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https://w.atwiki.jp/i_ro/pages/31.html
必要条件 Base Level 48 アイテム Violin [3], Fried Monkey Tails 各1個 Zeny 500,000z 報酬 Base Experience 600,000 アイテム Old Blue Box , Jewelry Box 各1個 日本版タイトル : スパイ疑惑 Note セーブポイントを Prontera にしていて変える事が無いなら移動に必要な Butterfly Wing は7個だけで済むが もしこれが Spy Quest を行う最初の機会であれば、念の為に余分に用意しておいた方がいいだろう また、クエスト全体を通してスピーディーに進める為に移動速度を上げる手段を使う事をお勧めする (頭装備 [PecoPeco headband] や騎乗用の [Peco Peco]、スキル [Agi-Up] 等) 1. Prontera× にいる Rooney (Kid 202, 122) と話すと、Lasda Midar という bard に手紙を届けて欲しいと頼まれる 2. Lasda Midar (prt_church 89,108) と話し(*1)、手紙を渡す。手紙を読んだ彼から Rooney に払ってくれとお金を渡される 3. Rooney にお金を渡す 4. Lasda のところへ戻ると、Morroc× の牢獄に囚われている友人を助けてくれないかと頼まれる 5. Morroc へ行き、Jesse (morroc 53, 87 Prison Ward というNPC)(*2)と話す Fried Monkey Tails を1個持って来たら囚人 Vitre に会わせてやると言われる 6. Prison Ward に Fried Monkey Tails を渡す 7. 街の南西にある建物(morroc 82, 52)(*3)に入り、Sir Krieg (morroc_in 79, 163)(*4)と話すと Vitre はスパイとして拘束されているので、Vitre の知り合い本人か、知り合いの紹介状が無ければ 面会は出来ないと言われる 8. Lasda のところへ戻って Krieg の話を伝えると、紹介状を書いてくれる 9. Krieg に紹介状を渡すと、Lasda に免じて Vitre との面会を許すので、Prison Ward へそう伝えるようにと言われる 10. Prison Ward と話すと牢屋マップに転送される 11. 独房に入っている Vitre (Upset Looking Bard という NPC) と話すと、彼は自分が一体何故 捕まらなければならないのか分からないと言う そして、脱走したいのだがそれには Violin [3] と Megaphone が必要なので調達して来て欲しいと頼まれる 12. Vitre の隣の独房にいる Guant Prisoner に Megaphone がどこで手に入るか尋ねる 13. Comodo×へ行き、 Kafra× Employee の横にいる Bor Robin と話して Dancer Guild に入り 中にいる Dance Instructor (job_dancer 93, 107) と話す(*5)と、ダンサー達を Schwartzvald 共和国まで送って行ってくれるなら Megaphone を貸してあげるよと言われる 14. 依頼を引き受けて Cheerful Dancer (job_dancer 83, 52)(*6)と話すと Airship× に乗る他の同行者達の所へ案内される 15. Mature Dancer と話している間に(*7)、Airship が Einbroch× へ到着したというアナウンスが流れ、その後に船から降ろされて Einbroch Hotel に転送される 16. Hotel Manager と話すと隣室に転送され、ダンサー達が Rekenber PR 代表や Arunafeltz の聖職者達の会合の席?で 踊っている様子が見られる (175, 285) 地点の辺りを、Rekenber 従業員と聖職者との自動会話が始まるまで歩き回る(*8)(*9) 17. ポータルを通って前の部屋に戻り(*10)、Hotel Manager と話してダンサーの出演料?を受け取る 18. 再び隣室に入って Mature Dancer と話すと Comodo へ戻され、そこで Dance Instructor と話すと Megaphone を 500,000 Zeny× で売りつけられる Note Megaphone を手に入れた後、再び Dance Instructor と話すと、会話にまた Megaphone 購入の選択肢が出て来るが この時うっかり買ってしまっても他キャラのクエスト進行用には使えない為、50万zeny がまるまる無駄になってしまうので注意する事 ステップ19を越えれば選択肢は無くなる、らしい 19. Vitre に Megaphone と Violin (Comodo で買える)(*11)を持って行くと彼はそれらを使い、凄まじい突風を起こして 独房の扉を吹き飛ばし、脱走に成功する 20. Morroc の街中に戻されるので、そこで Vitre と話すと以下の人達と会うように頼まれる(*12) Prontera (109, 161)(*13)にいる Chada(*14) Geffen (196, 167)(*15)にいる Ghez(*16) Comodo (135, 299)(*17)にいる Nosdan(*18) 21. 上記の3人と話すとそれぞれ歌を聴かされる (他のクエストのように後で詞を入力するわけではないのでメモする必要は無い) Vitre (morocc 297,154) の所へ戻るとお礼に Old Blue Box がもらえる 22. その後 Vitre に、聞いてきた歌詞の話をしようとすると、Rune-Midgard× シークレットサービスのエージェントが現れ Vitreを再びム所に引き摺って行く そしてエージェントから Lasda のところへ戻るように言われる 23. Lasda と話すと Base Exp 600,000 と Jewelry Box がもらえる Categories Base Experience Reward | Veins Quests
https://w.atwiki.jp/oper/pages/2299.html
Overture ACT I (A palace. Enter Titania, leading the Indian boy, the fairies attending) FAIRIES Come, come, come, let us leave the town, and in some lonely place, where Crowds and noise were never known, resolve to spend our days. In pleasant shades upon the grass at night our selves we ll lay; our days in harmless sport shall pass, thus time shall slide away. (Enter fairies, leading a drunkard and blinded poet) Scene of the drunken poet DRUNKEN POET Fill up the bowl, then... 1st FAIRY, CHORUS Trip it, trip it in a ring; around this mortal dance, and sing. POET Enough, enough, we must play at blind man s buff. Turn me round, and stand away, I ll catch whom I may. 2nd FAIRY, CHORUS About him go, so, so, so, pinch the wretch from top to toe; pinch him forty, forty times, pinch till he confess his crimes. POET Hold you damn d tormenting punk, I do confess... FAIRIES What, what... POET I m drunk, as I live boys, drunk. FAIRIES What art thou, speak? POET If you will know it, I am a scurvy poet. FAIRIES Pinch him, pinch him for his crimes, his nonsense and his Dogrel rhymes. POET Hold! Oh! Oh! Oh! FAIRIES Confess more, more. POET I confess I m very poor. Nay prithee do not pinch me so, good dear devil let me go; and as I hope to wear the bays, I ll write a sonnet in thy praise. FAIRIES Drive em hence, away, away, let em sleep till break of day. First act tune Jig ACT II (A wood, by moon-light. Enter Titania and her train. While the fairies dance the scene changes to a prospect of grotto s, arbors, and delightful walks; the arbors are adorn d with all variety of flowers, the grotto s supported by terms, these lead to two arbors on either side of the scene, of a great length, whose prospect runs toward the two angles of the house. Between these two arbors in the great grotto, which is continued by several arches, to the farther end of the house) Prelude and song Come all ye songsters of the sky, wake, and assemble in this wood; but no ill-boding Bird be night, none but the harmless and the good. Prelude CHORUS May the god of wit inspire, the sacred nine to bear a part; and the blessed heavenly quire, shew the utmost of their art. While Eccho shall in sounds remote, repeat each note, each note, each note. (Then a composition of instrumental music, in imitation of an eccho.) Eccho CHORUS Now join your warbling voices all. (Then a fairy dance) A dance of fairies Song and Chorus Sing while we trip it on the green; but no ill vapours rise or fall, nothing offend our fairy queen. (Titania leaves down. Enter Night, Mystery, Secresie, Sleep, and their attendants.) NIGHT See, even night her self is here, to favour your design; and all her peaceful train in near, that men to sleep incline. Let noise and care, doubt and despair, envy and Spight, (the fiends delight) be ever Banish d hence, let soft repose, her eye-lids close; and murmuring streams, bring pleasing dreams; let nothing stay to give offence. MYSTERY I am come to lock all fast, love without me cannot last. Love, like counsels of the wise, must be hid from vulgar eyes. Tis holy, and we must conceal it, they profane it, who reveal it. SECRESIE One charming night gives more delight, than a hundred lucky