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CHAPTER XXV? UP CHAPTER XXVII CHAPTER XXVI The Story Club Is Formed 第26章 物語クラブの結成（松本訳） Junior Avonlea found it hard to settle down to humdrum existence again. アヴォンリーの学校の子供を「Junior Avonlea」と表現している To Anne in particular things seemed fearfully flat, stale, and unprofitable 「fearfully flat, stale, and unprofitable」松本訳注第26章(1) p. 507参照 after the goblet of excitement she had been sipping for weeks. Could she go back to the former quiet pleasures of those faraway days before the concert? At first, as she told Diana, she did not really think she could. "I m positively certain, Diana, that life can never be quite the same again as it was in those olden days," she said mournfully, as if referring to a period of at least fifty years back. 「fifty years back」このころの50年前は、どんなだったろう。カナダは独立していないのはわかるのだけど "Perhaps after a while I ll get used to it, but I m afraid concerts spoil people for everyday life. I suppose that is why Marilla disapproves of them. Marilla is such a sensible woman. It must be a great deal better to be sensible; but still, I don t believe I d really want to be a sensible person, because they are so unromantic. Mrs. Lynde says there is no danger of my ever being one, but you can never tell. I feel just now that I may grow up to be sensible yet. But perhaps that is only because I m tired. I simply couldn t sleep last night for ever so long. I just lay awake and imagined the concert over and over again. That s one splendid thing about such affairs--it s so lovely to look back to them." Eventually, however, Avonlea school slipped back into its old groove and took up its old interests. 「slipped back into its old groove」grooveは、軌道（松本訳）、わだち、溝など。または、常道、きまり、慣習。slipを使うことで、溝に滑り落ちるように元に戻っている様子を表現しているのでしょうか。また、「slipped back」、「took up」と、落ちて上がる、のがコトバの上でも気持ちいいのかもしれません To be sure, the concert left traces. 「the concert left traces」、grooveに滑り落ちるように戻ったけれども、trace＝跡は残した。土手を滑り落ちるときに残る滑り跡、を連想させる Ruby Gillis and Emma White, who had quarreled over a point of precedence in their platform seats, no longer sat at the same desk, and a promising friendship of three years was broken up. Josie Pye and Julia Bell did not "speak" for three months, because Josie Pye had told Bessie Wright that Julia Bell s bow 「bow」は、おじぎ。《バウ》のような発音。《ボウ》のような発音の蝶結びではない when she got up to recite made her think of a chicken jerking its head, and Bessie told Julia. 「bow」を蝶結びと勘違いして読んでいたら、ニワトリのトサカの話と思ってしまいました (^^; 。もしかしたら、ジュリア・ベルは頭にリボンを付けていて（前章に記述はありませんが）、それと引っかけているのかも、と自分を慰めたりして…… None of the Sloanes would have any dealings with the Bells, because the Bells had declared that the Sloanes had too much to do in the program, and the Sloanes had retorted that the Bells were not capable of doing the little they had to do properly. Finally, Charlie Sloane fought Moody Spurgeon MacPherson, because Moody Spurgeon had said that Anne Shirley put on airs about her recitations, and Moody Spurgeon was "licked"; consequently Moody Spurgeon s sister, Ella May, would not "speak" to Anne Shirley all the rest of the winter. エラ・メイはムーディー・スパージョンのsisiterとしかないけれども、こういう子供っぽいことをするのだから、また、アンの同級生グループにもいないことから、妹だとわかる With the exception of these trifling frictions, work in Miss Stacy s little kingdom went on with regularity and smoothness. 「Miss Stacy s little kingdom」アンの青春にも似た表現があったと思う「アンの小さな王国」（村岡訳ではこうだったような） The winter weeks slipped by. ここにも「slipped」。