substores-UnknownASINs-8 Subjects-Business&Investing-Industries&Professions-Hospitality,Travel&Tourism? Subjects-History-Europe-England-19thCentury? Subjects-Literature&Fiction-History&Criticism-Movements&Periods? Subjects-Literature&Fiction-WorldLiterature-UnitedStates-Collections&Readers? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Peasants, Merchants and Markets Palgrave Macmillan? James Masschaele? PalgraveMacmillan? JamesMasschaele? ジャンル別? Substores-UnknownASINs-8 Subjects-Business&Investing-Biographies&Primers-BusinessHistory? Subjects-Business&Investing-Industries&Professions-Retailing? Subjects-History-Europe-England-Medieval? Subjects-Nonfiction-SocialSciences-Anthropology-Cultural? Subjects-Nonfiction-Economics-EconomicHistory? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicHistory? Zhou Enlai and the Foundations of Chinese Foreign Policy Palgrave Macmillan? Kuo-Kang Shao? PalgraveMacmillan? Kuo-KangShao? ジャンル別? Substores-UnknownASINs-8 Subjects-History-MiddleEast-General? Subjects-Nonfiction-Politics-International-Diplomacy? Selecting a Topic for Enquiry (Professional Practice Study Units Enquiring into Healthcare Practice) Macmillan? Macmillan Open Learning? Macmillan? MacmillanOpenLearning? ジャンル別? Substores-UnknownASINs-8 Subjects-Medicine-Administration&Policy-PublicHealth? Subjects-Science-Medicine-Administration&Policy-PublicHealth? Methods of Enquiring into Health Care Practice (Professional Practice Study Units Enquiring into Healthcare Practice) Macmillan? Macmillan Open Learning? Macmillan? MacmillanOpenLearning? ジャンル別? Substores-UnknownASINs-8 Subjects-Medicine-Administration&Policy-PublicHealth? Subjects-Science-Medicine-Administration&Policy-PublicHealth? Exploring the Literature on Health Care Practice (Professional Practice Study Units Enquiring into Healthcare Practice) Macmillan? Macmillan Open Learning? Macmillan? MacmillanOpenLearning? ジャンル別? Substores-UnknownASINs-8 Subjects-Medicine-Administration&Policy-PublicHealth? Subjects-Science-Medicine-Administration&Policy-PublicHealth? Planning and Carrying Out an Enquiry (Professional Practice Study Units Enquiring into Healthcare Practice) Macmillan? Macmillan Open Learning? Macmillan? MacmillanOpenLearning? ジャンル別? Substores-UnknownASINs-8 Subjects-Medicine-Administration&Policy-PublicHealth? Subjects-Science-Medicine-Administration&Policy-PublicHealth? Writing Up an Enquiry-based Project (Professional Practice Study Units Enquiring into Healthcare Practice) Macmillan? Macmillan Open Learning? Macmillan? MacmillanOpenLearning? ジャンル別? Substores-UnknownASINs-8 Subjects-Medicine-Administration&Policy-PublicHealth? Subjects-Science-Medicine-Administration&Policy-PublicHealth? Introducing Professional Relationships in Healthcare Settings (Professional Practice Study Units Professional Relationships - Influences on Healthcare) Macmillan? Macmillan Open Learning? Macmillan? MacmillanOpenLearning? ジャンル別? Substores-UnknownASINs-8 Subjects-Medicine-General? Subjects-Science-Medicine-General? Influences on Professional Relationships (Professional Practice Study Units Professional Relationships - Influences on Healthcare) Macmillan? Macmillan Open Learning? Macmillan? MacmillanOpenLearning? ジャンル別? Substores-UnknownASINs-8 Subjects-Medicine-General? Subjects-Science-Medicine-General? Nature of Communication in Professional Relationships (Professional Practice Study Units Professional Relationships - Influences on Healthcare) Macmillan? Macmillan Open Learning? Macmillan? MacmillanOpenLearning? ジャンル別? Substores-UnknownASINs-8 Subjects-Medicine-General? Subjects-Science-Medicine-General? Interactive Communication in Healthcare (Professional Practice Study Units Professional Relationships - Influences on Healthcare) Macmillan? Macmillan Open Learning? Macmillan? MacmillanOpenLearning? ジャンル別? Substores-UnknownASINs-8 Subjects-Medicine-General? Subjects-Science-Medicine-General? Groups and Group Processes in Professional Relationships (Professional Practice Study Units Professional Relationships - Influences on Healthcare) Macmillan? Macmillan Open Learning? Macmillan? MacmillanOpenLearning? ジャンル別? Substores-UnknownASINs-8 Subjects-Medicine-General? Subjects-Science-Medicine-General? Why Evaluate Health Care? (Professional Practice Study Units Healthcare Evaluation) Macmillan? Macmillan Open Learning? Macmillan? MacmillanOpenLearning? ジャンル別? Substores-UnknownASINs-8 Subjects-Medicine-Administration&Policy-PublicHealth? Subjects-Science-Medicine-Administration&Policy-PublicHealth? Planning a Health Care Evaluation (Professional Practice Study Units Healthcare Evaluation) Macmillan? Macmillan Open Learning? Macmillan? MacmillanOpenLearning? ジャンル別? Substores-UnknownASINs-8 Subjects-Medicine-Administration&Policy-PublicHealth? Subjects-Science-Medicine-Administration&Policy-PublicHealth? Measuring Health Care (Professional Practice Study Units Healthcare Evaluation) Macmillan? Macmillan Open Learning? Macmillan? MacmillanOpenLearning? ジャンル別? Substores-UnknownASINs-8 Subjects-Medicine-Administration&Policy-PublicHealth? Subjects-Science-Medicine-Administration&Policy-PublicHealth? Measuring Health Care (Professional Practice Study Units Healthcare Evaluation) Macmillan? Macmillan Open Learning? Macmillan? MacmillanOpenLearning? ジャンル別? Substores-UnknownASINs-8 Subjects-Medicine-Administration&Policy-PublicHealth? Subjects-Science-Medicine-Administration&Policy-PublicHealth? Clinical Guidelines and Clinical Audit (Professional Practice Study Units Healthcare Evaluation) Macmillan? Macmillan Open Learning? Macmillan? MacmillanOpenLearning? ジャンル別? Substores-UnknownASINs-8 Subjects-Medicine-Administration&Policy-HospitalAdministration? Subjects-Science-Medicine-Administration&Policy-HospitalAdministration? Changing Practice (Professional Practice Study Units Healthcare Evaluation) Macmillan? Macmillan Open Learning? Macmillan? MacmillanOpenLearning? ジャンル別? Substores-UnknownASINs-8 Subjects-Medicine-Administration&Policy-HospitalAdministration? Subjects-Science-Medicine-Administration&Policy-HospitalAdministration? Substores-UnknownASINs-8 洋書
