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https://w.atwiki.jp/oper/pages/3182.html
ATTO SECONDO Scena Prima (Padiglione di Maometto. Pamira, Ismene e coro) PAMIRA Cielo! che diverrò? Destin crudele! Oh come mai sottrarmi Al poter d un amante, E più… d un vincitor?… L ira paterna Mi persegue e m opprime Corinto è in ceppi… Oh giorno Di pianto e di terror!… I canti, Questi fior!… quelle faci… ah! tutto, tutto Dell alma accresce il lutto. Dolce per me fora un feral cipresso… La morte è sola speme a un core oppresso. Dal soggiorno degli estinti Le mie preci, o madre, intendi Di Pamira tu difendi L innocenza e la virtù. ISMENE, CORO Ciel!… Che fia… chi mai s avanza? Ah! chi forza ne darà? Si armi il petto di costanza, Qual si visse, si morrà. PAMIRA Ma se alfin, placato il nembo, Rieda il ciel qual pria sereno, Tanti affanni possa almeno La mia patria, o Dio, scordar. ISMENE e CORO Bella pace scenda almeno Tanti affanni a compensar. (Ismene ed il coro partono). Scena Seconda (Maometto e Pamira) MAOMETTO Sgombra il timor il mio poter ti cinge. Io depongo ai tuoi piedi L orgoglio del mio serto. Venti scettri mi diè facil vittoria. Son tuoi, Pamira! PAMIRA Ciel! MAOMETTO Onde tal pena? Al mio fianco essere puoi lieta e serena. PAMIRA Ah! di Corinto in pianto Riprendiam il cammin. A Dio sleale… in odio al padre mio… MAOMETTO Si placherà, mio bene; E secondo il vedrem al nostro imene. Che vedo? ohimè!… tu piangi? Deh! parla a che quel pianto? Qual fia di duol cotanto Fatal sorgente in te? PAMIRA Ah! del dolor la piena Al pianto mi condanna, Legge del Ciel tiranna Mi ricondusse a te. (fra sé) Potrei lasciar che l alma Gustasse amor e calma Mentre lo vieta… oh Dio!… Crudele… il padre mio? Oh giuramento!… Il Cielo M opprime, ahi! troppo; io gelo; Deh! vieni, o morte! In questo Momento sì funesto Mi giovi il tuo rigor. MAOMETTO (fra sé) Onde il pallor di morte Che su quel volto è sculto? Qual tristo affanno occulto Opprime il suo bel cor? (a Pamira) Pietosa a me sorridi Col guardo tuo d amor; L impero mio dividi E calma il tuo dolor. Scena Terza (I detti, guerrieri turchi, seguito di Maometto e Imani) OMAR, CORO Un fortunato Imene Compensi il vostro ardor. Termine avran le pene Che sopportava il cor. PAMIRA Quest alma più non dura Del fato al rio poter, La più fatal sciagura Previene il mio pensier. MAOMETTO Mio ben, di qual sciagura Potrai con me temer? Deh vien; ti rassicura, Dividi il mio poter. Pietosa all amor mio Alfin t arrendi, o cara! Vieni, Pamira, all ara, Vieni a regnar con me. PAMIRA Fatale è l amor mio! Pena crudele e amara! Vorrei seguirti all ara, Ma onor m arresta il piè. OMAR, CORO Un fortunato Imene Compensi il vostro ardor. Han termine le pene Quando sorride Amor. MAOMETTO Vinci, Pamira, il terror che t arresta Vedi? L ara d Imen per noi s appresta. (Dagli Imani viene posta un ara in mezzo alla scena). ISMENE Imen le dona Una corona E la circonda Del suo splendor. Mala sventura Per lei congiura, E veste al duol Il suo bel cor. E geme intanto Oppressa in pianto; L odio d un padre Estingui, o Cielo, E copra un velo Il suo dolor. CORO DI DONNE Muovi, o regina, Sicura il piede, Qui avrà mercede Il tuo bel cor. Vieni e potrai Lunge dal pianto Gustar l incanto D un dolce amor. CORO Divin Profeta, Dator di bene, Circonda Imene Del tuo splendor. Da te propizio Sia il voto accolto; Né a noi sia tolto Il tuo favor. MAOMETTO Pamira… PAMIRA Questo altar… MAOMETTO Qual mai tumulto?… Scena Quarta (Neocle di dentro, poi Omar. Quindi Neocle incatenato e detti, poi Ismene) NEOCLE (di dentro) Pamira?… OMAR A provocarne Fu spinto audace un greco. Fatal disperazione Travia la sua ragione. (Entrato Neocle, Omar parte). PAMIRA (fra sé) Che mai vedo!… Neocle!… NEOCLE (fra sé) È dessa! MAOMETTO Audace schiavo ribelle, e quale vana speme Ti ricondusse allarmi?… Sol, che pretendi!… NEOCLE O morte, o vendicarmi. Ecco ciò che dai Greci Può attendersi un tiranno ed è la pace Che in nome lor, a qui proporti io vengo. MAOMETTO Stolti!