今度は雪を連想させる It was an unusually mild winter, with so little snow that Anne and Diana could go to school nearly every day by way of the Birch Path. On Anne s birthday they were tripping lightly down it, keeping eyes and ears alert amid all their chatter, for Miss Stacy had told them that they must soon write a composition on "A Winter s Walk in the Woods," and it behooved them to be observant. "Just think, Diana, I m thirteen years old today," remarked Anne in an awed voice. 「awed」畏敬の、って地の文でもbig word。アンの言葉に対する形容だけど "I can scarcely realize that I m in my teens. 「teens」松本訳注第26章(2) p. 508参照 When I woke this morning it seemed to me that everything must be different. You ve been thirteen for a month, so I suppose it doesn t seem such a novelty to you as it does to me. It makes life seem so much more interesting. In two more years I ll be really grown up. It s a great comfort to think that I ll be able to use big words then without being laughed at." 第31章で、マリラにあまりおしゃべりしなくなった、おおげさな言葉を使わなくなった "You don t chatter half as much as you used to, Anne, nor use half as many big words. What has come over you?" と言われるものの伏線になっている。CHAPTER XXXI、CHAPTER XXXI with impressionも参照 "Ruby Gillis says she means to have a beau as soon as she s fifteen," said Diana. "Ruby Gillis thinks of nothing but beaus," said Anne disdainfully. beauが複数になっているところが、アンのdisdainfully（軽蔑して）を表わしているのかも。「beaus」は、puffin books版では「beaux」となっている。beauxは、beauのフランス語の複数形。Gutenberg版はアメリカ英語化されているものを使っているためではないでしょうか。beauxは《ボ》と発音は単数形のbeauと同じになっちゃうのだけれど、aの有無で話し言葉でもわかるはず "She s actually delighted when anyone writes her name up in a take-notice for all she pretends to be so mad. But I m afraid that is an uncharitable speech. Mrs. Allan says we should never make uncharitable speeches; 「uncharitable」演芸会のタブローでアンが演じたのはHope（希望：松本訳）であって、Charity（愛 松本訳、または、慈愛）ではない（CHAPTER XXIV、CHAPTER XXIV with impression?）。英語で読んでくるとここで気付く but they do slip out so often before you think, don t they? ここにも「slip」。この章はslipがキーワードのひとつかも (^^) I simply can t talk about Josie Pye without making an uncharitable speech, so I never mention her at all. You may have noticed that. I m trying to be as much like Mrs. Allan as I possibly can, for I think she s perfect. Mr. Allan thinks so too. Mrs. Lynde says he just worships the ground she treads on and she doesn t really think it right for a minister to set his affections so much on a mortal being. But then, Diana, even ministers are human and have their besetting sins just like everybody else. 「besetting sins」松本訳注第26章(3) p. 508参照。 sinは原罪 I had such an interesting talk with Mrs. Allan about besetting sins last Sunday afternoon. There are just a few things it s proper to talk about on Sundays and that is one of them. My besetting sin is imagining too much and forgetting my duties. I m striving very hard to overcome it and now that I m really thirteen perhaps I ll get on better." "In four more years we ll be able to put our hair up," said Diana. "Alice Bell is only sixteen and she is wearing hers up, but I think that s ridiculous. I shall wait until I m seventeen." "If I had Alice Bell s crooked nose," said Anne decidedly, 「crooked」には、曲った、の意味のほかに、不正直な、という意味もある。