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The Joshua Generation The Road of Healing That Leads to the Promised Land Authorhouse? Sean C. Mungin? Authorhouse? SeanC.Mungin? Substores-UnknownASINs-35 Subjects-Religion&Spirituality-General? Subjects-Religion&Spirituality-Spirituality-Inspirational? The House of Stone Mystery and Other Stories Authorhouse? Roger I. Garza? Authorhouse? RogerI.Garza? Substores-UnknownASINs-35 Subjects-Literature&Fiction-General? Someone I Love Is in the Hospital Grandpa's in the Hospital Authorhouse? Esther Pearlman? Authorhouse? EstherPearlman? Substores-UnknownASINs-35 Subjects-Children sBooks-Science,Nature&HowItWorks-Health-VisittheDoctor? Wumpleberries and Gronglenuts Authorhouse? Graham Burchell? Authorhouse? GrahamBurchell? Substores-UnknownASINs-35 Subjects-Literature&Fiction-GenreFiction-Action&Adventure? The Whisper of Feathers Stories of Maybes and Might-Have-Beens Authorhouse? Maureen Williams? Authorhouse? MaureenWilliams? Substores-UnknownASINs-35 Subjects-Literature&Fiction-General-Contemporary? Subjects-Literature&Fiction-ShortStories-General? Subjects-Religion&Spirituality-Christianity-Fiction&Poetry-Fiction? Your Fig Leaf Authorhouse? Paul Sheetz? Authorhouse? PaulSheetz? Substores-UnknownASINs-35 Subjects-Religion&Spirituality-Christianity-ChristianLiving-General? Prayers to Heal the Body and Uplift the Soul Oraciones Para Sanar El Cuerpo Y Elevar El Espiritu Authorhouse? Graciela Beecher? Authorhouse? GracielaBeecher? Substores-UnknownASINs-35 Subjects-Religion&Spirituality-Spirituality-Meditations? German Home Cooking Authorhouse? Maria M. Swaringen? Authorhouse? MariaM.Swaringen? ユーズドブック(洋書)-Cooking,Food&Wine? Substores-UnknownASINs-35 Subjects-Cooking,Food&Wine-General? Subjects-Cooking,Food&Wine-Regional&International-European-German? German Home Cooking Authorhouse? Maria M. Swaringen? Authorhouse? MariaM.Swaringen? ユーズドブック(洋書)-Cooking,Food&Wine? Substores-UnknownASINs-35 Subjects-Cooking,Food&Wine-Regional&International-European-German? Tracking the Minotaur Poems Authorhouse? Robert Lima? Authorhouse? RobertLima? Substores-UnknownASINs-35 Subjects-Literature&Fiction-Poetry-Anthologies? Subjects-Literature&Fiction-Poetry-General? Subjects-Literature&Fiction-Poetry-SingleAuthors-UnitedStates? Subjects-Literature&Fiction-Poetry-UnitedStates-General? Subjects-Literature&Fiction-Poetry-UnitedStates-20thCentury? Subjects-Literature&Fiction-WorldLiterature-Mythology-Greek&Roman? Subjects-Literature&Fiction-WorldLiterature-Mythology-General? The Magpie's Call Authorhouse? Ethel Stambaugh? Authorhouse? EthelStambaugh? Substores-UnknownASINs-35 Subjects-Literature&Fiction-GenreFiction-Historical? Luci Authorhouse? Rus Morgan? Authorhouse? RusMorgan? ユーズドブック(洋書)-Horror? Substores-UnknownASINs-35 Subjects-Horror-General? Subjects-Literature&Fiction-GenreFiction-Horror-General? Luci Authorhouse? Rus Morgan? Authorhouse? RusMorgan? ユーズドブック(洋書)-Horror? Substores-UnknownASINs-35 Subjects-Horror-General? Subjects-Literature&Fiction-GenreFiction-Horror-General? The Sugarbush Authorhouse? J. S. Jones? Authorhouse? J.S.Jones? ユーズドブック(洋書)-Mystery&Thrillers? Substores-UnknownASINs-35 Subjects-Literature&Fiction-General? Subjects-Mystery&Thrillers-Thrillers-Psychological&Suspense? The Sugarbush Authorhouse? J. S. Jones? Authorhouse? J.S.Jones? ユーズドブック(洋書)-Mystery&Thrillers? Substores-UnknownASINs-35 Subjects-Literature&Fiction-General? Subjects-Literature&Fiction-GenreFiction-Action&Adventure? Subjects-Mystery&Thrillers-Thrillers-Psychological&Suspense? Moonlight Psyche Lyrical Poetry of Love and Sorrow Authorhouse? Judith Lahaie? Authorhouse? JudithLahaie? Substores-UnknownASINs-35 Subjects-Literature&Fiction-Poetry-Anthologies? Subjects-Literature&Fiction-Poetry-General? Subjects-Literature&Fiction-Poetry-SingleAuthors-UnitedStates? Subjects-Literature&Fiction-Poetry-UnitedStates-General? Subjects-Literature&Fiction-Poetry-UnitedStates-20thCentury? Moonlight Psyche Lyrical Poetry of Love and Sorrow Authorhouse? Judith Lahaie? Authorhouse? JudithLahaie? Substores-UnknownASINs-35 Subjects-Literature&Fiction-Poetry-Anthologies? Subjects-Literature&Fiction-Poetry-General? Subjects-Literature&Fiction-Poetry-SingleAuthors-UnitedStates? Subjects-Literature&Fiction-Poetry-UnitedStates-General? Subjects-Literature&Fiction-Poetry-UnitedStates-20thCentury? Voices from the Forest The Story of Abram and Julia Bobrow Authorhouse? Stephen Paper? Authorhouse? StephenPaper? Substores-UnknownASINs-35 Subjects-Biographies&Memoirs-General? Subjects-Biographies&Memoirs-Historical-Holocaust? Voices from the Forest The Story of Abram and Julia Bobrow Authorhouse? Stephen Paper? Authorhouse? StephenPaper? Substores-UnknownASINs-35 Subjects-Biographies&Memoirs-General? Subjects-Biographies&Memoirs-Historical-Holocaust? The Time of Enlightenment Authorhouse? Master Teachers Through Darlen-de? Authorhouse? MasterTeachersThroughDarlen-de? Substores-UnknownASINs-35 Subjects-Religion&Spirituality-General? Subjects-Religion&Spirituality-Spirituality-General? The Time of Enlightenment Authorhouse? Master Teachers Through Darlen-de? Authorhouse? MasterTeachersThroughDarlen-de? Substores-UnknownASINs-35 Subjects-Religion&Spirituality-General? Subjects-Religion&Spirituality-Spirituality-General? The Time of Awakening Authorhouse? Master Teachers Through Darlen-de? Authorhouse? MasterTeachersThroughDarlen-de? Substores-UnknownASINs-35 Subjects-Religion&Spirituality-General? Subjects-Religion&Spirituality-Spirituality-General? The Time of Awakening Authorhouse? Master Teachers Through Darlen-de? Authorhouse? MasterTeachersThroughDarlen-de? Substores-UnknownASINs-35 Subjects-Religion&Spirituality-General? Subjects-Religion&Spirituality-Spirituality-General? Divine Babies Authorhouse? C. Dexter, III Wise? Authorhouse? C.Dexter,IIIWise? Substores-UnknownASINs-35 Subjects-Religion&Spirituality? Why Men Marry and Why Men Don't Authorhouse? Jean Sanders Torrey? Authorhouse? JeanSandersTorrey? Substores-UnknownASINs-35 Subjects-Health,Mind&Body-Relationships-Love&Romance? Subjects-Health,Mind&Body-Relationships-Marriage? Water for the Soul A Father's Hope for His Son Authorhouse? Michael Tyler? Authorhouse? MichaelTyler? Substores-UnknownASINs-35 Subjects-Biographies&Memoirs-Memoirs? Water for the Soul A Father's Hope for His Son Authorhouse? Michael Tyler? Authorhouse? MichaelTyler? Substores-UnknownASINs-35 Subjects-Biographies&Memoirs-Memoirs? Gender Equality in Islam Authorhouse? Farid