… Ricusan dunque La man che lor donai? NEOCLE Pugnar tu li vedesti, e dubbio n hai? Sai tu, ch invide tutte Del nostro fin, contendono la gloria Di custodir que muri Di Corinto le vergini e le spose, Dalla palma funebre oggi orgogliose? Tutti d un bel morir gustan l ebbrezza, Intanto che Pamira, Fra gl inni a gioia sacri, arride lieta Al vincitor, e sulla Grecia esangue Adorna il crin di fior tinti nel sangue. PAMIRA Oh dolor! MAOMETTO (a Neocle) Nessun mai Può torti al furor mio. Chi sei tu? NEOCLE Tale io son… PAMIRA È mio germano. MAOMETTO Che sento! PAMIRA (con circospezione a Neocle) Io ti salvai; (a Maometto) Deh! siami più umano. MAOMETTO (fra sé) Può sol quel ciglio, Che m incatena, Calmar la piena Del mio furor. È suo germano, Ma un suon d amore Dal mio furore Lo può salvar. PAMIRA È mio germano! (fra sé) Mi trema il core, Chi a quel furore Lo può salvar? NEOCLE (fra sé) Io suo germano! Mi trema il core, Chi a quel furore Mi può salvar? MAOMETTO Sian tolti a lui quei ferri. NEOCLE (fra sé) Che pensa?… che fia mai? MAOMETTO Tu il testimon sarai Del mio vicino imen. NEOCLE Che ascolto!… MAOMETTO Non si tardi Pamira, l ara è presta. NEOCLE Ah no! che all empia festa Presente io non sarò. No, no… la morte… MAOMETTO Insano! PAMIRA Maometto! MAOMETTO Vieni, o cara, Vieni, ne attende l ara. PAMIRA Oh Cielo! che farò? MAOMETTO De giuri tuoi sovvienti… NEOCLE Deh! pensa al padre almeno… Ah torna nel suo seno!… MAOMETTO Pamira mia sarà. O sol di chi t adora Dolce conforto e speme, Un cor che avvampa e geme T affretta a consolar. PAMIRA Ancor mi suona irata Del genitor la voce; Ma il mio destin feroce Non posso, oh Dio, cangiar. NEOCLE D amor seguace e schiava, Il Ciel, la patria, il padre Colei poté scordar. Scena Quinta (Omar e detti) OMAR Corinto in suon di sdegno Diè di battaglia il segno. MAOMETTO Corinto?… Quand io posso Lanciarla nell orror? OMAR Dell armi il suon non odi? Le vergini dei prodi Dividono il valor. Osserva! (S apre la tenda, e si vede la cittadella di Corinto coperta di donne e di guerrieri armati). NEOCLE Ciel! che miro! PAMIRA Che orrore!… MAOMETTO Qual deliro! CLEOMENE (di dentro) Pamira!… PAMIRA Ah! sì, t intendo… Già l amor mio spirò. PAMIRA, ISMENE, NEOCLE, CLEOMENE, CORO DI GRECI Sfidiam della sorte L ingiusto rigor È bella la morte Sul campo d onor. MAOMETTO L oltraggio m è guida; M infiamma l amor. Si pugni, si uccida. Sia tutto terror. OMAR, MUSULMANI Andiam, della morte Si sparga il terror; È gloria del forte La strage, l orror. CORO DI DONNE MUSULMANE Punite quell onte Saran dal terror, Piegate la fronte, Cedete al valor. MAOMETTO Tu sola puoi, Pamira, Calmar la mia giust ira; Ad un tuo detto è avvinto Il fato di Corinto; Distrutti i tuoi fra poco Saran dal ferro e il fuoco Se a me la man non dai… PAMIRA Con essi io perirò. MAOMETTO Che ardisci dir? NEOCLE Respiro. PAMIRA La palma del martiro Col padre acquisterò. MAOMETTO Ma i giuri tuoi?… La speme Che fino ad or gustai? PAMIRA Un dì, Almanzor, t amai Oggi co miei morrò. NEOCLE Oh Pamira! MAOMETTO A me sei sposa. PAMIRA No, giammai. MAOMETTO Mi segui, indegna! NEOCLE Io trionfo! MAOMETTO Oh mio martir! PAMIRA Oh mio padre!… NEOCLE Qual vittoria! MAOMETTO Vieni all ara! PAMIRA No; la morte!… NEOCLE Questa morte… PAMIRA È la mia gloria! MAOMETTO Più non reggo! ATTO SECONDO Scena Prima (Padiglione di Maometto. Pamira, Ismene e coro) PAMIRA Cielo! che diverrò? Destin crudele! Oh come mai sottrarmi Al poter d un amante, E più… d un vincitor?… L ira paterna Mi persegue e m opprime Corinto è in ceppi… Oh giorno Di pianto e di terror!… I canti, Questi fior!… quelle faci… ah! tutto, tutto Dell alma accresce il lutto. Dolce per me fora un feral cipresso… La morte è sola speme a un core oppresso. Dal soggiorno degli estinti Le mie preci, o madre, intendi Di Pamira tu difendi L innocenza e la virtù. ISMENE, CORO Ciel!… Che fia… chi mai s avanza? Ah! chi forza ne darà? Si armi il petto di costanza, Qual si visse, si morrà. PAMIRA Ma se alfin, placato il nembo, Rieda il ciel qual pria sereno, Tanti affanni possa almeno La mia patria, o Dio, scordar. ISMENE e CORO Bella pace scenda almeno Tanti affanni a compensar. (Ismene ed il coro partono). Scena Seconda (Maometto e Pamira) MAOMETTO Sgombra il timor il mio poter ti cinge. Io depongo ai tuoi piedi L orgoglio del mio serto. Venti scettri mi diè facil vittoria. Son tuoi, Pamira! PAMIRA Ciel! MAOMETTO Onde tal pena? Al mio fianco essere puoi lieta e serena. PAMIRA Ah! di Corinto in pianto Riprendiam il cammin. A Dio sleale… in odio al padre mio… MAOMETTO Si placherà, mio bene; E secondo il vedrem al nostro imene. Che vedo? ohimè!