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Beneficial Use Programs for Biosolids Management A Special Publication (Special Publication (Water Environment Federation).) Water Environment Federation? Water Environment Federation? Patti J. Psaris? Douglas Borgatti? Water Environment Federation. Task Force on Beneficial Use Programs for Biosolids Management? WaterEnvironmentFederation? WaterEnvironmentFederation? PattiJ.Psaris? DouglasBorgatti? WaterEnvironmentFederation.TaskForceonBeneficialUseProgramsforBiosolidsManagement? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Outdoors&Nature Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-SewageDisposal&Treatment? Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare? Subjects-Outdoors&Nature-Environment-Recycling? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-SewageDisposal&Treatment? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-SoilScience? Subjects-Science-General Subjects-Science-Nature&Ecology-Environment-Recycling? Subjects-Science-AgriculturalSciences-SoilScience? Hazardous Waste Management at Wastewater Treatment Plants A Special Publication (Special Publication (Water Environment Federation).) Water Environment Federation? Water Environment Federation? Greg Adams? Water Environment Federation. Task Force on Hazardous Waste Management at Wastewater Treatment Plants? WaterEnvironmentFederation? WaterEnvironmentFederation? GregAdams? WaterEnvironmentFederation.TaskForceonHazardousWasteManagementatWastewaterTreatmentPlants? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Outdoors&Nature Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-HazardousWaste? Subjects-Engineering-Civil-Environmental-WaterQuality&Treatment? Subjects-Engineering-Civil-Environmental-SewageDisposal&Treatment? Subjects-Engineering-General? Subjects-Outdoors&Nature-Conservation-Water? Subjects-Outdoors&Nature-NaturalResources-WaterSupply&LandUse? Subjects-Outdoors&Nature-Environment-WaterSupply? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-HazardousWaste? Subjects-Professional&Technical-Engineering-Civil-Environmental-WaterQuality&Treatment? Subjects-Professional&Technical-Engineering-Civil-Environmental-SewageDisposal&Treatment? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Nature&Ecology-WaterSupply&LandUse? Subjects-Science-Nature&Ecology-Environment-WaterSupply? Existing Sewer Evaluation and Rehabilitation (Asce Manual and Reports on Engineering Practice) Amer Society of Civil Engineers? Water Environment Federation? AmerSocietyofCivilEngineers? WaterEnvironmentFederation? ジャンル別? ユーズドブック(洋書)-Engineering Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-SewageDisposal&Treatment? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-SewageDisposal&Treatment? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Wastewater Biology The Life Processes A Special Publication (Special Publication (Water Environment Federation).) Water Environment Federation? Water Environment Federation? Michael H. Gerardi? Water Environment Federation. Task Force on Wastewater Biology the Life Processes? Robert M. Arthur? WaterEnvironmentFederation? WaterEnvironmentFederation? MichaelH.Gerardi? WaterEnvironmentFederation.TaskForceonWastewaterBiology theLifeProcesses? RobertM.Arthur? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Outdoors&Nature Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Engineering-Civil-Environmental-SewageDisposal&Treatment? Subjects-Engineering-General? Subjects-Outdoors&Nature-Conservation-Water? Subjects-Outdoors&Nature-NaturalResources-WaterSupply&LandUse? Subjects-Outdoors&Nature-Environment-WaterSupply? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Professional&Technical-Engineering-Civil-Environmental-SewageDisposal&Treatment? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Biology-Microbiology? Subjects-Science-General Subjects-Science-Nature&Ecology-WaterSupply&LandUse? Subjects-Science-Nature&Ecology-Environment-WaterSupply? Subjects-Science-BiologicalSciences-Biology-Microbiology? Wastewater Residuals Stabilization Manual of Practice Fd-9 (Water Pollution Control Federation//Manual of Practice F D) Water Environment Federation? WaterEnvironmentFederation? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Outdoors&Nature Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-SewageDisposal&Treatment? Subjects-Engineering-General? Subjects-Outdoors&Nature-Conservation-Water? Subjects-Outdoors&Nature-NaturalResources-WaterSupply&LandUse? Subjects-Outdoors&Nature-Environment-WaterSupply? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-SewageDisposal&Treatment? Subjects-Professional&Technical-Engineering-General Subjects-Science-Nature&Ecology-WaterSupply&LandUse? Subjects-Science-Nature&Ecology-Environment-WaterSupply? Preliminary Treatment for Wastewater Facilities (Water Pollution Control Federation//Manual of Practice O M) Water Environment Federation? Water Environment Federation? WaterEnvironmentFederation? WaterEnvironmentFederation? ジャンル別? ユーズドブック(洋書)-Engineering Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-Pollution-Water? Subjects-Engineering-Civil-Environmental-SewageDisposal&Treatment? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-Pollution-Water? Subjects-Professional&Technical-Engineering-Civil-Environmental-SewageDisposal&Treatment? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Substores-UnknownASINs-jp-unknown3? Controlling Silver Discharges in Wastewater Water Environment Federation? Water Environment Federation? Pollution Prevention Committee? WaterEnvironmentFederation? WaterEnvironmentFederation? PollutionPreventionCommittee? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Outdoors&Nature Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-SewageDisposal&Treatment? Subjects-Engineering-General? Subjects-Outdoors&Nature-Conservation-Water? Subjects-Outdoors&Nature-NaturalResources-WaterSupply&LandUse? Subjects-Outdoors&Nature-Environment-WaterSupply? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-SewageDisposal&Treatment? Subjects-Professional&Technical-Engineering-General Subjects-Science-Nature&Ecology-WaterSupply&LandUse? Subjects-Science-Nature&Ecology-Environment-WaterSupply? Water and the City The Next Century Public Works Historical Soc? Howard Rosen? Ann Durkin Keating? PublicWorksHistoricalSoc? HowardRosen? AnnDurkinKeating? ジャンル別? ユーズドブック(洋書)-Engineering Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-WaterQuality&Treatment? Subjects-Literature&Fiction-General-Classics? Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-WaterQuality&Treatment? Water Management in Urban Area Proceedings (Proceedings Series (American Water Resources Association)) Amer Water Resources Assn? Mark L. Loethen? Tex.) American Water Resources Association Conference 1995 (Houston? AmerWaterResourcesAssn? MarkL.Loethen? Tex.)AmericanWaterResourcesAssociationConference1995(Houston? ジャンル別? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-41? Subjects-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-General Watershed Restoration Management Physical, Chemical, Biological Considerations New York City Water Supply Studies (Proceedings Series (American Water Resources Association)) Amer Water Resources Assn? American Water Resources Association? Jeffrey J. McDonnell? James B. Stribling? Robert Neville? Donald Joseph Leopold? AmerWaterResourcesAssn? AmericanWaterResourcesAssociation? JeffreyJ.McDonnell? JamesB.Stribling? RobertNeville? DonaldJosephLeopold? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Outdoors&Nature Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-Hydraulics? Subjects-Engineering-General? Subjects-Outdoors&Nature-NaturalResources-WaterSupply&LandUse? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-Hydraulics? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Nature&Ecology-WaterSupply&LandUse? Water Resources Education, Training, and Practice Opportunities for the Next Century (Proceedings Series (American Water Resources Association)) Amer Water Resources Assn? AmerWaterResourcesAssn? ジャンル別? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-41? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-General Subjects-Science-EarthSciences-Geography-General? Subjects-Science-General Subjects-Science-Technology-General&Reference American Lafrance 700 800 Series 1953-1958 Photo Archives (Photo Archive) Icongrafix? Lawrence E. Phillips? Icongrafix? LawrenceE.Phillips? ジャンル別? ユーズドブック(洋書)-Engineering Subjects-Engineering-Automotive? Subjects-Engineering-Civil-Environmental-General Subjects-Nonfiction-Transportation-General? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-History? Subjects-Nonfiction-Automotive-Trucks&Vans? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Automotive? Subjects-Science-History&Philosophy-HistoryofTechnology? Air Sampling Instruments for Evaluation of Atmospheric Contaminants Amer Conf of Governmental? Beverly S. Cohen? American Conference of Governmental Industrial Hygienists Committee on? Susanne V. Hering? AmerConfofGovernmental? BeverlyS.Cohen? AmericanConferenceofGovernmentalIndustrialHygienistsCommitteeon? SusanneV.Hering? ジャンル別? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-41? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Safety&Health? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Safety&Health? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Technology-Safety&Health? Air Sampling Instruments for Evaluations of Atmospheric Contaminants Amer Conf of Governmental? Susanne V. Hering? Beverly S. Cohen? American Conference of Governmental Industrial Hygenists? AmerConfofGovernmental? SusanneV.Hering? BeverlyS.Cohen? AmericanConferenceofGovernmentalIndustrialHygenists? ジャンル別? ユーズドブック(洋書)-Engineering Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Safety&Health? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Safety&Health? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Technology-Safety&Health? Through Green-Colored Glasses Environmentalism Reconsidered Cato Inst? Wilfred Beckerman? CatoInst? WilfredBeckerman? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Outdoors&Nature Subjects-Business&Investing-Economics-SustainableDevelopment? Subjects-Business&Investing-Economics-NaturalResources Subjects-Engineering-Civil-Environmental-General Subjects-Nonfiction-Economics-SustainableDevelopment? Subjects-Nonfiction-Economics-NaturalResources Subjects-Outdoors&Nature-Conservation-Environmentalism? Subjects-Outdoors&Nature-Ecology-General? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Accounting&Finance-Economics-SustainableDevelopment? Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-Nature&Ecology-General? The Satanic Gases Clearing the Air About Global Warming Cato Inst? Patrick J. Michaels? Robert C. Balling? CatoInst? PatrickJ.Michaels? RobertC.Balling? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Outdoors&Nature Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-HazardousWaste? Subjects-Nonfiction-Politics-General? Subjects-Outdoors&Nature-Ecology-Rivers? Subjects-Outdoors&Nature-Environment-Weather? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-HazardousWaste? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-Meteorology-General? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-EarthSciences-Meteorology-General? Subjects-Science-EarthSciences-Rivers? Subjects-Science-EarthSciences-Climatology-ClimateChanges? Subjects-Science-EarthSciences-Weather? Gis and Environmental Modeling Progress and Research Issues Gis World? Michael Goodchild? Bradley O. Parks? Louis T. Steyaert? GisWorld? MichaelGoodchild? BradleyO.Parks? LouisT.Steyaert? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Outdoors&Nature Subjects-Engineering-Civil-Environmental-General Subjects-Outdoors&Nature-Travel-Ecotourism? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Science-EarthSciences-Geography-General? Subjects-Science-EarthSciences-Geography-InformationSystems? Subjects-Travel-SpecialtyTravel-Ecotourism? Subjects-Travel-General? The Iso 14000 Handbook Amer Society for Quality? Joseph Cascio? AmerSocietyforQuality? JosephCascio? ジャンル別? ユーズドブック(洋書)-Engineering Subjects-Business&Investing-Management&Leadership? Subjects-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-BusinessManagement-Management&Leadership? Subjects-Reference-General? Communicating Risk in a Changing World OEM Health Information Inc,US? T.L. Tinker? Maria T. Pavlova? Audrey R. Gotsch? Elaine Bratic Arkin? OEMHealthInformationInc,US? T.L.Tinker? MariaT.Pavlova? AudreyR.Gotsch? ElaineBraticArkin? ジャンル別? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-41? Subjects-Engineering-Civil-Environmental-General Subjects-Medicine-Administration&Policy-PublicHealth? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Science-Technology-Risks? Subjects-Science-Medicine-Administration&Policy-PublicHealth? Field Guide for the Management of Structure Infesting Ants Pest Control Technology? Stoy A. Hedges? Dan Moreland? PestControlTechnology? StoyA.Hedges? DanMoreland? ジャンル別? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-41? Subjects-Engineering-Civil-Construction-BuildingConstruction? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Civil-Construction-BuildingConstruction? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-General Innovative Site Remediation Technology Bioremediation Amer Academy of Environmental? Calvin H. Ward? AmerAcademyofEnvironmental? CalvinH.Ward? ジャンル別? ユーズドブック(洋書)-Engineering Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-HazardousWaste? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-HazardousWaste? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-SoilScience? Subjects-Science-General Subjects-Science-AgriculturalSciences-SoilScience? Soil Washing/Soil Flushing (Innovative Site Remediation Technology) Amer Academy of Environmental? William C. Anderson? AmerAcademyofEnvironmental? WilliamC.Anderson? ジャンル別? ユーズドブック(洋書)-Engineering Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-HazardousWaste? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-HazardousWaste? Principles of Integrated Municipal Solid Waste Management Amer Academy of Environmental? H. Lanier Hickman? AmerAcademyofEnvironmental? H.LanierHickman? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Outdoors&Nature Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare? Subjects-Outdoors&Nature-Environment-Recycling? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Science-General Subjects-Science-Nature&Ecology-Environment-Recycling? Common Fields An Environmental History of St. Louis Missouri Historical Society Pr? Andrew Hurley? MissouriHistoricalSocietyPr? AndrewHurley? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Outdoors&Nature Substores-UnknownASINs-41? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-Pollution-Air? Subjects-History-Americas-UnitedStates-State&Local-Missouri? Subjects-History-Americas-UnitedStates-State&Local-General? Subjects-Nonfiction-SocialSciences-HumanGeography? Subjects-Outdoors&Nature-Environment-Ecology? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-Pollution-Air? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Ecology? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-EarthSciences-Geography-Historic? Subjects-Science-EarthSciences-Ecology-AnimalEcology? Subjects-Science-Nature&Ecology-Environment-Ecology? Soil Erosion Research Methods Soil & Water Conservation Society? Soil and Water Conservation Society (U. S.)? R. Lal? Soil&WaterConservationSociety? SoilandWaterConservationSociety(U.S.)? R.Lal? ジャンル別? ユーズドブック(洋書)-Engineering Subjects-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-General? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-SoilScience? Subjects-Science-EarthSciences-Geology-General? Subjects-Science-General Subjects-Science-AgriculturalSciences-SoilScience? Subjects-Science-AgriculturalSciences-General? Subjects-Science-AgriculturalSciences-Agronomy? Sustainable Forestry Philosophy, Science, and Economics Saint Lucie Pr? Chris Maser? SaintLuciePr? ChrisMaser? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Outdoors&Nature Subjects-Engineering-Civil-Environmental-General Subjects-Outdoors&Nature-Ecology-LivingontheLand? Subjects-Outdoors&Nature-NaturalResources-Forests&Forestry? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-Forestry-Management? Subjects-Science-General Subjects-Science-Nature&Ecology-NaturalResources-Forests&Forestry? Subjects-Science-Technology-RenewableEnergy? Subjects-Science-AgriculturalSciences-General? Substores-UnknownASINs-jp-unknown3? Environmental Fate and Effects of Pulp and Paper Mill Effluents Saint Lucie Pr? Mark R. Servos? Kelly R. Munkittrick? John H. Carey? Glen J. Van Der Kraak? SaintLuciePr? MarkR.Servos? KellyR.Munkittrick? JohnH.Carey? GlenJ.VanDerKraak? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Outdoors&Nature Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-HazardousWaste? Subjects-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Engineering-Civil-Environmental-Pollution-General? Subjects-Outdoors&Nature-Conservation-General? Subjects-Outdoors&Nature-Environment-Conservation? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-HazardousWaste? Subjects-Professional&Technical-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Professional&Technical-Engineering-Civil-Environmental-Pollution-General? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-Nature&Ecology-Environment-Conservation? An Introduction to Ecological Economics (Ecological Economics) Saint Lucie Pr? John Cumberland? Herman Daly? Robert Goodland? Richard Norgaard? Robert Costanza? International Society for Ecological Economics? SaintLuciePr? JohnCumberland? HermanDaly? RobertGoodland? RichardNorgaard? RobertCostanza? InternationalSocietyforEcologicalEconomics? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Outdoors&Nature Subjects-Business&Investing-Biographies&Primers-PopularEconomics? Subjects-Business&Investing-Economics-NaturalResources Subjects-Business&Investing-General? Subjects-Business&Investing-Industries&Professions-RealEstate-General? Subjects-Engineering-Civil-Environmental-General Subjects-Nonfiction-Economics-General? Subjects-Nonfiction-Economics-NaturalResources Subjects-Outdoors&Nature-NaturalResources-General? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Accounting&Finance-Industries&Professions-RealEstate-General? Subjects-Professional&Technical-Accounting&Finance-Economics-General? Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Ecology? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-EarthSciences-Ecology-General? Subjects-Science-Nature&Ecology-NaturalResources-General? Environmental Effects of Mining Saint Lucie Pr? Earle A. Ripley? Robert E. Redmann? Adele A. Crowder? SaintLuciePr? EarleA.Ripley? RobertE.Redmann? AdeleA.Crowder? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Outdoors&Nature Subjects-Business&Investing-Economics-NaturalResources Subjects-Business&Investing-General? Subjects-Engineering-Chemical-General? Subjects-Engineering-Civil-Mining? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-Pollution-Air? Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare? Subjects-Nonfiction-Economics-NaturalResources Subjects-Outdoors&Nature-Ecology-LivingontheLand? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Chemical-General? Subjects-Professional&Technical-Engineering-Civil-Mining? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-Pollution-Air? Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Ecology? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Reference-General? Subjects-Science-Chemistry-ChemicalEngineering? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-EarthSciences-Ecology-General? Emergency Response and Hazardous Chemical Management Principles and Practices (Advances in Environmental Management Series) Saint Lucie Pr? Clyde B. Strong? T. Rick, Ph.D. Irvin? SaintLuciePr? ClydeB.Strong? T.Rick,Ph.D.Irvin? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Outdoors&Nature Subjects-Engineering-Chemical-General? Subjects-Engineering-Chemical-Materials? Subjects-Engineering-Chemical-Safety? Subjects-Engineering-Civil-Environmental-General Subjects-Medicine-Administration&Policy-PublicHealth? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Chemical-General? Subjects-Professional&Technical-Engineering-Chemical-Materials? Subjects-Professional&Technical-Engineering-Chemical-Safety? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-Chemistry-Industrial&Technical? Subjects-Science-Chemistry-Safety? Subjects-Science-Chemistry-ChemicalEngineering? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-Technology-Safety&Health? Subjects-Science-Medicine-Administration&Policy-PublicHealth? 1997 Uniform Code for the Abatement of Dangerous Buildings (International Conference of Building Officials//Uniform Code for the Abatement of Dangerous Buildings) Intl Code Council? IntlCodeCouncil? ジャンル別? ユーズドブック(洋書)-Engineering Subjects-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-General Industrial Waste Treatment Csus Foundation? Kenneth D. Kerri? CsusFoundation? KennethD.Kerri? ジャンル別? ユーズドブック(洋書)-Engineering Subjects-Engineering-Civil-General? Subjects-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-General? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Science-General The Search for the Ultimate Sink Urban Pollution in Historical Perspective (Technology and the Environment) Univ of Akron Pr? Joel A. Tarr? UnivofAkronPr? JoelA.Tarr? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Outdoors&Nature Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-Pollution-General? Subjects-History-Americas-UnitedStates-19thCentury-General? Subjects-History-Americas-UnitedStates-20thCentury-General? 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Overture ACT I (A palace. Enter Titania, leading the Indian boy, the fairies attending) FAIRIES Come, come, come, let us leave the town, and in some lonely place, where Crowds and noise were never known, resolve to spend our days. In pleasant shades upon the grass at night our selves we ll lay; our days in harmless sport shall pass, thus time shall slide away. (Enter fairies, leading a drunkard and blinded poet) Scene of the drunken poet DRUNKEN POET Fill up the bowl, then... 1st FAIRY, CHORUS Trip it, trip it in a ring; around this mortal dance, and sing. POET Enough, enough, we must play at blind man s buff. Turn me round, and stand away, I ll catch whom I may. 2nd FAIRY, CHORUS About him go, so, so, so, pinch the wretch from top to toe; pinch him forty, forty times, pinch till he confess his crimes. POET Hold you damn d tormenting punk, I do confess... FAIRIES What, what... POET I m drunk, as I live boys, drunk. FAIRIES What art thou, speak? POET If you will know it, I am a scurvy poet. FAIRIES Pinch him, pinch him for his crimes, his nonsense and his Dogrel rhymes. POET Hold! Oh! Oh! Oh! FAIRIES Confess more, more. POET I confess I m very poor. Nay prithee do not pinch me so, good dear devil let me go; and as I hope to wear the bays, I ll write a sonnet in thy praise. FAIRIES Drive em hence, away, away, let em sleep till break of day. First act tune Jig ACT II (A wood, by moon-light. Enter Titania and her train. While the fairies dance the scene changes to a prospect of grotto s, arbors, and delightful walks; the arbors are adorn d with all variety of flowers, the grotto s supported by terms, these lead to two arbors on either side of the scene, of a great length, whose prospect runs toward the two angles of the house. Between these two arbors in the great grotto, which is continued by several arches, to the farther end of the house) Prelude and song Come all ye songsters of the sky, wake, and assemble in this wood; but no ill-boding Bird be night, none but the harmless and the good. Prelude CHORUS May the god of wit inspire, the sacred nine to bear a part; and the blessed heavenly quire, shew the utmost of their art. While Eccho shall in sounds remote, repeat each note, each note, each note. (Then a composition of instrumental music, in imitation of an eccho.) Eccho CHORUS Now join your warbling voices all. (Then a fairy dance) A dance of fairies Song and Chorus Sing while we trip it on the green; but no ill vapours rise or fall, nothing offend our fairy queen. (Titania leaves down. Enter Night, Mystery, Secresie, Sleep, and their attendants.) NIGHT See, even night her self is here, to favour your design; and all her peaceful train in near, that men to sleep incline. Let noise and care, doubt and despair, envy and Spight, (the fiends delight) be ever Banish d hence, let soft repose, her eye-lids close; and murmuring streams, bring pleasing dreams; let nothing stay to give offence. MYSTERY I am come to lock all fast, love without me cannot last. Love, like counsels of the wise, must be hid from vulgar eyes. Tis holy, and we must conceal it, they profane it, who reveal it. SECRESIE One charming night gives more delight, than a hundred lucky days. Night and I improve the tast, make the pleasure longer last, a thousand, thousand several ways. SLEEP Hush, no more, be silent all, sweet repose has clos d her eyes. Soft as feather d snow does fall! Softly, softly, steal from hence. No noise disturb her sleeping sence. A dance for the followers of Night (Oberon squeezes the flowers on Titania; Lysander and Hermia fall asleep.) ACT III (Enter Titania, Bottom and fairies. The scene changes to a great wood, a long row of large trees on each side; a river in the middle, two rows of lesser trees of a different kind just on the side of the river, which meet in the middle, and make so marry arches, two great dragons make a bridge over the river, their bodies form two arches, through which two swans are seen in the river at a great distance. Enter a troop of fawns, dryads and naides) CHORUS If love s a sweet passion, why does it torment? If a bitter, oh tell me whence comes my content? Since I suffer with pleasure, why should I complain, or grieve at my fate, when I know tis in vain? Yet so pleasing the pain is, so soft is the dart, that at once it both wounds me, and tickles my heart. I press her hand gently, look languishing down, and by passionate silence I make my love known. But oh! how I m blest when so kind she does prove, by some willing mistake to discover her love. When in striving to hide, she reveals all her flame, and our eyes tell each other, what neither dares