days. Night and I improve the tast, make the pleasure longer last, a thousand, thousand several ways. SLEEP Hush, no more, be silent all, sweet repose has clos d her eyes. Soft as feather d snow does fall! Softly, softly, steal from hence. No noise disturb her sleeping sence. A dance for the followers of Night (Oberon squeezes the flowers on Titania; Lysander and Hermia fall asleep.) ACT III (Enter Titania, Bottom and fairies. The scene changes to a great wood, a long row of large trees on each side; a river in the middle, two rows of lesser trees of a different kind just on the side of the river, which meet in the middle, and make so marry arches, two great dragons make a bridge over the river, their bodies form two arches, through which two swans are seen in the river at a great distance. Enter a troop of fawns, dryads and naides) CHORUS If love s a sweet passion, why does it torment? If a bitter, oh tell me whence comes my content? Since I suffer with pleasure, why should I complain, or grieve at my fate, when I know tis in vain? Yet so pleasing the pain is, so soft is the dart, that at once it both wounds me, and tickles my heart. I press her hand gently, look languishing down, and by passionate silence I make my love known. But oh! how I m blest when so kind she does prove, by some willing mistake to discover her love. When in striving to hide, she reveals all her flame, and our eyes tell each other, what neither dares name. Symphony while the swans come forward (While the symphony s playing, the two swans come swimming on through the arches to the bank of the river, as if they would land; these turn themselves into fairies and dance; at the same time the bridge vanishes, and the trees that were arch d, raise themselves upright) Dance for the fairies (Four savages enter, fright the fairies away, and dance an entry) Dance for the green men Song Ye gentle spirits of the air, appear; prepare, and joyn your tender voices here. Catch, and repeat the trembling sounds anew, soft as her sighs and sweet as pearly dew. Run new division, and such measures keep, as when you lull the god of love asleep. (Enter Coridon and Mopsa) Dialogue between Coridon and Mopsa CORIDON Now the maids and the men are making of hay, we h ve left the dull fools, and are stolen away. Then Mopsa no more be coy as before, but let us merrily play, and kiss the sweet time away. MOPSA Why, how now, Sir Clown, what makes you so bold? I d have ye to know I m not made of that mold. I tell you again, maids must never kiss no men. No, no, no kissing at all; I ll not kiss, till I kiss you for good and all. CORIDON Not kiss you at all? MOPSA No, no, no kissing at all! CORIDON Why no kissing at all? MOPSA I ll not kiss, till I kiss you for good and all. CORIDON Should you give me a score, twould not lessen your store, then bid me chearfully kiss, chearfully kiss and take, and take, my fill of your bliss. MOPSA I ll not trust you so far, I know you too well; should I give you an Inch, you d soon take an ell. Then lordlike you rule, and laugh at the fool. No, no... CORIDON So small a request, you must not, you cannot, you shall not deny, nor will I admit of another reply. MOPSA Nay, what do you mean? O fie, fie, fie! Song A NYMPH When I have often heard young maids complaining, that when men promise most they most deceive, then I thought none of them worthy my gaining; and what they swore, resolv d ne re to believe. But when so humbly he made his addresses, with looks so soft, and with language so kind, I thought it sin to refuse his caresses; nature o ercame, and I soon chang d my mind. Should he employ all his wit in deceiving, stretch his invention, and artfully feign; I find such charms, such true joy in believing, I ll have the pleasure, let him have pain. If he proves perjur d, I shall not be cheated, he may deceive himself, but never me; this what I look for, and shan t be defeated, for I ll be as false and inconstant as he. Dance of Haymakers Song and chorus A thousand, thousand ways we ll find to entertain the hours no two shall e re be known so kind, no life so blest as ours. Third act tune Hornpipe ACT IV Symphony (The scene changes to a garden of fountains. A sonata plays while the sun rises, it appears red through the mist, as it ascends it dissipates the vapours, and is seen in its full lustre; then the scene is perfectly discovered, the fountains enrich d gilding, and adorn d with statues; the view is terminated by a walk of cypress trees which lead to a delightful bower. Before the trees stand rows of marble columns, which support many walks which rise by stairs to the top of the house; the stairs are adorn d with figures on pedestals, and rails; and balasters on each side of em. Near the top, vast quantities of water break out of the hills, and fall in mighty cascade s to the bottom of the scene, to feed the fountains which are on each side. In the middle of the stage is a very large fountain, where the water rises about twelve foot. Then the Four Seasons enter, with their several attendants) Solo and Chorus ONE OF THE ATTENDANTS Now the night is chas d away, all salute the rising sun; this that happy, happy day, the birth-day of king Oberon. Duet TWO OTHERS Let the fifes, and the clarions, and shrill trumpets sound, and the arch of high heav n the clangor resound. Entry of Phoebus (A machine appears, the clouds break from before it, and Phoebus appears in a chariot drawn by four horses) PHOEBUS When a cruel long winter has frozen the earth, and nature imprison d seeks in vain to be free; I dart forth my beams, to give all things a birth, making spring for the plants, every flower, and each tree. Tis I who give life, warmth, an vigour to all, even love who rules all things in earth, air, and sea; would languish, and fade, and to nothing would fall, the world to its chaos would return, but for me. CHORUS Hail! Great parent of us all, light and comfort of the earth; before your shrine the seasons fall, thou who gives all nature birth. SPRING Thus the ever