… tu piangi? Deh! parla a che quel pianto? Qual fia di duol cotanto Fatal sorgente in te? PAMIRA Ah! del dolor la piena Al pianto mi condanna, Legge del Ciel tiranna Mi ricondusse a te. (fra sé) Potrei lasciar che l alma Gustasse amor e calma Mentre lo vieta… oh Dio!… Crudele… il padre mio? Oh giuramento!… Il Cielo M opprime, ahi! troppo; io gelo; Deh! vieni, o morte! In questo Momento sì funesto Mi giovi il tuo rigor. MAOMETTO (fra sé) Onde il pallor di morte Che su quel volto è sculto? Qual tristo affanno occulto Opprime il suo bel cor? (a Pamira) Pietosa a me sorridi Col guardo tuo d amor; L impero mio dividi E calma il tuo dolor. Scena Terza (I detti, guerrieri turchi, seguito di Maometto e Imani) OMAR, CORO Un fortunato Imene Compensi il vostro ardor. Termine avran le pene Che sopportava il cor. PAMIRA Quest alma più non dura Del fato al rio poter, La più fatal sciagura Previene il mio pensier. MAOMETTO Mio ben, di qual sciagura Potrai con me temer? Deh vien; ti rassicura, Dividi il mio poter. Pietosa all amor mio Alfin t arrendi, o cara! Vieni, Pamira, all ara, Vieni a regnar con me. PAMIRA Fatale è l amor mio! Pena crudele e amara! Vorrei seguirti all ara, Ma onor m arresta il piè. OMAR, CORO Un fortunato Imene Compensi il vostro ardor. Han termine le pene Quando sorride Amor. MAOMETTO Vinci, Pamira, il terror che t arresta Vedi? L ara d Imen per noi s appresta. (Dagli Imani viene posta un ara in mezzo alla scena). ISMENE Imen le dona Una corona E la circonda Del suo splendor. Mala sventura Per lei congiura, E veste al duol Il suo bel cor. E geme intanto Oppressa in pianto; L odio d un padre Estingui, o Cielo, E copra un velo Il suo dolor. CORO DI DONNE Muovi, o regina, Sicura il piede, Qui avrà mercede Il tuo bel cor. Vieni e potrai Lunge dal pianto Gustar l incanto D un dolce amor. CORO Divin Profeta, Dator di bene, Circonda Imene Del tuo splendor. Da te propizio Sia il voto accolto; Né a noi sia tolto Il tuo favor. MAOMETTO Pamira… PAMIRA Questo altar… MAOMETTO Qual mai tumulto?… Scena Quarta (Neocle di dentro, poi Omar. Quindi Neocle incatenato e detti, poi Ismene) NEOCLE (di dentro) Pamira?… OMAR A provocarne Fu spinto audace un greco. Fatal disperazione Travia la sua ragione. (Entrato Neocle, Omar parte). PAMIRA (fra sé) Che mai vedo!… Neocle!… NEOCLE (fra sé) È dessa! MAOMETTO Audace schiavo ribelle, e quale vana speme Ti ricondusse allarmi?… Sol, che pretendi!… NEOCLE O morte, o vendicarmi. Ecco ciò che dai Greci Può attendersi un tiranno ed è la pace Che in nome lor, a qui proporti io vengo. MAOMETTO Stolti!… Ricusan dunque La man che lor donai? NEOCLE Pugnar tu li vedesti, e dubbio n hai? Sai tu, ch invide tutte Del nostro fin, contendono la gloria Di custodir que muri Di Corinto le vergini e le spose, Dalla palma funebre oggi orgogliose? Tutti d un bel morir gustan l ebbrezza, Intanto che Pamira, Fra gl inni a gioia sacri, arride lieta Al vincitor, e sulla Grecia esangue Adorna il crin di fior tinti nel sangue. PAMIRA Oh dolor! MAOMETTO (a Neocle) Nessun mai Può torti al furor mio. Chi sei tu? NEOCLE Tale io son… PAMIRA È mio germano. MAOMETTO Che sento! PAMIRA (con circospezione a Neocle) Io ti salvai; (a Maometto) Deh! siami più umano. MAOMETTO (fra sé) Può sol quel ciglio, Che m incatena, Calmar la piena Del mio furor. È suo germano, Ma un suon d amore Dal mio furore Lo può salvar. PAMIRA È mio germano! (fra sé) Mi trema il core, Chi a quel furore Lo può salvar? NEOCLE (fra sé) Io suo germano! Mi trema il core, Chi a quel furore Mi può salvar? MAOMETTO Sian tolti a lui quei ferri. NEOCLE (fra sé) Che pensa?… che fia mai? MAOMETTO Tu il testimon sarai Del mio vicino imen. NEOCLE Che ascolto!… MAOMETTO Non si tardi Pamira, l ara è presta. NEOCLE Ah no! che all empia festa Presente io non sarò. No, no… la morte… MAOMETTO Insano! PAMIRA Maometto! MAOMETTO Vieni, o cara, Vieni, ne attende l ara. PAMIRA Oh Cielo! che farò? MAOMETTO De giuri tuoi sovvienti… NEOCLE Deh! pensa al padre almeno… Ah torna nel suo seno!… MAOMETTO Pamira mia sarà. O sol di chi t adora Dolce conforto e speme, Un cor che avvampa e geme T affretta a consolar. PAMIRA Ancor mi suona irata Del genitor la voce; Ma il mio destin feroce Non posso, oh Dio, cangiar. NEOCLE D amor seguace e schiava, Il Ciel, la patria, il padre Colei poté scordar. Scena Quinta (Omar e detti) OMAR Corinto in suon di sdegno Diè di battaglia il segno. MAOMETTO Corinto?