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https://w.atwiki.jp/halophilic/pages/14.html
必ずXXXして下さい。 Please make sure XXX. Make sure XXX. Make sure your palm is up. どうやればよいのかわからない I can t figure out how. XXXを巻く(ひも、ゼンマイ等) Wind XXX up いっくぞー! Here goes! もう少しで完璧です。 You re getting there. そのうちね(はぐらかし) All in good time. これで完成だ That about does it. 説明書を確認しよう。 Let s consult the instruction munual. なるほど、その通りだね(理に適ってますね) That figures はじめからやり直そう Let s start over. itをXXXにきちんと並べる・配置する lay it out on XXX 良い考えだね Good thinking! Good idea! 1日24時間待機している on call 24 hours a day itはXXXまで歩いていける距離にある It is on walking distance to XXX
https://w.atwiki.jp/carstereo/pages/136.html
(tom) I never meant the things I said To make you cry can I say I m sorry It s hard to forget and yes I regret All these mistakes (tom) I don t know why you re leaving me But I know you must have your reasons There s tears in your eyes I watch as you cry But it s getting late (tom) Was I invading in on your secrets Was I too close for comfort You re pushing me out When I wanted in What was I just about to discover When I got too close for comfort I m driving you home Guess I ll never know (danny) Remember when we scratched our names Into the sand and told me you loved me But now that I find that you ve changed your mind I m lost for words (danny) And everything I feel for you I wrote down on one piece of paper The one in your hand, you won t understand How much it hurts to let you go (danny) Was I invading in on your secrets Was I too close for comfort You re pushing me out When I wanted in What was I just about to discover I got too close for comfort driving you home Guess I ll never know (Tom) All this time you ve been telling me lies Hidden in bags that are under your eyes And when I asked you I knew I was right (dougie) But if you turn your back on me now When I need you most But you chose to let me down, down, down (danny) Wont you think about what you re about to do to me And back down... (tom) Was I invading in on your secrets (danny and tom) Was I too close for comfort You re pushing me out When I wanted in What was I just about to discover I got too close for comfort You re pushing me out When I wanted in (Yeah yeah) (tom) What was I just about to discover When I got too close for comfort I m driving you home Guess I ll never know
https://w.atwiki.jp/international_law/pages/28.html
Formation of Customary Law Procedure of Formation of Customary Law First Requierment Second Requirement Continuous and Accumulation of Practices of States - Formation of General Practice - Legal Confidence - Formation of Customary Law Formation of General Practice In the Statute of the International Court of Justice is "international custom, as evidence of general practice accepted as law". As Confirmed by the ICJ in the Nicaragua case, custom is constituted by two elements, the objective one of "a general practice", and the subjective one "accepted as law", the so-called opinio juris. in the Continental Shelf (Libya v. Malta) case, the Court stated that the substance of customary international law must be "looked for primarily in the actual practice and opinio juris of States ".
https://w.atwiki.jp/aikawaharuka/pages/15.html
こんにちは!!! ここは留学生の生活をより豊かにするためのサイト、 留学生インフォメーション です!! みんなでつかっていきましょう^^ Hallo! This is imformation for student from abroad , the site which create better study abroad life. Feel ease to use it ^^
https://w.atwiki.jp/tuneyuki/pages/17.html