grateful spring, does her yearly tribute bring; all your sweets before him lay, then round his altar sing, and play. SUMMER Here s the summer, sprightly, gay, smiling, wanton, fresh, and fair; adorn d with all the flowers of may, whose various sweets perfume the air. AUTUMN See my many colour d fields, and loaded trees my will obey; all the fruit that autumn yields, I offer to the god of day. WINTER Now winter comes slowly, pale, meager, and old, first trembling with age, and then quiv ring with cold; benum d with hard frosts, and with snow cover d o re, prays the sun to restore him, and sings as before. CHORUS Hail! Great parent of us all, light and comfort of the earth; before your shrine the seasons fall, thou who gives all nature birth. (After a short time all go out except Robin-Good-Fellow, who applies the juice of the herb to Lysander s eyes) Fourth act tune Air ACT V Prelude (While a symphony plays, the machine moves forward, and the peacocks spread their tails, and fill the middle of the theatre.) Epithalamium JUNO Thrice happy lovers, may you be for ever, ever free, from that tormenting devil, jealousie. From all that anxious care and strife, that attends a married life be to one another true, kind to her as she to you, and since the errors of this night are past, may he be ever constant, she for ever chast. (The machine aspends. After Juno s song, Oberon asks to hear the plaint of Laura for her departed love.) The plaint O let me weep, for ever weep, my eyes no more the shall welcome sleep; I ll hide me from the sight of day, and sigh, and sigh my soul away. He s gone, he s gone, his loss deplore; and I shall never see him more. (While the scene is darken d, a single entry is danded.) Entry dance (Then a symphony is play d) Symphony (After that the scene is suddenly illuminated, and discovers a transparent prospect of a Chinese garden, the architecture, the trees, the plants, the fruits, the birds, the beasts quite different to what we have in this part of the word. It is terminated by an arch, through which is seen other arches with close arbors, and a row of trees to the end of the view. Over it is a hanging garden, which rises by several ascents to the top of the house; it is bounded on either side with pleasant bowers, various trees, and numbers of strange birds flying in the air, on the top of a platform is a fountain, throwing up water, which falls into a large basin. A Chinese man enters and sings) Song A CHINESE MAN Thus the gloomy world at first began to shine, and from the power divine a glory round about it hurl d; which made it bright, and gave it birth in light. Then were all minds as pure, as those ethereal streams; in innocence secure, not subject to extreams. There was no room then for empty fame, no cause for pride, ambition wanted aim. CHINESE WOMAN Thus happy and free, thus treated are we with nature s chiefest delights. We never cloy, but renew our joy, and one bliss another invites. CHORUS Thus wildly we live, thus freely we give, what heaven as freely bestows. We were not made for labour and trade, which fools on each other impose. CHINESE MAN Yes, Daphne, in your looks I find the charms by which my heart s betray d; then let not your disdain unbind the prisoner that your eyes have made. She that in love makes least defence, wounds ever with the surest dart; beauty may captivate the sence, but kindness only gains the heart. (Six monkeys come from between the trees and dance) Monkeys dance (Two women sing in parts) 1st WOMAN Hark how all things with one sound rejoice, and the world seems to have one voice. 2nd WOMAN Hark now the echoing air a triumph sings, and all around pleas d Cupids clap their wings. CHORUS Hark! Hark! 2nd WOMAN Sure the dull god of marriage does not hear BOTH We ll rouse him with a charm. Hymen, appear! CHORUS Hymen, appear! BOTH Our Queen of Night commands thee not to stay. Appear! CHORUS Our Queen... (Enter Hymen.) Prelude HYMEN See, see, I obey. My torch has long been out, I hate on loose dissembled vows to wait, where hardly love out-lives the wedding-night, false flames, love s meteors, yield my torch no light. (Six pedestals of china-work rise from under the stage; they support six large vases of porcelain, in which six china-orange-trees.) BOTH WOMEN Turn then the eyes upon those glories there, and catching flames will on thy torch appear. HYMEN My torch, indeed, will from such brightness shine, love ne er had yet such altars, so divine. (The pedestals move toward the front of the stage, and the grand dance begins of twenty-four persons; then Hymen and the two women sing together.) TRIO They shall be as happy as they re fair; love shall fill all the places of care, and every time the sun shall display his rising light, it shall be to them a new wedding-day; and when he sets, a new nuptial-night. CHORUS They shall be as happy as they re fair; love shall fill all the places of care, and every time the sun shall display his rising light, it shall be to them a new wedding-day; and when he sets, a new nuptial-night. (All the dancers join in it.) Chaconne Dance for Chinese man and woman. Overture ACT I (A palace. Enter Titania, leading the Indian boy, the fairies attending) FAIRIES Come, come, come, let us leave the town, and in some lonely place, where Crowds and noise were never known, resolve to spend our days. In pleasant shades upon the grass at night our selves we ll lay; our days in harmless sport shall pass, thus time shall slide away. (Enter fairies, leading a drunkard and blinded poet) Scene of the drunken poet DRUNKEN POET Fill up the bowl, then... 1st FAIRY, CHORUS Trip it, trip it in a ring; around this mortal dance, and sing. POET Enough, enough, we must play at blind man s buff. Turn me round, and stand away, I ll catch whom I may. 2nd FAIRY, CHORUS About him go, so, so, so, pinch the wretch from top to toe; pinch him forty, forty times, pinch till he confess his crimes. POET Hold you damn d tormenting punk, I do confess... FAIRIES What, what... POET I m