Younos? Authorhouse? FaridYounos? Substores-UnknownASINs-35 Subjects-Nonfiction-SocialSciences-GenderStudies-General? Lila's Child An Inquiry into Quality Authorhouse? Dan Glover? Robert M. Pirsig? Authorhouse? DanGlover? RobertM.Pirsig? Substores-UnknownASINs-35 Subjects-Literature&Fiction-Books&Reading-General? Subjects-Literature&Fiction-Books&Reading-Literacy? Subjects-Literature&Fiction-History&Criticism-Criticism&Theory-General? Subjects-Nonfiction-Education-Literacy? Subjects-Religion&Spirituality-Authors,A-Z-(P)-Pirsig,Robert? Voices from Appalachia Authorhouse? Roger Osborne? Authorhouse? RogerOsborne? Substores-UnknownASINs-35 Subjects-Literature&Fiction-ShortStories-General? Immaculate Misconception Authorhouse? Joel Bartow? Authorhouse? JoelBartow? ユーズドブック(洋書)-Mystery&Thrillers? Substores-UnknownASINs-35 Subjects-Literature&Fiction-General? Subjects-Mystery&Thrillers-Thrillers-Psychological&Suspense? Immaculate Misconception Authorhouse? Joel Bartow? Authorhouse? JoelBartow? ユーズドブック(洋書)-Mystery&Thrillers? Substores-UnknownASINs-35 Subjects-Literature&Fiction-General? Subjects-Mystery&Thrillers-Thrillers-Psychological&Suspense? Gogh Is Gone Original Stories Authorhouse? Nancy Freyburger? Authorhouse? NancyFreyburger? Substores-UnknownASINs-35 Subjects-Literature&Fiction-ShortStories-General? Surviving Drunk Drivers-Gutter Politics and Police Authorhouse? Raymond D. Schaffer? Authorhouse? RaymondD.Schaffer? Substores-UnknownASINs-35 Subjects-Biographies&Memoirs-Memoirs? Luciferin Authorhouse? David R. Ellis? Authorhouse? DavidR.Ellis? Substores-UnknownASINs-35 Subjects-Literature&Fiction-General-Contemporary? Beyond the Shackles Authorhouse? David Gomez? Authorhouse? DavidGomez? Substores-UnknownASINs-35 Subjects-Children sBooks-Issues-General? Subjects-Health,Mind&Body-Self-Help-General? Inside the World's Fair of 1904 Exploring the Louisiana Purchase Exposition Authorhouse? Elana V. Fox? Authorhouse? ElanaV.Fox? Substores-UnknownASINs-35 Subjects-History-Americas-UnitedStates-19thCentury-TurnoftheCentury? Ten Things Women Do to Screw Up a Man's Life How Women Manipulate and Exploit Men Authorhouse? Ken Barnes? Authorhouse? KenBarnes? Substores-UnknownASINs-35 Subjects-Nonfiction-SocialSciences-GenderStudies-Women? Estoline the World and Beyond Authorhouse? David Frias? Authorhouse? DavidFrias? ユーズドブック(洋書)-ScienceFiction&Fantasy? Substores-UnknownASINs-35 Subjects-ScienceFiction&Fantasy-ScienceFiction-General? Sow the Seeds A Composition in Verse Poetry Journal Authorhouse? Michael Tyler? Authorhouse? MichaelTyler? Substores-UnknownASINs-35 Subjects-Literature&Fiction-Poetry-Anthologies? Subjects-Literature&Fiction-Poetry-Inspirational&Religious? Ensayos Poeticos Authorhouse? Juancarlos Fabian? Authorhouse? JuancarlosFabian? Substores-UnknownASINs-35 Subjects-Literature&Fiction-Poetry-Anthologies? Subjects-Literature&Fiction-Poetry-General? Self-Representation and Pretrial Allegations of Ineffective Assistance of Counsel A Comprehensive Analysis of Faretta and Nelson Issues in Florida Authorhouse? Angela D. McCravy? Authorhouse? AngelaD.McCravy? Substores-UnknownASINs-35 Subjects-Law-PracticalGuides-General? Subjects-Law-PerspectivesonLaw-Non-USLegalSystems? Subjects-Nonfiction-Law-PracticalGuides-General? Subjects-Nonfiction-Law-PerspectivesonLaw-Non-USLegalSystems? God Without the Myths Authorhouse? J. Ray Hunt? Authorhouse? J.RayHunt? Substores-UnknownASINs-35 Subjects-Religion&Spirituality-ReligiousStudies-Theology-General? A Devil Among Angels Authorhouse? Eva M. Shutt? Authorhouse? EvaM.Shutt? Substores-UnknownASINs-35 Subjects-Literature&Fiction-General? Subjects-Religion&Spirituality-Christianity-Fiction&Poetry-Fiction? Jazz Dance Styles and Steps for Fun Authorhouse? Helene Andreu? Authorhouse? HeleneAndreu? Substores-UnknownASINs-35 Subjects-Entertainment-PerformingArts? Subjects-Arts&Photography-PerformingArts-General? L. A. Stalker Authorhouse? David L. Kilpatrick? Authorhouse? DavidL.Kilpatrick? ユーズドブック(洋書)-Mystery&Thrillers? Substores-UnknownASINs-35 Subjects-Literature&Fiction-General? Subjects-Mystery&Thrillers-Thrillers-Psychological&Suspense? Living Remedies Authorhouse? Eric Jackson? Authorhouse? EricJackson? ユーズドブック(洋書)-Mystery&Thrillers? Substores-UnknownASINs-35 Subjects-Literature&Fiction-General? Subjects-Mystery&Thrillers-Thrillers-Psychological&Suspense? Stories from the Top Drawer Authorhouse? Community Learning Press? Authorhouse? CommunityLearningPress? Substores-UnknownASINs-35 Subjects-Literature&Fiction-General? Subjects-Literature&Fiction-ShortStories-Anthologies? Night Prophecies Authorhouse? Larry Hupp? Authorhouse? LarryHupp? ユーズドブック(洋書)-Mystery&Thrillers? Substores-UnknownASINs-35 Subjects-Literature&Fiction-General? Subjects-Mystery&Thrillers-Thrillers-Psychological&Suspense? Surviving Wwii As a Child Swamp Hermit Transcending Illiteracy and Ignorance Authorhouse? Sal Kapunan? Authorhouse? SalKapunan? ユーズドブック(洋書)-Mystery&Thrillers? Substores-UnknownASINs-35 Subjects-Children sBooks-Animals-Pets? Subjects-Children sBooks-Science,Nature&HowItWorks-Environment&Ecology-Fiction? Subjects-Mystery&Thrillers-Thrillers-Psychological&Suspense? Substores-UnknownASINs-35 洋書
https://w.atwiki.jp/mrfrtech/pages/18.html
Market Analysis As indicated by the most recent examination report, The Forensic Accounting Market size is projected to develop at a build yearly development pace of CAGR of 8.2 percent during the gauge time span, arriving at USD 8.85 billion in the year 2025. To perform and dissect the monetary exhibition of the organizations or people, the legal bookkeeping business sector will utilize bookkeeping, review, and examination mastery. Bookkeeping experts are liable for the examination, understanding, and rundown of muddled monetary and business circumstances. Such bookkeeping experts might work for any administration division, protection business, monetary firm, organization, or government bookkeeping firm, among different work environments. Measurable bookkeepers collect quantitative gauges, put together and assemble data, and pass on their decisions as a report and briefings to suitable specialists and witnesses. Legal bookkeepers produce reports, which are frequently introduced as slideshows with the help of visual guides; such discoveries are acceptable proof in a judicial procedure. Bookkeeping experts utilize a wide scope of factual methods and programming to help them in their examinations. Before innovation advanced, particular datasets were being utilized for assortment and information the executives; all things considered, with mechanical development, different logical apparatuses have without a doubt been sent off on the lookout, and this multitude of instruments presently give monetary announcing examiners complete start to finish analytical choices. In besides, various strategies for examination and information mining innovations are utilized by various measurable bookkeeping market criminal investigators in raised fakes and violations, just as different kinds of wrongdoings. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/8383 Market Segmentation The market is fragmented based on parts, end-client, and geographic. The worldwide scientific bookkeeping market patterns are relied upon to observe respectable development during the conjecture time frame. By Application In view of the application, the market is fragmented into arrangements and administrations. Arrangements in this class contain criminological apparatuses/programming, reviewing/bookkeeping programming, and other related items and administrations. The administration s classification includes additional expert administrations given by the arrangement suppliers, notwithstanding the actual arrangements. Preparing, consultancy, and backing administrations are a portion of the choices accessible. By end-clients In light of the impetus types, the market is fragmented into banking and protection, law authorization offices, government, bookkeeping organizations, and others. Regional Analysis As indicated by the reports, Globally, the overall scientific bookkeeping market is arranged into four areas Asia-Pacific, North America, Europe, the Middle East, Africa, and South America. As per the portion of the market in the criminological bookkeeping industry, North America is the most evolved district on the planet. A portion of the reasons adding to the market s development incorporates the developing reception of such programming and apparatuses by various government bodies and bookkeeping firms, in addition to other things. Besides that, the presence of numerous sellers in North America that give total answers for organizations has brought about North America catching the biggest portion of the worldwide IT administrations industry. Right now, Europe is positioned second in the worldwide commercial center. Europe has to be sure been separated into the accompanying gatherings the United Kingdom, Germany, France, Spain, Italy, and the remainder of Europe. Following the United Kingdom, Germany, and France, according to the MRFR study. Key Players Notable players of the global forensic accounting industry are Galvanize, CaseWare IDEA, Passware, Fulcrum Management, Nuix, Arbutus Software Inc., Cygna Labs Corp, e-fense, OpenText, Cellebrite, Sama Audit Systems Software Pvt Ltd, and AccessData. Industry News Cellebrite Mobile Synchronization Ltd, a provider of computerized insight answers for police divisions, organization, and endeavor areas, reported in June 2019 that IGP Capital has arrived at an arrangement to procure USD 110 million in the organization. Access Report Details @ https //www.marketresearchfuture.com/reports/forensic-accounting-market-8383 Table of Contents 1 Executive Summary 2 Scope of The Report 2.1 Market Definition 2.2 Scope of The Study 2.2.1 Research Objectives 2.2.2 Assumptions Limitations 2.3 Markets Structure 3 Market Research Methodology 3.1 Research Process 3.2 Secondary Research 3.3 Primary Research 3.4 Forecast Model Continued… Similar Report** Mobile Banking Market By Solution (Customer Management, Mobile Banking Features, Mobile Payment Features), By Technology (Wireless Application Protocol, Standalone Mobile Application), By Deployment (On-Cloud, On-Premise) Voice Assistant Market** https //mrfrinformation.tistory.com/615 Network-Attached Storage Market** https //telescope.ac/information-technology-Lc1XMRDqL/5WlKY9Kx4 About Market Research Future At Market Research Future (MRFR), we enable our customers to unravel the complexity of various industries through our Cooked Research Report (CRR), Half-Cooked Research Reports (HCRR), Raw Research Reports (3R), Continuous-Feed Research (CFR), and Market Research Consulting Services. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com #market #research #industry #data #growth #trend #report #analyis #share #marketing #forecast #digital #geographic #demographic #gnews Plugin Error キーワードを入力してください。 #tech #researchreport #marketreport #futrue
https://w.atwiki.jp/draemonash/pages/87.html
ここを編集 ライブラリ https //github.com/draemonash2/codes/blob/master/vbs/lib/FileSystem.vbs ファイル一覧取得 lFileListType）0：両方、1 ファイル、2 フォルダ、それ以外：格納しない Function GetFileList( _ ByVal sTrgtDir, _ ByRef asFileList, _ ByVal lFileListType _ ) Dim objFileSys Dim objFolder Dim objSubFolder Dim objFile Dim bExecStore Dim lLastIdx Set objFileSys = WScript.CreateObject("Scripting.FileSystemObject") Set objFolder = objFileSys.GetFolder( sTrgtDir ) *** フォルダパス格納 *** Select Case lFileListType Case 0 bExecStore = True Case 1 bExecStore = False Case 2 bExecStore = True Case Else bExecStore = False End Select If bExecStore = True Then lLastIdx = UBound( asFileList ) + 1 ReDim Preserve asFileList( lLastIdx ) asFileList( lLastIdx ) = objFolder Else Do Nothing End If フォルダ内のサブフォルダを列挙 （サブフォルダがなければループ内は通らない） For Each objSubFolder In objFolder.SubFolders Call GetFileList( objSubFolder, asFileList, lFileListType) Next *** ファイルパス格納 *** For Each objFile In objFolder.Files Select Case lFileListType Case 0 bExecStore = True Case 1 bExecStore = True Case 2 bExecStore = False Case Else bExecStore = False End Select If bExecStore = True Then 本スクリプトファイルは格納対象外 If objFile.Name = WScript.ScriptName Then Do Nothing Else lLastIdx = UBound( asFileList ) + 1 ReDim Preserve asFileList( lLastIdx ) asFileList( lLastIdx ) = objFile End If Else Do Nothing End If Next Set objFolder = Nothing Set objFileSys = Nothing End Function ここを編集
https://w.atwiki.jp/linux2ch/pages/22.html