List-up available Haikyo-places. Oya Grand CenterModel Plan for 1-day trip Maya Kanko HotelModel Plan for 2-day trip Yamanaka Seishin Ryo Useful Links Oya Grand Center Information Tochigi, Utsunomiya-City, Oya栃木県宇都宮市大谷 Bus-stop Oya Kan-non(大谷観音) there are lots of Haikyo building around here. Route JR Ueno to Utsunomiya Bus "Dest 大谷・立岩" Backup-plan go to "Oya Stone Museum". Very close to "Oya Grand Center".http //www.oya909.co.jp/ Links http //www.michaeljohngrist.com/2009/05/yamamoto-grand-center-hotel-haikyo-tochigi/ http //www.eonet.ne.jp/~hiro1911/page025.html Model Plan for 1-day trip Term 7/20 - 8/31, use "JR Seishun 18 ticket"http //www.jreast.co.jp/e/pass/seishun18.html 2,300 yen for each person a day. Schedule 9 00AM JR Ueno StationGet on Local train to Utsunomiya. about 2hours. 11 30 JR Utsunomiya Station Eat Lunch around Utsunomiya StationChinese Dumplings are VERY famous!!! 12 30 Get the bus to "Oya Kan-non", takes 30 min.stay 4 or 5 hours there. 18 00 Back to Utsunomiya Station. 20 00 or later, Back to Ueno Station. Maya Kanko Hotel Information Kobe 34.727681,135.212747by google map. Route Ouji Kouen Station (王子公園駅)walk to north. (1km) Maya Cable-car Station (まやケーブル駅)go(walk) up to mountain. (1km) Niji Station (虹駅) it is next to Niji Station. Links http //discoverjunk.cool.ne.jp/haikyotop/mayakan2/ http //gnbenson.com/mayasan.html Model Plan for 2-day trip 1st day AM Shinkansen to Kobe PM Explore Kobe-City night stay hotel 2nd day 3 00AM start to climb mountain 4 00AM arrive at Maya Kanko Hotel1 hour explore inside 5 00AM sunrize1 more hour explore deep inside 6 00AM go back to kobe-city 7 00AM go somewhere (Osaka?) PM Shinkansen to Tokyo 20 00 or later, arrive at Tokyo station. Yamanaka Seishin Ryo Information Just close to Yamanaka Lake Links http //www.michaeljohngrist.com/2009/04/underground-vault-haikyo-yamanashi/ http //logicool2.blog116.fc2.com/blog-entry-272.html Useful Links http //tidepool.seesaa.net/category/7485599-1.htmlshe s been visiting Haikyo quite recently. http //home.f01.itscom.net/spiral/research.htmlLots of places on this page have already demolished, but photos are nice.
https://w.atwiki.jp/pjkyt/pages/18.html
What s this? I wrote a library that supports the graphic rendering using viewport. For Android developers, the regular way to access viewport is through the OpenGL ES. But it is mainly intended for 3D graphics. And it also means you have to learn OpenGL programming, which is quite different from that of Java graphics. I had tried to make life easier for the light-use of the viewport on Android. Viewport-and-window is a standard technique in the computer graphics. You define graphic objects in the virtual ground plane (world coordinate) and the set the window. When is perceived through this window is rendered in the viewport of the device screen. For further detail, please take a look at a web page like this. This video demonstrates what can be done with this library. You can download this example code from the link. Of course, this is a very simple example, mainly intended for serving sample code. You can do much more complex things building on this example. Download How to use The two key components are ViewportedView and DrawNode. ViewportedView provides the world coordinate while DrawNode represents the graphic objects therein. ViewportedView The application using ViewportedView will create its own View extending ViewportedView. Take a look at VpvExampleView.java in the download package to see how it is used. ViewportedView roughly provides three things. 1. Model for the ground plane and window 2. Window control based on the touch gestures 3. Notification of the touch gestures 1 is provided through DrawWindow class. ViewportedView instantiates one instance of DrawWindow as it is instantiated. DrawWindow maintains where in the world coordinate (we call it a ground plane) the window is and how large. It also provides the set of functions that translates coordinates between the ground plane and view port. 2 means the size and location of the window are updated in reaction of the touch gesture. As shown in the video, the screen slides to the right as finger swipes to the left. Since my Xperia doesn t support multi-touch, I couldn t implement the pinch zoom (though it should be easy to do so) 3 allows application use the touch gesture. The plain View detects more primitive touch events like up, down, and move. ViewportedView