アリス・ベルが髪を大人のように結い上げることが、年齢に対して不正直であるとのことからこのコトバが連想され、コトバがコトバを紡ぎ出していく会話になっている "I wouldn t--but there! I won t say what I was going to because it was extremely uncharitable. Besides, I was comparing it with my own nose and that s vanity. I m afraid I think too much about my nose ever since I heard that compliment about it long ago. It really is a great comfort to me. Oh, Diana, look, there s a rabbit. That s something to remember for our woods composition. I really think the woods are just as lovely in winter as in summer. They re so white and still, as if they were asleep and dreaming pretty dreams." "I won t mind writing that composition when its time comes," sighed Diana. "I can manage to write about the woods, but the one we re to hand in Monday is terrible. The idea of Miss Stacy telling us to write a story out of our own heads!" "Why, it s as easy as wink," said Anne. "It s easy for you because you have an imagination," retorted Diana, "but what would you do if you had been born without one? I suppose you have your composition all done?" Anne nodded, trying hard not to look virtuously complacent and failing miserably. "I wrote it last Monday evening. It s called `The Jealous Rival; or In Death Not Divided. I read it to Marilla and she said it was stuff and nonsense. Then I read it to Matthew and he said it was fine. That is the kind of critic I like. It s a sad, sweet story. I just cried like a child while I was writing it. 「I just cried like a child」13歳になったご利益はなかったのかも。childのニュアンスがよくわからない。松本訳では「わんわん泣いちゃったわ」 It s about two beautiful maidens called Cordelia Montmorency and Geraldine Seymour who lived in the same village and were devotedly attached to each other. 「Cordelia Montmorency」松本訳注第26章(4) p. 508参照。 「Geraldine Seymour」松本訳注第26章(5) p. 508参照 Cordelia was a regal brunette with a coronet of midnight hair and duskly flashing eyes. 「coronet」松本訳注第26章(6) p. 509参照 Geraldine was a queenly blonde with hair like spun gold and velvety purple eyes." [「purple eyes」紫色の目。アンは自分の緑色の目の代りに、想像のうえでは violet の目を持っていると考え（てい）たことがある（CHAPTER II with impression Matthew Cuthbert is surprised） 19 August 2007 追記 "I never saw anybody with purple eyes," said Diana dubiously. "Neither did I. I just imagined them. I wanted something out of the common. Geraldine had an alabaster brow too. I ve found out what an alabaster brow is. 「I ve found out what an alabaster brow is. 」松本訳注第26章(7) p. 509参照。 CHAPTER II、CHAPTER II with impressionも参照 That is one of the advantages of being thirteen. You know so much more than you did when you were only twelve." "Well, what became of Cordelia and Geraldine?" asked Diana, who was beginning to feel rather interested in their fate. "They grew in beauty side by side until they were sixteen. Then Bertram DeVere came to their native village 「Bertram DeVere」松本訳注第26章(8) p. 509参照 and fell in love with the fair Geraldine. 「fair」は金髪の、金髪で色白の。公正な、の意味も含めているのかもしれない He saved her life when her horse ran away with her in a carriage, and she fainted in his arms and he carried her home three miles; because, you understand, the carriage was all smashed up. I found it rather hard to imagine the proposal because I had no experience to go by. I asked Ruby Gillis if she knew anything about how men proposed because I thought she d likely be an authority on the subject, having so many sisters married. Ruby told me she was hid in the hall pantry when Malcolm Andres proposed to her sister Susan. She said Malcolm told Susan that his dad had given him the farm in his own name and then said, `What do you say, darling pet, if we get hitched this fall? 「pet」お気に入りの物、人。動物のペット以外の意味もある And Susan said, `Yes--no--I don t know--let me see --and there they were, engaged as quick as that. But I didn t think that sort of a proposal was a very romantic one, so in the end I had to imagine it out as well as I could. I made it very flowery and poetical and Bertram went on his knees, although Ruby Gillis says it isn t done nowadays. Geraldine accepted him in a speech a page long. 