ISOイメージファイルの焼き方 ISOイメージファイルの焼き方 無料で使える Windows 対応の CD 書き込みソフト Windows 対応の CD 書き込みソフトから ISO を CD-R に焼く手順。 Windows7以降 Windows XP 標準の CD-R Writing 機能 burnatonce ISO Recorder Nero Nero 6 Nero 5.5 B's Recorder GOLD B's Recoder GOLD 3 まで B's Recoder GOLD 5 以降 WinCDR Easy CD Creator CD Manipurator CD Record フロントエンド CD Record CDRWIN Record Now Wizardを使用する場合 Wizardを使用しない場合 Deep Burner Drag'n Drop CD CyberLink DVD Solution TOSHIBA Disc Creator InfraRecorder 焼いた CD または DVD から起動できないときは 焼く手順が間違っていた BIOS で起動の優先順が低く設定されている ダウンロードしたファイルが破損していた CD のディスク番号が間違っている ドライブから読めない書き込み条件で作った そもそも CD／DVD 起動にマシンが対応していない CD／DVDドライブの接続ミス Smart Boot Manager(SBM)を使った起動 (ATAPI接続限定) 無料で使える Windows 対応の CD 書き込みソフト CD Manipulator FMV DESKPOWER CE9/100L(2002年春モデル)(1, 2) にインストールしてCDを焼こうとすると「ドライブが対応していません」というメッセージが出て焼けないそうな。(光学ドライブの型名はTOSHIBA DVD-ROM SD-R1102 1730) CD Record フロントエンド CD Record CDRWIN 体験版 WINCDR とは別物。日本語化パッチ もあるよ。 HT Fireman Windows 対応の CD 書き込みソフトから ISO を CD-R に焼く手順。 Windows7以降 書き込みソフトをインストールしなくても、OS標準の機能で書き込める。 ISO ファイルを右クリックして「ディスク イメージの書き込み」を選択。 http //www.atmarkit.co.jp/ait/articles/1305/13/news070.html Windows XP 標準の CD-R Writing 機能 不可能 (ISO イメージを扱えない)。 窓の杜の記事によると、Power Toys for Windows XP(日本語化パッチ)を使えば ISO イメージを焼く事ができるらしい。が、詳しい事は不明。 burnatonce Windows で無料で使えるライティングソフト。File から Load New Image を選び、焼きたい iso イメージファイルを指定し、右上の Write ボタンを押す。 参考 http //sonic64.com/2004-08-26.html URL burnatonce ISO Recorder Windows XP(*1) であれば、Alex Feinman作のISO Recorderを使えば可能。 インストール後、ISO イメージファイルを右クリックすると表示される"Copy Image to CD"を選べば、CD作成のメニューが出てきます。その他に「isoイメージの作成」「CDのコピー」の機能が提供されます。 Nero Nero 6 CD/DVDどちらも書き込めます。 Nero Burning Romを起動 新規作成ウィザードがポップアップで表示されると思いますが、気にせず閉じてください。 Nero Burning Romのウィンドウだけになっていると思います。 (RWメディアのフォーマットが必要な人はこの辺りでしておいてください。高速フォーマットで大丈夫です。) 『ファイル→開く』よりISOファイルを開きます。 (標準設定で問題ないですが、書き込み速度などを設定したい人はここでどうぞ。) 書き込みボタンを押します。 終了のダイアログが出るまで待機してください。 この順序で大丈夫です。エラーが出ない限りはうまくいっているはずです。 Nero 5.5 Alt+F(ウィザードとかがポップアップしていて、エラー音が鳴って進まない場合は、ポップアップしている窓の「キャンセル」ボタンを押して閉じる。)＞B Alt+T 「すべてのファイル(All Files)」に変更 ISO イメージを指定 OK 書き込み ここも参照 http //win2linux.sourceforge.jp/trylinux/nero.html B s Recorder GOLD B s Recoder GOLD 3 まで ISO イメージファイルを下の白い部分にドラッグ ドロップ。 http //win2linux.sourceforge.jp/trylinux/bsrecorder.html B s Recoder GOLD 5 以降 ISO イメージファイルを左下のトラックの種類の部分にドラッグ ドロップ。 WinCDR 編集(E) ＞ トラックイメージを挿入(I)... ISO イメージファイルを指定。 http //kimura.shinjuku.tokyo.jp/PC/isoimage0.html (Ver. 7) や http //win2linux.sourceforge.jp/trylinux/wincdr.html (Ver. 5) も参考に。 Easy CD Creator 「ファイル」＞「イメージから CD を作成」 ファイルタイプで"iso"を選択 ISO イメージファイルを指定 OK GUI の CD 作成画面で「トラックアトワンス」と「 CD を閉じる」を選択 OK。 CD Manipurator 下段左から二番目のボタン 「トラックリスト」タブ ＞ Alt+T ＞ I ISO イメージ指定 OK 「CD への書き込み」ボタン OK。 http //unit.aist.go.jp/itri/knoppix/howto/cdm/cdm.html http //plaza.rakuten.co.jp/bluearth/diary/200912180003/ も参考に。 CD Record フロントエンド 下の CD Record の GUI フロントエンドです。 タスクを選択 現存のディスクイメージを書き込む 次へ ディスクに書き込むイメージファイル ISO イメージファイルを指定 次へ 次へ 書き込み。 CD Record CD 作成ソフト cdrecord (cdrtools) の Windows 移植版。 Windowsのコマンドプロンプト起動 cd (cdrecord のあるフォルダ) でディレクトリ移動 cdrecord -scanbus と実行 CD-R ドライブ名の 1,0,0 などカンマで区切られた数字を調べる cdrecord dev=さっきの数字 speed=書き込み速度 -eject ISOイメージのファイル名 で書き込み開始。 CDRWIN 工具のマーク Record an ISO9660 Image File Image filename 選択 Start（書込み開始） 書き込み成功のダイアログが出たらＯＫをクリック。 CDRWIN 体験版では、書き込み速度が１倍速に固定（制限）されているので注意すること。 Record Now Wizardを使用する場合 Wizard起動 (ブランメディア挿入) 「データディスクの作成(D)」 ファイルの選択で書き込むISOイメージファイル(hogehoge.iso)を選択してクリック 「ISOイメージファイルを選択しました。このファイルの内容でディスクを作成しますか」ダイアログが表示される 「はい」を選択すると、そのまま書き込みが開始される。 Wizardを使用しない場合 メインメニューの「ファイル(F)」-「新規ジョブ(N)」-「イメージファイルから作成(Shift+F2)」 「ファイルの追加」をクリック 書き込むISOイメージファイル(hogehoge.iso)を選択 書き込み速度/ジョブ(テスト-作成-ベリファイ)設定 赤い●ボタンをクリック (メディア挿入) 書き込みが開始される Deep Burner http //pcweb.mycom.co.jp/column/toolexp/039/ http //www.ringolab.com/note/daiya/archives/001843.html Drag n Drop CD http //www.easy.co.jp/ddc/cd.html Drag n Drop CD version2 系列では ISO イメージファイルをイメージファイルとして CD-R、CD-RW に焼く機能がない模様。 解決法＞イメージファイルとして CD-R に焼く事の出来る他のCD-Rライティングソフトを試す、もしくは (おすすめしませんが) Daemon Tools を使う方法だと、 Daemon Tools version3.47.0 を Windows にインストールする インストールが終わったら再起動を促すメッセージが出るので再起動 デスクトップに出来た Daemon Tools のアイコンをダブルクリックして Daemon Tools を起動 画面の右下、タスクトレイの Daemon Tools の小さなアイコンを右クリック Virtual CD/DVD-ROM を選択 Device 0 [E ] No media を選択 (ここでは仮想ドライブのドライブレターをEとしましたが、環境によって変わる場合あり) Mount image を選択 ダウンロードしたISO イメージを開く (ISO イメージファイルを仮想ドライブにマウントする) マイコンピュータをダブルクリックし、仮想ドライブのアイコン (ISO イメージをマウント済みのもの)を Drag n Drop CD ver2 の Disc Backup BOX にドラッグ ドロップする) ボックス上に表示されたディスク作成ボタン (オレンジ色の背景に白の矢印) をクリック 以下も参照。 http //mcn.oops.jp/lab/linux/burn-iso.htm CyberLink DVD Solution PowerStarter を起動し、「ユーティリティ」→「ディスクイメージからの書き込み」 TOSHIBA Disc Creator スタートアップメニューで「詳細メニュー」→「イメージ→ディスク作成」を選択。 もしくは起動後に「ファイル」→「イメージ→ディスク作成」を選択。 InfraRecorder 右クリックメニューからイメージを焼ける。 http //infrarecorder.org/ http //www.forest.impress.co.jp/lib/sys/hardcust/cddvdburn/infrarecord.html 焼いた CD または DVD から起動できないときは できた CD をドライブに入れて PC を起動しても、一向にインストール画面が現れない (CD から起動しない) ときの対処法。 焼く手順が間違っていた CD の書き込みソフトで ISOイメージファイルを CD-R に焼く際に、ただのデータとして焼いてしまうと、ISOイメージファイルがそのまま入ってるだけの CD-R になってしまいます。 焼いた CD-R の中身を見てみて、hogehoge.iso とかみたいに「もとの ISO イメージファイルが1つだけ表示される」場合はこのケースです。 BIOS で起動の優先順が低く設定されている BIOS の設定で CD-ROM ドライブよりも他のドライブ(ハードディスクなど)を優先して起動するようになっている場合は、いくら CD-R が入っていてもそこから起動してくれません。 BIOS の設定の確認/変更方法は、PC のマニュアルや起動時の表示画面のどこかに記述されていることがあります。 普通は起動時に Delete とか F2、F8 などの特定のキーを押せば、設定画面がでるはず。 ダウンロードしたファイルが破損していた ダウンロードした ISO イメージファイルが壊れている場合は、焼いた CD-R から起動できないことがあります。MD5サムチェックをしましょう。SHA-1形式で表記されていることもあるので間違えないようにしましょう。 CD のディスク番号が間違っている インストールCDが1枚だけではなく、2～5枚とあるディストリビューションでは、ISOイメージファイルのディスク番号を間違えて焼いているかもしれません。 ディスク2やディスク3からは起動できないので、ディスク1のCDを焼いて起動しましょう。 ドライブから読めない書き込み条件で作った CD-R がドライブから読めない設定で焼かれているかもしれません。 書き込みスピードなど、書き込み条件を変えて試してみましょう。 そもそも CD／DVD 起動にマシンが対応していない もともと CD から起動できない BIOS や CD ドライブだったりすることもあります。 ディストリビューションによって、フロッピーから一旦起動した後で CD を入れてインストールできることもあります。CD なしでフロッピーからネットワークインストールできるやつも。 CD／DVDドライブの接続ミス パラレルATA接続のドライブの場合、BIOS が CD 起動に対応していても、ドライブのマスター／スレーブ設定が正しくないと、OS起動後は認識するのに起動はできないケースもあります。 (例：セカンダリに CD のみ接続し、ドライブがスレーブ設定) この場合ドライブの設定を変更すれば起動できますが、ノート PC 用のスリムドライブだと変更できない物が多いです。 Smart Boot Manager(SBM)を使った起動 (ATAPI接続限定) BIOS やドライブ設定が理由で起動できない場合、Smart Boot Manager(SBM) を導入すれば起動できるかもしれません。 SBM はフリーのブートマネージャで、ハードディスクの MBR もしくはフロッピーにインストールし起動します。 他のブートマネージャにない特徴として、ATAPI 接続の CD ドライブからブータブル CD を起動する機能があります(BIOS非依存)。 ただし SBM は Linux のローダーではなく、別のローダーを呼び出す事しかできません。ですので linux のインストールの際は GRUB や LILO 等のブートローダーを MBR 以外のパーティションにインストールする必要があります。 参考 http //nobumasa-web.hp.infoseek.co.jp/multi_boot/free_tool.html#sbm http //www.geocities.co.jp/SiliconValley-Oakland/4432/application/sbm.html