name. Symphony while the swans come forward (While the symphony s playing, the two swans come swimming on through the arches to the bank of the river, as if they would land; these turn themselves into fairies and dance; at the same time the bridge vanishes, and the trees that were arch d, raise themselves upright) Dance for the fairies (Four savages enter, fright the fairies away, and dance an entry) Dance for the green men Song Ye gentle spirits of the air, appear; prepare, and joyn your tender voices here. Catch, and repeat the trembling sounds anew, soft as her sighs and sweet as pearly dew. Run new division, and such measures keep, as when you lull the god of love asleep. (Enter Coridon and Mopsa) Dialogue between Coridon and Mopsa CORIDON Now the maids and the men are making of hay, we h ve left the dull fools, and are stolen away. Then Mopsa no more be coy as before, but let us merrily play, and kiss the sweet time away. MOPSA Why, how now, Sir Clown, what makes you so bold? I d have ye to know I m not made of that mold. I tell you again, maids must never kiss no men. No, no, no kissing at all; I ll not kiss, till I kiss you for good and all. CORIDON Not kiss you at all? MOPSA No, no, no kissing at all! CORIDON Why no kissing at all? MOPSA I ll not kiss, till I kiss you for good and all. CORIDON Should you give me a score, twould not lessen your store, then bid me chearfully kiss, chearfully kiss and take, and take, my fill of your bliss. MOPSA I ll not trust you so far, I know you too well; should I give you an Inch, you d soon take an ell. Then lordlike you rule, and laugh at the fool. No, no... CORIDON So small a request, you must not, you cannot, you shall not deny, nor will I admit of another reply. MOPSA Nay, what do you mean? O fie, fie, fie! Song A NYMPH When I have often heard young maids complaining, that when men promise most they most deceive, then I thought none of them worthy my gaining; and what they swore, resolv d ne re to believe. But when so humbly he made his addresses, with looks so soft, and with language so kind, I thought it sin to refuse his caresses; nature o ercame, and I soon chang d my mind. Should he employ all his wit in deceiving, stretch his invention, and artfully feign; I find such charms, such true joy in believing, I ll have the pleasure, let him have pain. If he proves perjur d, I shall not be cheated, he may deceive himself, but never me; this what I look for, and shan t be defeated, for I ll be as false and inconstant as he. Dance of Haymakers Song and chorus A thousand, thousand ways we ll find to entertain the hours no two shall e re be known so kind, no life so blest as ours. Third act tune Hornpipe ACT IV Symphony (The scene changes to a garden of fountains. A sonata plays while the sun rises, it appears red through the mist, as it ascends it dissipates the vapours, and is seen in its full lustre; then the scene is perfectly discovered, the fountains enrich d gilding, and adorn d with statues; the view is terminated by a walk of cypress trees which lead to a delightful bower. Before the trees stand rows of marble columns, which support many walks which rise by stairs to the top of the house; the stairs are adorn d with figures on pedestals, and rails; and balasters on each side of em. Near the top, vast quantities of water break out of the hills, and fall in mighty cascade s to the bottom of the scene, to feed the fountains which are on each side. In the middle of the stage is a very large fountain, where the water rises about twelve foot. Then the Four Seasons enter, with their several attendants) Solo and Chorus ONE OF THE ATTENDANTS Now the night is chas d away, all salute the rising sun; this that happy, happy day, the birth-day of king Oberon. Duet TWO OTHERS Let the fifes, and the clarions, and shrill trumpets sound, and the arch of high heav n the clangor resound. Entry of Phoebus (A machine appears, the clouds break from before it, and Phoebus appears in a chariot drawn by four horses) PHOEBUS When a cruel long winter has frozen the earth, and nature imprison d seeks in vain to be free; I dart forth my beams, to give all things a birth, making spring for the plants, every flower, and each tree. Tis I who give life, warmth, an vigour to all, even love who rules all things in earth, air, and sea; would languish, and fade, and to nothing would fall, the world to its chaos would return, but for me. CHORUS Hail! Great parent of us all, light and comfort of the earth; before your shrine the seasons fall, thou who gives all nature birth. SPRING Thus the ever grateful spring, does her yearly tribute bring; all your sweets before him lay, then round his altar sing, and play. SUMMER Here s the summer, sprightly, gay, smiling, wanton, fresh, and fair; adorn d with all the flowers of may, whose various sweets perfume the air. AUTUMN See my many colour d fields, and loaded trees my will obey; all the fruit that autumn yields, I offer to the god of day. WINTER Now winter comes slowly, pale, meager, and old, first trembling with age, and then quiv ring with cold; benum d with hard frosts, and with snow cover d o re, prays the sun to restore him, and sings as before. CHORUS Hail! Great parent of us all, light and comfort of the earth; before your shrine the seasons fall, thou who gives all nature birth. (After a short time all go out except Robin-Good-Fellow, who applies the juice of the herb to Lysander s eyes) Fourth act tune Air ACT V Prelude (While a symphony plays, the machine moves forward, and the peacocks spread their tails, and fill the middle of the theatre.) Epithalamium JUNO Thrice happy lovers, may you be for ever, ever free, from that tormenting devil, jealousie. From all that anxious care and strife, that attends a married life be to one another true, kind to her as she to you, and since the errors of this night are past, may he be ever constant, she for ever chast. (The machine aspends. After Juno s song, Oberon asks to hear the plaint of Laura for her departed love.) The plaint O let me weep, for ever weep, my eyes no more the shall welcome sleep; I ll hide me from the sight of day, and sigh, and sigh my soul away. He s gone, he s gone, his loss deplore; and I shall never see him more. (While the scene is darken d, a single entry is danded.) Entry dance (Then a symphony is play d) Symphony (After that the scene is suddenly illuminated, and discovers a transparent prospect of a Chinese garden, the architecture, the trees, the plants, the fruits, the birds, the beasts quite different to what we have in this part of the word. It is terminated by an arch, through which is seen other arches with