processes them and detects tap, press, slide, and flick. The application view gets this information by overriding onTouch() function. Normally, the slide and flick are consumed by ViewportedView for moving window. To use those gestures, the application must first call lockViewport(). DrawNode DrawNode is an abstract class representing the graphic object. It holds the coordinate / metric of the node and provides the draw method. For the sake of convenience, I m using the term node to refer graphic object. But this doesn t imply the node has to be a simple circular node like it is in the example. It maybe a text box. It may be a bitmap. Or, it may be a complex combination of shapes. It just needs to be implemented in the draw() function. In the download package, BubbleNode and CtrlNode are the example of such graphic objects extending DrawNode. BubbleNode implements the yellow nodes sitting around in the ground pane. Their location on the viewport depends on the window; therefore, they hold the ground plane coordinate (getX() will return the coordinate in the ground plane). See how the coordinate is converted in the draw() function. CtrlNode implements the zoom button on the bottom-right hand corner. Their location is fixed on the viewport; therefore, they hold the viewport coordinate (getX() will return the coordinate in the viewport). See how its draw() implementation differs from that of BubbleNode. In the ViewportedView example, BubbleNodes are stored in DrawNodeList while CtrlNodes are stored in the regular array. Besides proving a storage, DrawNodeList is able to create the list of nodes visible in the current window -- getNodesToDraw(). If the node is not visible (i.e. outside of the current window frame), there is no need to actually render that node. On the other hand, CtrlNode is a static object on the screen, which is anyway rendered all the time. And since it holds viewport coordinate, getNodesToDraw() won t work anyway. 名前 コメント すべてのコメントを見る
https://w.atwiki.jp/orange_sherbet/pages/29.html
Motivation Definition The desire to interact in with people, culture and language to which you may be new; the decision to step out of your comfort zone and the will to learn from any mistakes along the way. Explanation All ICU students have already demonstrated some kind of motivation. The OYR students came from other countries because they wanted to study in Japan. April and September students passed rigorous entrance exams because they chose to attend ICU, a school with an international atmosphere. Motivation is the most important factor in overcoming differences and barriers and creating friends outside one s native language/culture. Motivation allows you to continue learning even during setbacks, allows absorption of criticism and the ability to overcome of mistakes. Learning a new culture and meeting people in a new culture is often all about mistakes and learning, and without motivation, the setbacks can easily kill the energy required to interact in a new environment. With enough motivation, despite all the hardships of acculturation, you will never lose hope! Examples My friend in Canada, who is originally from Hong Kong, loves Japanese movies and cars. He has never studied in Japan, but his Japanese is very good because he learns from watching movies and he so eager to speak Japanese to Japanese people. His high level of motivation is because he loves Japanese movies and cars so much! Many people at ICU say they want to make friends with OYR students. However, when it comes down to actually going out and making friends, they are not very motivated. In order to make friends with OYRs, they would have to use their free time and put out effort that may result in embarressment. The potential outcome of making a friend is not worth the effort and the possiblity of being rejected. When approaching a new person, Japanese people worry too much about what could happen, what language to speak