https://w.atwiki.jp/oper/pages/2112.html
管理人より 二種類のリブレットを用意しました。左（白）と右（黄）、どちらのリブレットを訳出するか、希望をゲストブックまたは フォーム でご連絡ください。 Intrada ATTO PRIMO SCENA PRIMA Gran piazza della città di Fera terminata dalla facciata del Real palazzo, con gran porta, e sopra di essa balcone praticabile. BANDITORE affaciandosi al verone Popoli che dolenti della sorte d Admeto, in lui piangente più il padre che il regnante, udite; È giunto per lui l ultimo dì, non ha soccorso, speme non ha; d inesorabil morte preda ugualmente sono nel tugurio i pastori, i re sul trono. POPOLO Ah, di questo afflitto regno, giusti dei, che mai sarà? ISMENE, EVANDRO Giusti dei, che mai sarà Ah, per noi del ciel lo sdegno peggior fulmine non ha. No! No! peggior fulmine non ha. POPOLO Ah, di questo afflitto regno, ecc. ISMENE Infausta reggia che immersa in gemito di voci flebili risuonerà! Patria infelice che un denso turbine d armi straniere circonderà! Patria infelice, infausta reggia! POPOLO Ah, di questo afflitto regno, ecc. Aria di Pantomime che esprime desolazione e lutto. EVANDRO Amorosi vassalli, oggi riceve di tante sue virtù nel comun lutto un giusto premio il nostro re, ma invano per lui si piange alle preghiere, ai voti non son propizii i Numi Andiamo ai tempi vittime e doni ad offrir; si chieda un oracolo almeno, almen si sappia in si grave periglio se per noi v è pietà, se v è consiglio. POPOLO, ISMENE, EVANDRO Ah, di questo afflitto regno,ecc. EVANDRO Perché a tiranni ride serena l adulatrice felicità, e i giusti gemono nella catena d inseparabile avversità? Perché? Perché? POPOLO, ISMENE, EVANDRO Ah, di questo afflitto regno... EVANDRO Tacete ah, della reggia s apron le porte. Oh Dio mi trema il cor mille funesti oggetti mi dipinge il pensier. Venite, andiamo la dolente regina pietosi a consolar, ma no, fermate, nel suo dolore oppressa coi mesti figli suoi viene ella stessa. POPOLO Misero Admeto, povera Alceste, dolenti immagini, idee funeste di duol, di lagrime e di pietà. Chi fra gli amplessi chi fra i lamenti dei figli teneri, figli innocenti l afflitta madre consolerà? ALCESTE esce dal palazzo tenendo per mano i due suoi figli Eumelo ed Aspasia Popoli di Tessaglia, ah mai più giusto fu il vostro pianto; a voi non men che a questi innocenti fanciulli Admeto è padre. lo perdo il caro sposo, e voi l amato re. La nostra sola speranza, il nostro amor, c invola questo caso crudel, né so chi prima in sì grave sciagura a compianger m appigli del regno, di me stessa, o de miei figli. La pietà degli dei sola ci resta d implorare, d ottener. Verrò compagna alle vostre preghiere, a vostri sacrifizi avanti all are una misera madre, due bambini infelici, tutto un popolo in pianto presenterò così. Forse con questo spettacolo funesto, in cui dolente gli affetti, i voti suoi dichiara un regno, placato alfin sarà del ciel lo sdegno. lo non chiedo, eterni dei tutto il ciel per me sereno. Ma il mio duol consoli almeno, qualche raggio di pietà. Non comprende mali miei né il terror che m empie il petto, chi di moglie il vivo affetto, chi di madre il cor non ha. EUMELO Madre mia, lieti t affliger così. Madre, tu m insegnasti, tel rammenti… ASPASIA Bella madre, tu mi dicesti, ti sovvien… EUMELO, ASPASIA … che son giusti gli dei, che son clementi. ALCESTE Cari figli, del diletto sposo mio ritratti espressi, ah, correte a dolci amplessi, ah, stringetevi al mio sen! Freddo ho il sangue in ogni vena se a voi penso, oh figli amati! Ah, di me più sventurati non vi renda il fato almen. Non comprende i mali miei, ecc. POPOLO Miseri figli! Povera Alceste! Dolenti immagini, idee funeste, ecc. Chi? Chi? l afflitta madre consolerà? ALCESTE Non si perda, oh miei fidi, l ora in dolersi. Insieme la clemenza de numi corriamo ad implorar. Già si prepara per cenno mio il sacro rito; io stessa a voi darò l esempio d umilità, di rispetto. POPOLO, ISMENE, EVANDRO Al tempio! Al tempio! Ah, di questo afflitto regno, ecc. Ah, per noi del ciel lo sdegno, ecc. SCENA II Il tempio di Apollo, con ara s statua del Nume. Il Sommo Sacerdote, sacerdoti e sacerdotesse intorno all ara. Il popolo si accalca nell interno del tempio. SOMMO SACERDOTE Dilegua il nero turbine clue Freme al trono intorno. CORO Dilegua il nero turbine che freme al trono intorno. SOMMO SACERDOTE Oh fa ritrato, Apolline, col chiaro tuo splendor. CORO Sai che ramingo ed esule t accolse Admeto un giorno … SOMMO SACERDOTE ...che dell Anfriso al margine tu fosti il suo pastor. Sospendete, oh ministri, il sacrifizio e le preghiere; al tempio la regina s avanza alla dolente devota pompa esser vorrà presente. Entra il seguito della Regina co doni per il Nume, e s alloga il Popolo co sacerdoti a diritta e a sinistra. ALCESTE vicina all ara Nume, eterno, immortal, se col tuo sguardo che de nostri pensieri scopre i segreti, in me finor trovasti puro cor, caste voglie, innocenza e pietà se ogni mia sorte da te conobbi, e se il tuo culto, e questa immagin tua mai fu da me negletta, l offerte, i voti miei benigno accetta. CORO Dilegua il nero turbine, ecc. Oh fa ritrato, ecc. SOMMO SACERDOTE I tuoi preghi, oh regina, i doni tuoi propizio oltre l usato Apollo accoglie. A cento segni espressi già presente io l affermo. Ecco che invaso dal suo sacro furor quel che ragiono oltrepassa il mortale. Ecco si spande odor celeste, al simulacro intorno arde un cerchio di luce. Ah, già son pieni questi archi e queste mura della mente del Nume, i suoi decreti ei stesso detterà. L altare ondeggia, il tripode vacilla, si sentite il suol, rimbomba il tempio! Oh genti, in rispetto, in timore tacete, udite, e tu deponi, Alceste, l orgoglio del diadema; piega a terra la fronte, ascolta e trema. L ORACOLO dalla bocca del Nume Il re morrà s altrui per lui non more. CORO Che annunzio funesto di nuovo terrore! Fuggiamo, fuggiamo da questo soggiorno d orrore. Fuggono tutti dal tempio. Alceste è rimasta solo con i figli. ALCESTE Ove son, che ascoltai! Morrà lo sposo... Misero Admeto! Prence infelice! Ove trovar chi voglia per prolungarti i giorni, sé stesso e i giorni suoi porre in oblio? V è chi t ami a tal segno? Ah! vi son io! Già tutta alla mia mente luminosa si mostra la grande idea. Già di sublime ardire mi s empie il cor. Chi tanto di me, del mio volere signor si rende? Ah! Lo conosco