… Quand io posso Lanciarla nell orror? OMAR Dell armi il suon non odi? Le vergini dei prodi Dividono il valor. Osserva! (S apre la tenda, e si vede la cittadella di Corinto coperta di donne e di guerrieri armati). NEOCLE Ciel! che miro! PAMIRA Che orrore!… MAOMETTO Qual deliro! CLEOMENE (di dentro) Pamira!… PAMIRA Ah! sì, t intendo… Già l amor mio spirò. PAMIRA, ISMENE, NEOCLE, CLEOMENE, CORO DI GRECI Sfidiam della sorte L ingiusto rigor È bella la morte Sul campo d onor. MAOMETTO L oltraggio m è guida; M infiamma l amor. Si pugni, si uccida. Sia tutto terror. OMAR, MUSULMANI Andiam, della morte Si sparga il terror; È gloria del forte La strage, l orror. CORO DI DONNE MUSULMANE Punite quell onte Saran dal terror, Piegate la fronte, Cedete al valor. MAOMETTO Tu sola puoi, Pamira, Calmar la mia giust ira; Ad un tuo detto è avvinto Il fato di Corinto; Distrutti i tuoi fra poco Saran dal ferro e il fuoco Se a me la man non dai… PAMIRA Con essi io perirò. MAOMETTO Che ardisci dir? NEOCLE Respiro. PAMIRA La palma del martiro Col padre acquisterò. MAOMETTO Ma i giuri tuoi?… La speme Che fino ad or gustai? PAMIRA Un dì, Almanzor, t amai Oggi co miei morrò. NEOCLE Oh Pamira! MAOMETTO A me sei sposa. PAMIRA No, giammai. MAOMETTO Mi segui, indegna! NEOCLE Io trionfo! MAOMETTO Oh mio martir! PAMIRA Oh mio padre!… NEOCLE Qual vittoria! MAOMETTO Vieni all ara! PAMIRA No; la morte!… NEOCLE Questa morte… PAMIRA È la mia gloria! MAOMETTO Più non reggo! Rossini,Gioachino/L assedio di Corinto/III
https://w.atwiki.jp/x-sports/
スポーツデザインマネジメント論E班プレゼンテーション テーマ：Xスポーツの普及とイメージ向上（イベント実施） 目的：日本国内においてはマイナーであるXスポーツの普及とイメージ向上を目指し、イベントを実施する。 具体的には①マイナースポーツとしてのXスポーツの普及 ビッグイベントと、そこに至るまでのPR活動によるXスポーツの普及。メディアへの露出。 ②若者文化であるXスポーツと環境問題を組み合わせたシナジー効果 Xスポーツの実施者が環境問題やゴミ問題に取り組むことによるイメージアップ。 イベント、ウェアやグッズを通じて社会へのメッセージ発信。 ③ウェアなどのファッションとのコラボレーション ファッションとの融合。文化としての広がりと、スポーツとしての競技性を相乗的に向上する。 ④マイナースポーツ普及のためのモデルとなるイベント作り イベントに関わる一連の活動を、マイナースポーツ発展の成功モデルとして残す。 収益をマイナースポーツの発展に寄付？ ⑤ジェンダー問題の向上 女性選手の起用によるジェンダー問題への取り組み。 ■イントロダクション 〔Xスポーツとは？〕アダチ 速さや高さ、危険さや華麗さなどの「過激な(extreme)」要素を持った、離れ業を売りとするスポーツの総称。 エクストリームスポーツの定義は曖昧である。エクストリームスポーツとふつうのスポーツとの境界については、 その危険度や興奮を生み出す力と同様に、マーケティング（市場での展開）も重要であるといわれる。 エクストリームスポーツは自身の身体能力や度胸の限界を求める若者たちに支持されているだけでなく、 ファッション、音楽といった若者文化にも大きな影響力を持つ。 ・種目 ＊エクストリームスポーツに分類される主なスポーツ BMX、スケートボーディング、スノーボード、スカイダイビング、サーフィンなど ・発祥 ・歴史 ・有名選手 ・なぜマイナーなのか？・イメージが悪いのか？ ・事業規模 ストリートダンス ストリートダンスは、ストリート、つまり路上で踊られることから発生したダンスの一種。 ＊主なストリートダンス ヒップホップ、ブレイク、ロック、ポップ、ハウス、レゲエなど →この中でもブレイクダンスは競争性が高く、スポーツとしての性質が強い ＊ブレイクダンス 1970年代にニューヨークのサウスブロンクス地区のアフリカ系アメリカ人やラテンアメリカ人の 若者達によって発展したストリートダンスのスタイルである。また、遊牧民族が領土の抗争をまとめる為に銃撃戦 の代わりブレイクダンスのバトルを用い、発展に繋がったと言われている。ブレイクダンスにおいてはダンスバトル が主な表現の場である。もともとはいわゆるストリートの少年たちが喧嘩するかわりにダンスで勝負したり、練習 場所を争うために自然に行われるものであった。現在ではバトルイベントとしてオーガナイズされたものが中心で あり、音楽を流すDJ、その場をしきるMC、勝敗を決めるジャッジがおり、個々のダンサー、あるいはクルーが フロアの左右にわかれ、その間のフロアでお互いがダンスを披露する。それぞれのクルーが交互踊らなければ いけない、相手に触れてはいけない、というのはあくまでも暗黙の了解であり、基本的には規則というものは 存在しない。勝敗は全てジャッジの裁量に委ねられるが、基準となるものはなくどこに重点をおいて評価するか はそれぞれのジャッジにより異なる。そのためバトルイベントのジャッジはかならず複数いる。 ・アメリカでは？カトウ X Games 年2回夏・冬開催。主催ESPN（ディズニー傘下のアメリカ大手スポーツ専門チャンネル）。 開催場所：＜夏＞LAステープルズセンター（レイカーズの本拠地、LAダウンタウンにある複合施設） ＜冬＞アスペン、コロラド州 観客動員：138,000人（2006） ＜http //skateboard.about.com/cs/events/a/XGamesHistory_3.htm＞ 環境問題： 代替燃料（家庭からの廃油）の使用、代替燃料使用シャトルバス、リサイクル、100％再生紙の使用によるゴミ削減。 Get Caught Recycling 大会期間中にリサイクルをしたファンが商品と引き換え券をもらえる。 ＜http //disney.go.com/environmentality/xgames/summerxgames13/trashed.html＞ ファンやスタッフ、ベンダーに対しての啓蒙活動。 wikipediaより＜http //en.wikipedia.org/wiki/X_Games＞ トウモロコシ原料のコップなど、自然に還る原料でのお皿など cups made from corn based PLA plastic Games Environmentalityより＜http //disney.go.com/environmentality/xgames/summerxgames13/thedirt092507.html＞ BAMBOO BICYCLE Calfee Design s bamboo mountain-bike frame costs $2,695. ECO-WATCH Quiksilver s new $500 Ray is made of sustainable wood and powered by motion rather than a battery HEALTHIER BOARD Launched in June, Habitat s $55 skateboard deck uses sustainable wood, a vegetable-based finish and nontoxic glue TIME誌より＜http //www.time.com/time/magazine/article/0,9171,1828319,00.html＞ スポンサー： マウンテンデュー（飲料メーカー）、タコベル（ファーストフードチェーン）、ナイキ、クアーズライト（ビールメーカー）、 AT T（電話会社）、シェヴィートラック（自動車メーカー）、プレイステーション（ゲーム）、リーバイス（アパレル）、etc. ＜http //expn.go.com/xgames/wxg/vii/s/sponsors.html＞ ■イベント ＜概要＞ イベント名： 開催日時： 集客人数：10,000人（仮） スタッフ人数： ＜会場＞アライ ・開催場所 ・アクセス ・費用 ・収容人数 ＜設営＞ ・設営業者（費用） ＜運営＞ ・スポンサー管理 ウエシマ ・出店（ウェア・グッズ）ツヅキダニ ・救護 ・環境（ゴミ）ユカ、ダン ムラサキスポーツ、ユニクロなど：Ｘスポーツに使われる用具、洋服などを全てリサイクル品にし、不要後のリサイクル(販売店での回収による割引制度など) ユニクロ、トヨタ、日立、東電など：洋服等の売上金の一部環境保全活動費用として活用。 