drunk, as I live boys, drunk. FAIRIES What art thou, speak? POET If you will know it, I am a scurvy poet. FAIRIES Pinch him, pinch him for his crimes, his nonsense and his Dogrel rhymes. POET Hold! Oh! Oh! Oh! FAIRIES Confess more, more. POET I confess I m very poor. Nay prithee do not pinch me so, good dear devil let me go; and as I hope to wear the bays, I ll write a sonnet in thy praise. FAIRIES Drive em hence, away, away, let em sleep till break of day. First act tune Jig ACT II (A wood, by moon-light. Enter Titania and her train. While the fairies dance the scene changes to a prospect of grotto s, arbors, and delightful walks; the arbors are adorn d with all variety of flowers, the grotto s supported by terms, these lead to two arbors on either side of the scene, of a great length, whose prospect runs toward the two angles of the house. Between these two arbors in the great grotto, which is continued by several arches, to the farther end of the house) Prelude and song Come all ye songsters of the sky, wake, and assemble in this wood; but no ill-boding Bird be night, none but the harmless and the good. Prelude CHORUS May the god of wit inspire, the sacred nine to bear a part; and the blessed heavenly quire, shew the utmost of their art. While Eccho shall in sounds remote, repeat each note, each note, each note. (Then a composition of instrumental music, in imitation of an eccho.) Eccho CHORUS Now join your warbling voices all. (Then a fairy dance) A dance of fairies Song and Chorus Sing while we trip it on the green; but no ill vapours rise or fall, nothing offend our fairy queen. (Titania leaves down. Enter Night, Mystery, Secresie, Sleep, and their attendants.) NIGHT See, even night her self is here, to favour your design; and all her peaceful train in near, that men to sleep incline. Let noise and care, doubt and despair, envy and Spight, (the fiends delight) be ever Banish d hence, let soft repose, her eye-lids close; and murmuring streams, bring pleasing dreams; let nothing stay to give offence. MYSTERY I am come to lock all fast, love without me cannot last. Love, like counsels of the wise, must be hid from vulgar eyes. Tis holy, and we must conceal it, they profane it, who reveal it. SECRESIE One charming night gives more delight, than a hundred lucky days. Night and I improve the tast, make the pleasure longer last, a thousand, thousand several ways. SLEEP Hush, no more, be silent all, sweet repose has clos d her eyes. Soft as feather d snow does fall! Softly, softly, steal from hence. No noise disturb her sleeping sence. A dance for the followers of Night (Oberon squeezes the flowers on Titania; Lysander and Hermia fall asleep.) ACT III (Enter Titania, Bottom and fairies. The scene changes to a great wood, a long row of large trees on each side; a river in the middle, two rows of lesser trees of a different kind just on the side of the river, which meet in the middle, and make so marry arches, two great dragons make a bridge over the river, their bodies form two arches, through which two swans are seen in the river at a great distance. Enter a troop of fawns, dryads and naides) CHORUS If love s a sweet passion, why does it torment? If a bitter, oh tell me whence comes my content? Since I suffer with pleasure, why should I complain, or grieve at my fate, when I know tis in vain? Yet so pleasing the pain is, so soft is the dart, that at once it both wounds me, and tickles my heart. I press her hand gently, look languishing down, and by passionate silence I make my love known. But oh! how I m blest when so kind she does prove, by some willing mistake to discover her love. When in striving to hide, she reveals all her flame, and our eyes tell each other, what neither dares name. Symphony while the swans come forward (While the symphony s playing, the two swans come swimming on through the arches to the bank of the river, as if they would land; these turn themselves into fairies and dance; at the same time the bridge vanishes, and the trees that were arch d, raise themselves upright) Dance for the fairies (Four savages enter, fright the fairies away, and dance an entry) Dance for the green men Song Ye gentle spirits of the air, appear; prepare, and joyn your tender voices here. Catch, and repeat the trembling sounds anew, soft as her sighs and sweet as pearly dew. Run new division, and such measures keep, as when you lull the god of love asleep. (Enter Coridon and Mopsa) Dialogue between Coridon and Mopsa CORIDON Now the maids and the men are making of hay, we h ve left the dull fools, and are stolen away. Then Mopsa no more be coy as before, but let us merrily play, and kiss the sweet time away. MOPSA Why, how now, Sir Clown, what makes you so bold? I d have ye to know I m not made of that mold. I tell you again, maids must never kiss no men. No, no, no kissing at all; I ll not kiss, till I kiss you for good and all. CORIDON Not kiss you at all? MOPSA No, no, no kissing at all! CORIDON Why no kissing at all? MOPSA I ll not kiss, till I kiss you for good and all. CORIDON Should you give me a score, twould not lessen your store, then bid me chearfully kiss, chearfully kiss and take, and take, my fill of your bliss. MOPSA I ll not trust you so far, I know you too well; should I give you an Inch, you d soon take an ell. Then lordlike you rule, and laugh at the fool. No, no... CORIDON So small a request, you must not, you cannot, you shall not deny, nor will I admit of another reply. MOPSA Nay, what do you mean? O fie, fie, fie! Song A NYMPH When I have often heard young maids complaining, that when men promise most they most deceive, then I thought none of them worthy my gaining; and what they swore, resolv d ne re to believe. But when so humbly he made his addresses, with looks so soft, and with language so kind, I thought it sin to refuse his caresses; nature o ercame, and I soon chang d my mind. Should he employ all his wit in deceiving, stretch his invention, and artfully feign; I find such charms, such true joy in