il nume, il nume in me si muove. Egli m inspira il sacrifizio illustre. Ei vuol che Alceste un magnanimo esempio oggi assicuri alle spose fedeli a dì futuri. Ombre, larve, compagne di morte, non vi chiedo, non voglio pietà. Se vi tolgo l amato consorte, v abbandono una sposa fedel; non mi lagno di questa mia sorte, questo cambio non chiamo crudel. Ombre, larve, compagne di morte, non v offendi sì giusta pietà. Forza ignota che in petto mi sento, m avvalora, mi sprona al cimento, di me stessa più grande mi fa. Ismene ed Evandro accorrono. EVANDRO Ah, t affretta, oh regina, in brevi istanti Admeto non vivrà l orror di morte già gli corre sul volto. Almen rivegga la dolce sposa. ISMENE Alceste, ah corri, ah non tardar! Di te richiede, te chiama il re. Morir si sente, e seco la sua sposa non vede, non trova i figli; ha sempre sulle labbra il tuo nome e gira intorno gli occhi gravi e languenti di te cercando. ALCESTE Omai l atto grande s adempia! EVANDRO Dai numi, ah ben lo sai! Non v è più che sperar. Vieni t abbracci l infelice tuo sposo un altra volta ancor. Vada alla tomba con quel dolce conforto più lieto almen. Che più gli resta in queste sue mortali agonie? ALCESTE con maestà e risolutezza Gli resta Alceste. Alceste parte in fretta co figli. Sacerdoti e cittadini circondono Evandro ed Ismene. DUE CITTADINI E non s offerse alcuno? … E alcuno ancora non si presenta? ISMENE È vana questa speranza. EVANDRO Ognuno ama se stesso, … ISMENE … ama la vita. ALTRE VOCI E come... … i vecchi padri... … e i figli... … ei congiunti… … e le spose … … amati oggetti, … amorosi così, … … teneri tanto, … TUTTI … in lutto abbandonar, lasciare in pianto? VOCI Non ho cor,… … non mi sento tanta virtù. Tremo in pensarlo. Oh giorno infausto troppo! E la regina? E Alceste? ISMENE Corre al consorte... EVANDRO Partì. Ah non resiste misero al suo dolore. ISMENE … anche per lei ci rimane a tremare. VOCI Oh Alceste! Oh Admeto! Giusto re! Dolce padre! Ah non lagnarti d un popolo fedel,… … non incolparlo di finto amor,… … di menzognera fede. TUTTI Troppo domanda il ciel, troppo ci chiede, troppo ci chiede. Chi serve e chi regna è nato alle pene; il colmo del bene il trono non è. I pianti vi sono, le cure, gli affetti, gli affanni e i sospetti - tiranni de re. Partono tutti da diverse parti. ATTO I Intrada Scena Prima (Gran piazza della città di Fera terminata dalla facciata del Real palazzo, con gran porta, e sopra di essa balcone praticabile. All alzarsi della tenda si vede tutta la piazza ingombrata da folto Popolo, confusamente disposto. Tutti hanno in mano rami di ulivo intrecciati di nastri, simbolo de supplicanti, e mostrano estrema afflizione. A destra ara su cui bruciano de profumi; a sinistra Evandro, Ismene, e alcuni de cittadini più distinti; indi sul balcone del Real palazzo, preceduto da improvviso suono di tromba, un Banditore) BANDITORE (affacciandosi al verone) Popoli che dolenti Della sorte d Admeto, in lui piangete più il padre che il regnante, udite È giunto per lui l ultimo dì, non ha soccorso, speme non ha; d inesorabil morte preda ugualmente sono nel tugurio i pastori, i re sul trono. POPOLO Ah, di questo afflitto regno, giusti dei, che mai sarà? ISMENE, EVANDRO Giusti dei, che mai sarà? Ah, per noi del ciel lo sdegno Peggior fulmine non ha. No! No! Peggior fulmine non ha. POPOLO Ah, di questo afflitto regno, ecc. ISMENE Infausta reggia che immersa nel gemito di voci flebili risuonerà! Patria infelice che un denso turbine D armi straniere circonderà! Patria infelice, infausta reggia! POPOLO Ah, di questo afflitto regno, ecc. (Aria di pantomimo che esprime desolazione e lutto) EVANDRO Amorosi vassali, oggi riceve di tante sue virtù nel commun lutto un giusto premio il nostro re, ma invano per lui si piange alle preghiere, a voti non son propizii i Numi. Andiamo ai tempi vittime e doni ad offrir; si chieda un oracolo almeno, almen si sappia in si grave periglio se per noi v è pietà, se v è consiglio. POPOLO, ISMENE, EVANDRO Ah, di questo afflitto regno, ecc. EVANDRO Perché a tiranni ride serena l adulatrice felicità, e i giusti gemono nella catena d inseparabile avversità? Perché? Perché? POPOLO, ISMENE, EVANDRO Ah, di questo afflitto regno, ecc. EVANDRO Tacete ah, della reggia s apron le porte. Oh Dio! Mi trema il cor mille funesti oggetti mi dipinge il pensier. Venite, andiamo la dolente regina pietosi a consolar, ma no, fermate, nel suo dolor oppressa co mesti figli suoi viene ella stessa. Scena Seconda POPOLO Misero Admeto, povera Alceste, dolenti immagini, idee funeste di duol, di lagrime e di pietà. Chi fra gli amplessi chi fra i lamenti dei figli teneri, figli innocenti l afflitta madre consolerà? ALCESTE (esce dal palazzo tenendo per mano i due suoi figli Eumelo ed Aspasia) Popoli di Tessaglia, ah mai più giusto fu il vostro pianto; a voi non men che a questi innocenti fanciulli Admeto è padre. Io perdo il caro sposo, e voi l amato re. La nostra sola speranza, il nostro amor, c invola questo caso crudel, né so chi prima in si grave sciagura a compianger m appigli del regno, di me stessa, o de miei figli. La pietà degli dei sola ci resta d implorare, a ottener verrò compagna alle vostre preghiere, a vostri sacrifizi avanti all are una misera madre, due bambini infelici, tutto un popolo in pianto presenterò così. Forse con questo spettacolo funesto, in cui dolente gli affetti, i voti suoi dichiara un regno, placato alfin sarà del ciel lo sdegno. Io non chiedo, eterni dei tutto il ciel per me sereno. Ma il mio duol consoli almeno, qualche raggio di pietà. Non comprende mali miei né il terror che m empie il petto, chi di moglie il vivo affetto, chi di madre il cor non ha. ALCESTE Misera, o Dio, che pena! Cari figli, del diletto sposo mio ritratti espressi, ah, correte a dolci amplessi, ah, stringetevi al mio sen! Freddo ho il sangue ad ogni vena se a voi penso, oh figli amati! Ah, di me più sventurati non vi renda il fato almen. Non comprende i mali miei, ecc. POPOLO Miseri figli! Povera Alceste! Dolenti immagini, idee funeste, ecc. Chi? Chi? L afflitta madre consolerà? ALCESTE Non si perda, o miei fidi, l ora in dolersi. Insieme la clemenza de numi corriamo ad implorar. Già si prepara per cenno mio il sacro rito; io stessa a voi darò l esempio d umiltà, di rispetto. POPOLO, ISMENE, EVANDRO Al tempio! Al