洋服に企業広告と環境広告を合わせた広告(各自動車メーカー、家電メーカー、ソーラーパネルなどの環境商品)を載せて運転資金に。 モー娘。のフットサルなどを良い例に：AKB48や、ジャニーズ、ファッションモデルなどを起用しラジオ宣伝、テレビの放映権確保。＊＊＊楽天などに放送関連を任せ、ウェブの視聴と同時に放映権をテレビ局に一部譲渡することでスポンサー増。 CMなど：麻薬、痴漢、ボイ捨て、歩きたばこ、ゴミの分別等の社会問題、環境キャンペーンなどと並行して訴えかけることによるＸスポーツ普及、及び社会的価値向上で資金増、一部環境保全活動などに活用。 大会観戦者、関係者による開催地域清掃活動で地域貢献で大会の期間定期化。 こうして日本は平和になった（≧∀≦） Ｄａи ・関連イベント サイトウ ・スタッフ費用 ・出演者費用 ■PR活動 ウエシマ ・スポンサー スポンサードするインセンティブ（誘因） →会場にスポンサー特設ステージを開設。新商品のＰＲ・試飲会・販売。 候補：ナイキ、コカコーラ、カシオ（G-Shock）（仮） ・広告 どこに→渋谷・原宿など若者が集まる場所。 どのように→路上パフォーマンス いつ→休日 だれが→出場者・出場する団体が交代で ・メディア→宣伝を募集しているテレビ。新聞広告・手渡し広告、路上パフォーマンスをする際に手渡し。 ・Family向けイベント ☆選手による自転車教室・ダンス教室 ・ウェア・グッズ作成 ツヅキダニ
https://w.atwiki.jp/reginn666/pages/87.html
MOD名 ElvenTools 最新ver 4.1.4 前提MOD MinecraftForge 601+ 消費BlockID数 7 消費ItemID数 20 DLリンク DropBox 概要 仕様 不具合 今後の予定 更新履歴ver4.1.4 ver4.1.3 ver4.1.2 ver4.1.1 ver4.1.0 ver1.1.1dev ver3.2.3 ver3.2.2 ver3.1.2 ver3.0.2 ver3.0.1 ver.3.0.0 ver2.2.6 ver2.2.5 ver2.2.4 ver2.2.3 ver2.2.2 ver2.2.1 ver2.2 ver2.1 ver2.0 ver1.0 アイテムリスト新素材 弓と矢 追加ツール SS 概要 弓と矢を重点に置いた「エルフの」道具を追加するMod. 仕様 黒檀の木関連は通常と木と互換性がない 黒檀の原木, 葉, 苗木は接頭辞woodをつけて鉱石辞書に登録されている 鉱石辞書の機能により, FFMの森林バックパックに上記3ブロックは格納可能 不具合 EbonyBoatがハスの葉を破壊しない 今後の予定 テクスチャの更新 更新履歴 +... ver4.1.4 Ropeのクラッシュを修正 ver4.1.3 SMPでのクラッシュを修正 ver4.1.2 不適切なパケット送信を修正 ver4.1.1 テクスチャの参照が間違っていたのを修正 ver4.1.0 種袋の追加 黒檀の梯子の追加 ver1.1.1dev 開発版 弓を6種追加 ver3.2.3 非推奨なメソッドの使用を回避 ver3.2.2 1.4.7に対応 ver3.1.2 1.4.6に対応 パッケージを変更 ver3.0.2 アイテムIDをシフトし忘れたのを修正 ver3.0.1 弓の描画を修正 ver.3.0.0 1.4.5に対応 ver2.2.6 伐採斧と草刈鎌の範囲を拡張, それぞれ1×12×1, 5×1×5に拡張. ver2.2.5 他のMODと共有していたスプライトを分離した 黒檀のボートのレシピを変更(黒檀の木材×3→黒檀の木材×5) 黒檀の棒と石炭, 木炭からたいまつを作れるようにした 黒檀の原木, 黒檀の葉, 黒檀の苗木の鉱石辞書への登録名を変更, FFMの森林バックパックに格納可能にした 3×3の範囲の草, 花, 小麦, きのこ, ネザーワート, サトウキビを刈り取れる「草刈り鎌」を追加 破壊した原木より上8ブロックの原木を同時に破壊する単純なきこり斧「伐採斧」を追加 ver2.2.4 黒檀の葉が自然と消えるように修正 ワールドの取り扱いを適切な物に修正 ver2.2.3 黒檀の葉がいつまでも壊れない不具合は修正されなかった ver2.2.2 ミスリルツールに付加されるエンチャントのレベルが変動するのを修正 黒檀の葉がいつまでも壊れない不具合を修正 ver2.2.1 ミスリルツールの性能を下方修正 ver2.2 追加ブロックと追加ツールの採掘レベルを適切な物に修正 ver2.1 ビルド217以降のForgeに同梱されているFMLの仕様変更に合わせて一部を修正 ver2.0 公開 Minecraft 1.3.2に対応 ver1.0 実装, 未公開 アイテムリスト 新素材 名称 レシピ 説明 黒檀の木(Ebony Wood) このModで追加される木. 森林バイオームにのみ生成される. 黒檀の原木(Ebony Log) 黒檀の木から得られる原木. 黒檀の葉(Ebony Leaves) 黒檀の木から得られる葉. 常に透過している. 黒檀の苗木(Ebony Sapling) 黒檀の木の苗木. 骨粉で成長可能 黒檀の木材(Ebony Planks) 黒檀の原木から得られる木材 木炭(Charcoal) 黒檀の原木を精錬すると得られる. 密度の高い黒檀からは木炭が2つ手に入る. 黒檀の木の棒(Ebony wooden stick) 材料：黒檀の木材×2黒檀の木材から作る木の棒. 追加弓や追加ツールの材料. 黒檀のボート(Ebony Boat) 材料：黒檀の木材×5黒檀の木材から作るボート. 通常とボートと異なりぶつかっても壊れることは無い. 黒檀の梯子(Ebony Ladder) 材料：黒檀の棒×7黒檀の棒から作る梯子. 通常と梯子と異なり壁がなくても設置可能. 種袋(Seed Bag) 材料：紙×5小麦, かぼちゃ, スイカなどの種を格納できる袋. シフト＋右クリックでGUIを展開, 右クリックで農地に種を設置. 弓と矢 名称 レシピ 説明 松明矢(Torch Arrow) 材料：松明×1, 矢×1矢が当たった箇所がたいまつ設置可能であればたいまつを設置する矢. そうでない場合は再回収可能. 通常の矢と同様にダメージを与えることもできるが, その場合たいまつは設置されない. どの弓でも撃てる. Rope+というModに入っていた, 過去の303Arrowからサルベージした機能. ロープ矢(Rope Arrow) 材料：ロープ×1, 矢×1透過していないブロックの下側にあたると, そこから登れるロープを垂らす矢. そうでない場合は再回収可能. 通常の矢と同様にダメージを与えることもできるが, その場合ロープは設置されない. どの弓でも撃てる. Rope+というModに入っていた, RopeArrowからサルベージした機能. ロープ(Rope) 材料：糸×6ロープ矢の材料. これ自体でもブロックの下側で使うとロープを設置できる. なお矢で設置しようが, このアイテムで設置しようが, 設置済みのロープの一番上が破壊されたり, ロープが設置してあるブロックが壊れるとアイテム化する. レザーロングボウ(Leather Longbow) 材料：黒檀の木の棒×4, 糸×3, 革×2黒檀の木の棒で作る弓. 黒檀の強さと革のしなやかさによって通常の弓より高耐久になっている. 加えて良いエンチャントもつきやすい. 複合ロングボウ(Composite Longbow) 材料：レザーロングボウ×1, 鉄インゴット×3, 赤の染料×3レザーロングボウを鉄で強化した弓. 耐久, 発射速度, 威力どれも向上しているが, エンチャント補正はレザーロングボウより低い. エンハンスドロングボウ(Enhanced Longbow) 材料：複合ロングボウ×1, 黒曜石×2, ダイアモンド×2, 金インゴット×3複合ロングボウをダイアモンドと黒曜石でコーティングした弓. 耐久, 発射速度, 威力どれもレザーロングボウからはるかに向上しているが, エンチャント補正はほとんどなくなっている. エルフの弓(Elven Bow) 材料：複合ロングボウ×1, 黒檀の木の棒×1, 金インゴット×2, 糸×3どこかの世界の種族が使っていた弓. 強度としなやかさを兼ね備えており、素早い攻撃で敵を寄せ付けない. (クラフトした場合punchⅠが付与されます.又、弦を引く速度がとても速いです.) 鋼鉄の弓(Steel Bow) 材料：複合ロングボウ×1, 黒檀の木の棒×1, 鉄インゴット×2, 糸×3鉄を主の材料として作られた強固な弓. 弦を引くのにとても力が必要で矢を射るのに時間がかかるが, 威力は申し分ない.(クラフトした場合punchⅡが付与されます.又、弦を引く速度がとても遅いです.) ボーンコンポジットボウ(Bone Composite Bow) 材料：骨×2, 黒檀の木の棒×1, 糸×3この世界でよく取れる奇妙な骨を使った間に合わせな弓. よくしなるので多少威力がある. 