「a speech a page long」アンのおしゃべりは、more than a page longで、改行なしで1ページ以上あるのを読者は知っているから、ここでも笑ってしまう I can tell you I took a lot of trouble with that speech. I rewrote it five times and I look upon it as my masterpiece. Bertram gave her a diamond ring and a ruby necklace 「ruby necklace」ちょっと前にルビー・ギリスが出てきたから、ルビーの首飾りなのかどうかは不明 and told her they would go to Europe for a wedding tour, for he was immensely wealthy. But then, alas, shadows began to darken over their path. Cordelia was secretly in love with Bertram herself and when Geraldine told her about the engagement she was simply furious, especially when she saw the necklace and the diamond ring. All her affection for Geraldine turned to bitter hate and she vowed that she should never marry Bertram. But she pretended to be Geraldine s friend the same as ever. One evening they were standing on the bridge over a rushing turbulent stream and Cordelia, thinking they were alone, pushed Geraldine over the brink with a wild, mocking, `Ha, ha, ha. But Bertram saw it all and he at once plunged into the current, exclaiming, `I will save thee, my peerless Geraldine. 文語調で叫んでいる。松本訳も文語調 But alas, he had forgotten he couldn t swim, and they were both drowned, clasped in each other s arms. Their bodies were washed ashore soon afterwards. They were buried in the one grave and their funeral was most imposing, Diana. It s so much more romantic to end a story up with a funeral than a wedding. As for Cordelia, she went insane with remorse and was shut up in a lunatic asylum. I thought that was a poetical retribution for her crime." 「retribution」は悪行に対する報い。または、天罰 "How perfectly lovely!" sighed Diana, who belonged to Matthew s school of critics. 「school」は学派や派、と訳すことが多いのでしょうけども、日本語の学派から連想されるほど堅いコトバではないはず。とはいえ漢字の「派」を使わざるをえないところで、すでに堅い感じを漂わせてしまうのは仕方がないのかもしれません "I don t see how you can make up such thrilling things out of your own head, Anne. I wish my imagination was as good as yours." "It would be if you d only cultivate it," said Anne cheeringly. "I ve just thought of a plan, Diana. Let you and me have a story club all our own and write stories for practice. I ll help you along until you can do them by yourself. You ought to cultivate your imagination, you know. Miss Stacy says so. Only we must take the right way. I told her about the Haunted Wood, but she said we went the wrong way about it in that." This was how the story club came into existence. It was limited to Diana and Anne at first, but soon it was extended to include Jane Andrews and Ruby Gillis and one or two others who felt that their imaginations needed cultivating. No boys were allowed in it--although Ruby Gillis opined that their admission would make it more exciting--and each member had to produce one story a week. "It s extremely interesting," Anne told Marilla. "Each girl has to read her story out loud and then we talk it over. We are going to keep them all sacredly and have them to read to our descendants. We each write under a nom-de-plume. 「sacredly」「nom-de-plume」とか、big wordsで笑えるところ Mine is Rosamond Montmorency. All the girls do pretty well. Ruby Gillis is rather sentimental. She puts too much lovemaking into her stories and you know too much is worse than too little. Jane never puts any because she says it makes her feel so silly when she had to read it out loud. Jane s stories are extremely sensible. Then Diana puts too many murders into hers. She says most of the time she doesn t know what to do with the people so she kills them off to get rid of them. I mostly always have to tell them what to write about, but that isn t hard for I ve millions of ideas." "I think this story-writing business is the foolishest yet," scoffed Marilla. "You ll get a pack of nonsense into your heads and waste time that should be put on your lessons. Reading stories is bad enough but writing them is worse." 