tempio! Ah di questo afflitto regno, ecc. Ah, per noi dal ciel lo sdegno, ecc. Scena Terza (Il tempio di Apollo, con ara e statua del Nume. Il Gran sacerdote, sacerdoti e sacerdotesse intorno all ara. Il popolo si accalca nell interno del tempio) GRAN SECERDOTE Dilegua il nero turbine che freme al trono intorno. CORO Dilegua il nero turbine che freme al trono intorno. GRAN SECERDOTE Oh, fa ritrato, Apolline, col chiaro tuo splendor. CORO Sai che ramingo ed esule t accolse Admeto un giorno... GRAN SECERDOTE ...che dell Anfriso al margine tu fosti il suo pastor. CORO Dilegua il nero turbine col chiaro tuo splendor. GRAN SECERDOTE (avvicinandosi all ara) A te Nume del Giorno a te del Cielo ornamento e splendor, da noi svenate queste vittime sono, a te consuma la sacra fiamma arabo odore. Ingombra colle nere ali sue l orrida morte il nostro amore, il nostro re. Risplenda un tuo raggio per lui, tu rasserena la Tessaglia infelice in pianto involta, e d un popolo amante i voti ascolta. CORO Dilegua il nero turbine Che freme al trono intorno. Oh fa ritrato Apolline, col chiaro tuo splendor. GRAN SECERDOTE Sospendete, o ministri, il sacrifizio e le preghiere; al tempio la regina s avanza alla dolente devota pompa esser vorrà presente. Scena Quarta (Entra il seguito della Regina co doni per il Nume, e s alloga il Popolo co sacerdoti a dritta e a sinistra) ALCESTE (vicino all ara) Nume, eterno, immortal, se col tuo sguardo che de nostri pensieri scopre i segreti, in me finor trovasti puro cor, caste voglie, innocenza e pietà se ogni mia sorte da te conobbi, e se il tuo culto, e questa immagin tua mai fu da me negletta, l offerte, i voti miei benigno accetta. CORO Dilegua il nero turbine, ecc. Oh fa ritrato, ecc. GRAN SECERDOTE I tuoi prieghi, oh regina, i doni tuoi propizio oltre l usato Apollo accoglie. A cento segni espressi già presente io l affermo. Ecco che invaso dal suo sacro furor quel che ragiono oltrepassa il mortale. Ecco si spande odor celeste, al simulacro intorno arde un cerchio di luce. Ah, già son pieni questi archi e queste mura della mente del Nume, i suoi decreti ei stesso detterà. L altare ondeggia, il tripode vacilla, si scuote il suol, rimbomba il tempio! Oh genti, in rispetto, in timore tacete, udite, e tu deponi, Alceste, l orgoglio del diadema piega a terra la fronte, ascolta e trema. L ORACOLO (dalla bocca del Nume) Il re morrà s altri per lui non more. CORO Che annunzio funesto di nuovo terrore! Fuggiamo, fuggiamo da questo soggiorno d orrore. (Fuggono tutti dal tempio. Alceste è rimasta sola con i figli) Scena Quinta ALCESTE Ove son, che ascoltai? Qual non oscuro oracolo fatale il Nume pronunziò! Che fiero istante questo è per me! Quanti e diversi affetti mi solleva nel cor! Rispetto, amore, maraviglia, spavento, debolezza e virtù tutti a vicenda, mi s affollano in sen. Son sì smarrita nel turbamento inusitato, e nuovo, che in me cerco me stessa, e me non trovo. Questo dunque è il soccorso che dal Cielo aspettai! Morrà lo sposo s altri per lui non more!... A chi proporlo!... Da chi sperarlo!... A qual crudel decreto ciascun m abbandonò. De miei fedeli alcun non veggo... A tutti cara è la vita... Il miglior dono è questo che far possan gli Dei... Misero Admeto! Prence infelice! Ove trovar chi voglia per prolungarti i giorni, sé stesso e i giorni suoi porre in oblio? V è chi t ami a tal segno? Ah! Vi son io! Già tutta alla mia mente luminosa si mostra la grande idea. Già di sublime ardire mi s empie il cor. Chi tanto di me, del mio volere Signor si rende? Ah! Lo conosco il nume, il nume in me si muove. Egli m ispira il sacrifizio illustre. Ei vuol che Alceste un magnanimo esempio oggi assicuri alle spose fedeli a dì futuri. Ombre, larve, compagne di morte, non vi chiedo, non voglio pietà. Se vi tolgo l amato consorte, v abbandono una sposa fedel; non mi lagno di questa mia sorte, questo cambio non chiamo crudel. Ombre, larve, compagne di morte, non v offenda si giusta pietà. Forza ignota che in petto mi sento, m avvalora, mi sprona al cimento, di me stessa più grande mi fa. Scena Sesta (Alceste in atto di partire con Eumelo e Aspasia; indi Evandro che frettoloso accorrendo s incontra in lei; indi Ismene da un altra parte, e con fretta) EVANDRO Ah, t affretta oh regina, in brevi istanti Admeto non vivrà l orror di morte già gli corre sul volto. Almen rivegga la dolce sposa. ISMENE Alceste, ah corri, ah non tardar! Di te richiede, ti chiama il re. Morir si sente, e seco la sua sposa non vede, non trova i figli; ha sempre sulle labbra il tuo nome e gira intorno gli occhi gravi e languenti di te cercando. ALCESTE Omai l atto grande s adempia! EVANDRO Da numi, ah ben lo sai! Non v è più che sperar. Vieni, t abbracci l infelice tuo sposo un altra volta ancor. Vada alla tomba con quel dolce conforto più lieto almen. Che più gli resta in queste Sue mortali agonie? ALCESTE (con maestà e risolutezza) Gli resta Alceste. (Parte in fretta co figli) Scena Settima (Evandro, Ismene, e subito a uno, a due, a tre, Ministri del tempio, Sacerdoti, cittadini, uomini, e donne da diverse parti, i quali interrogando i suddetti personaggi, che in atto di partire mostravano di andar dietro ad Alceste, gli fermano sulla scena) DUE CITTADINI E non s offerse alcuno? ... E alcuno ancora non si presenta? ISMENE È vana questa speranza. EVANDRO Ognuno ama se stesso... ISMENE ... Ama la vita. ALTRE VOCI E come... ... i vecchi padri... ... e i figli... ... e i congiunti... ... e le spose... ... amati oggetti... ... amorosi così... ... teneri tanto... TUTTI In lutto abbandonar, lasciare in pianto? VOCI Non ho cor... ... non mi sento tanta virtù. Tremo in pensarlo. Oh giorno infausto troppo! E la regina? E Alceste? ISMENE Corre al consorte... EVANDRO Partì. Ah non resiste misera al suo dolore. ISMENE ...anche per lei ci rimane a tremare. VOCI Oh Alceste! Oh Admeto! Giusto re! Dolce padre! Ah non lagnarti d un popolo fedel,... ...non incolparlo di finto amor,... ...di menzognera fede. TUTTI Troppo domanda il ciel. Troppo ci chiede, troppo ci chiede. Chi serve e chi regna è nato alle pene; il colmo del bene il trono non è. I pianti vi sono, le cure gli affetti, gli affanni e i sospetti - tiranni de re. (Partono tutti da diverse parti) Gluck,Christoph Willibald/Alceste/II-1
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