believing, I ll have the pleasure, let him have pain. If he proves perjur d, I shall not be cheated, he may deceive himself, but never me; this what I look for, and shan t be defeated, for I ll be as false and inconstant as he. Dance of Haymakers Song and chorus A thousand, thousand ways we ll find to entertain the hours no two shall e re be known so kind, no life so blest as ours. Third act tune Hornpipe ACT IV Symphony (The scene changes to a garden of fountains. A sonata plays while the sun rises, it appears red through the mist, as it ascends it dissipates the vapours, and is seen in its full lustre; then the scene is perfectly discovered, the fountains enrich d gilding, and adorn d with statues; the view is terminated by a walk of cypress trees which lead to a delightful bower. Before the trees stand rows of marble columns, which support many walks which rise by stairs to the top of the house; the stairs are adorn d with figures on pedestals, and rails; and balasters on each side of em. Near the top, vast quantities of water break out of the hills, and fall in mighty cascade s to the bottom of the scene, to feed the fountains which are on each side. In the middle of the stage is a very large fountain, where the water rises about twelve foot. Then the Four Seasons enter, with their several attendants) Solo and Chorus ONE OF THE ATTENDANTS Now the night is chas d away, all salute the rising sun; this that happy, happy day, the birth-day of king Oberon. Duet TWO OTHERS Let the fifes, and the clarions, and shrill trumpets sound, and the arch of high heav n the clangor resound. Entry of Phoebus (A machine appears, the clouds break from before it, and Phoebus appears in a chariot drawn by four horses) PHOEBUS When a cruel long winter has frozen the earth, and nature imprison d seeks in vain to be free; I dart forth my beams, to give all things a birth, making spring for the plants, every flower, and each tree. Tis I who give life, warmth, an vigour to all, even love who rules all things in earth, air, and sea; would languish, and fade, and to nothing would fall, the world to its chaos would return, but for me. CHORUS Hail! Great parent of us all, light and comfort of the earth; before your shrine the seasons fall, thou who gives all nature birth. SPRING Thus the ever grateful spring, does her yearly tribute bring; all your sweets before him lay, then round his altar sing, and play. SUMMER Here s the summer, sprightly, gay, smiling, wanton, fresh, and fair; adorn d with all the flowers of may, whose various sweets perfume the air. AUTUMN See my many colour d fields, and loaded trees my will obey; all the fruit that autumn yields, I offer to the god of day. WINTER Now winter comes slowly, pale, meager, and old, first trembling with age, and then quiv ring with cold; benum d with hard frosts, and with snow cover d o re, prays the sun to restore him, and sings as before. CHORUS Hail! Great parent of us all, light and comfort of the earth; before your shrine the seasons fall, thou who gives all nature birth. (After a short time all go out except Robin-Good-Fellow, who applies the juice of the herb to Lysander s eyes) Fourth act tune Air ACT V Prelude (While a symphony plays, the machine moves forward, and the peacocks spread their tails, and fill the middle of the theatre.) Epithalamium JUNO Thrice happy lovers, may you be for ever, ever free, from that tormenting devil, jealousie. From all that anxious care and strife, that attends a married life be to one another true, kind to her as she to you, and since the errors of this night are past, may he be ever constant, she for ever chast. (The machine aspends. After Juno s song, Oberon asks to hear the plaint of Laura for her departed love.) The plaint O let me weep, for ever weep, my eyes no more the shall welcome sleep; I ll hide me from the sight of day, and sigh, and sigh my soul away. He s gone, he s gone, his loss deplore; and I shall never see him more. (While the scene is darken d, a single entry is danded.) Entry dance (Then a symphony is play d) Symphony (After that the scene is suddenly illuminated, and discovers a transparent prospect of a Chinese garden, the architecture, the trees, the plants, the fruits, the birds, the beasts quite different to what we have in this part of the word. It is terminated by an arch, through which is seen other arches with close arbors, and a row of trees to the end of the view. Over it is a hanging garden, which rises by several ascents to the top of the house; it is bounded on either side with pleasant bowers, various trees, and numbers of strange birds flying in the air, on the top of a platform is a fountain, throwing up water, which falls into a large basin. A Chinese man enters and sings) Song A CHINESE MAN Thus the gloomy world at first began to shine, and from the power divine a glory round about it hurl d; which made it bright, and gave it birth in light. Then were all minds as pure, as those ethereal streams; in innocence secure, not subject to extreams. There was no room then for empty fame, no cause for pride, ambition wanted aim. CHINESE WOMAN Thus happy and free, thus treated are we with nature s chiefest delights. We never cloy, but renew our joy, and one bliss another invites. CHORUS Thus wildly we live, thus freely we give, what heaven as freely bestows. We were not made for labour and trade, which fools on each other impose. CHINESE MAN Yes, Daphne, in your looks I find the charms by which my heart s betray d; then let not your disdain unbind the prisoner that your eyes have made. She that in love makes least defence, wounds ever with the surest dart; beauty may captivate the sence, but kindness only gains the heart. (Six monkeys come from between the trees and dance) Monkeys dance (Two women sing in parts) 1st WOMAN Hark how all things with one sound rejoice, and the world seems to have one voice. 