「Reading stories is bad enough but writing them is worse.」松本訳注第26章(9) p. 509参照 日本でも、漢詩が格上で、物語は格下。和歌は物語よりも上だけれども、漢詩より格下。平安時代から江戸時代にかけては "But we re so careful to put a moral into them all, Marilla," explained Anne. "I insist upon that. All the good people are rewarded and all the bad ones are suitably punished. 「reward」は善いことに対する報い。先にコーデリアの受けた報い「retribution」とは違う I m sure that must have a wholesome effect. The moral is the great thing. Mr. Allan says so. 「Mr. Allan says so.」松本訳では「アラン夫人」となっていますが（p.305）、「アラン牧師」の誤植だと思います。MrとMrsの誤植ではないと思われる理由は、次の文が「to him and Mrs. Allan」で、先に男の人であるMr Allanが述べられていることが明らかだからです I read one of my stories to him and Mrs. Allan and they both agreed that the moral was excellent. Only they laughed in the wrong places. I like it better when people cry. Jane and Ruby almost always cry when I come to the pathetic parts. Diana wrote her Aunt Josephine about our club and her Aunt Josephine wrote back that we were to send her some of our stories. So we copied out four of our very best and sent them. Miss Josephine Barry wrote back that she had never read anything so amusing in her life. That kind of puzzled us because the stories were all very pathetic and almost everybody died. But I m glad Miss Barry liked them. It shows our club is doing some good in the world. Mrs. Allan says that ought to be our object in everything. I do really try to make it my object but I forget so often when I m having fun. I hope I shall be a little like Mrs. Allan when I grow up. Do you think there is any prospect of it, Marilla?" "I shouldn t say there was a great deal" was Marilla s encouraging answer. "I m sure Mrs. Allan was never such a silly, forgetful little girl as you are." "No; but she wasn t always so good as she is now either," said Anne seriously. "She told me so herself--that is, she said she was a dreadful mischief when she was a girl and was always getting into scrapes. I felt so encouraged when I heard that. Is it very wicked of me, Marilla, to feel encouraged when I hear that other people have been bad and mischievous? Mrs. Lynde says it is. Mrs. Lynde says she always feels shocked when she hears of anyone ever having been naughty, no matter how small they were. Mrs. Lynde says she once heard a minister confess that when he was a boy he stole a strawberry tart out of his aunt s pantry 「he stole a strawberry tart」松本訳注第26章(10) p. 510参照 and she never had any respect for that minister again. Now, I wouldn t have felt that way. I d have thought that it was real noble of him to confess it, and I d have thought what an encouraging thing it would be for small boys nowadays who do naughty things and are sorry for them to know that perhaps they may grow up to be ministers in spite of it. That s how I d feel, Marilla." "The way I feel at present, Anne," said Marilla, "is that it s high time you had those dishes washed. You ve taken half an hour longer than you should with all your chattering. Learn to work first and talk afterwards." CHAPTER XXV? UP CHAPTER XXVII 2007年6月10日 2007年8月19日 追記 今日 - | 昨日 - | Total - since 10 June 2007 last update 2007-08-19 21 24 47 (Sun)