close arbors, and a row of trees to the end of the view. Over it is a hanging garden, which rises by several ascents to the top of the house; it is bounded on either side with pleasant bowers, various trees, and numbers of strange birds flying in the air, on the top of a platform is a fountain, throwing up water, which falls into a large basin. A Chinese man enters and sings) Song A CHINESE MAN Thus the gloomy world at first began to shine, and from the power divine a glory round about it hurl d; which made it bright, and gave it birth in light. Then were all minds as pure, as those ethereal streams; in innocence secure, not subject to extreams. There was no room then for empty fame, no cause for pride, ambition wanted aim. CHINESE WOMAN Thus happy and free, thus treated are we with nature s chiefest delights. We never cloy, but renew our joy, and one bliss another invites. CHORUS Thus wildly we live, thus freely we give, what heaven as freely bestows. We were not made for labour and trade, which fools on each other impose. CHINESE MAN Yes, Daphne, in your looks I find the charms by which my heart s betray d; then let not your disdain unbind the prisoner that your eyes have made. She that in love makes least defence, wounds ever with the surest dart; beauty may captivate the sence, but kindness only gains the heart. (Six monkeys come from between the trees and dance) Monkeys dance (Two women sing in parts) 1st WOMAN Hark how all things with one sound rejoice, and the world seems to have one voice. 2nd WOMAN Hark now the echoing air a triumph sings, and all around pleas d Cupids clap their wings. CHORUS Hark! Hark! 2nd WOMAN Sure the dull god of marriage does not hear BOTH We ll rouse him with a charm. Hymen, appear! CHORUS Hymen, appear! BOTH Our Queen of Night commands thee not to stay. Appear! CHORUS Our Queen... (Enter Hymen.) Prelude HYMEN See, see, I obey. My torch has long been out, I hate on loose dissembled vows to wait, where hardly love out-lives the wedding-night, false flames, love s meteors, yield my torch no light. (Six pedestals of china-work rise from under the stage; they support six large vases of porcelain, in which six china-orange-trees.) BOTH WOMEN Turn then the eyes upon those glories there, and catching flames will on thy torch appear. HYMEN My torch, indeed, will from such brightness shine, love ne er had yet such altars, so divine. (The pedestals move toward the front of the stage, and the grand dance begins of twenty-four persons; then Hymen and the two women sing together.) TRIO They shall be as happy as they re fair; love shall fill all the places of care, and every time the sun shall display his rising light, it shall be to them a new wedding-day; and when he sets, a new nuptial-night. CHORUS They shall be as happy as they re fair; love shall fill all the places of care, and every time the sun shall display his rising light, it shall be to them a new wedding-day; and when he sets, a new nuptial-night. (All the dancers join in it.) Chaconne Dance for Chinese man and woman. Overture ACT I (A palace. Enter Titania, leading the Indian boy, the fairies attending) FAIRIES Come, come, come, let us leave the town, and in some lonely place, where Crowds and noise were never known, resolve to spend our days. In pleasant shades upon the grass at night our selves we ll lay; our days in harmless sport shall pass, thus time shall slide away. (Enter fairies, leading a drunkard and blinded poet) Scene of the drunken poet DRUNKEN POET Fill up the bowl, then... 1st FAIRY, CHORUS Trip it, trip it in a ring; around this mortal dance, and sing. POET Enough, enough, we must play at blind man s buff. Turn me round, and stand away, I ll catch whom I may. 2nd FAIRY, CHORUS About him go, so, so, so, pinch the wretch from top to toe; pinch him forty, forty times, pinch till he confess his crimes. POET Hold you damn d tormenting punk, I do confess... FAIRIES What, what... POET I m drunk, as I live boys, drunk. FAIRIES What art thou, speak? POET If you will know it, I am a scurvy poet. FAIRIES Pinch him, pinch him for his crimes, his nonsense and his Dogrel rhymes. POET Hold! Oh! Oh! Oh! FAIRIES Confess more, more. POET I confess I m very poor. Nay prithee do not pinch me so, good dear devil let me go; and as I hope to wear the bays, I ll write a sonnet in thy praise. FAIRIES Drive em hence, away, away, let em sleep till break of day. First act tune Jig ACT II (A wood, by moon-light. Enter Titania and her train. While the fairies dance the scene changes to a prospect of grotto s, arbors, and delightful walks; the arbors are adorn d with all variety of flowers, the grotto s supported by terms, these lead to two arbors on either side of the scene, of a great length, whose prospect runs toward the two angles of the house. Between these two arbors in the great grotto, which is continued by several arches, to the farther end of the house) Prelude and song Come all ye songsters of the sky, wake, and assemble in this wood; but no ill-boding Bird be night, none but the harmless and the good. Prelude CHORUS May the god of wit inspire, the sacred nine to bear a part; and the blessed heavenly quire, shew the utmost of their art. While Eccho shall in sounds remote, repeat each note, each note, each note. (Then a composition of instrumental music, in imitation of an eccho.) Eccho CHORUS Now join your warbling voices all. (Then a fairy dance) A dance of fairies Song and Chorus Sing while we trip it on the green; but no ill vapours rise or fall, nothing offend our fairy queen. (Titania leaves down. Enter Night, Mystery, Secresie, Sleep, and their attendants.) NIGHT See, even night her self is here, to favour your design; and all her peaceful train in near, that men to sleep incline. Let noise and care, doubt and despair, envy and Spight, (the fiends delight) be ever Banish d hence, let soft repose, her eye-lids close; and murmuring streams, bring pleasing dreams; let nothing stay to give offence. MYSTERY I am come to lock all fast, love without me cannot last. Love, like counsels of the wise, must be hid from vulgar eyes. Tis holy, and we must conceal it, they profane it, who reveal it. SECRESIE One charming night gives more delight, than a hundred lucky days. Night and I improve the tast, make the pleasure longer last, a thousand, thousand several ways. SLEEP Hush, no more, be silent all, sweet repose has clos d her eyes. Soft as feather d snow does fall! Softly, softly, steal from hence. No noise disturb her sleeping sence. A dance for the followers of Night (Oberon squeezes the flowers on Titania; Lysander and Hermia fall asleep.) ACT III (Enter Titania, Bottom