in, and weather or not their initial comments may be considered rude. And by the time they have thought of all these things to worry about, they have completely lost their motivation to meet the new person! Solution A little encouragement and motivation go a long way. Japanese language students need to find motivation to speak in Japanese even when everyone in the immediate environment, ICU, can speak English. For example, joining a club or finding a boyfriend/girlfriend where the activities/relationships are conducted in your foreign language are excellent motivating factors. As for Japanese students, they simply need to realize that the foreigners will not judge them and they do not have to worry about negative feedback. And in the even that they put out the effort to make friends with a new person but that person does not want to become freinds in return, Japaense students must realize this is not the end of world! They must not lose movtivation just based on one case, because if you keep trying, eventually all the effort will pay off and you will become good at getting to know foreigners. Edit this page
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【Tags Luka apol tW W】 Original Music Title Waiting For You Music and English lyrics written, Voice edited by apol Music arranged by apol Singer 巡音ルカ (Megurine Luka) Lyrics let me hold your hand for one last time don t worry I ll be just fine as long as you are here everything will be alright I would like to cherish this moment and let me feel your warm embrace suddenly my tears fell down and I started to cry thinking that soon you will leave and I can t even believe but I will promise I ll be waiting for you No matter how far you are you re always here in my heart I always feel like you are closer to me I always wish to the stars even we are miles apart I ll be here waiting for you always I just wanted to say if it is just okay if you could only stay I won t let you go away I just wanted to say if it is just okay if you could only stay I won t let you go away (I lied, I m sorry, I m not really fine, I always cry every night, I miss you so much, I hope it s alright to say I love you) again.. No matter how far you are you re always here in my heart I always feel like you are closer to me I always wish to the stars even we are miles apart I ll be here waiting for you always No matter how far you are you re always here in my heart I always feel like you are closer to me I always wish to the stars even we are miles apart I ll be here waiting for you always
https://w.atwiki.jp/proko_translation/pages/14.html
https //www.youtube.com/watch?v=pDgyQjNFVQk Introduction to Human Anatomy for Artists 0 02Things have changed since we last saw each other.. 前にあった時から事態が変わってるんだよ... 0 05 Hello there, My name is Stan Prokopenko. I ll be your instructor for this course on Anatomy of the Human Body.. for Artists.. こんにちは。Stan Prokopenkoです。 これからあなたに人体解剖学を教えていきます...芸術家のための... In this video I m gonna give you an overview of the course. このビデオで、私はこのコースの概略について説明します。 Why we study anatomy, what you ll learn from this course, and what s in the premium version of the course. なぜ解剖学を学ぶのか このコースであなたは何を学ぶのか、 そして、このコースの有料版についてです。 0 40First, let s examine why we should study anatomy.. 0 43Why? 最初になぜ解剖学を学ぶべきなのか考えてみましょう。 0 44 There should be no part of the body that is a mystery to you. あなたが知らない体のパーツが存在することは望ましくありません。 If it s a mystery, then you won t be able to draw it accurately without copying reference or just making up stuff that doesn t exist. もしその体のパーツについてあなたが無知ならば、 あなたは資料をコピーすることなしにそれを正確に描くことはできない、 もしくは この世に存在しないものを描くことになるでしょう。 With knowledge, you can design the body to make changes. 知識をもとにすれば、 好きなように変えることができます。 You can decide what to exaggerate, what to eliminate, or what to add that s not noticeable in the reference. どれを強調するか、どれを取り除くか決めることができ、 または資料では不明瞭なものを加えることができます。 1 08 When you re able to change your reference you are no longer a slave to the reference. 