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Re2-Y- サークル：Iemitsu. Number Track Name Arranger Lyrics Vocal Original Works Original Tune Length 01 Night Lights Punk Dirty Channel 蒼咲 雫 蒼咲 雫 秋霜玉 スプートニク幻夜 [-- --] 02 世界で今僕だけが喧噪の中で きくお ちょろ 蒼咲 雫 東方怪綺談 Romantic Children [-- --] 03 決定☆晴れのち曇りなメガネ！ きくお ちょろ 蒼咲 雫 東方紅魔郷 おてんば恋娘 [-- --] 04 紅烏 天音 蒼咲 雫 蒼咲 雫 東方文花帖 レトロスペクティブ京都 [-- --] 05 Blikje Phantasm Punk Dirty Channel ちょろ 茶太 東方花映塚 此岸の塚 [-- --] 06 SAKURA Punk Dirty Channel 蒼咲 雫 蒼咲 雫 東方妖々夢 さくらさくら [-- --] 07 Night Lights-JiNG*da*LaW RMX- JiNG*da*LaW 蒼咲 雫 蒼咲 雫 秋霜玉 スプートニク幻夜 [-- --] 08 世界で今僕だけが喧噪の中で-JiNG*da*LaW RMX- JiNG*da*LaW ちょろ 蒼咲 雫 東方怪綺談 Romantic Children [-- --] 09 Blikje Phantasm-JiNG*da*LaW RMX- JiNG*da*LaW ちょろ 茶太 東方花映塚 此岸の塚 [-- --] 10 Night Lights -Inst- Punk Dirty Channel - - 秋霜玉 スプートニク幻夜 [-- --] 11 決定☆晴れのち曇りなメガネ！ -Inst- きくお - - 東方紅魔郷 おてんば恋娘 [-- --] 12 Blikje Phantasm -Inst- Punk Dirty Channel - - 東方文花帖 此岸の塚 [-- --] 詳細 コミックマーケット76(2009/8/15)にて頒布 イベント価格：1,000円 ショップ価格：？円 レビュー 名前 コメント
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WiiHackのしかた やり方は、4～5つあります。 1.Twilight Hack 2.スーパーマリオブラザーズハック（VC） 3.ゼルダの伝説ハック（VC） 4.BaNNeRBomBの4種類です。 1.トワイライトハックこれは、最初に発売されたWii用ソフトゼルダの伝説 トワイライトプリンセス のセーブデータを消して（必要な人は、コピーすることをお勧めします。）から改造データ が入ったセーブデータをWiiに入れてそしてゼルダを起動してその、セーブデータを選択して、 前にいる人に話すか、後ろの道に行くと始まります。 （この種類のディスクじゃないとできないので注意） RVL-RZDP-0A-0 JPN RVL-RZDJ-0A-0 JPN RVL-RZDE-0A-0 JPN （ちなみに、WiiVer.4.0U.J.Eだとできないので注意 2.スーパーマリオブラザーズハック これは、VCのデータをSDに入れて SDカードメニューから起動ですが、英語版だからなのか分からないですけど、起動できません。 （WiiVer.4.0J・U・E） 3.ゼルダの伝説ハック（VC） これも2.と同じように起動できません。 4.BaNNeRBomB（すべてのバージョンで有効）追記、SDのチャンネルのところは、何もなしにしていてください。 SDに、BaNNeRBomb（データ）をチャンネルのところにいれ、SD直下に、起動したいソフト（boot.elf・.dol) をいれ、Wiiでデータ管理・SD・チャンネルの順に行きLordBoot.elf?と聞かれるので、はいを選択。（いいえを選ぶとフリーズします。）そして、しばらくまつ。するの自動的に起動します。
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参照ページ（古いバージョンですが） http //jp.sun.com/products/software/management/internet/sims/docs/Ref/config.html ダイレクト送信（スタティック配送） 特定のドメインについてスタティック配送を行うためには以下のように２カ所の設定を変更します。 設定ファイル：/opt/SUNWmsgsr/config/imta.cnf ・・・・ ! tcp_local ! Rules for top level internet domains IMTA_TABLE internet.rules msend.jp $U%$D@tcp_msend-daemon mrecv.jp $U%$D@tcp_mrecv-daemon !（書式のフォーマットは !「対象ドメイン [user書換ルール]%[domain書換ルール]@[routingSystem]」です。） ! ! ・・・・・・ ! part II channel blocks ! ・・・・・・ ! ! tcp_local tcp_local smtp mx single_sys remotehost inner switchchannel identnonenumeric subdirs 20 maxjobs 7 pool SMTP_POOL maytlsserver maysaslserver saslswitchchannel tcp_auth missingrecipientpolicy 0 loopcheck tcp-daemon !追加ここから !SJSMS以外への配送のためtcp_localをコピーしてチャネルを定義しました。 !スタティック配送にするため「nomx daemon 配送先サーバ」とします。 ! ! tcp_msend tcp_msend smtp nomx daemon box.msend.jp single_sys remotehost inner switchchannel identnonenumeric subdirs 20 maxjobs 7 pool SMTP_POOL maytlsserver maysaslserver saslswitchchannel tcp_auth missingrecipientpolicy 0 loopcheck tcp_msend-daemon ! ! tcp_mrecv tcp_mrecv smtp nomx daemon box.mrecv.jp single_sys remotehost inner switchchannel identnonenumeric subdirs 20 maxjobs 7 pool SMTP_POOL maytlsserver maysaslserver saslswitchchannel tcp_auth missingrecipientpolicy 0 loopcheck tcp_mrecv-daemon ! !追加ここまで ・・・・・ 設定を変更したら、以下のコマンドで反映します。 # /opt/SUNWmsgsr/sbin/imsimta cnbuild # /opt/SUNWmsgsr/sbin/imsimta restart configutil関連 現在設定されている設定を表示する。 #/opt/SUNWmsgsr/sbin/configutil -m configutilのパラメータを設定する。 #/opt/SUNWmsgsr/sbin/configutil -o local.sc***** -v "＊＊＊＊＊＊" ログを有効にする imta.cnfの「part II channel blocks」のdefaultチャネルにloggingを追加します。 defaults notices 1 2 4 7 logging ・・・・