2nd WOMAN Hark now the echoing air a triumph sings, and all around pleas d Cupids clap their wings. CHORUS Hark! Hark! 2nd WOMAN Sure the dull god of marriage does not hear BOTH We ll rouse him with a charm. Hymen, appear! CHORUS Hymen, appear! BOTH Our Queen of Night commands thee not to stay. Appear! CHORUS Our Queen... (Enter Hymen.) Prelude HYMEN See, see, I obey. My torch has long been out, I hate on loose dissembled vows to wait, where hardly love out-lives the wedding-night, false flames, love s meteors, yield my torch no light. (Six pedestals of china-work rise from under the stage; they support six large vases of porcelain, in which six china-orange-trees.) BOTH WOMEN Turn then the eyes upon those glories there, and catching flames will on thy torch appear. HYMEN My torch, indeed, will from such brightness shine, love ne er had yet such altars, so divine. (The pedestals move toward the front of the stage, and the grand dance begins of twenty-four persons; then Hymen and the two women sing together.) TRIO They shall be as happy as they re fair; love shall fill all the places of care, and every time the sun shall display his rising light, it shall be to them a new wedding-day; and when he sets, a new nuptial-night. CHORUS They shall be as happy as they re fair; love shall fill all the places of care, and every time the sun shall display his rising light, it shall be to them a new wedding-day; and when he sets, a new nuptial-night. (All the dancers join in it.) Chaconne Dance for Chinese man and woman. Purcell,Henry/The Fairy Queen
https://w.atwiki.jp/i_ro/pages/128.html
必要条件 Base Level 70 アイテム Morroc Fruit Wine (INT +4 Food) 5個, Live Coal 20個, Alcohol 2個, Matchstick 1個, Burning Heart 10個 報酬 Base Exp 100,000 日本版タイトル : Z団 1. Talk to the Bulletin Board outside the Prontera× Castle (prontera 150, 326), which is advertising a wanted notice about the infamous Z-Gang, suspected of making off with priceless treasure from the Kingdom. 2. Talk to the Chief Officer next to the sign, and ask him about the Z-Gang. 3. Next, head to the Prontera Pub (205, 157), and talk to Valdes. He asks you to bring him 5 Morroc Fruit Wine . He explains how he s tried and failed at investigating the gang, and tells you to talk to Marybell in the Rogue guild for more information. The password needed to talk to her is "The dawn is yet to come." 4. Head to the Rogue guild (Pharos Lighthouse), and talk to Marybell (downstairs at 359, 116). You must input the password given by Valdes. She s glad you ve been sent, but needs to test you first. She asks you to go to Payon×, and find a man named Moonho Ahn, who you have to beat at gambling. 5. Go to Payon, and walk to the building in the lower right corner. There you ll find Moonho (244, 62). Tell him you there to challenge him, and he explains the rules of the game. 6. When you re ready to play, talk to him again. Once you win 2 out of 3 rounds, he will proclaim you the new White Meteor, and scribble a mark on your arm. 7. Return to Marybell, who is amazed you were able to win. She goes off to talk tell her friends, then talk to her again. You re now able to ask her questions about the Z-Gang. She tells you they ve been trying to recruit people in Morroc×, so off you run! 8. In the Morroc Ruins, go to either (90,67) or (78,167), where a suspicious man mugs you, and drops a note apparently written to inform someone to kill you. 9. Look for the same suspicious man at (75, 171) near the entrance to the Pyramids. He informs you that he only does what he s told through the notes, and doesn t know much. 10. Return to Marybell again, and find out if she s learned anything new. She tells you another rogue found a piece of paper with a note written in invisible ink on it, and took it to a decoder, Gooho Ahn in Payon. She asks you to go visit him to see if he s figured out what it says. 11. In Payon, go to a gazebo (192, 176), and talk to the man there. He s decoded part of the message, but ran out of materials. Bring him 20 Live Coal , 2 Alcohol , 1 Matchstick , and 10 Burning Heart . Apparently the note was written in an ancient language, and says Weii arr prowd Z G gna Aynoen hwo sspotp uys wlil eb kckide on htier ssa! 12. Back at the rogue guild, relay the message to Marybell. She tells you that they ve located the area of the Z-Gang s hideout, but that you can t come with them. 13. Go to Morroc Field 17 (moc_fild17 209, 235) and stop at top far right "hole" in the ground. 14. Talk to the "Odd Slab", and it asks you to enter the password. Enter the three lines (separately) into the Slab, and you ll be taken to the Z-Gang s hideout. 15. As you enter the hideout, the gang will realize you re there. They send out Skel Prisoners and an Antique Firelock. 16. After defeating the first wave, a conversation between the gang members is shown, followed by their decision to launch an even worse, second wave. 17. Unfortunately for the gang, the wrong button is pressed, and instead of ferocious monsters appearing, their invisibility cloak is deactivated. Keep talking to them until they hand over the stolen book, and then you are returned to the morroc field. 18. Return to Prontera, and speak to the Chief Officer again. He thanks you for your efforts, and rewards you with 100,000 Base Experience. Categories Articles Needing Interwiki Links | Base Experience Reward | Nameless Island Quests
https://w.atwiki.jp/i_ro/pages/105.html