and fairies. The scene changes to a great wood, a long row of large trees on each side; a river in the middle, two rows of lesser trees of a different kind just on the side of the river, which meet in the middle, and make so marry arches, two great dragons make a bridge over the river, their bodies form two arches, through which two swans are seen in the river at a great distance. Enter a troop of fawns, dryads and naides) CHORUS If love s a sweet passion, why does it torment? If a bitter, oh tell me whence comes my content? Since I suffer with pleasure, why should I complain, or grieve at my fate, when I know tis in vain? Yet so pleasing the pain is, so soft is the dart, that at once it both wounds me, and tickles my heart. I press her hand gently, look languishing down, and by passionate silence I make my love known. But oh! how I m blest when so kind she does prove, by some willing mistake to discover her love. When in striving to hide, she reveals all her flame, and our eyes tell each other, what neither dares name. Symphony while the swans come forward (While the symphony s playing, the two swans come swimming on through the arches to the bank of the river, as if they would land; these turn themselves into fairies and dance; at the same time the bridge vanishes, and the trees that were arch d, raise themselves upright) Dance for the fairies (Four savages enter, fright the fairies away, and dance an entry) Dance for the green men Song Ye gentle spirits of the air, appear; prepare, and joyn your tender voices here. Catch, and repeat the trembling sounds anew, soft as her sighs and sweet as pearly dew. Run new division, and such measures keep, as when you lull the god of love asleep. (Enter Coridon and Mopsa) Dialogue between Coridon and Mopsa CORIDON Now the maids and the men are making of hay, we h ve left the dull fools, and are stolen away. Then Mopsa no more be coy as before, but let us merrily play, and kiss the sweet time away. MOPSA Why, how now, Sir Clown, what makes you so bold? I d have ye to know I m not made of that mold. I tell you again, maids must never kiss no men. No, no, no kissing at all; I ll not kiss, till I kiss you for good and all. CORIDON Not kiss you at all? MOPSA No, no, no kissing at all! CORIDON Why no kissing at all? MOPSA I ll not kiss, till I kiss you for good and all. CORIDON Should you give me a score, twould not lessen your store, then bid me chearfully kiss, chearfully kiss and take, and take, my fill of your bliss. MOPSA I ll not trust you so far, I know you too well; should I give you an Inch, you d soon take an ell. Then lordlike you rule, and laugh at the fool. No, no... CORIDON So small a request, you must not, you cannot, you shall not deny, nor will I admit of another reply. MOPSA Nay, what do you mean? O fie, fie, fie! Song A NYMPH When I have often heard young maids complaining, that when men promise most they most deceive, then I thought none of them worthy my gaining; and what they swore, resolv d ne re to believe. But when so humbly he made his addresses, with looks so soft, and with language so kind, I thought it sin to refuse his caresses; nature o ercame, and I soon chang d my mind. Should he employ all his wit in deceiving, stretch his invention, and artfully feign; I find such charms, such true joy in believing, I ll have the pleasure, let him have pain. If he proves perjur d, I shall not be cheated, he may deceive himself, but never me; this what I look for, and shan t be defeated, for I ll be as false and inconstant as he. Dance of Haymakers Song and chorus A thousand, thousand ways we ll find to entertain the hours no two shall e re be known so kind, no life so blest as ours. Third act tune Hornpipe ACT IV Symphony (The scene changes to a garden of fountains. A sonata plays while the sun rises, it appears red through the mist, as it ascends it dissipates the vapours, and is seen in its full lustre; then the scene is perfectly discovered, the fountains enrich d gilding, and adorn d with statues; the view is terminated by a walk of cypress trees which lead to a delightful bower. Before the trees stand rows of marble columns, which support many walks which rise by stairs to the top of the house; the stairs are adorn d with figures on pedestals, and rails; and balasters on each side of em. Near the top, vast quantities of water break out of the hills, and fall in mighty cascade s to the bottom of the scene, to feed the fountains which are on each side. In the middle of the stage is a very large fountain, where the water rises about twelve foot. Then the Four Seasons enter, with their several attendants) Solo and Chorus ONE OF THE ATTENDANTS Now the night is chas d away, all salute the rising sun; this that happy, happy day, the birth-day of king Oberon. Duet TWO OTHERS Let the fifes, and the clarions, and shrill trumpets sound, and the arch of high heav n the clangor resound. Entry of Phoebus (A machine appears, the clouds break from before it, and Phoebus appears in a chariot drawn by four horses) PHOEBUS When a cruel long winter has frozen the earth, and nature imprison d seeks in vain to be free; I dart forth my beams, to give all things a birth, making spring for the plants, every flower, and each tree. Tis I who give life, warmth, an vigour to all, even love who rules all things in earth, air, and sea; would languish, and fade, and to nothing would fall, the world to its chaos would return, but for me. CHORUS Hail! Great parent of us all, light and comfort of the earth; before your shrine the seasons fall, thou who gives all nature birth. SPRING Thus the ever grateful spring, does her yearly tribute bring; all your sweets before him lay, then round his altar sing, and play. SUMMER Here s the summer, sprightly, gay, smiling, wanton, fresh, and fair; adorn d with all the flowers of may, whose various sweets perfume the air. AUTUMN See my many colour d fields, and loaded trees my will obey; all the fruit that autumn yields, I offer to the god of day. WINTER Now winter comes slowly, pale, meager, and old, first trembling with age, and then quiv ring with cold; benum d with hard frosts, and with snow cover d o re, prays the sun to restore him, and sings as before. CHORUS Hail! Great parent of us all, light and comfort of the earth; before your shrine the seasons fall, thou who gives all nature birth. (After a short time all go out except Robin-Good-Fellow, who applies the juice of the herb to Lysander s eyes) Fourth act tune Air ACT V Prelude (While a symphony plays, the machine moves forward, and the peacocks spread their tails, and fill the middle of the theatre.) Epithalamium JUNO