資料から変えられるようになったとき、 あなたはもはや資料の奴隷ではありません。 1 12 You can call on it when you need to. 資料には必要な時にあたれば良いし、 You can ask it for inspiration. 発想を得るために資料に当たればよいのです。 And you can create your own unique work of art that stays true to your vision and the story you re trying to tell. また、あなたの構想に忠実な唯一無二な作品や、 あなたが伝えようとしている物語を 作り出すことができます。 When an arm is up in your photo, but you need it to be down to create a better composition, you can do that. 写真の腕が上がっている時、 しかしより良い構図のために腕を下げたいと思ったら、 あなたそれができるのです。 When a leg of some figure is too busy with information, you can relax it and show just the major forms. 足の情報量が多すぎてうるさいなと思ったら、 ちょうどよく調整して、 さらに特徴的で主要な形を描写することができるのです。 You can show more structure in a figure that you want to feel more solid and heavy. もしあなたがもっと固いとか重そうとか感じたのなら、 あなたはそのように構造を描写できるのです。 You can create characters that don t exist in reality. あなたは現実に存在しないキャラクターを創造することができます。 You re not going to find a model that looks like the Hulk or a zombie. あなたは、ハルクやゾンビみたいな絵のモデルを見つけることはできないでしょう。 That has to be invented. よって一から作り上げる必要があります。 With a high level of understanding and some creativity you have the power to create whatever characters you want. 高い知識といくらかの創造性で あなたが望んだどんなキャラクターでも 作り上げる力を持てます。 2 00 And speaking of creativity, fluency allows you to be more creative. 創造性についていえば、流暢さはあなたに創造性を与えます。 You can tap into your vast knowledge base for ideas, to combine pieces of information in a new way. あなたは知識を利用できる、あなたの膨大な知識、アイデアのために、 組み合わせるために、知識のかけらを、新しいやり方で あなたは、情報パズルのピースを新しいやり方で組み合わせるために、 あなたの膨大な知識を利用することができます。 A fluent artist works quicker, creating a more natural, fluid creative process. 流暢な芸術家は素早く、より自然に流れるように創作できます。 2 18 But knowledge of anatomy doesn t only give you the ability to change reference or draw from imagination. しかし、解剖学の知識はあなたに 資料に変更を加え、または想像から創作するための 技術を与えるだけではありません。 It also helps to draw the body to feel natural. それはまた、自然に人体を描く助けになります。 To be believable and to feel alive. 真実味があって、生き生きした靭帯を描くために。 You can pick up on the subtleties that an untrained eye would miss. あなたは、訓練されていない目が見逃してしまうような、 繊細な要素を見出すことができます。 You understand what makes the body look the way it looks, so you know how to draw it to look that way. あなたは何が人体に見えるようにしているかを理解しているので、 どうやって描けば人体に見えるかを知っています。 2 42 If you have to rely on copying, you will misinterpret a lot of things. もし資料のコピーに頼っているのなら、 たくさんの間違った解釈をすることになるでしょう。 And you might not see a lot of things that are actually important. さらに、実際には大して重要ではないたくさんの要素を見る必要がなくなります。 If you don t know WHAT you re looking for, you probably won t find it… もしあなたが、いったい「何を」探しているのか知らないとしたら、 あなたはそれを見つけることができないでしょう... 2 55 You can poke people and name their muscles to make them feel awkward. あなたは人をつついて筋肉の名前を呼びあて気持ち悪がらせることができます。 「上腕二頭筋」 「大胸筋」 「大殿筋」 3 19Why study the skeleton, why not just surface forms? なぜ骨を学ぶのか? 表面だけではダメなのか? 3 22 I want to introduce you to someone very special, someone you ll be seeing a lot of in this anatomy course. ここで私は特別な人物、 このコースではよく見ることになる人物を紹介します。 please give it up for, Skellyyyyy!! 拍手をお願いします、Skelly君です!! 3 33 You ll notice in this course that I ll often go deep into the body, all the way down to the bones. あなたはこのコースで、私が体の深部、行きつくところの骨格に しょっちゅう言及していることに気づくでしょう。 Many newer students will wonder, why are we studying the bones? 多くの新しい生徒が、なぜ骨を学ばなければならないのかと疑問に思います。 I just want to draw the muscles.. 私はただ筋肉が描きたいだけなのに... The forms of the skeleton are very important because they re the foundation of the body. 骨の形は大変重要です。 なぜならば、それは人体の基盤になっているからです。 The bony landmarks help us track the muscles, as I showed in the Figure Drawing Course, and will show a lot more in this course. 骨ばった目印は筋肉を追いかけるのに役立ちます。 人物描写コースや、このコースで多くお見せすることになります。 4 02 The muscle are attached to the skeleton, so if you know the skeleton and where the muscles attach to the skeleton, the muscles become much easier to draw, paint and sculpt. 筋肉は骨にくっついているわけです。 よって、あなたが骨について知っていて、 さらに骨のどこに筋肉がくっついているか知っていれば、 筋肉を描いたり塗ったり彫像したりすることがより簡単になります。 4 15 The skeleton is also very consistent from person to person. また、骨格にはあまり個人差がありません。 