必要条件 Base Level 60 前提クエスト (部分) Rachel Sanctuary Quest のステップ1~5 報酬 Base Exp 90,000 アイテム Old Purple Box 1個 日本版タイトル : 宝石 1. Rachel× (rachel 100,240) にある屋敷の2階にいる Vincent (ra_in01 384,246) と話す iRO wiki の画像表示 2. 外に出て Logan (rachel 114, 232) に Phoebe の事を訊くと屋敷の中にいる Mr. Manson に聞けと言われる iRO wiki の画像表示 3. 屋敷に戻って Mr. Manson (ra_in01 372, 200) と話す 彼は事件について思った事を語り、Jenny と話すのがいいだろうと言う iRO wiki の画像表示 4. また屋敷を出て Jenny (rachel 48, 236) と話すと更に情報が聞き出せる。また、市場を巡って探すといいのではないか、とも言われる iRO wiki の画像表示 5. Idle Merchant (rachel 138, 73) と話す。彼は誰も見掛けてないと返事した後、かなり鬱陶しそうに「冷やかしなら帰れ」と言う iRO wiki の画像表示 6. 他の Idle Merchant (rachel 120, 47) と話すと、プレイヤーキャラへ Ice Cave に来るよう伝えろ、と知らない人から言付かった事を聞かされる iRO wiki の画像表示 7. Ice Cave(*1)へ行って Suspicious Man (ra_fild01 245, 325) と話すと、殺されそうになる (HP を半分失う) が何とか逆転する 尋問する内に Vincent の差し金と分かるので問い質しに戻る iRO wiki の画像表示 8. Vincent を問い詰めると身の上を語り出す。Phobe は自分の息子で Jenny は Phobe の母なのだが 身分層の違いでこの街では結婚出来ないのだと言う プレイヤーキャラは Phobe と盗まれた宝石を見つけ出すと Vincent に申し出る iRO wiki の画像表示 9. Kid (rachel 263, 32)(*2)と話すと、彼が Phobe であり、更に宝石も持ち出している事が判る Phobe を屋敷に連れ戻すのは無理だが宝石は手渡される iRO wiki の画像表示 10. Vincent に宝石を届けると彼は非常に感謝し、Jenny にも Phobe の事を伝えて欲しいと頼んでくる iRO wiki の画像表示 11. Jenny に Phobe を見つけたと伝えると彼女は安心し、彼女等の秘密がプレイヤーキャラに知れた事も了解する iRO wiki の画像表示 12. Vincent のところへ戻るとお礼として Old Purple Box をもらえる また、神殿の高級司祭である Zhed 様へ是非届けて欲しい、と紹介状を渡される iRO wiki の画像表示 NOTE 既に Rachel Sanctuary への10,000口の献金が達成されていたら Rachel Sanctuary Quest のステップ1~5まで済ませなければ神殿には入れない 13. 神殿に入り、1階の東側にいる High Priest Zhed (ra_temin 277, 159) に紹介状を渡してこれまでの経緯を話すと Base Exp をもらえる iRO wiki の画像表示 Categories Quest Window Quests | Base Experience Reward | Quests | Rachel Quests
https://w.atwiki.jp/ryuunabe/pages/4308.html
NW森林組合 Fairy Forest L:NW森林組合 Fairy Forest = { t:名称 = NW森林組合 Fairy Forest(組織) t:要点 = 植林される苗,森の手入れをする人々,木々の生い茂る遺跡 t:周辺環境 = 森 t:評価 = なし t:特殊 = { *NW森林組合 Fairy Forestの組織カテゴリ = 冒険組合として扱う。 *NW森林組合 Fairy Forestの長 = 那限・ソーマ=キユウ・逢真 *NW森林組合 Fairy Forestの母体組織 = なし *NW森林組合 Fairy Forestの参加条件 = 雇用規定を満たし、組合長の許可を得た各国国民及びプレイヤー。 *NW森林組合 Fairy Forestの特殊1 = Fairy Forest は共和国大統領と帝國宰相の許可の下、全藩国で活動できる。 *NW森林組合 Fairy Forestの特殊2 = Fairy Forest は組合に加入してもらう事でその藩国に支部を持つ事が出来る。 *NW森林組合 Fairy Forestの特殊3 = Fairy Forest は組合に加入している藩国からの依頼があれば、その藩国の森林管理を行う事が出来る。 *NW森林組合 Fairy Forestの特殊4 = Fairy Forest は組合に加入している藩国からの依頼があれば、その藩国の遺跡を森林管理を行う事で封印する事が出来る。 *NW森林組合 Fairy Forestの特殊5 = Fairy Forest は遺跡封印が関わる場合、DEX社と連携して臨時冒険イベントを起こす事ができる。 *NW森林組合 Fairy Forestの特殊6 = Fairy Forest は毎ターン組合員への給料として、活動した各支部に3億の資金を支払う。 } t:→次のアイドレス = 森林組合事務所(施設),苗木(アイテム),環境保護意識の定着(イベント),樹木医(職業) }
https://w.atwiki.jp/i_ro/pages/80.html
必要条件 Base Level 60 報酬 Base Exp 90,000 Job Exp 90,000 アイテム Old Purple Box× 1個 日本版タイトル : 運命のカラス 1. At the Morroc Ruins, talk to the Book-Loving Man (moc_ruins 136, 70), who talks to you about the book lover Mammi, and tells you his name is Benjamin. He seems quite infatuated with Mammi, and asks you to find her favorite book, The Crow of the Fate by Oliver Hilpert at the Prontera Library. 2. Head to the library in Prontera× (prontera 120, 264), and talk to the second Curator behind the desk. He allows you to search for books by title and author. Searching for either The Crow of the Fate in titles or Oliver Hilpert in authors will work. Unfortunately, the library never got a copy, and he suggests you check the Juno Library instead. 3. In Juno×, head to the library (yuno 338, 204), where you find a barking dog and the Library Curator outside. Apparently there is a huge crow on the library rooftop. The man throws a rock at the crow, but that just makes it start flying over the roof in circles. Some feathers fell off the crow, and the Library Master gives one to you. 4. Go inside the library, and talk to the Library Part-Timer, who says you can find the book in the room on the right side of the hall in the bestseller corner. 5. Enter the room to her left (your right, it has two portals going into it), and find the Hot Bestseller Corner around (100, 4). Investigate it, and you ll black out. 6. You wake up in an unknown place, lit only by fires. There s a Female Researcher here, but when you try talking to her, you find she s some sort of ghost. 7. Head inside the building, where you see a researcher who shouts out to everyone, warning them of the fires that seem to be consuming the lab. Through the left portal, you find Grotesque people, who seem to have tentacles coming out of them. Walk up towards the female, and you see them making their escape as the man appears to bury something, calling the female Eva. 8. You re then taken to another place, now outside. (Be careful here, if you re-trigger the dialogue box while moving you ll be disconnected and sent back to your save point.) The two creatures then find a cave, where they decide to hide out. You re then transported back to the library. 9. Walk back (99, 3), and you decide to open the book again. It tells you the same story that happened in your "dream", and you want to do more research on the fire that happened in it. 10. Talk to the Library Part-Timer again, who tells you that the old news articles are found in the room opposite that of the first. 11. You ll find the Old News Scrapbook on the right bookcase (around 115, 99). You search through it, and find an article about the fire. After reading it, you decide to look for the cave from your dream, in hopes of finding descendents from the incident. 12. Go to the top left portal on Einbroch Field 1 (28, 258), and go inside. You find yourself in a large cave filled with people and housing a small village. When you try to talk to people they quickly stop talking upon realizing that you re human. The village does have an NPC vendor that you can sell loot to if you are overweight. 13. Upstairs, talk to the male Cave Settler (82, 97), and tell him you re looking for Eva. Jaeda will appear. The conversation will continue and then you will be transported to the start of the black tunnel. The Cave Settler then lets you continue on your way. 14. Walk through the black tunnel until you reach a room with a portal, then go through it. Keep walking through the next passageway, and talk to the Monsterous Man in the room at the end. You show him the book, and is surprised, and tells you his name is Zid. He used to be human, but volunteered for an experiment, along with Eva. After the accident they started the cave village and he now leads and protects it. Eva was in love with the lead researcher, who experimented on her, then killed himself after she mutated. Eva saved one of the baby test subjects, who ran away when he was about 10. Eva disappeared soon after. 15. Zid thinks that Oliver may be the test subject that Eva saved. He asks that you not tell anyone else about the cave and to leave them alone. Walk back thru the black tunnel to the village. The game designers did put in a fair bit of detail into the other RPG aspects of the village. At this time, you may choose to explore other cave entrances in the village to explore the black tunnels leading to other chambers. 