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概要 アナログレコードとCDを再生可能な変態機種。トーンアームは ストレート＆S字アーム（両アーム同梱）の選択が可能、±6､12､25 100％段階のピッチ可変幅を選択可能 （ヴァイナルでのモーターリミットは-80％）（MP3でのDSPリミットは+50）フェーダー/リモートスタートとリレイ機能付（リレイ機能はCDオンリー。発売当時インターネット経由でOSのファームウェアのアップデートが可能であった） スペック表（メーカーサイトより引用） Output Level 1.5 +/- 0.2 Vms (1KHz 0dB) S/N Ratio 85dB Frequency Response 20Hz to 20KHz +/- 2dB Dynamic Range 80dB Channel Separation 80dB Output Level Difference between Right and Left Channel +/- 1dB Channel Balance +/- 1dB Harmonic Distortion (THD + N) Less than 0.03% Supported CD formats Redbook CD, and MP3 Data CD Output Level 5.15 to 6.85mV (cartridge CS-1) Output Level Difference between Right and Left Channel +/- 3dB Wow Flutter 0.15% Output Level 500 +/- 30mV (cartridge CS-1) Output Level Difference between Right and Left Channel +/- 3dB Wow Flutter 0.15% Motor torque 2.8kg (constant); 4.3kg (instant) Dimensions 458(L) x 357(W) x 99(H) mm [x 150(H) mm - including the tonearm section height] Weight 11.5 kg Power Consumption 90W 価格 168000円（新品・当時） X2 https //www.numark.com/product/x2
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概要 3BandEQとBPMカウンター搭載ミキサー。 スペック表 Inputs 2 x phono (pair of phono/RCA), 2 x line (pair of phono/RCA) Independent channels 2 stereo channels Channel controls N/A Output controls meters Level meter, cue channel 1/channel 2/mix, cue level control Outputs 6.3mm stereo headphone socket, 2 x pairs of phono/RCA outputs for record and master Crossfader Built-in - cannot be replaced W x H x D (mm) / Weight 165 x 254 x 51 / 1.3 kg Extra *Gemini mixers are covered by a manufacturer s three year guarantee. Excluding crossfader which is replaceable ■価格 $179.99（当時） 取扱説明書（英語） https //www.manualslib.com/manual/60303/Gemini-Bpm-250.html
https://w.atwiki.jp/openmusic/pages/242.html
|PROFILE| NOTES-CHANGE Arguments pits scale optional mod [generic-function] Notes-Change permet l ajustement d une hauteur ou d une liste de hauteurs pits a un champs harmonique defini par une autre liste de hauteurs scale . Ce module possede une troisieme entree, optionnelle, mod pour indiquer le modulo du champs harmonique utilise
https://w.atwiki.jp/bzspirit/pages/533.html
「Don't Wanna Lie」(ドント・ワナ・ライ)は、B'zの楽曲。作詞は稲葉浩志、作曲は松本孝弘。 B'zの49thシングル「Don t Wanna Lie」の表題曲。映画「名探偵コナン 沈黙の15分」のために書き下ろされた楽曲。 アルバム『C mon』特設サイトやB z Official YouTube Channelにて、PVが公開された。 バージョン違いとして、「Don't Wanna Lie -Ballad Version-」が存在する。シングル「Don t Wanna Lie」の初回限定盤・通常盤それぞれの包装ビニールに添付されているシールを送付することで入手できる特典CDに収録されていた。原曲とは異なり、ピアノやストリングスがメインのアレンジで、ボーカルも録り直されている。 PV ディレクターはポール・ブラウン。サポートメンバーとしてシェーン・ガラース、バリー・スパークスが出演している。 参加ミュージシャン 松本孝弘：ギター・作曲・編曲 稲葉浩志：ボーカル・作詞・編曲 寺地秀行：編曲 シェーン・ガラース：ドラム バリー・スパークス：ベース 杉山麻衣子]]：ストリングス Lime Ladies Orchestra：ストリングス ライブでの演奏 B z LIVE-GYM 2011 -C mon- PEPSI NEX presents B z 1DAY LIVE テレビ朝日ドリームフェスティバル2011 タイアップ 読売テレビ・日本テレビ系アニメ『名探偵コナン』オープニングテーマ 映画『名探偵コナン 沈黙の15分』主題歌 収録作品 CD作品 リリース日 タイトル 備考 2011年6月1日 Don t Wanna Lie 初回限定盤の特典DVDにはPVを収録 2011年7月27日 C mon 2011年12月14日 THE BEST OF DETECTIVE CONAN 4 〜名探偵コナン テーマ曲集4〜 2013年6月12日 B z The Best XXV 1999-2012 初回限定盤の特典DVDにはPVを収録 映像作品 リリース日 タイトル 規格 2012年5月30日 B z LIVE-GYM 2011 -C mon- DVDBlu-ray 名前 コメント
https://w.atwiki.jp/prima/pages/1633.html
Blogs on Eduardo Ciannelli #bf レパートリー 作曲家名（全角フルネーム）に置き換えてください [部分編集] 作曲家名（全角フルネーム）に置き換えてください 作品名（全角）に置き換えてください役名（全角）に置き換えてください Last Update 2011/01/30 04 09ページ先頭へ
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■スクールガールストライカーズ Animation Channel 作画監督 4(黄・坂・佐・藤) ■関連タイトル Blu-ray スクールガールストライカーズ Animation Channel vol.1 初回仕様版