Muscles and body fat composition can vary a lot between two body types, but we can rely on the skeleton to inform us of what we re seeing. 筋肉と脂肪の構造は、ある人体と別の人体ではたくさんの差異を生みます。 しかし、何を見ているか情報を得るために、骨格を頼りにできます。 A bodybuilder and a couch potato could have the same size skeleton. ボディービルダーとカウチポテトは同じ大きさの骨格を持っています。 4 33 So, the landmarks will be in the same spots, just filled in with very different stuff.. よって、目印は同じ個所に現れるので、 ただ違ったもので埋めるだけでよいのです。 4 40 Also, understanding the joints means you understand the motion of each joint. また、関節を理解しているということは、関節の動きを理解しているといえます。 And it will help you figure out how this motion affects the surface forms. また、関節を理解していると、関節の動きが表面の形にどのように影響しているかを 描き出す助けになるでしょう。 4 49 Please, don t skip the lessons on bones. どうか骨のレッスンを飛ばさないでください。 You ll just be left with a pile of meat. 一山の肉を残して終わることになるでしょう。 4 55What? 4 55What s the course all about? このコースは何のためのコース? 4 59So stan, what s this course all about? 5 03 As the title implies, this course is intended for artists. 題名が示す通り、このコースは芸術家のためのものです。 It s not meant to be a medical reference. 医学の資料を意味してはいません。 We will be hyper focusing on the parts of anatomy that an artist will need to know and ignoring the parts we don t need to know. 芸術家が知っておくべき解剖学に特に特化しており、 知らなくてもいいようなパーツは無視しています。 The deep muscles that don t affect the surface forms are of little interest to draftsmen, painters, sculptors or animators. 表面に影響を与えない深層筋肉に対して、 製図技師、画家、彫刻家、アニメーターは興味を持てないでしょう。 5 25Unless you re drawing a zombie… then maybe.. ゾンビでも描かない限り...たぶん... 5 28 2D diagram vs 3D forms 平面略図と立体形状 5 34 The body is constructed from many types of forms. 人体はいろいろな種類の構造物で構成されています。 Bones, tendons, ligaments, muscles, fat.. 骨、腱、靭帯、筋肉、脂肪... These forms overlap, insert under and wrap around each other.. これらの構造物は、包んだり、下に入り込んだり、互いに巻き込んだりしています。 the human body is a very complex system of layers. 人体は大変複雑な仕組みの積み重ねなのです。 And the volumes at the surface are also very complex. そして、人体の表面から確認できる体積というのもまた複雑なものです。 It s not enough to just study the front, back and side views you typically see in anatomy books. 典型的な解剖学の本で見られるような、 前後左右の模式図では不十分です。 5 59 Look at this group of simple forms. この簡単な構造が組み合わさった一群を見てみましょう。 From this angle it looks like this, and from another angle it looks like this.. この方向からはこのように見え、 別な方向からはこのように見えます。 The way these forms overlap each other appears very different, from different angles. このように互いに巻き付きあったような形に於いては 異なった視点からは大変異なって見えるのです。 To accurately draw the forms from any angle, you need to truly understand the forms and their relationship. 正確にあらゆる方向からある構造物を描こうとするなら、 あなたは構造物と構造物同士の関係を正確に知っている必要があります。 You can t just memorize the 2D contours.. ただ平面の輪郭線を覚えるだけでは不十分なのです。 6 24 The body is the same way. 人体も同じことです。 The muscles overlap each other in ways that when viewed from different angles, look very different. 筋肉は、異なる視点からみるとまるで違って見えるように 重なり合っています。 So, learning the 2-dimensional diagrams of the body is not good enough. よって、2次元平面の人体略図を学習することは、人体を理解するのに不十分なのです。 You need to have a 3-dimensional understanding of anatomy. あなたは三次元の解剖学を理解する必要があります。 In this course, I ll try to give you that a complete picture of the human body. このコースではあなたにそれを提供していきます。 完璧な人体の設計図を。 We ll look at the 2d diagrams, and then study the 3d forms of the muscles.. 二次元略図を見て、その後筋肉の三次元構造を勉強します。 We ll also look at the tracking from origin to insertion, layering of muscles, fat, and other tissues and most importantly how the muscles look when the body moves to various positions. 起始から付着までの追跡、 筋肉の重なり、脂肪、その他の組織、 そして最も重要なことですが、 人体がいろいろな体勢をとった時に筋肉が どのように見えるかを観察します。 It s great if you know the shape in the anatomical pose, but what does it look like when its flexed or stretched. 解剖学的体勢における形を知っていることは良いことですが、 しかし筋肉が伸びたり縮んだりした時の形も知らなければ 不十分です。 And finally, how does it all look like on the surface when you add skin over it. そしてついに、皮膚を骨、筋肉などにかぶせたとき、表面がどのように見えるか 観察します。 7 14 Course Structure コースの構造 7 18 Those of you who already visited the presale page, probably noticed that this course is split into 3 parts Torso, arms and legs. 