16. Go back to Benjamin at the Morroc Ruins. You give him the book, and he shows you 2 photos of Mammi. He gives you Mammi s Photo Album, and suggests you read another book by Oliver called the Trace of the Fate. 17. Return to the Juno Library and talk to the Library Part-Timer, who tells you where you can find the book. Before you can find it however, you black out again. 18. You wake up in a burning mansion, and find a man at the bottom of a staircase, lamenting what s happened. The fire then swallows him up, and you return to the library. Talking to the Part-Timer, she says you blanked out for a minute, and suggests you go find the book. 19. In the room at the end of the hall, and you find the book on a table. After you read through it, you notice a suspicious person staring out you, who turns out to be Oliver. He signs his autograph for you, and tells you about his dreams. Upon noticing you have the photo album from Benjamin, who he seems to admire. You trade him the album for some information, and after reading a note he dropped, you are transported to the mansion again. You receive 1 Old Purple Box, and the Memo and Autograph. 20. After witnessing another scene, you re transported back to the library. Talk to Oliver and give his note back, and he tears it to pieces upon seeing the bird feather you got earlier. 21. Return to Benjamin, and you give him the autograph and note from Oliver, who rewards you with Base and Job experience. Categories Quest Window Quests | Job Experience Reward | Base Experience Reward | Satan Morroc Quests
https://w.atwiki.jp/ashenempires/pages/45.html
SoC Quest Khafra - Suri s Quest 100 Desert Scarabs(LV35) Fishing Village(Khafraから北西に行ったところにある村)のSuriからクエストをもらう。 報酬:57,750exp Khafra - Fishing Village Portal Quest Fishing Villageにあるportalを使ってRahuraにいけるようになる。 1. 75 Locust Swarms(LV20) Khafra町の北西にあるFishing VillageにいるNasifからクエストをもらう。 報酬:23,100exp 2. Undead Artonian Guardians(LV80) Magnetic Resonator(Quest Item)をgetするまでHunt。 3. Fire Elemental(LV95) Fire Elemental Core(Quest Item)をgetするまでHunt。 4. 3 Gem Cratesを探す(Sutekh s Stolen Gems Quest) Khafra町にいるSutekh(南東の建物の中)に話しかけるとスタートする。Gem CrateはFishing Village村のPortalでいける島にある建物の中にある。 Khafra - Baniti s Son Quest 1. Kilbariの死体を見つける Khafra町の銀行付近にいるBanitiからクエストをもらう。消息不明の息子Kilbariの行方を捜す。Khafra町の南にあるオアシスにdecayed body(Kilbariの死体)がある。クリックしてメッセージが出たらBanitiのところに帰って終わり。 2. River Caiman(LV?) Kilbari s Necklace(Quest Item)をgetするまでHunt。Large River Caimanではダメ。 3. Kilbari s Necklaceをお墓に持っていく Khafra町の南(やや南東)の地下ダンジョンにいく。 そこにBaniti家の墓があるのでKilbari s Necklaceを置いてくる。 報酬:Tears of Baniti(necklace,+8INT,+6CON) 4. Chomper(LV?) Khafra町の南のオアシスにpopする巨大ワニChomperを狩る。落としたアイテムをBanitiに見せる。 Khafra - Deliver Package Quest Khafra町にいるHamadiからKhafra町北西にあるfishing villageにいるSuriに届け物(3分以内)。それだけのクエスト。 Sutekh s Stolen Gems Fishing Village Portal Questを終わらせていないと始まらない。 これを終わらせると200 Fire Elemental Questが受けられる。
https://w.atwiki.jp/pubgpro/pages/276.html
Cloud9のLoLチームを元に創設された、カリフォルニア州のマルチプロゲーミングチーム。PUBG部門は2017年10月21日に設立。 メンバー PUBG部門 プレイヤー 配信 SNS Blue Twitch Twitter Comet Twitch Twitter Somethang Twitch Twitter 元所属 プレイヤー 移籍先 SNS Hetror OpTic Gaming Twitter 大会結果 日付 順位 大会 2017-11-11 4位 Curse Trials November 2017 Squads 2017-11-12 8位 AUZOM PREMIER LEAGUE Season 1 2017-11-12 11位 PUBG BEAT Invitational#1 2017-12-10 6位 Global Loot League The Pre-Season Grand Final 2017-12-14 4位 2017 NA Showdown Championship Finals 2018-1-23 16位 PUBG BEAT Invitational#2 2018-3-27 12位 PUBG Online Showdown Series 2018 Season 1 NA Split 1 2018-3-28 3位 Global Loot League Season 1 NA 2018-4-4 2位 PUBG BEAT Invitational S3 2018-4-7 17位 eSports Underground NA Invite Division Season 1 Phase 1 2018-4-12 15位 AUZOM PREMIER LEAGUE Season 2 NA 2018-4-13 12位 Stream.me PUBG Invitational NA 2018-4-15 3位 AUZOM PREMIER LEAGUE Season 2 Final NA 2018-4-22 12位 Global Loot League Season 1 Grand Final 2018-5-7 16位 PUBG Online Showdown Series 2018 Season 1 NA Split 2 2018-6-24 16位 PUBG Global Invitational 2018 North America Qualifier 2018-7-4 13位 Global Loot League Season 2 Americas 2018-7-15 13位 PUBG Pan-Continental 2018 2018-9-28 16位 Curse Trials September 2018 2018-10-6 4位 FirstBlood PUBG Invitational#3 2018-10-31 12位 Curse Trials October 2018 2018-11-1 9位 Global Loot League Season 3 Americas 2018-11-26 16位 PUBG Online Showdown Series 2018 Season 2 NA 外部リンク チーム公式 チーム公式Twitter
https://w.atwiki.jp/destiny_psobb/pages/96.html
Destiny鯖オリジナルのミニイベント 通常クエスト内から日替わりでランダムに選ばれる Daily Questは日本時間の午前9時に自動的に切り替わる仕組みになっているが それ以外にも鯖落ちやGM側からの強制変更によっても切り替わることがある どのクエストがDaily Questかは/dailyコマンドで確認可能 ただし表示される文字数の都合上Maximum AttackはStage AなのかBなのかCなのか判断するため クエストを受けた上で/dailyコマンドを打つ必要がある(非常に面倒) 受けているクエストがDaily Questの場合/dailyコマンドを打つと残り時間に加えてDaily Quest is Active!と表示される Daily Questに選ばれたクエストを難易度アルティメットで受ければPhantasmal Crateが ベリーハード以下であればRare Item Crateがクエスト内のエネミーからランダムでドロップする Crateは「使う」コマンドによりランダムにレアアイテムに変化するが 通常はフォトンドロップやフォトンクリスタルになることが多い どちらのCrateも高難易度・多人数であればあるほど落ちやすい仕様になっている ただし同時起動を利用した同時掘りは禁止されている 当然エネミー数の多いクエストはCrateが出やすく少ないクエストは出にくいため Daily Questが賑わう日とそうでない日がある
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FAIRY FORE (フェアリー フォーレ) / 所属:CAPSULE MONSTER S Member Vo. 現王園 崇 Gt. タイト (サポート) Ba. YASU Dr. YOKO -- Gt. AKIHIDE (FAIRY FORE→NEVERLAND) Gt. 藤原榮治 (Vivid→FAIRY FORE) History 94年6月 - FIR~REFORLE結成。 98年9月 - AKIHIDE加入。 00年6月 - バンド名をFIR~REFORLEからFAIRY FOREに改名。 01年8月 - メジャーデビューシングル『LOVE SICK』をavexより発売。 03年9月 - AKIHIDE脱退。 03年12月 - 藤原榮治加入。 04年7月 - 藤原榮治脱退。 05年12月11日 - 町田PLAY HOUSEでのワンマンを以て解散。 Discography DemoTape Shall you love me? Un*Balance FALL IN Single LOVE SICK VIVID BODY DOUBLE ジェット Darling youphilous Sentimental Case 明るい太陽と暗い雲 Album LOOP HEAVEN S MARKET この花が咲いて枯れるまで DVD SPICE SHOWER~Tour Final 2004.3.26 Shibuya O-Crest~ V.A. CROSS*D LOVERS このバンドの評価を聴かせて 名前 コメント 関連バンド Dear Loving 関連サイト mu-moのFAIRY FOREページ YASUROCK (YASU blog) yokoism (YOKO blog) ☆☆タイトマニア☆☆ (タイトweb site) FAIRY FORE+mANia (ファンサイト)