影の弓(Shadow Bow) 材料：ボーンコンポジットボウ×1, エンダーパール×2, 糸×3実体の矢を消費することなく矢を放つ弓. 弓本体から矢の影を供給しているので壊れやすい.(Infinityと同等の特殊能力です.) エンドボウ(End Bow) 材料：影の弓×1, アイオブエンダー×4, 糸×2エンダーマンの力を取り入れようと作られた弓. 力を取り入れ損ねて移動できなくなる力を持つことになった. (当たったmobの動きを止めます.この時そのmobにはいかなる効果も通用しなくなります.) 羽弓(Feather Bow) 材料：ボーンコンポジットボウ×1, 金インゴット×1, 羽×2, 糸×3持つととても体が軽くなる付呪をされている弓. この弓の所有者は落下を恐れることがなくなる.(手に持って落下すると鶏と同じ落下になります.) 追加ツール 名称 レシピ 説明 エルフのミスリルショベル(Elven Mithril Shovel) 材料：ミスリルインゴット×1, 黒檀の木の棒×2ドワーフの金属であるミスリルを加工したショベル. ミスリルはそれ自体が魔法を持っており, 常にEfficiencyが付加されている.DwarvenToolsもしくは鉱石辞書に"ingotMithril"を追加するModがない場合作成不可. エルフのミスリルつるはし(Elven Mithril Pickaxe) 材料：ミスリルインゴット×3, 黒檀の木の棒×2ドワーフの金属であるミスリルを加工したつるはし. ミスリルはそれ自体が魔法を持っており, 常にEfficiencyが付加されている.DwarvenToolsもしくは鉱石辞書に"ingotMithril"を追加するModがない場合作成不可. エルフのミスリル斧(Elven Mithril Axe) 材料：ミスリルインゴット×3, 黒檀の木の棒×2ドワーフの金属であるミスリルを加工した斧. ミスリルはそれ自体が魔法を持っており, 常にEfficiencyが付加されている.DwarvenToolsもしくは鉱石辞書に"ingotMithril"を追加するModがない場合作成不可. エルフのミスリル剣(Elven Mithril Sword) 材料：ミスリルインゴット×2, 黒檀の木の棒×1ドワーフの金属であるミスリルを加工した剣. ミスリルはそれ自体が魔法を持っており, 剣にした場合常にSmiteが付加されている.DwarvenToolsもしくは鉱石辞書に"ingotMithril"を追加するModがない場合作成不可. エルフの草刈り鎌(Elven Sickle) 材料：ミスリルインゴット×2, 黒檀の木の棒×2ドワーフの金属であるミスリルを加工した鎌. 特殊な魔法は帯びていないが5×5の範囲の草を一気に刈り取れる. エルフたちが森を維持, 管理するためのツールの一種.DwarvenToolsもしくは鉱石辞書に"ingotMithril"を追加するModがない場合作成不可. エルフの伐採斧(Elven Lumber Axe) 材料：ミスリルインゴット×3, 黒檀の木の棒×1, 革×2ドワーフの金属であるミスリルを加工した特殊な斧. 特殊な魔法は帯びていないが高さ12までの原木を一気に破壊できる. エルフたちが森を維持, 管理するためのツールの一種.DwarvenToolsもしくは鉱石辞書に"ingotMithril"を追加するModがない場合作成不可. SS
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17 55 2011/06/23 TaskbarSorter.exe(GUI) タスクバーのアイコンを種類別に整列ソートする http //web.archive.org/web/20051113014107/http //www12.plala.or.jp/yoshi223/TaskbarSorter/TaskbarSorter.tgz 2004.9.12.17版 ・起動オプション /lock ソート時のタスクバーの描画をロックする． /delayオプションを指定しているときは無効． /sdelay ms 並び替えの前に指定ミリ秒待つ． /delay ms 並び替えのディレイをミリ秒で指定する． このオプションを指定した場合は/lockは無視される． /conf filename カスタムソート設定ファイルを指定する． 必ず起動オプションの最後に記述すること． /check 現在のウィンドウ情報をWindowInfo.logに書き出す． カスタムソートに使用するクラス名の調査に使用のこと． このオプションがあるときは他のオプションは無視され， 並び替えも行われない． /no_pre_sort デフォルトのクラス→ウィンドウタイトルのソートを行わない． カスタムソートを指定したときに，カスタムソート条件に一致 しなかったタスクバーアイコンの並びを変更したくないときに使用． 単独で使用すると何も起こらない． XPでは使用不可． /sort_each_cond カスタムソートの各条件ごとにソートを行う． /no_pre_sortと同時に使用し，各カスタムソート条件に一致 するタスクバーアイコン群だけをソートする． 設定ファイルの書式は次の通り． クラス名1ウィンドウタイトル1 クラス名2ウィンドウタイトル2 ・・・ クラス名とウィンドウタイトルにはワイルドカードが使用可能． ファイルの上位行に書かれたものが先頭に来る． -----TaskbarSorter.cmd------------------- TaskbarSorter.exe /no_pre_sort /conf %~f0 @goto eof カスタムソート設定 ------------------------------------------ "%~f0"にすると、Failed to open config file.、が出て機能しない ""で囲むと駄目みたい %~f0、が気に入らない場合は、%~fs0、でも可
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SP6 IR Resort Anthem#7(HYPER) (4/28～5/4 23 30まで)ID：LNGOMECM STAGE1：☆9 DXY! STAGE2：☆8 Brazilian Fire STAGE3：☆8 Punch Love仮面 STAGE4：☆10 ワルツ第17番 ト短調”大犬のワルツ” 1 DJ LIE. 5855 2 DJ JAQK 5727 3 DJ PORTE 5707 4 DJ CHARO. 5543 5 DJ GONGON 5526 6 DJ GOCHO- 5516 7 DJ JACKM3 5510 8 DJ XYZ. 5485 9 DJ KUMAAA 5481 10 DJ MELT1A 5445 11 DJ 1059M 5408 12 DJ 57M.GR 5382 13 DJ BAUYUI 5327 14 DJ LIZ.IF 5309 15 DJ YUU- 5292 16 DJ TAKARA 5255 17 DJ ASELIA 5216 18 DJ KOBU 5208 19 DJ LUV! 5194 20 DJ 22DUNK 5189 21 DJ INS-K 5183 22 DJ KTDC 5145 23 DJ S-E-X 5097 24 DJ MAO 5091 25 DJ TORT86 5087 26 DJ P-KANA 5085 27 DJ *MIO* 5084 28 DJ MAKUW 5080 29 DJ LIZ.TF 5059 30 DJ HPMT-2 5044 31 DJ COCO.T 5005 32 DJ CHARLE 4999 33 DJ ASKS 4998 34 DJ OK10 4972 35 DJ GENMAI 4958 36 DJ YUKI 4937 37 DJ SASH 4924 38 DJ HASAMI 4920 39 DJ VIVIFY 4902 40 DJ COLA 4887 41 DJ CRZ 4863 42 DJ DAI5RO 4859 43 DJ SIMOBE 4853 44 DJ PUUTAN 4852 45 DJ RST 4837 46 DJ TAKA 4834 47 DJ TEK 4831 48 DJ AUGUST 4813 49 DJ DERIKA 4810 50 DJ T.MA 4806 51 DJ KURO 4800 52 DJ YAYOI 4782 53 DJ CINQUE 4770 54 DJ YUKI 4744 55 DJ ILOHAS 4711 56 DJ PEKO 4699 57 DJ SINIS 4695 58 DJ YAYO 4674 59 DJ TARE 4674 60 DJ WOTA2 4673 61 DJ TA98 4665 62 DJ P-SHA 4657 63 DJ HRIM 4645 64 DJ HAIZI 4634 65 DJ MOGMOG 4629 66 DJ MYATA 4620 67 DJ 5193 4611 68 DJ WSB 4606 69 DJ YOMICH 4593 70 DJ QBK 4588 71 DJ ##SU## 4586 72 DJ ACORN 4575 73 DJ MINOKT 4554 74 DJ OMAKE 4548 75 DJ SUZUME 4535 76 DJ MAITO 4508 77 DJ GEEQ. 4503 78 DJ REKI 4482 79 DJ NI-DA* 4467 80 DJ ROCHE. 4443 81 DJ LV.77 4438 82 DJ SMJ 4437 83 DJ SINTEI 4428 84 DJ LINE 4423 85 DJ NGER 4394 86 DJ SAKI 4383 87 DJ A-SATO 4377 88 DJ 493SUN 4371 89 DJ KOKO 4315 90 DJ AOI 4270 91 DJ SUGA 4242 92 DJ NOAH 4224 93 DJ LASSI. 4196 94 DJ YK 4185 95 DJ GONSHI 4068 96 DJ HEALEN 4027 97 DJ SIO 3932 98 DJ E.F.B 3814 99 DJ AMBASA 3716 100 DJ LOKORI 3641