先行販売ページを訪れた皆さんは このコースが3つの部分に分かれていることに気付いたと思います。 胴体、腕、足です。 Each part is going to be a thorough investigation of that portion of the body. それぞれのパートで、それぞれの人体の塊に対しての綿密な調査が行われます。 7 33 3D Model 3Dモデル 7 36 Each bone and muscle group we learn will be available as a 3D model for you to use right in your browser. これから学ぶそれぞれの筋肉と骨のグループは、 ブラウザで使用できる3Dモデルが用意される予定です。 After each lesson you can open up the 3d model and study it further. それぞれのレッスンのあと、3Dモデルを開き、さらに追加で学習できます。 7 47 Being able to spin it around and look at the muscles from any angle is helpful in truly understanding the 3d forms. 3Dモデルを回し、筋肉をあらゆる方向から眺めるのは 三次元構造を理解するのに大変助けになります。 7 55 Information taught 教われる内容 7 58 "So, what will I learn from this course?" 「このコースで何が学べるの?」 8 01 I ll teach you everything from the details of the deep muscles to the simplified blocky forms common to George Bridgman. 深いところにある筋肉の詳細から、 George Bridgmanと共通の単純化されたブロック形態まで すべて教えます。 How the layering of muscles looks like on the surface of a real person. 現実の人物の表面において 筋肉の重なりがどのように見えるか。 Cross sections to help you visualize the layering of the muscles. 筋肉の重なりを視覚化できる助けになる横断面図。 I ll present variations of body types. いろいろな体型を提供します。 Idealization, articulation and how movements changes muscle shapes, range of motion, function of the body as a machine and I ll show you how to actually draw the stuff.. 理想化、明確な表現、動作がどのように筋肉の形を変えるか、 可動領域、人体の機械的機能、 そして実際どのように描くかをお見せします。 8 33 Assignments and homework 課題と宿題 8 34 Ya that s right! There will be homework.. はい、宿題が出ます。 A variety of exercises to help you learn the information. 豊富な練習はあなたが情報を学ぶのに助けになるでしょう。 You can t learn anatomy just by listening to me talking about it. ただ私がしゃべっているの聞いているだけでは、 解剖学は学べません。 It s important to actually use the information while you are drawing. あなたが描くにあたって学んだことを実際に使うことが重要です。 Put in the effort by doing the assignments for each lesson. それぞれのレッスンの課題を行うことに努力しましょう。 Practice what you ve learned rather than binge watching all the lessons. ただ単にレッスンを眺めるのではなく、あなたが学んだことを練習しましょう。 The assignments are enjoyable anyway. ともかく課題は楽しいものです。 So, if you like drawing and you like learning, this should be a very rewarding course. よって、描くこと、学ぶことが好きならば、 このコースは価値あるものになるでしょう。 9 09 What you re working for あなたが取り組んでいるもの 9 13 I ve mentioned that studying anatomy is a long and difficult process. 解剖学を学ぶことは長く難しい過程だとこれまで言及してきました。 But men, it s so rewarding! しかし、とても価値のあるものです。 All that sweat and frustration is worth it. 汗やイライラはその価値があります。 Just look at some of the artwork that s done by artists that put in the time to master human anatomy! 人体解剖学に時間を費やしてきた芸術家たちが描いた 作品を見てみましょう! I find these incredibly inspiring. 私はこれらの作品から大変刺激を受けました。 As you come across artists like these, save them in a folder and use them as idols of what you re working for. あなたがこういった芸術家に出会ったら、 フォルダに保存して、あなたが取り組んでいる分野における崇拝の対象としましょう。 9 40 What s in Premium? 有料教材 9 43 As many of you know by now, I like to give away a lot of free lessons.. 皆さんご存知の通り、 私は皆さんにたくさんの無料のレッスンを提供するのが好きです。 It allows everyone to learn something, not just the people that can afford the full course. それによって、フルコースにお金を払う余裕のある人だけでなく すべての人が何かを学ぶことができます。 Every lesson in this Anatomy course will have free content and for those that want to continue learning, more in-depth lessons will be available by purchasing the full course at proko.com/anatomy 子の解剖学コースのすべてのレッスンは無料部分があり、 また、さらに学び続けたい人のために、 より深いレッスンをproko.com/anatomyで購入することによって 用意されています。 10 04 First, you ll get extended lessons. 第一に、レッスンの延長が得られます。 So, the videos will be longer, covering more information about each muscle and including more of the deeper muscles. ビデオがより長くなり、それぞれの筋肉のさらなる情報、 より深部の筋肉の情報も提供される予定です。 You ll get to see more examples and drawing demonstrations. 作例とドローイングの実演も見られるでしょう。 Cheat sheets and assignment answer videos. カンニングペーパーと課題の答えのビデオも見られるでしょう。 What I mean by answer videos is.. For each lesson I ll be giving out assignments. 回答のビデオとは... それぞれのレッスンで課題を出しています。 In the premium course, I will actually show you how to do the assignment so that you can check your work. 