Thrice happy lovers, may you be for ever, ever free, from that tormenting devil, jealousie. From all that anxious care and strife, that attends a married life be to one another true, kind to her as she to you, and since the errors of this night are past, may he be ever constant, she for ever chast. (The machine aspends. After Juno s song, Oberon asks to hear the plaint of Laura for her departed love.) The plaint O let me weep, for ever weep, my eyes no more the shall welcome sleep; I ll hide me from the sight of day, and sigh, and sigh my soul away. He s gone, he s gone, his loss deplore; and I shall never see him more. (While the scene is darken d, a single entry is danded.) Entry dance (Then a symphony is play d) Symphony (After that the scene is suddenly illuminated, and discovers a transparent prospect of a Chinese garden, the architecture, the trees, the plants, the fruits, the birds, the beasts quite different to what we have in this part of the word. It is terminated by an arch, through which is seen other arches with close arbors, and a row of trees to the end of the view. Over it is a hanging garden, which rises by several ascents to the top of the house; it is bounded on either side with pleasant bowers, various trees, and numbers of strange birds flying in the air, on the top of a platform is a fountain, throwing up water, which falls into a large basin. A Chinese man enters and sings) Song A CHINESE MAN Thus the gloomy world at first began to shine, and from the power divine a glory round about it hurl d; which made it bright, and gave it birth in light. Then were all minds as pure, as those ethereal streams; in innocence secure, not subject to extreams. There was no room then for empty fame, no cause for pride, ambition wanted aim. CHINESE WOMAN Thus happy and free, thus treated are we with nature s chiefest delights. We never cloy, but renew our joy, and one bliss another invites. CHORUS Thus wildly we live, thus freely we give, what heaven as freely bestows. We were not made for labour and trade, which fools on each other impose. CHINESE MAN Yes, Daphne, in your looks I find the charms by which my heart s betray d; then let not your disdain unbind the prisoner that your eyes have made. She that in love makes least defence, wounds ever with the surest dart; beauty may captivate the sence, but kindness only gains the heart. (Six monkeys come from between the trees and dance) Monkeys dance (Two women sing in parts) 1st WOMAN Hark how all things with one sound rejoice, and the world seems to have one voice. 2nd WOMAN Hark now the echoing air a triumph sings, and all around pleas d Cupids clap their wings. CHORUS Hark! Hark! 2nd WOMAN Sure the dull god of marriage does not hear BOTH We ll rouse him with a charm. Hymen, appear! CHORUS Hymen, appear! BOTH Our Queen of Night commands thee not to stay. Appear! CHORUS Our Queen... (Enter Hymen.) Prelude HYMEN See, see, I obey. My torch has long been out, I hate on loose dissembled vows to wait, where hardly love out-lives the wedding-night, false flames, love s meteors, yield my torch no light. (Six pedestals of china-work rise from under the stage; they support six large vases of porcelain, in which six china-orange-trees.) BOTH WOMEN Turn then the eyes upon those glories there, and catching flames will on thy torch appear. HYMEN My torch, indeed, will from such brightness shine, love ne er had yet such altars, so divine. (The pedestals move toward the front of the stage, and the grand dance begins of twenty-four persons; then Hymen and the two women sing together.) TRIO They shall be as happy as they re fair; love shall fill all the places of care, and every time the sun shall display his rising light, it shall be to them a new wedding-day; and when he sets, a new nuptial-night. CHORUS They shall be as happy as they re fair; love shall fill all the places of care, and every time the sun shall display his rising light, it shall be to them a new wedding-day; and when he sets, a new nuptial-night. (All the dancers join in it.) Chaconne Dance for Chinese man and woman. Purcell,Henry/The Fairy Queen
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Clan HellJudgment Members ONLINE-HJに在籍しているメンバーです。(計17名) メンバー名下のゲームタイトルは、主に遊んでいるゲームです。 参考にして下さい。 + Hayato (代表) AceCombat 6 Call of Duty World at War(PC) Grand Theft Auto IV(Xbox360) Rainbow Six Vegas2(PC) Battlefield BAD COMPANY2(PC) + LeeLoo (副代表) Call of Duty World at War(PC) Counter-Strike Source(PC) MonsterHunter Portable 2nd G(PSP) Rainbow Six Vegas2(PC) QuakeLive(PC) Battlefield BAD COMPANY2(PC) LeeLoo-Medic.png + Aduki AceCombat 6 Counter-Strike Source Frontlines Fuel of War + Bonezine AceCombat6 Battlefield BAD COMPANY Call of Duty World at War(PC) + Comical Battlefield BAD COMPANY MonsterHunter Portable 2nd G + Deathrain + frog Call of Duty World at War(PC) + Jacole + Keiz AceCombat 6 Call of Duty World at War(PC) Grand Theft Auto IV(Xbox360) MonsterHunter Portable 2nd G Rainbow Six Vegas2(PC) Battlefield BAD COMPANY2(PC) + MIU Battlefield BAD COMPANY2(PC) + PAYNE Rainbow Six Vegas2 + ROZEN Battlefield BAD COMPANY2(PC) + SK + Takamaru + TaRAKO Call of Duty World at War(PC) MonsterHunter Portable 2nd G Battlefield BAD COMPANY2(PC) + TsuGaRu Call of Duty World at War(PC) Left 4 Dead(PC) + Wiper
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Curtain Call サークル A-HEAD Number Track Name Arranger Lyrics Vocal Original Works Original Tune Length 01 Curtain Call 秋時 - - 東方妖々夢 人形裁判 〜 人の形弄びし少女 [-- --] 02 紅月 マカキセキ A(仮) 東方紅魔郷 亡き王女の為のセプテット [04 13] 03 Alice in seventh マカキセキ arato 東方妖々夢 ブクレシュティの人形師 [04 14] 人形裁判 〜 人の形弄びし少女 04 名も無き世界 nade4co. 廃深 東方紅魔郷 メイドと血の懐中時計 [04 44] 05 厄物語 マカキセキ A(仮) 東方風神録 厄神様の通り道 〜 Dark Road [04 24] 06 吹き荒ぶ風、神の威厳 - - 東方風神録 神さびた古戦場 〜 Suwa Foughten Field [04 35] 07 Uncontrollable impulse マカキセキ arato 東方地霊殿 霊知の太陽信仰 〜 Nuclear Fusion [04 17] 08 Unlock - - 東方紅魔郷 ラクトガール 〜 少女密室 [04 03] 09 共依存 マカキセキ arato 東方地霊殿 少女さとり 〜 3rd eye [05 38] 10 蓮華 nade4co. 廃深 東方星蓮船 感情の摩天楼 〜 Cosmic Mind [05 17] 11 渇望 秋時 A(仮) 妖精大戦争 メイガスナイト [04 49] 12 I am Alice. マカキセキ 廃深 東方妖々夢 ブクレシュティの人形師 [10 37] 人形裁判 〜 人の形弄びし少女 東方怪綺談 プラスチックマインド 不思議の国のアリス 詳細 博麗神社例大祭11(2014/05/11)にて頒布 イベント価格：1,000円 ショップ価格：1,400円(税込) レビュー 名前 コメント
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ME-GA-NE-HA-ZU-SE/重森あきと ME-GA-NE-HA-ZU-SE (Shining Lens) なんかちょっといい奴っぽく現れた新キャラ メガネのインテリだ でもさなんか ただのいい奴で終わらない 気がするメガネ 予想は当たった メガネ 本当は悪い奴だった お前がメガネの印象悪くした 責任取ってメガネを取れ ME-GA-NE-HA-ZU-SE メガネとったらただの悪い奴 ME-GA-NE-HA-ZU-SE メガネかけたらメガネの悪い奴 ME-GA-NE-HA-ZU-SE 太ぶちで顔隠してんじゃねえ お前なんかメガネかけることすら許されない ME-GA-NE-HA-ZU-SE メガネのいい奴いっぱいいんのに ME-GA-NE-HA-ZU-SE メガネのやな奴印象に残る ME-GA-NE-HA-ZU-SE あの人外したの見たことねえ 一回くらい外せメガネ ME-GA-NE-HA-ZU-SE