https://w.atwiki.jp/centos-homeserver/pages/13.html
はじめに 2010.7.10現在、CentOS(x86 64bit版)の最新のバージョンである Ver5.5のCentOS-5.5-x86_64-netinstall.isoを用いてネットワークインストールを行う。 （※ネットワークインストール可能なNICのチップがこのマザーボードに搭載されていたため） もし、ネットワークインストールが不可能ならDVDをもちいてインストールする。 （CentOS-5.5-x86_64-bin-DVD-1of2.iso＆CentOS-5.5-x86_64-bin-DVD-2of2.iso） データ用HDDの一時的な取り外し 全てのHDDを接続していると、起動ディスク（のデバイス名）を正しく設定できないので、 一旦データ用HDDを全て取り外した状態でインストールを行う。 CentOSのCD-ROM(or DVD)でインストーラ起動 BIOSでCD-ROM起動を設定後、CentOSのCD-ROM(or DVD)でインストーラを起動 ※なお、インストール全般に関しては、RHEL-5のインストールマニュアルを参照にすると良い。 ネットワーク設定（DVDでも同様。） 後で設定するので、ひとまずデフォルトのDHCPのままにする。 （※DHCPサーバが無い環境であれば設定する。） ただし、IPv6のサポートのチェックだけは外す。 FTPサイトの設定（ネットワークインストールの場合） 例としては、 FTPサイト名："ftp.iij.ad.jp" FTPディレクトリ："pub/linux/centos/5.5/os/x86_64" あとはDVDでのインストールと同様。 パーティション設定 自分は起動ディスクを以下の通りにパーティションを設定した。 sda ※WD3200BEVT -------- sda1 swap 4 GiB 基本領域 sda2 /boot 136 MiB 基本領域 sda3 / 8 GiB 基本領域 sda5 /var 200 GiB 拡張領域(sda4)の中 sda6 /tmp 残り全て パーティション編集はREHL-5のインストールマニュアルの該当ページを参考のこと。 (注)インストーラーでパーティションを順番に新規作成していくと意図通りにパーティションを割当できない場合もある。（例えばsdaXが勝手に入れ替わるなど）そこで一旦全領域を削除して、新規作成ではなく編集でシリンダ単位でパーティションを作成していくと良い。また、ubuntuやParted MagicなどのLIVE-CDのGPartedを使用して、事前にパーティションを設定しておいてインストーラー上でマウントポイントの設定だけ行うようにしても良い。 ブートローダの設定 "/dev/sda2"にインストールされるのを確認。（起動パーティションは"/dev/sd3"） タイムゾーン デフォルトで「アジア／東京」が選択されているのを確認し、 忘れずに「システムクロックでUTCを使用」のチェックを外す。 インストールパッケージ 日本語のサポートパッケージ以外にチェックを入れて後は全てチェックを外す。 （最小限のパッケージしかインストールしない。） おわりに あとは、インストール処理が終了するまで待つ。 （ディスクのフォーマットからパッケージのインストールまで） インストール処理が正常に終了すればディスクが排出されるはずなので、 それを確認して再起動し、OSが起動することを確認する。 このページを編集
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Public Health Palgrave Macmillan? Rob Baggott? PalgraveMacmillan? RobBaggott? ジャンル別? Substores-UnknownASINs-8 Subjects-Medicine-Administration&Policy-PublicHealth? Subjects-Nonfiction-SocialSciences-PoliticalScience-LevelsofGovernment-FederalGovernment? Subjects-Science-Medicine-Administration&Policy-PublicHealth? Secret Fear (Mactracks) Macmillan Education Ltd? Mohamed Sheriff? MacmillanEducationLtd? MohamedSheriff? ジャンル別? Substores-UnknownASINs-8 Subjects-Children sBooks-Literature-Action&Adventure? Modern Social Work Theory Palgrave Macmillan? Malcolm Payne? PalgraveMacmillan? MalcolmPayne? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-SocialSciences-SocialWork? Kierkegaard and Nietzsche (Library of Philosophy Religion) Palgrave Macmillan? J. Kellenberger? PalgraveMacmillan? J.Kellenberger? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-Philosophy-Movements-Existentialism? Subjects-Nonfiction-Philosophy-PhilosophyofReligion-General? 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TV Drama in Transition Palgrave Macmillan? Robin Nelson? PalgraveMacmillan? RobinNelson? ジャンル別? Substores-UnknownASINs-8 Subjects-Entertainment-Television-General? Subjects-Nonfiction-SocialSciences-Anthropology? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Lefanu's Gothic The Rhetoric of Darkness Palgrave Macmillan? Victor Sage? PalgraveMacmillan? VictorSage? ジャンル別? Substores-UnknownASINs-8 Subjects-History-Europe-France-General? Subjects-Literature&Fiction-General? Subjects-Literature&Fiction-History&Criticism-Criticism&Theory? Subjects-Literature&Fiction-WorldLiterature-British-General? Subjects-Literature&Fiction-WorldLiterature-British-20thCentury? Irish Migrants in Modern Britain (Social History in Perspective) Palgrave Macmillan? Donald M. MacRaild? PalgraveMacmillan? DonaldM.MacRaild? ジャンル別? Substores-UnknownASINs-8 Subjects-History-Europe? Subjects-History-World-General? Subjects-Law-AdministrativeLaw-Emigration&Immigration? 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An Introduction to Comparative Philosophy A Travel Guide to Philosophical Space Palgrave Macmillan? Walter Benesch? PalgraveMacmillan? WalterBenesch? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-Philosophy-Eastern-General? Subjects-Nonfiction-Philosophy-General? Globalization, Democratization and Multilateralism (Macmillan International Political Economy Multilateralism in the UN System) Palgrave Macmillan? Stephen Gill? PalgraveMacmillan? StephenGill? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-Politics-International-Relations? Cyprus Ethnic Conflict and International Politics From Independence to the Threshold of the European Union Palgrave Macmillan? Joseph S. Joseph? PalgraveMacmillan? JosephS.Joseph? ジャンル別? Substores-UnknownASINs-8 Subjects-History-Asia? Subjects-History-MiddleEast-General? Subjects-Nonfiction-Politics-International-Relations? Subjects-Nonfiction-Politics-International-Security? Subjects-Nonfiction-SocialSciences-Anthropology-Cultural? 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Subjects-Business&Investing-Industries&Professions-IndustrialRelations? Subjects-Professional&Technical-BusinessManagement-HumanResources&PersonnelManagement? Why Workers Won't Work Macmillan Caribbean? Kenneth L. Carter? MacmillanCaribbean? KennethL.Carter? ジャンル別? Substores-UnknownASINs-8 Subjects-Business&Investing-Economics-Development&Growth? Subjects-Business&Investing-Economics-Unemployment? Subjects-Business&Investing-Industries&Professions-HumanResources&PersonnelManagement? Subjects-Nonfiction-Economics-Development&Growth? Subjects-Nonfiction-Economics-Unemployment? Subjects-Professional&Technical-Accounting&Finance-Economics-Development&Growth? Subjects-Professional&Technical-Accounting&Finance-Economics-Unemployment? Subjects-Professional&Technical-BusinessManagement-HumanResources&PersonnelManagement? The Debt Dilemma (Warwick University Caribbean Studies) Macmillan Caribbean? Horace A. Bartilow? Norman Manley? MacmillanCaribbean? HoraceA.Bartilow? NormanManley? ジャンル別? Substores-UnknownASINs-8 Subjects-Business&Investing-Economics-Development&Growth? Subjects-Business&Investing-Economics-International? Subjects-Nonfiction-Economics-Development&Growth? Subjects-Nonfiction-Economics-International? Subjects-Professional&Technical-Accounting&Finance-International-Economics? Subjects-Professional&Technical-Accounting&Finance-Economics-Development&Growth? Leisure and Culture Palgrave Macmillan? Chris Rojek? PalgraveMacmillan? ChrisRojek? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Nonfiction-SocialSciences-Sociology-Leisure? UN Peacekeeping, American Policy and the Uncivil Wars of the 1990s Palgrave Macmillan? William J. Durch? PalgraveMacmillan? WilliamJ.Durch? ジャンル別? Substores-UnknownASINs-8 Subjects-History-Military-General? Subjects-Law-InternationalLaw-General? Subjects-Nonfiction-Politics-International-UnitedNations? Subjects-Nonfiction-Law-InternationalLaw-General? Ibsen's Drama Palgrave Macmillan? Theoharis Constantine Theoharis? PalgraveMacmillan? TheoharisConstantineTheoharis? ジャンル別? Substores-UnknownASINs-8 Subjects-History-HistoricalStudy-HistoryofIdeas? Subjects-Literature&Fiction-Drama-General? Pacesetter;Last Aloe Macmillan Education Ltd? Wooding R? MacmillanEducationLtd? WoodingR? ジャンル別? Substores-UnknownASINs-8 Strategy in Crisis (Macmillan Business) Palgrave Macmillan? Michael De Kare-Silver? PalgraveMacmillan? MichaelDeKare-Silver? ジャンル別? Substores-UnknownASINs-8 Subjects-Business&Investing-Biographies&Primers-Strategy&Competition? Subjects-Business&Investing-Management&Leadership-Management? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management? Change and the Modern Business Palgrave Macmillan? Neil Harris? PalgraveMacmillan? NeilHarris? ジャンル別? Substores-UnknownASINs-8 Subjects-Business&Investing-Management&Leadership-Management? Subjects-Law-EnglishLaw-Financial? Subjects-Nonfiction-Law-EnglishLaw-Financial? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management? A Browning Chronology (Author Chronologies) Palgrave Macmillan? Martin Garrett? PalgraveMacmillan? MartinGarrett? ジャンル別? Substores-UnknownASINs-8 Subjects-Biographies&Memoirs-General? Subjects-Literature&Fiction-Poetry-British-19thCentury? A History of Slovakia Palgrave Macmillan? Stanislav J. Kirschbaum? PalgraveMacmillan? StanislavJ.Kirschbaum? ジャンル別? Substores-UnknownASINs-8 Subjects-History-Europe? Puritans at Play Palgrave Macmillan? Bruce C. Daniels? PalgraveMacmillan? BruceC.Daniels? ジャンル別? Substores-UnknownASINs-8 Subjects-History-Americas-UnitedStates-ColonialPeriod-General? Subjects-History-HistoricalStudy-SocialHistory? Subjects-Nonfiction-SocialSciences-Sociology-Leisure? Subjects-Religion&Spirituality-Christianity-Protestantism-General? Substores-UnknownASINs-8 洋書