有料コースの中で、 あなたの課題への取り組みを確認するために 私が実際に課題をどのようにやるかをお見せします。 Another really big premium feature, as I ve already mentioned, is the 3d models right in your browser. 別の有料版の大きな特徴は、 すでに言いましたが、 ブラウザ上で動作する3Dモデルです。 These will help you study the anatomy further and it s a great aid for the assignments.. より解剖学を学ぶ助けになりますし、 課題の助けにもなります。 10 42 Wow stan.. That s awesome! I m totally ready to sign up for the Premium Course.. あら、これは素晴らしい。 早く有料版に登録したいわ... 10 49 Well then, go to proko.com/anatomy それではproko.com/anatomyにアクセスしてください。 10 51Credits If you like this video, share the wealth, 11 06tell your friends. Post it on your favorite social network. Click this button here to 11 14subscribe to the Proko newsletter 12 55if you want to be updated about new videos. Buh Bye!
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Procedure for Participation in Tournament Procedure for Participation in TournamentWhat’s Tournament? How to Transmit and Receive Data? How to Participate? What’s Tournament? The tournament is an event that each player gathers with their own team and fight for a championship. However it’s difficult that we actually gather to transmit and receive data, and there are few possibilities that the developer of CHE plans an event to us. So the tournaments begin under a form that someone of players hold it and that the others participate in it. How to Transmit and Receive Data? Fortunately for us, there is an official uploader managed directly by the developer. An organizer looks for participants with this uploader. Moreover an unofficial uploader is given to us by volunteers. How to Participate? When you participate in tournaments, you should CAREFULLY read notes about them. The following is an example of participation in a tournament. 1. Acquisition of SATLOKE’s Account You need to acquire previously an SATLOKE’s account before notice of tournaments because a man often gets pressed just before a deadline. If you access http //satloke.jp/en/index.php?l=english and register, you can use all the SATLOKE’s systems. In addition you should decide your owner name when you register so as to correspond with your player name used in CHE. You can always vary your owner name and player name. Please be carefull so as not to forget or lose your ID and password. Organizer’s Request We want you to vary a default player name “Player” in order to avoid confusion.Please name your player name as uniquely as possible. 2.Making Your Team You must prepare your team conforming to tournament’s regulations. Please name your OKEs. Moreover please name your team. Moreover please register your team’s emblem too. (The ranking table becomes beautiful.) Moreover please paste an emblem on your OKE as well. (The replay becomes attractive.) Lastly please set the locked or unlocked of your OKE’s software. 3.Saving Team Data Folder First, please save your team data the folder for saving in order to copy it into a PC. (In CHE you can.) Organizer’s Request We want you to vary a default file name “TEAM + number” in order to avoid confusion.Please name your file name as uniquely as possible. 4.Upload Team Data onto SATLOKE After you log in SATLOKE, please upload your team data according to a procedure. I think it good for you to previously upload your team data when you are busy just before a deadline. Please refer to the following if you don’t know how to connect PC to PSP or how to upload. http //satloke.jp/en/guide/index.html In addition if you attach SATLOKE tags to a template of tournament referring Explanation of SATLOKE tags(sorry, still untranslated), you can express your policy how you want to deal with your team as owner. In CHP a state that there is every time a debut man continued over 4 years. A state in CHE is similar to the state, tournaments is heating up due to them. Participation is more important than winning. It’s not too much to say that participation in tournaments is a main part of this game. Let’s participate without reserve!